![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/barbora-lungova.jpeg\")
Foto: Milo\u0161 Neuman<\/p>\nKdy\u017e Barbora Lungov\u00e1 chystala v\u00fdstavu pro\u00a0Hor\u00e1ckou galerii v\u00a0Nov\u00e9m M\u011bst\u011b na Morav\u011b, n\u011bkolik dn\u00ed se proch\u00e1zela tamn\u00edmi ulicemi. V\u0161\u00edmala si hlavn\u011b toho, kolik \u00fasil\u00ed lid\u00e9 vkl\u00e1daj\u00ed do zvelebov\u00e1n\u00ed ve\u0159ejn\u00e9ho prostoru a\u00a0vytv\u00e1\u0159en\u00ed neform\u00e1ln\u00edch zahr\u00e1dek.<\/p>\n
Okouzlily ji zde mok\u0159adn\u00ed lou\u010dka, meandruj\u00edc\u00ed potok Bezd\u011b\u010dka pod s\u00eddli\u0161t\u011bm nebo n\u011bkter\u00e9 miniaturn\u00ed zahrady. \u201eJedna pan\u00ed m\u00e1 ve svahu u\u00a0v\u011b\u017eov\u00e9ho domu zahr\u00e1dku s\u00a0pivo\u0148kami, r\u016f\u017eemi, rododendrony a\u00a0lavi\u010dkou. Vybudovala tu mal\u00fd z\u00e1zrak,\u201c popisuje m\u00edsto, kter\u00e9 se j\u00ed obzvl\u00e1\u0161\u0165 zal\u00edbilo.<\/p>\n
Post\u0159ehy z\u00a0obch\u016fzek Barbora Lungov\u00e1 p\u0159enesla do pastelov\u00fdch a\u00a0akvarelov\u00fdch kreseb a\u00a0tak\u00e9 do n\u011bkolika vide\u00ed, kter\u00e9 tvo\u0159\u00ed prvn\u00ed \u010d\u00e1st v\u00fdstavy v\u00a0Hor\u00e1ck\u00e9 galerii. Pod n\u00e1zvem Biofilie, biofobie a\u00a0touha zelen\u011b potrv\u00e1 do 20.\u00a0z\u00e1\u0159\u00ed.<\/p>\n
Ironie jako z\u00e1kladn\u00ed metoda<\/p>\n
Barbora Lungov\u00e1 vystudovala malbu na brn\u011bnsk\u00e9 Fakult\u011b v\u00fdtvarn\u00fdch um\u011bn\u00ed Vysok\u00e9ho u\u010den\u00ed technick\u00e9ho. Typick\u00e9 pro ni jsou barevn\u00e9 figurativn\u00ed obrazy, ve kter\u00fdch nabour\u00e1v\u00e1 spole\u010densk\u00e9 stereotypy a\u00a0ironicky zpracov\u00e1v\u00e1 t\u00e9mata, jako je mu\u017esk\u00e1 moc. Nap\u0159\u00edklad na jarn\u00ed kolektivn\u00ed v\u00fdstavu Terapie venkovem v\u00a0brn\u011bnsk\u00e9m Dom\u011b p\u00e1n\u016f z\u00a0Kun\u0161t\u00e1tu p\u0159isp\u011bla pl\u00e1tny zpochyb\u0148uj\u00edc\u00edmi venkovsk\u00e9 ritu\u00e1ly \u010di zvyklosti. Podobn\u00fd typ obraz\u016f zahrnuje druh\u00e1 \u010d\u00e1st novom\u011bstsk\u00e9 v\u00fdstavy.<\/p>\n
Ve star\u0161\u00ed s\u00e9rii obraz\u016f a\u00a0kresebn\u00fdch skic je na prvn\u00ed pohled rozeznateln\u00e1 inspirace filmem, kter\u00fd autorka spolu s\u00a0anglistikou studovala je\u0161t\u011b p\u0159ed vizu\u00e1ln\u00edm um\u011bn\u00edm. Nap\u0159\u00edklad na pl\u00e1tn\u011b Hello Kitty! z\u00a0roku 2019\u00a0se sama stylizuje do postavy, ji\u017e v\u00a0pozdn\u011b novovlnn\u00e9m filmu Ecce homo Homolka ztv\u00e1rnila Marie Motlov\u00e1.<\/p>\n
Foto: Milo\u0161 Neuman<\/p>\n
\u201eKdy\u017e jsem studovala malbu, \u010dasto jsem v\u00a0obrazech pracovala s\u00a0rodinn\u00fdm archivem. P\u0159i\u0161lo mi, \u017ee na\u0161e estetika se v\u00a0n\u011b\u010dem prol\u00edn\u00e1 s\u00a0rodinou Homolkov\u00fdch. Na nov\u00e9 vln\u011b m\u00e1m r\u00e1da satirickou str\u00e1nku v\u011bci, satira je pro m\u011b od dosp\u00edv\u00e1n\u00ed v\u00fd\u017eivov\u00fd materi\u00e1l a\u00a0ironick\u00fd koment\u00e1\u0159 vn\u00edm\u00e1m ve figurativn\u00ed malb\u011b jako z\u00e1kladn\u00ed metodu. A\u00a0tahle rozvalen\u00e1 Homolkov\u00e1 je mo\u017en\u00e1 moje alter ego,\u201c usm\u00edv\u00e1 se Barbora Lungov\u00e1.<\/p>\n
