![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/08\/anezka-burdova.jpeg\")
Foto: Kira Tripulska<\/p>\nA u\u017e t\u0159in\u00e1ct let v\u00a0Praze uv\u00e1d\u00ed inscenace, v\u00a0nich\u017e spojuje z\u00e1bavnost s\u00a0v\u00e1\u017en\u011bj\u0161\u00edmi my\u0161lenkami. Nyn\u00ed p\u0159ich\u00e1z\u00ed s\u00a0titulem Jak je d\u016fle\u017eit\u00e9 m\u00edti\u2026 Oscara, v\u00a0n\u011bm\u017e zn\u00e1mou komedii prol\u00ednaj\u00ed \u017eivotn\u00ed osudy jej\u00edho autora Oscara Wildea. Obsadila ji mlad\u00fdmi herci a\u00a0here\u010dkami. Pov\u00eddala jsem si se dv\u011bma z\u00a0nich. Ob\u011b jsou z\u00a0hereck\u00fdch rodin. <\/p>\n
Valent\u00fdna Vojtkov\u00e1 je dcerou Sabiny Laurinov\u00e9 a\u00a0Josefa Vojtka a\u00a0vnu\u010dkou ned\u00e1vno zesnul\u00e9ho re\u017eis\u00e9ra Franti\u0161ka Laurina. Ane\u017eka Burdov\u00e1 je vnu\u010dkou obl\u00edben\u00e9ho herce Josefa Dvo\u0159\u00e1ka. Ob\u011b na podzim vstoup\u00ed do posledn\u00edho ro\u010dn\u00edku studia herectv\u00ed na pra\u017esk\u00e9 DAMU.<\/p>\n
Jak jste p\u0159i\u0161ly k\u00a0Mariann\u011b Arzumanov\u00e9 a\u00a0Divadlu MA?<\/p>\n
Burdov\u00e1: Marianna nav\u0161t\u011bvovala od prvn\u00edho ro\u010dn\u00edku na\u0161e hereck\u00e9 klauzury na DAMU a\u00a0po Bratrech Karamazov\u00fdch mn\u011b a\u00a0m\u00fdm spolu\u017e\u00e1k\u016fm nab\u00eddla \u00fa\u010dinkov\u00e1n\u00ed v\u00a0inscenaci B\u00fdt Marlene Dietrich. Byla to dost velk\u00e1 j\u00edzda, m\u011bli jsme jen deset zkou\u0161ek, ale p\u0159esto se to povedlo a\u00a0Marianna n\u00e1m nab\u00eddla dal\u0161\u00ed spolupr\u00e1ci. Vzala n\u00e1s do Lond\u00fdna, kde jsme se sna\u017eili nas\u00e1t anglick\u00e9ho ducha, vid\u011bli jsme \u010dinohern\u00ed i\u00a0muzik\u00e1lov\u00e1 p\u0159edstaven\u00ed a\u00a0vyplynula z\u00a0toho pr\u00e1ce na jej\u00ed adaptaci hry Oscara Wildea. <\/p>\n
Vojtkov\u00e1: Pro m\u011b je to prvn\u00ed spolupr\u00e1ce s\u00a0Divadlem MA a\u00a0p\u0159i\u0161la jsem k\u00a0n\u00ed vlastn\u011b n\u00e1hodou. Zrovna jsme slavili m\u00e9 narozeniny na st\u0159e\u0161e DAMU, kdy\u017e mi p\u0159i\u0161la esemeska, \u017ee z\u00a0obsazen\u00ed Oscara vypadla jedna here\u010dka, a\u00a0jestli bych m\u011bla z\u00e1jem se inscenace z\u00fa\u010dastnit. Se\u0161ly jsme se s\u00a0Mariannou, vyklubala se z\u00a0toho prvn\u00ed \u010dten\u00e1 zkou\u0161ka a\u00a0tak n\u011bjak p\u0159irozen\u011b jsem do t\u00e9 party vplynula. <\/p>\n
Ane\u017eko, vy u\u017e druh\u00fdm rokem hrajete jednu ze t\u0159\u00ed podob Marlene Dietrich ve v\u00fd\u0161e zm\u00edn\u011bn\u00e9 inscenaci. Co v\u00e1s na spolupr\u00e1ci s\u00a0Mariannou Arzumanovou bav\u00ed? <\/p>\n
