{"id":164293,"date":"2026-07-31T14:37:20","date_gmt":"2026-07-31T14:37:20","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/164293\/"},"modified":"2026-07-31T14:37:20","modified_gmt":"2026-07-31T14:37:20","slug":"recenze-ozilo-dilo-z-ucebnic-zelenkova-hra-nabizi-vhled-do-barokniho-divadla","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/164293\/","title":{"rendered":"Recenze: O\u017eilo d\u00edlo z\u00a0u\u010debnic. Zelenkova hra nab\u00edz\u00ed vhled do barokn\u00edho divadla"},"content":{"rendered":"

Ka\u017ed\u00fd student hudebn\u00ed historie se o\u00a0n\u00ed u\u010d\u00ed, a\u017e do konce minul\u00e9ho mil\u00e9nia ji ale m\u00e1lokdo sly\u0161el. Korunova\u010dn\u00ed hru Sub olea pacis et palma virtutis si u\u00a0\u010desk\u00e9ho barokn\u00edho velik\u00e1na Jana Dismase Zelenky objednali pra\u017e\u0161t\u00ed jezuit\u00e9 pro slavnosti, kter\u00fdmi v\u00a0z\u00e1\u0159\u00ed 1723\u00a0kulminoval proces korunovace: Rakousk\u00fd c\u00edsa\u0159 Karel VI. a\u00a0jeho\u00a0man\u017eelka Al\u017eb\u011bta Krist\u00fdna p\u0159ijali v\u00a0Praze korunu \u010cesk\u00e9ho kr\u00e1lovstv\u00ed.<\/p>\n

V roce 1997\u00a0hru na sv\u011btlo vyt\u00e1hl dirigent a\u00a0um\u011bleck\u00fd \u0161\u00e9f souboru Musica Florea Marek \u0160tryncl, kter\u00fd ji uvedl v\u00a0koncertn\u00ed verzi. O\u00a0t\u0159i roky pozd\u011bji dal tent\u00fd\u017e ans\u00e1mbl se s\u00f3listy a\u00a0chlapeck\u00fdm sborem Boni Pueri zaz\u00e1\u0159it Zelenkov\u011b partitu\u0159e v\u00a0posv\u00e1tn\u00e9m prostoru Vladislavsk\u00e9ho s\u00e1lu Pra\u017esk\u00e9ho hradu, polosc\u00e9nicky a\u00a0s\u00a0kost\u00fdmy.<\/p>\n

Pot\u0159et\u00ed Marek \u0160tryncl s\u00a0Floreou vstoupil do stejn\u00e9 \u0159eky nyn\u00ed v\u00a0pra\u017esk\u00e9m Studiu Hrdin\u016f. V\u00a0podzem\u00ed Veletr\u017en\u00edho pal\u00e1ce zazn\u011bla tuto st\u0159edu a\u00a0znovu ve \u010dtvrtek.<\/p>\n

\u017de div\u00e1ci, kte\u0159\u00ed ob\u011b pra\u017esk\u00e1 p\u0159edstaven\u00ed vyprodali, nep\u0159i\u0161li na operu, zd\u016fraznil dirigent hned v\u00a0\u00favodn\u00edm proslovu. D\u00edlo, jeho\u017e cel\u00fd barokn\u011b ko\u0161at\u00fd n\u00e1zev zn\u00ed Sub olea pacis et palma virtutis conspicua orbi regia Bohemiae corona, v\u00a0p\u0159ekladu Kr\u00e1lovsk\u00e1 koruna \u010desk\u00e1 zjeven\u00e1 sv\u011btu pod olivou m\u00edru a\u00a0palmou ctnosti, je v\u00a0origin\u00e1le ozna\u010deno jako melodrama o\u00a0svat\u00e9m V\u00e1clavovi. Hudba tvo\u0159\u00ed jen jednu slo\u017eku, stejn\u011b podstatn\u00e1 je hereck\u00e1 akce a\u00a0tanec. A\u00a0celek barokn\u00edho gesamtkunstwerku dopl\u0148uje vizu\u00e1ln\u00ed str\u00e1nka\u00a0\u2013 sc\u00e9na, rekvizity, kost\u00fdmy.<\/p>\n

Pro\u010d tv\u016frci zvolili prostor, kter\u00fd slu\u0161\u00ed sp\u00ed\u0161e alternativn\u00edmu divadlu, bylo asi to prvn\u00ed, co ka\u017ed\u00e9ho napadlo. D\u00e1vn\u00e1 premi\u00e9ra se odehr\u00e1la v\u00a0Klementinu, kter\u00e9 b\u00fdvalo jezuitskou kolej\u00ed. Lze si p\u0159edstavit, \u017ee tak\u00e9 v\u00a0dne\u0161n\u00ed N\u00e1rodn\u00ed knihovn\u011b by se vhodn\u00fd prostor na\u0161el. Po\u0159adatel\u00e9 to vysv\u011btluj\u00ed pragmaticky\u00a0\u2013 Klementinum se chyst\u00e1 na rekonstrukci a\u00a0vzhledem k\u00a0tomu, \u017ee nejde o\u00a0regul\u00e9rn\u00ed opern\u00ed p\u0159edstaven\u00ed, m\u016f\u017ee se v \u201eokno do minulosti\u201c prom\u011bnit libovoln\u00fd prostor.<\/p>\n