Na obraze Smutn\u00e1 pan\u00ed se zase objevuje motiv z\u00e1dum\u010div\u00e9 byrokratky zt\u011blesn\u011bn\u00e9 Stellou Z\u00e1zvorkovou, kter\u00e1 se o\u00a0hlavn\u00ed roli d\u011bl\u00ed s\u00a0kr\u00e1snou roztan\u010denou blond\u00fdnou.<\/p>\n
Je z\u00e1bavn\u00e9 zkoumat, do jak\u00fdch rol\u00ed Lungov\u00e1 sv\u00e9 hrdinky zasazuje a\u00a0v jak\u00e9m momentu dialogu s\u00a0mu\u017esk\u00fdm sv\u011btem je zachycuje. Kdo koho podp\u00edr\u00e1, kdy\u017e se klop\u00fdt\u00e1 z\u00a0temn\u00e9, klaustrofobn\u011b p\u016fsob\u00edc\u00ed m\u00edstnosti? Pro koho je na sv\u011bt\u011b slast? Co je s\u00edla, co \u010dir\u00e1 radost a\u00a0co jen p\u00f3za?<\/p>\n
I tyto ot\u00e1zky otev\u00edraj\u00ed mikrop\u0159\u00edb\u011bhy na obrazech a\u00a0kresb\u00e1ch um\u011blkyn\u011b, je\u017e coby dal\u0161\u00ed inspira\u010dn\u00ed zdroj zmi\u0148uje noirovou estetiku sn\u00edmk\u016f Alfreda Hitchcocka. \u201eOslovovala m\u011b na nich st\u00edsn\u011bnost, paranoia a\u00a0sadismus mu\u017esk\u00fdch protagonist\u016f. Je ale ot\u00e1zka – a\u00a0na odpov\u011bdi se neshodnou ani filmov\u00e9 teoreti\u010dky -, jestli Hitchcock sympatizoval sp\u00ed\u0161 se \u017eensk\u00fdmi, nebo s\u00a0mu\u017esk\u00fdmi postavami. T\u00edm jsou jeho filmy dodnes zaj\u00edmav\u00e9,\u201c uva\u017euje.<\/p>\n
Kdo je Barbora Lungov\u00e1<\/p>\n
\u2022 Narodila se roku 1977\u00a0v\u00a0Kyjov\u011b. Na konzervato\u0159i v\u00a0Brn\u011b studovala hru na fagot, na Masarykov\u011b univerzit\u011b anglistiku a\u00a0filmovou v\u011bdu, na Fakult\u011b v\u00fdtvarn\u00e9ho um\u011bn\u00ed Vysok\u00e9ho u\u010den\u00ed technick\u00e9ho pak malbu v\u00a0ateli\u00e9ru Ji\u0159\u00edho Na\u010deradsk\u00e9ho. Rok str\u00e1vila na studi\u00edch um\u011bn\u00ed v\u00a0Americe.<\/p>\n
\u2022 Dizerta\u010dn\u00ed pr\u00e1ci s\u00a0n\u00e1zvem Dobr\u00fd feti\u0161ismus obh\u00e1jila letos v\u00a0\u010dervnu na bratislavsk\u00e9 Vysok\u00e9 \u0161kole v\u00fdtvarn\u00fdch umen\u00ed. Na brn\u011bnsk\u00e9 FaVU VUT vyu\u010duje angli\u010dtinu a\u00a0teorii um\u011bn\u00ed.<\/p>\n
\u2022 V\u00a0roce 2025\u00a0se stala jednou z\u00a0laure\u00e1tek Ceny Jind\u0159icha Chalupeck\u00e9ho. Posledn\u00ed dobou se v\u011bnuje ekologick\u00fdm t\u00e9mat\u016fm nebo\u00a0takzvan\u00e9mu kritick\u00e9mu zahradni\u010den\u00ed. Kousek od Kyjova vybudovala Duhovou zahradu coby poctu queer men\u0161in\u00e1m.<\/p>\n
\u2022 Pod\u00edlela se na publikaci Hled\u00e1n\u00ed \u0161lapanick\u00e9 v\u00edry o\u00a0\u0161lechtitelsk\u00e9 pr\u00e1ci zahradn\u00edch chryzant\u00e9m Jana Dvo\u0159\u00e1ka ze\u00a0\u0160lapanic. Jej\u00ed kniha Kv\u011btomluva aneb Intimn\u00ed rozpravy z\u00a0lesbick\u00e9ho \u017eivota a\u00a0n\u011bkolika zahrad skrze kosatce zachycuje rozhovory s\u00a0partnerkou Tamarou Conde.<\/p>\n