Burdov\u00e1: Mariana je hodn\u011b temperamentn\u00ed, projevuje emoce a\u00a0spolupr\u00e1ce s\u00a0n\u00ed je intenzivn\u00ed. Ten p\u0159\u00edval energie m\u011b moc bav\u00ed a\u00a0z\u00e1rove\u0148 se ho ob\u010das i\u00a0trochu lek\u00e1m. B\u011bhem zkou\u0161en\u00ed Marlene mi do\u0161lo, jak jsou si s\u00a0Mariannou podobn\u00e9, ob\u011b jsou detailistky a\u00a0perfekcionistky. Mariana m\u00e1 svou re\u017eis\u00e9rskou p\u0159edstavu, ale neboj\u00ed se nechat herci volnost. Vy\u017eaduje, aby herec v\u0161emu absolutn\u011b rozum\u011bl, vn\u00edm\u00e1 n\u00e1s ka\u017ed\u00e9ho jako jednotlivce, zn\u00e1 na\u0161e siln\u00e9 i\u00a0slab\u00e9 str\u00e1nky a\u00a0dovede s\u00a0nimi pracovat. To je pro n\u00e1s ve f\u00e1zi, kdy je\u0161t\u011b studujeme, hodn\u011b d\u016fle\u017eit\u00e9.<\/p>\n
Vojtkov\u00e1: Je to velmi osobn\u00ed zkou\u0161en\u00ed. Jak \u0159ekla Ane\u017eka, Marianna m\u00e1 svou p\u0159edstavu, ale d\u00e1v\u00e1 prostor dialogu a\u00a0diskusi o\u00a0tom, co vznik\u00e1. Pro m\u011b to byla moc cenn\u00e1 zku\u0161enost.<\/p>\n
Co od re\u017eis\u00e9ra obecn\u011b o\u010dek\u00e1v\u00e1te? <\/p>\n
Burdov\u00e1: Nela Kleinert, kter\u00e1 re\u017e\u00edrovala na\u0161e \u0161koln\u00ed p\u0159edstaven\u00ed Marat\/Sade, jednou \u0159ekla, \u017ee jej\u00ed styl pr\u00e1ce je kolem herce vystav\u011bt ohr\u00e1dku, kterou j\u00e1 jako here\u010dka m\u00e1m vyplnit vlastn\u00edmi n\u00e1pady a\u00a0\u0159e\u0161en\u00edm. A\u00a0kdy\u017e se mi to neda\u0159\u00ed, tak tu ohr\u00e1dku st\u00e1le zu\u017euje tak, aby mi pomohla. To mi p\u0159ijde jako ide\u00e1ln\u00ed spolupr\u00e1ce herce a\u00a0re\u017eis\u00e9ra. \u017de m\u00e1m prostor tvo\u0159it, ale nejsem hozen\u00e1 do vody bez jak\u00e9koli n\u00e1pov\u011bdy a\u00a0mantinel\u016f. \u017de to nen\u00ed bezb\u0159eh\u00e1 svoboda, ale podan\u00e1 ruka. <\/p>\n
Vojtkov\u00e1: J\u00e1 to m\u00e1m podobn\u011b. M\u00e1m r\u00e1da dialog, ne tla\u010den\u00ed herce do jednostrann\u00e9 p\u0159edstavy. V\u00fdhoda studia na DAMU je, \u017ee st\u0159\u00edd\u00e1me pr\u00e1ci se zku\u0161en\u00fdmi re\u017eis\u00e9ry-pedagogy i\u00a0studenty re\u017eie, z\u00a0nich\u017e ka\u017ed\u00fd m\u00e1 sv\u016fj vlastn\u00ed p\u0159\u00edstup. A\u00a0reperto\u00e1r n\u00e1m d\u00e1v\u00e1 mo\u017enost sezn\u00e1mit se s\u00a0r\u016fzn\u00fdmi hereck\u00fdmi technikami, od \u010dist\u011b realistick\u00e9 a\u017e po velkou stylizaci. Tak\u017ee ohr\u00e1dka, ve kter\u00e9 si herec hled\u00e1 svou vlastn\u00ed svobodu, je pro m\u011b nejp\u0159\u00edjemn\u011bj\u0161\u00ed mo\u017enost\u00ed a\u00a0tv\u016fr\u010d\u00ed svobodou. <\/p>\n