Foto: Petr Dyrc<\/p>\n

P\u016fvodn\u00ed d\u011bji\u0161t\u011b nicm\u00e9n\u011b p\u0159ipomn\u011bl alespo\u0148 zadn\u00ed prospekt s\u00a0fas\u00e1dou Klementina do K\u0159i\u017eovnick\u00e9 ulice, tak jak vypadala na dobov\u00fdch grafik\u00e1ch. P\u0159ed n\u00ed se odehr\u00e1val \u201ed\u011bj\u201c\u00a0\u2013 sp\u00ed\u0161e sled \u017eiv\u00fdch obraz\u016f\u00a0\u2013 a\u00a0tane\u010dn\u00ed \u010d\u00edsla, orchestr byl um\u00edst\u011bn vlevo od p\u00f3dia a\u00a0sbor st\u00e1l takzvan\u011b na bid\u00fdlku.<\/p>\n

Melodrama o\u00a0svat\u00e9m V\u00e1clavovi je alegori\u00ed, postr\u00e1d\u00e1 tedy dramatick\u00fd v\u00fdvoj a\u00a0velk\u00e9 lidsk\u00e9 v\u00e1\u0161n\u011b, na jak\u00e9 jsme zvykl\u00ed nejen z\u00a0barokn\u00ed opery. M\u00edsto toho zde vystupuj\u00ed personifikace ctnost\u00ed jako V\u00edra, St\u00e1lost \u010di Spravedlnost a\u00a0tak\u00e9 panovn\u00edci\u00a0\u2013 c\u00edsa\u0159 Oto I. a\u00a0V\u00e1clav. Pot\u00e9, co vyjdou najevo v\u0161echny klady \u010desk\u00e9ho patrona, se pom\u011brn\u011b slo\u017eit\u00fdm zp\u016fsobem dosp\u011bje k\u00a0point\u011b: ospravedln\u011bn\u00ed n\u00e1roku Habsburka Ferdinanda I. na \u010desk\u00fd tr\u016fn v\u00a0roce 1526.<\/p>\n

Proto\u017ee premi\u00e9\u0159e v\u00a0roce 1723\u00a0p\u0159ihl\u00ed\u017eel c\u00edsa\u0159 a\u00a0\u010derstv\u00fd \u010desk\u00fd kr\u00e1l Karel VI., obrac\u00ed se text jezuitsk\u00e9ho u\u010ditele r\u00e9toriky Matou\u0161e Zilla p\u0159\u00edmo k\u00a0n\u011bmu, veleb\u00ed jeho ctnosti a\u00a0oslavuje ho coby pr\u00e1voplatn\u00e9ho d\u011bdice tr\u016fnu.<\/p>\n

Dobov\u00e9 publikum m\u011blo jinou mentalitu, symbol\u016fm a\u00a0alegori\u00edm rozum\u011blo jako p\u0159irozen\u00e9mu jazyku, uneslo n\u00e1lo\u017e patosu a\u00a0afektu, kter\u00e1 je naopak pro dne\u0161n\u00ed div\u00e1ky p\u0159\u00edli\u0161 velk\u00e1. Jeden z\u00a0odch\u00e1zej\u00edc\u00edch n\u00e1v\u0161t\u011bvn\u00edk\u016f to ve st\u0159edu ozna\u010dil slovem \u201epatol\u00edzalstv\u00ed\u201c. \u010c\u00edm\u017e ov\u0161em vystihl podstatu \u017e\u00e1nru holdovac\u00ed hry.<\/p>\n

<\/a><\/p>\n

Hr\u00e1lo se v\u00a0p\u016fvodn\u00ed latin\u011b, div\u00e1k m\u011bl k\u00a0dispozici \u010desk\u00e9 titulky. \u0160lo o\u00a0vz\u00e1cnou p\u0159\u00edle\u017eitost, proto\u017ee krom\u011b liturgick\u00e9 hudby se \u010dlov\u011bk s\u00a0t\u00edmto mrtv\u00fdm prajazykem z\u0159\u00eddkakdy potk\u00e1. Spolu\u00fa\u010dinkuj\u00edc\u00ed Divadeln\u00ed spolek Lauriger se zam\u011b\u0159uje na latinsk\u00e9 n\u00e1bo\u017eensk\u00e9 divadlo, p\u0159esto n\u011bkter\u00fdm herc\u016fm plynula latinsk\u00e1 deklamace z\u00a0\u00fast zp\u011bvn\u011b a\u00a0s\u00a0n\u00e1le\u017eit\u00fdm rytmem, jin\u00fdm \u0161la od pusy o\u00a0n\u011bco nam\u00e1hav\u011bji. <\/p>\n