\u2022 V\u00a0sou\u010dasn\u00e9 dob\u011b chyst\u00e1 kolektivn\u00ed monografii projektu Partyz\u00e1nky s\u00a0moty\u010dkou, kter\u00fd mapuje spont\u00e1nn\u00ed zahradni\u010den\u00ed ve ve\u0159ejn\u00e9m prostoru.<\/p>\n
Ide\u00e1ln\u00ed podm\u00ednky pro \u017eivot<\/p>\n
Figur\u00e1ln\u00ed a\u00a0\u201ezahradn\u00ed\u201c \u010d\u00e1st v\u00fdstavy spolu sice tematicky nesouvis\u00ed, rostliny a\u00a0kv\u011btiny ale v\u00a0pojet\u00ed Barbory Lungov\u00e9 \u010dasto p\u016fsob\u00ed stejn\u011b \u017eivotn\u011b jako lidsk\u00e9 postavy. N\u00e1zev v\u00fdstavy Biofilie, biofobie a\u00a0touha zelen\u011b lze tedy \u010d\u00edst jako spole\u010dn\u00fd jmenovatel t\u00e9mat, kter\u00fdm se autorka dlouhodob\u011b v\u011bnuje.<\/p>\n
Biofilie ozna\u010duje my\u0161lenku, podle n\u00ed\u017e je lidem vlastn\u00ed touha obklopovat se dal\u0161\u00edmi formami \u017eivota. \u201eBiofobie je pak moje slovn\u00ed h\u0159\u00ed\u010dka. Odkazuji p\u0159es ni k\u00a0necitliv\u00fdm urbanistick\u00fdm projekt\u016fm a\u00a0obecn\u011b k\u00a0chov\u00e1n\u00ed n\u011bkter\u00fdch lid\u00ed, kte\u0159\u00ed nap\u0159\u00edklad nesnesou, kdy\u017e jim na podzim spad\u00e1 na zahradu list\u00ed. Touha zelen\u011b pak reaguje na sou\u010dasn\u00e9 poznatky neurobiologie, \u017ee rostliny maj\u00ed smysly a\u00a0stejn\u011b jako lid\u00e9 tou\u017e\u00ed po ide\u00e1ln\u00edch podm\u00ednk\u00e1ch pro \u017eivot,\u201c vysv\u011btluje Barbora Lungov\u00e1.<\/p>\n
![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/07\/1785081969_773_barbora-lungova.jpeg\")
Foto: Profimedia.cz<\/p>\n
Barbora Lungov\u00e1 se vloni stala jednou z\u00a0laure\u00e1tek Chalupeck\u00e9ho ceny. Na fotografii z\u00a0tehdej\u0161\u00ed p\u0159ehl\u00eddky laure\u00e1t\u016f p\u00f3zuje se svou knihou.<\/p>\n
Jedn\u00edm z\u00a0takov\u00fdch dobr\u00fdch m\u00edst pro \u017eivot je pro ni vlastn\u00ed Duhov\u00e1 zahrada v\u00a0Kamen\u00edk\u00e1ch u\u00a0Kyjova. Um\u011blkyn\u011b ji za\u010dala tvo\u0159it na po\u010d\u00e1tku covidov\u00e9 pandemie na n\u011bkdej\u0161\u00edm u\u017eitkov\u00e9m poli kousek od Bor\u0161ovsk\u00fdch luk. Tehdy ji zaujaly kosatce, kter\u00e9 rostly na tamn\u00edch opu\u0161t\u011bn\u00fdch vinohradech. Z\u00e1hy zjistila, \u017ee existuj\u00ed desetitis\u00edce druh\u016f, a\u00a0kdy\u017e se do kosatc\u016f pono\u0159ila je\u0161t\u011b detailn\u011bji, ohromila ji jejich jm\u00e9na. Mnoho jich ve sv\u00fdch n\u00e1zvech nese slovo \u201egay\u201c, co\u017e v\u00a0p\u016fvodn\u00edm v\u00fdznamu \u201evesel\u00fd\u201c nebo \u201eh\u00fd\u0159\u00edc\u00ed barvami\u201c.<\/p>\n