P\u0159ed vstupem na DAMU jsem studovala muzik\u00e1l, kde je v\u0161e sv\u00e1zan\u00e9, od notov\u00e9ho materi\u00e1lu p\u0159es dekoraci, kost\u00fdmy a\u017e po re\u017eijn\u00ed koncepci, a\u00a0v\u011bt\u0161inou v\u0161e podl\u00e9h\u00e1 schv\u00e1len\u00ed majitel\u016f licence. Tak\u017ee na DAMU pro m\u011b bylo t\u011b\u017ek\u00e9 zbavit se okam\u017eit\u00e9ho fixov\u00e1n\u00ed b\u011bhem procesu zkou\u0161en\u00ed a\u00a0nau\u010dit se hledat tv\u016fr\u010d\u00ed svobodu. Tohle osvobozov\u00e1n\u00ed pokra\u010duje i\u00a0pod veden\u00edm Marianny Arzumanov\u00e9. <\/p>\n
Burdov\u00e1: \u00dapln\u011b nejd\u016fle\u017eit\u011bj\u0161\u00ed je, abychom si s\u00a0re\u017eis\u00e9rem vz\u00e1jemn\u011b d\u016fv\u011b\u0159ovali, pak jde skoro v\u0161echno.<\/p>\n
Vojtkov\u00e1: T\u00edm, \u017ee na DAMU i\u00a0v Divadle MA zkou\u0161\u00edme se sv\u00fdmi spolu\u017e\u00e1ky, d\u00e1v\u00e1me si d\u016fv\u011bru navz\u00e1jem, proto\u017ee v\u0161ichni zn\u00e1me sv\u00e9 mo\u017enosti i\u00a0meze.<\/p>\n
Foto: Kira Tripulska<\/p>\n
Ane\u017eka Burdov\u00e1 <\/p>\n
Poj\u010fme k\u00a0Wildeov\u011b komedii. Jak\u00e9 role v\u00a0n\u00ed ztv\u00e1rn\u00edte? Vzhledem k\u00a0va\u0161emu ml\u00e1d\u00ed bych p\u0159edpokl\u00e1dala, \u017ee Gvendol\u00ednu a\u00a0Cec\u00edlii?<\/p>\n
Burdov\u00e1: Pr\u00e1v\u011b \u017ee v\u016fbec ne! J\u00e1 hraju Miss Prismovou, Cec\u00edliinu vychovatelku. <\/p>\n
Vojtkov\u00e1: A\u00a0j\u00e1 matku Gvendol\u00edny, Lady Bracknellovou. <\/p>\n
To jsou ale role pro here\u010dky o\u00a0generaci star\u0161\u00ed! <\/p>\n
Burdov\u00e1: Je mi jasn\u00e9, \u017ee neuhraju autenticky v\u011bk, ale bav\u00ed m\u011b vci\u0165ovat se do postavy star\u0161\u00ed generace, kter\u00e1 si hoj\u00ed na t\u00e9 mlad\u0161\u00ed sv\u00e9 ne\u00fasp\u011bchy a\u00a0nerealizovan\u00e9 sny.<\/p>\n
Vojtkov\u00e1: J\u00e1 jsem Mariann\u011b hned \u0159ekla, \u017ee nejsem schopn\u00e1 v\u011brohodn\u011b zahr\u00e1t o\u00a0tolik star\u0161\u00ed \u017eenu. Ale ona s\u00a0t\u00edm po\u010d\u00edtala. Je to rozhodn\u011b hereck\u00e1 v\u00fdzva. Svou roli st\u00e1le hled\u00e1m a\u00a0ur\u010dit\u011b ji budu hledat i\u00a0b\u011bhem \u0159ady p\u0159edstaven\u00ed. Ale j\u00e1 jsem i\u00a0na DAMU dosud nehr\u00e1la \u017e\u00e1dn\u00e9 naivky, sp\u00ed\u0161 dominantn\u00ed \u017eeny, co\u017e z\u0159ejm\u011b vych\u00e1z\u00ed z\u00a0m\u00e9ho temperamentu a\u00a0dispozic. Lady Bracknellov\u00e1 je matka-gener\u00e1l, kter\u00e1 se sna\u017e\u00ed vychovat svou dosp\u011blou dceru. Z\u00a0vlastn\u00ed zku\u0161enosti v\u00edm, \u017ee to nikdy moc nefunguje. Ona je v\u00a0tom \u00fasil\u00ed a\u017e patologick\u00e1, ale jsme si podobn\u00e9 v\u00a0tom, \u017ee ob\u011b m\u00e1me r\u00e1dy v\u011bci pod kontrolou.<\/p>\n
Pozm\u011bn\u011bn\u00fd n\u00e1zev hry napov\u00edd\u00e1, \u017ee nep\u016fjde jen o\u00a0zn\u00e1mou konverza\u010dn\u00ed komedii, ale \u017ee do inscenace jsou prolnut\u00e9 i\u00a0motivy z\u00a0Wildeova \u017eivota. Do jak\u00e9 m\u00edry to bude div\u00e1k vn\u00edmat?<\/p>\n
