{"id":173715,"date":"2026-08-09T13:12:12","date_gmt":"2026-08-09T13:12:12","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/173715\/"},"modified":"2026-08-09T13:12:12","modified_gmt":"2026-08-09T13:12:12","slug":"na-cajovem-dychanku-cinskych-divek-barokni-divadlo-v-krumlove-ozilo-operou","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/173715\/","title":{"rendered":"Na \u010dajov\u00e9m d\u00fdch\u00e1nku \u010d\u00ednsk\u00fdch d\u00edvek. Barokn\u00ed divadlo v\u00a0Krumlov\u011b o\u017eilo operou"},"content":{"rendered":"

Pam\u00e1tka tohoto typu nen\u00ed ur\u010dena pro denn\u00ed divadeln\u00ed provoz, a\u00a0tak je mo\u017enost nav\u0161t\u00edvit zde opern\u00ed p\u0159edstaven\u00ed a\u00a0spat\u0159it p\u016fvodn\u00ed kulisy a\u00a0jevi\u0161tn\u00ed techniku v\u00a0praxi sv\u00e1tkem.<\/p>\n

Festival Krumlov tu v\u00a0p\u00e1tek a\u00a0sobotu dvakr\u00e1t uvedl d\u00edlo Le Cinesi, v\u00a0p\u0159ekladu \u010c\u00ed\u0148anky, od Christopha Willibalda Glucka. Komorn\u00ed operu pro t\u0159i p\u011bvkyn\u011b a\u00a0jednoho p\u011bvce nastudoval pra\u017esk\u00fd soubor dobov\u00fdch n\u00e1stroj\u016f Collegium 1704\u00a0pod veden\u00edm V\u00e1clava Lukse.<\/p>\n

Gluck, kter\u00fd \u017eil v\u00a018.\u00a0stolet\u00ed, byl pozoruhodnou postavou. M\u00edstem pobytu spojen\u00fd s\u00a0\u010desk\u00fdmi zem\u011bmi, sv\u011btob\u011b\u017en\u00edk ov\u011bn\u010den\u00fd nejvy\u0161\u0161\u00edmi poctami v\u00edde\u0148sk\u00e9ho a\u00a0francouzsk\u00e9ho dvora, origin\u00e1ln\u00ed skladatel, jen\u017e promyslel a\u00a0zreformoval \u017e\u00e1nr opery, \u010d\u00edm\u017e ovlivnil cel\u00e9 generace tv\u016frc\u016f po\u010d\u00ednaje Wolfgangem Amadeem Mozartem a\u00a0kon\u010de Richardem Wagnerem.<\/p>\n

\u010c\u00ed\u0148anky jsou kr\u00e1tkou h\u0159\u00ed\u010dkou p\u0159edch\u00e1zej\u00edc\u00ed vzniku Gluckov\u00fdch velk\u00fdch reformn\u00edch oper. \u017de v\u0161ak p\u0159edkl\u00e1daj\u00ed suver\u00e9nn\u00ed a\u00a0origin\u00e1ln\u00ed jazyk, bylo patrn\u00e9 hned v\u00a0p\u0159edeh\u0159e.<\/p>\n

Hodinov\u00e9 p\u0159edstaven\u00ed se v\u00a0roce sv\u00e9ho vzniku 1754\u00a0stalo sou\u010d\u00e1st\u00ed rozs\u00e1hl\u00fdch dvorsk\u00fdch oslav, zahrnuj\u00edc\u00edch dal\u0161\u00ed formy aristokratick\u00fdch povyra\u017een\u00ed. Autor se chopil osv\u011bd\u010den\u00e9ho textu slavn\u00e9ho italsk\u00e9ho b\u00e1sn\u00edka Pietra Metastasia. Jeho libreto z\u00e1m\u011brn\u011b rezignuje na slo\u017eit\u00fd d\u011bj a\u00a0p\u0159edkl\u00e1d\u00e1 sp\u00ed\u0161e rafinovanou \u00favahu o\u00a0podstat\u011b a\u00a0smyslu divadla.<\/p>\n