Lungov\u00e1 se rozhodla na p\u016fvodn\u011b hol\u00e9m orani\u0161ti zalo\u017eit takzvanou konceptu\u00e1ln\u00ed zahradu. Os\u00e1zela ji kosatci uspo\u0159\u00e1dan\u00fdmi do tematick\u00fdch shluk\u016f pr\u00e1v\u011b podle n\u00e1zv\u016f. V\u00a0z\u00e1honc\u00edch se tak daj\u00ed skrz jednotliv\u00e9 odr\u016fdy dohledat dokonce i\u00a0b\u00e1sn\u011b v\u011bnovan\u00e9 Lungov\u00e9 partnerce. I\u00a0n\u00e1klonnost k\u00a0\u017een\u00e1m, kterou si naplno uv\u011bdomila a\u017e po \u010dty\u0159ic\u00edtce, je dnes d\u016fle\u017eitou sou\u010d\u00e1st\u00ed jej\u00ed tvorby.<\/p>\n
P\u0159\u00edb\u011bh Duhov\u00e9 zahrady v\u00a0Kamen\u00edk\u00e1ch, zpracovan\u00fd do ru\u010dn\u011b malovan\u00e9 a\u00a0krasopisn\u011b psan\u00e9 knihy, si mohou prohl\u00e9dnout i\u00a0n\u00e1v\u0161t\u011bvn\u00edci v\u00fdstavy v\u00a0Hor\u00e1ck\u00e9 galerii\u00a0– p\u011bkn\u011b z\u00a0k\u0159esla a\u00a0v b\u00edl\u00fdch rukavi\u010dk\u00e1ch. Kn\u00ed\u017eka je protkan\u00e1 syt\u011b barevn\u00fdmi kosatci, chryzant\u00e9mami, r\u016f\u017eemi, kombinacemi kv\u011btin, detailn\u00edmi studiemi hmyzu a\u00a0pt\u00e1k\u016f i\u00a0lehce melancholick\u00fdmi skicami p\u0159\u00edrody. D\u00e1 se \u010d\u00edst tak\u00e9 jako den\u00edk: \u201eV l\u00e9t\u011b roz\u0161i\u0159uji dal\u0161\u00ed z\u00e1hony. Jednotliv\u00e9 rostliny a\u00a0jejich m\u00edsta v\u00a0z\u00e1honech zab\u00edraj\u00ed moji imaginaci i\u00a0v noci, kdy kv\u016fli nim nemohu sp\u00e1t,\u201c p\u00ed\u0161e tu autorka.<\/p>\n
Dal\u0161\u00ed kresby a\u00a0malby budou na v\u00fdstav\u011b v\u00a0Hor\u00e1ck\u00e9 galerii p\u0159es l\u00e9to p\u0159ib\u00fdvat, autorka se toti\u017e do Nov\u00e9ho M\u011bsta na Morav\u011b o\u00a0pr\u00e1zdnin\u00e1ch vr\u00e1tila. Co ji v\u00a0ulic\u00edch a\u00a0zahrad\u00e1ch zaujalo, n\u00e1v\u0161t\u011bvn\u00edci uvid\u00ed na derni\u00e9\u0159e 20.\u00a0z\u00e1\u0159\u00ed.<\/p>\n
V\u00fdstava: Barbora Lungov\u00e1\u00a0\u2013 Biofilie, biofobie a\u00a0touha zelen\u011b<\/p>\n
Hor\u00e1ck\u00e1 galerie, Nov\u00e9 M\u011bsto na Morav\u011b, do 20.\u00a0z\u00e1\u0159\u00ed 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Kdy\u017e Barbora Lungov\u00e1 chystala v\u00fdstavu pro\u00a0Hor\u00e1ckou galerii v\u00a0Nov\u00e9m M\u011bst\u011b na Morav\u011b, n\u011bkolik dn\u00ed se proch\u00e1zela tamn\u00edmi ulicemi. V\u0161\u00edmala…\n","protected":false},"author":2,"featured_media":159109,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[40013,79,40014,91,1450,80],"class_list":["post-159108","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-barbora-lungova","tag-entertainment","tag-horacka-galerie","tag-vystavy","tag-vytvarne-umeni","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116987139832176351","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/159108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=159108"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/159108\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/159109"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=159108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=159108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=159108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}