Burdov\u00e1: Oscar Wilde se p\u0159\u00edmo ukazuje v\u00a0na\u0161\u00ed adaptaci \u00fapln\u011b na za\u010d\u00e1tku a\u00a0na konci. Jinak hrajeme text jeho komedie. Cel\u00e9 je to koncipovan\u00e9 jako zkou\u0161ka v\u00a0u\u010debn\u011b na DAMU, ale jsou tam i\u00a0odkazy na sou\u010dasnou kinematografii, filmov\u00e9 ceny Oscar a\u00a0spole\u010denskou presti\u017e spojenou s\u00a0jejich p\u0159ed\u00e1v\u00e1n\u00edm. Mo\u017en\u00e1 odkazy na Wilde\u016fv \u017eivot pochop\u00ed sp\u00ed\u0161 ti, kte\u0159\u00ed znaj\u00ed jeho pohnut\u00fd p\u0159\u00edb\u011bh, a\u00a0v neposledn\u00ed \u0159ad\u011b i\u00a0mlad\u0161\u00ed generace, kter\u00e1 \u0159e\u0161\u00ed t\u00e9ma hled\u00e1n\u00ed vlastn\u00ed identity a\u00a0m\u00edsta ve sv\u011bt\u011b. Ale rozhodn\u011b to podle m\u011b nejde proti Wildeovu textu.<\/p>\n
Oscar Wilde musel skr\u00fdvat svou homosexualitu, za ni\u017e str\u00e1vil i\u00a0l\u00e9ta ve v\u011bzen\u00ed. Dnes u\u017e se o\u00a0komunit\u011b LGBT+ b\u011b\u017en\u011b diskutuje. Nicm\u00e9n\u011b, \u017ee ani dne\u0161n\u00ed doba nep\u0159ij\u00edm\u00e1 jinakost bez probl\u00e9m\u016f, prok\u00e1zal i\u00a0ned\u00e1vn\u00fd \u00fatok na Pride v\u00a0Berl\u00edn\u011b. I\u00a0va\u0161e premi\u00e9ra spad\u00e1 do doby, kdy Prahou projde pr\u016fvod festivalu Pride\u2026<\/p>\n
Vojtkov\u00e1: To je sp\u00ed\u0161 \u0161\u0165astn\u00e1 n\u00e1hoda.<\/p>\n
Nicm\u00e9n\u011b t\u00e9ma hled\u00e1n\u00ed identity v\u00e1m a\u00a0va\u0161\u00ed generaci asi vzd\u00e1len\u00e9 nen\u00ed?<\/p>\n
Vojtkov\u00e1: Kdy\u017e studujete herectv\u00ed, tak se s\u00a0n\u00edm nutn\u011b mus\u00edte potkat. Je to zkou\u0161ka va\u0161eho charakteru, psychick\u00e9 odolnosti, \u010dlov\u011bk o\u00a0sob\u011b dost pochybuje. Hled\u00e1n\u00ed sebe sama u\u00a0m\u011b prob\u00edh\u00e1 v\u00a0rovin\u011b hled\u00e1n\u00ed hereck\u00e9ho sebev\u011bdom\u00ed. K\u00a0tomu je d\u016fle\u017eit\u00e9 m\u00edt pevn\u00e9 z\u00e1zem\u00ed v\u00a0rodin\u011b, partnerovi, kamar\u00e1dech. N\u00e1\u0161 ro\u010dn\u00edk na DAMU je skv\u011bl\u00fd v\u00a0tom, \u017ee se opravdu m\u00e1me r\u00e1di, pom\u00e1h\u00e1me si a\u00a0podporujeme se i\u00a0mimo \u0161kolu. A\u00a0m\u00e1me i\u00a0skv\u011bl\u00e9 pedagogick\u00e9 veden\u00ed, s\u00a0n\u00edm\u017e se m\u016f\u017eeme bavit prakticky o\u00a0v\u0161em.<\/p>\n