Re\u017eis\u00e9rky Kate\u0159ina Bobkov\u00e1-Valentov\u00e1 a\u00a0Hana Sla\u010d\u00e1lkov\u00e1 postavily inscenaci na kontrastu: Statick\u00e9 hereck\u00e9 v\u00fdstupy, ony \u017eiv\u00e9 obrazy, kter\u00e9 d\u00edky gest\u016fm a\u00a0kost\u00fdm\u016fm p\u0159ipom\u00ednaly o\u017eivlou n\u00e1stropn\u00ed fresku, \u00fa\u010deln\u011b rozb\u00edjely tane\u010dn\u00ed vlo\u017eky obstaran\u00e9 soubory Impudici a\u00a0Baroque Balance, respektuj\u00edc\u00ed barokn\u00ed zp\u016fsob projevu.<\/p>\n

A pak je zde hudba. Virtu\u00f3zn\u00ed, umn\u011b pracuj\u00edc\u00ed s\u00a0kontrapunktem i\u00a0afekty, psan\u00e1 pro nejlep\u0161\u00ed hudebn\u00edky sv\u00e9 doby. Geni\u00e1ln\u00ed autor Jan Dismas Zelenka byl podle dirigenta \u0160tryncla mo\u017en\u00e1 dokonce o\u00a0chlup lep\u0161\u00ed ne\u017e Johann Sebastian Bach\u00a0\u2013 \u0159emeslo ovl\u00e1dal stejn\u011b bravurn\u011b a\u00a0neb\u00e1l se experimentovat. Hudebn\u00ed \u010d\u00edsla jsou skute\u010dn\u011b z\u00a0cel\u00e9 hry t\u00edm nejp\u016fsobiv\u011bj\u0161\u00edm. \u0160koda \u017ee v\u00a0prostoru Studia Hrdin\u016f nevynikla tak, jak by zaslou\u017eila. <\/p>\n

Such\u00e1 akustika, se kterou se ucho zpo\u010d\u00e1tku muselo poprat, dojmu neposlou\u017eila. Nav\u00edc podle dobov\u00fdch z\u00e1znam\u016f \u00fa\u010dinkovalo v\u00a0prvn\u00edm p\u0159edstaven\u00ed na 150\u00a0lid\u00ed, to znamen\u00e1, \u017ee obsazen\u00ed orchestru a\u00a0sboru bylo v\u00a0porovn\u00e1n\u00ed s\u00a0dne\u0161kem minim\u00e1ln\u011b dvojn\u00e1sobn\u00e9. <\/p>\n

Triumf\u00e1ln\u00ed sborov\u00e9 sc\u00e9ny doprov\u00e1zen\u00e9 fanf\u00e1rami trubek a\u00a0polnic musely na toho, kdo sly\u0161el premi\u00e9ru s\u00a0autorem v\u00a0\u010dele, mimo\u0159\u00e1dn\u011b zap\u016fsobit. Maj\u00ed potenci\u00e1l ohromit i\u00a0dne\u0161n\u00edho poslucha\u010de, sou\u010dasn\u00e9 proveden\u00ed ho v\u0161ak naplnilo jen \u010d\u00e1ste\u010dn\u011b.<\/p>\n

P\u0159esto je skv\u011bl\u00e9, \u017ee se tv\u016frci do inscenace pustili, \u017ee si osvojili specifickou gestiku, memorovali dlouh\u00e9 latinsk\u00e9 promluvy, nastudovali obt\u00ed\u017en\u00e9 party a\u00a0\u00e1rie. Poskytli t\u00edm cenn\u00fd vhled do estetiky barokn\u00edho divadeln\u00edho z\u00e1\u017eitku.<\/p>\n

Koncert: Musica Florea\u00a0\u2013 Sub olea pacis et palma virtutis<\/p>\n

Po\u0159adatel: Musica Florea<\/p>\n

Studio Hrdin\u016f, Praha, 29.\u00a0a\u00a030.\u00a0\u010dervence 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Ka\u017ed\u00fd student hudebn\u00ed historie se o\u00a0n\u00ed u\u010d\u00ed, a\u017e do konce minul\u00e9ho mil\u00e9nia ji ale m\u00e1lokdo sly\u0161el. Korunova\u010dn\u00ed hru…\n","protected":false},"author":2,"featured_media":164294,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[15867,79,37354,1429,37355,37356,1430,1334,80],"class_list":["post-164293","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-baroko","tag-entertainment","tag-jan-dismas-zelenka","tag-klasicka-hudba","tag-marek-stryncl","tag-musica-florea","tag-operni-recenze","tag-recenze-koncertu","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117015101253810048","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/164293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=164293"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/164293\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/164294"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=164293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=164293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=164293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}