Osobn\u011b se s\u00a0t\u00edm t\u00e9matem potk\u00e1v\u00e1m i\u00a0na um\u011bleck\u00fdch t\u00e1borech pro teenagery, kde p\u016fsob\u00edm jako lektorka. Oni tyhle probl\u00e9my, prom\u00edtnut\u00e9 i\u00a0do roviny sexu a\u00a0pohlavn\u00ed identity, \u010dasto \u0159e\u0161\u00ed a\u00a0toto prost\u0159ed\u00ed jim umo\u017e\u0148uje b\u00fdt sami sebou. A\u00a0j\u00e1 jim chci poskytnout bezpe\u010dn\u00fd prostor k\u00a0diskusi, kter\u00fd jim t\u0159eba nedok\u00e1\u017ee d\u00e1t b\u011b\u017en\u00fd \u017eivot a\u00a0rodina. Nen\u00ed to ale v\u016fbec snadn\u00e9.<\/p>\n
Burdov\u00e1: Mysl\u00edm, \u017ee i\u00a0vzhledem k\u00a0tomu, co se na DAMU v\u00a0ned\u00e1vn\u00fdch dob\u00e1ch \u0159e\u0161ilo, je to te\u010f pro n\u00e1s bezpe\u010dn\u00fd prostor, kde vl\u00e1dne vz\u00e1jemn\u00e1 d\u016fv\u011bra a\u00a0vst\u0159\u00edcnost.<\/p>\n
Ob\u011b mluv\u00edte o\u00a0bezpe\u010d\u00ed. Vn\u00edm\u00e1te ho jako podm\u00ednku k\u00a0tv\u016fr\u010d\u00ed pr\u00e1ci?<\/p>\n
Burdov\u00e1: Ur\u010dit\u011b. Od star\u0161\u00ed generace \u010dasto sl\u00fdch\u00e1me, \u017ee jsme a\u017e moc k\u0159ehc\u00ed, \u017ee oni to m\u011bli t\u011b\u017e\u0161\u00ed a\u00a0museli v\u00edc vydr\u017eet. Ale j\u00e1 si nemysl\u00edm, \u017ee tomu tak je. Mo\u017en\u00e1 jen d\u00e1v\u00e1me sv\u00e9 city v\u00edc najevo. A\u00a0k tomu pr\u00e1v\u011b pocit bezpe\u010d\u00ed pot\u0159ebujete.<\/p>\n
Vojtkov\u00e1: J\u00e1 si mysl\u00edm, \u017ee na\u0161e generace je velmi siln\u00e1, ale \u017ee ta s\u00edla vypl\u00fdv\u00e1 z\u00a0toho, \u017ee jsme se dok\u00e1zali pou\u010dit od p\u0159edchoz\u00ed generace, \u017ee m\u00e1me nastaven\u00e9 ur\u010dit\u00e9 mantinely, komunikaci se sna\u017e\u00edme stav\u011bt na vz\u00e1jemn\u00e9m respektu a\u00a0otev\u0159enosti. Ale taky m\u00e1me daleko v\u011bt\u0161\u00ed prostor a\u00a0mo\u017enosti sv\u00e9 probl\u00e9my \u0159e\u0161it a\u00a0nep\u0159en\u00e1\u0161et je do pr\u00e1ce i\u00a0osobn\u00edho \u017eivota.<\/p>\n
Burdov\u00e1: V\u0161ichni hled\u00e1me svoji svobodu, co\u017e je i\u00a0t\u00e9ma na\u0161\u00ed wildeovsk\u00e9 inscenace. Vzhledem k\u00a0osudu Oscara Wildea si uv\u011bdomuju, jak velk\u00e9 \u0161t\u011bst\u00ed m\u00e1me, \u017ee jsme se narodili ve stolet\u00ed, kdy svobodu m\u016f\u017eeme hledat otev\u0159en\u011b a\u00a0bez v\u011bt\u0161\u00edch rizik. Mysl\u00edm, \u017ee kdyby to Wilde vid\u011bl, m\u011bl by radost.<\/p>\n
Jak se t\u011b\u0161\u00edte na hran\u00ed pod \u0161ir\u00fdm nebem v\u00a0Gr\u00e9bovce?<\/p>\n
Vojtkov\u00e1: Pro m\u011b to bude prvn\u00ed podobn\u00e1 zku\u0161enost. R\u00e1da st\u0159\u00edd\u00e1m r\u016fzn\u00e1 jevi\u0161t\u011b a\u00a0jsem moc zv\u011bdav\u00e1, co s\u00a0n\u00e1mi ud\u011bl\u00e1 b\u00fdt takto bl\u00edzko div\u00e1k\u016fm, vedro, mikroporty, kost\u00fdmy a\u00a0dal\u0161\u00ed technick\u00e9 okolnosti.<\/p>\n
Burdov\u00e1: Mn\u011b se u\u017e Marlene Dietrich v\u00a0Gr\u00e9bovce hr\u00e1la moc kr\u00e1sn\u011b, je to kouzeln\u00fd prostor a\u00a0spojen\u00ed l\u00e9ta a\u00a0divadla m\u011b moc bav\u00ed. Atmosf\u00e9ra ve\u010der\u016f v\u00a0Grott\u011b je jedine\u010dn\u00e1 a\u00a0moc si to tam u\u017e\u00edv\u00e1m.<\/p>\n
![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/08\/valentyna-vojtkova.jpeg\")
Foto: Krist\u00fdna Ro\u017e\u0148\u00e1kov\u00e1<\/p>\n
Valent\u00fdna Vojtkov\u00e1<\/p>\n
Na z\u00e1v\u011br nem\u016f\u017eu pominout jednu ot\u00e1zku. Ob\u011b jste z\u00a0hereck\u00fdch rodin. Vn\u00edm\u00e1te to jako v\u00fdhodu, nebo sp\u00ed\u0161 z\u00e1t\u011b\u017e?<\/p>\n
Vojtkov\u00e1: Pro m\u011b je to p\u0159edev\u0161\u00edm zv\u00fd\u0161en\u00e1 zodpov\u011bdnost, plynouc\u00ed z\u00a0pocitu o\u010dek\u00e1v\u00e1n\u00ed okol\u00ed, z\u00a0toho, \u017ee si lid\u00e9 \u0159eknou: No jo, to je ta od t\u00e9 a\u00a0od toho. Tak na sebe kladu v\u011bt\u0161\u00ed n\u00e1roky. Z\u00e1rove\u0148 se to sna\u017e\u00edm nevn\u00edmat a\u00a0j\u00edt vlastn\u00ed cestou. Vlastn\u011b je to cel\u00e9 trochu nespravedliv\u00e9, proto\u017ee kdy\u017e je l\u00e9ka\u0159\u016fv syn l\u00e9ka\u0159em, nikoho to nezaraz\u00ed, ale na hereck\u00e9 d\u011bti je up\u0159en\u00e1 v\u011bt\u0161\u00ed pozornost. P\u0159itom v\u00a0na\u0161\u00ed rodin\u011b nikdy \u017e\u00e1dn\u00e1 protekce nefungovala, m\u011bla to tak i\u00a0m\u00e1ma a\u00a0m\u00e1m to tak i\u00a0j\u00e1.<\/p>\n
Burdov\u00e1: J\u00e1 jsem dost dlouho to, \u017ee d\u011bda je slavn\u00fd herec, brala jako samoz\u0159ejmost. Nep\u0159i\u0161lo mi to v\u00a0ni\u010dem n\u011bjak jin\u00e9. Ale ob\u010das m\u00e1m strach, \u017ee si lidi mysl\u00ed, \u017ee bych nebyla tam, kde jsem, kdyby za t\u00edm nest\u00e1l d\u011bda, co\u017e tak ale nikdy nebylo. On m\u011b od herectv\u00ed v\u017edycky sp\u00ed\u0161 odrazoval. A\u00a0i u\u00a0m\u011b to vedlo k\u00a0tomu, \u017ee jsem se vydala svou vlastn\u00ed cestou. D\u011bda to jen z\u00a0d\u00e1lky pozoroval, dlouho jsem si netroufala pozvat ho na \u017e\u00e1dn\u00e9 hereck\u00e9 klauzury, a\u017e ned\u00e1vno na p\u0159edstaven\u00ed. On je hodn\u011b kritick\u00fd. <\/p>\n
J\u00e1 si moc v\u00e1\u017e\u00edm jeho pr\u00e1ce, toho, co dok\u00e1zal, a\u00a0\u017ee ho maj\u00ed lidi r\u00e1di. Jsem r\u00e1da, \u017ee te\u010f u\u017e si s\u00a0n\u00edm m\u016f\u017eu o\u00a0hereck\u00e9 pr\u00e1ci pov\u00eddat a\u00a0\u010derpat z\u00a0jeho zku\u0161enost\u00ed. A\u00a0t\u011b\u0161\u00ed m\u011b, kdy\u017e c\u00edt\u00edm, \u017ee d\u011bl\u00e1m divadlo, na kter\u00e9 ho bav\u00ed se koukat a\u00a0m\u00e1 z\u00a0n\u011bho radost. Co si od n\u011bho odn\u00e1\u0161\u00edm nejv\u00edc, je pokora, se kterou ke v\u0161emu v\u017edycky p\u0159istupuje. <\/p>\n
Vojtkov\u00e1: Obecn\u011b se sna\u017e\u00edm si na hereck\u00e9 ot\u00e1zky p\u0159ij\u00edt sama, ale kdy\u017e pot\u0159ebuju poradit, tak jsem v\u017edycky chodila za d\u011bdou Franti\u0161kem, kter\u00fd byl divadeln\u00edm i\u00a0televizn\u00edm re\u017eis\u00e9rem a\u00a0tak\u00e9 celo\u017eivotn\u00edm pedagogem. A\u00a0moc jsem si v\u00e1\u017eila toho, \u017ee mi v\u017edycky pozorn\u011b naslouchal a\u00a0rozeb\u00edral to se mnou, proto\u017ee by mi mohl \u0159\u00edct, \u017ee oni to d\u011blali takhle a\u00a0bylo by. Ale on m\u011bl v\u017edycky velk\u00e9 pochopen\u00ed a\u00a0dok\u00e1zal mi poradit, proto\u017ee m\u011bl cit pro mlad\u00e9 lidi a\u00a0herce. Bude mi moc chyb\u011bt. <\/p>\n
A co m\u00e9n\u011b p\u0159\u00edjemn\u00e1 str\u00e1nka zvan\u00e1 bulv\u00e1r?<\/p>\n
Burdov\u00e1: No, to je hor\u0161\u00ed, proto\u017ee kdyby se r\u016fzn\u00e9 v\u011bci staly n\u011bkomu, kdo za sebou nem\u00e1 rodinnou tradici, nikdo si ho nev\u0161imne. U\u00a0n\u00e1s je o\u00a0dost v\u011bt\u0161\u00ed pravd\u011bpodobnost, \u017ee ano.<\/p>\n
Vojtkov\u00e1: Mn\u011b se ned\u00e1vno stalo, \u017ee jsem se ocitla v\u00a0bulv\u00e1ru v\u00a0kost\u00fdmu Tit\u00e1nie z\u00a0komedie Sen noci svatoj\u00e1nsk\u00e9. Fotky z\u00a0inscenace jsem si dala na Instagram jako prezentaci sv\u00e9 pr\u00e1ce, p\u0159i\u0161ly mi naprosto nevinn\u00e9, ale titulky v\u00a0bulv\u00e1ru m\u011b m\u00e1lem svl\u00e9kly do naha. P\u0159itom \u0161lo o\u00a0oby\u010dejn\u00fd korzet. A\u00a0hlavn\u011b, v\u0161ude se zase psalo \u201edcera\u201c. Je to n\u00e1lepka, kter\u00e9 bych se u\u017e jednou r\u00e1da zbavila. <\/p>\n
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<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"A u\u017e t\u0159in\u00e1ct let v\u00a0Praze uv\u00e1d\u00ed inscenace, v\u00a0nich\u017e spojuje z\u00e1bavnost s\u00a0v\u00e1\u017en\u011bj\u0161\u00edmi my\u0161lenkami. Nyn\u00ed p\u0159ich\u00e1z\u00ed s\u00a0titulem Jak je d\u016fle\u017eit\u00e9…\n","protected":false},"author":2,"featured_media":169319,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[41604,2775,79,900,311,80],"class_list":["post-169318","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-anezka-burdova","tag-cesky-herec","tag-entertainment","tag-herci","tag-valentyna-vojtkova","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117042913617405652","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/169318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=169318"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/169318\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/169319"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=169318"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=169318"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=169318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}