Ocit\u00e1me se na \u010dajov\u00e9m d\u00fdch\u00e1nku t\u0159\u00ed \u010d\u00ednsk\u00fdch d\u00edvek, kter\u00e9 se trochu nud\u00ed a\u00a0kl\u00e1bos\u00ed. Klid naru\u0161\u00ed p\u0159\u00edchod cestovatele do m\u00edst, kam je jinak mu\u017e\u016fm vstup zapov\u011bzen. Tento nav\u00edc p\u0159iplul lod\u00ed a\u017e z\u00a0Evropy\u00a0\u2013 p\u0159\u00edle\u017eitost vyu\u017e\u00edt \u00fa\u017easnou iluzi mo\u0159e v\u00a0zadn\u00edm prospektu jevi\u0161t\u011b\u00a0\u2013 a\u00a0m\u00e1 co \u0159\u00edci k\u00a0tamn\u00edmu divadeln\u00edmu um\u011bn\u00ed, kter\u00e9 \u201etady, kde slunce vych\u00e1z\u00ed, mezi \u010c\u00ed\u0148any, je st\u00e1le novinkou\u201c.<\/p>\n

N\u00e1sleduj\u00ed v\u00fdstupy d\u00edvek, z\u00a0nich\u017e ka\u017ed\u00e1 vol\u00ed jinou formu: trag\u00e9dii, pastor\u00e1ln\u00ed idylu a\u00a0komedii, aby se rozhodlo, jak\u00fd \u017e\u00e1nr div\u00e1ka nejv\u00edce pohne. Dopadne to nerozhodn\u011b: v\u0161echny formy maj\u00ed sv\u00e1 p\u0159ednosti i\u00a0\u00faskal\u00ed, a\u00a0tak se nakonec zatan\u010d\u00ed za doprovodu orchestru a \u201eka\u017edou nep\u0159\u00edjemnou my\u0161lenku a\u0165 odvane v\u00edtr\u201c.<\/p>\n

Foto: Libor Sv\u00e1\u010dek<\/p>\n

Re\u017eijn\u00ed pojet\u00ed Andrey Miltnerov\u00e9 bylo ve shod\u011b s\u00a0t\u00e9matem napln\u011bno jemnou sebeironi\u00ed, odstupem a\u00a0hravost\u00ed.<\/p>\n

Skladatel vybrousil d\u00edlo do koncentrovan\u00e9 podoby a\u00a0dal mu \u00fa\u017easnou gradaci: prvn\u00ed \u010d\u00e1st, konverza\u010dn\u00ed, je jedn\u00edm dlouh\u00fdm recitativem postav doprov\u00e1zen\u00fdm pouze cembalem. Tuto nesnadnou \u00falohu, kdy hr\u00e1\u010d mus\u00ed pohotov\u011b reagovat na svi\u017en\u00fd dialog p\u011bvc\u016f, d\u00fdchat s\u00a0nimi a\u00a0precizn\u011b na\u010dasovat ka\u017ed\u00fd akord, v\u00a0Krumlov\u011b brilantn\u011b zastal s\u00e1m kapeln\u00edk V\u00e1clav Luks.<\/p>\n

N\u00e1sleduj\u00edc\u00ed t\u0159i v\u00fdstupy jednotliv\u00fdch postav zase ukazuj\u00ed, \u017ee skladatel byl doma v\u00a0libovoln\u00e9m \u017e\u00e1nru. Orchestr\u00e1ln\u00ed doprovod je st\u0159\u00eddm\u00fd, ale n\u00e1padit\u00fd, stylov\u011b diferencovan\u00fd a\u00a0zvukov\u011b bohat\u00fd. Celek vrchol\u00ed efektn\u00edm fin\u00e1le, spole\u010dn\u00fdm kvartetem v\u0161ech p\u011bvc\u016f.<\/p>\n

\u010c\u00ednsk\u00e1 tematika nebyla v\u00a0tomto p\u0159\u00edpad\u011b z\u00e1minkou zakomponovat do hudby atraktivn\u00ed exotismy. Prost\u0159ed\u00ed D\u00e1ln\u00e9ho v\u00fdchodu \u201evytv\u00e1\u0159\u00ed bezpe\u010dn\u00fd prostor, v\u00a0n\u011bm\u017e lze hovo\u0159it o\u00a0divadle, vkusu, emoc\u00edch i\u00a0spole\u010densk\u00fdch konvenc\u00edch, ani\u017e by se kritika dot\u00fdkala p\u0159\u00edmo evropsk\u00e9ho dvora\u201c, napsala ve v\u00fdte\u010dn\u00e9 pr\u016fvodn\u00ed studii muzikolo\u017eka Helena Ihnatoliov\u00e1.<\/p>\n

Div\u00e1ka vt\u00e1hne a\u00a0p\u0159iprav\u00ed u\u017e samo prost\u0159ed\u00ed: tlumen\u00e9 sv\u011btlo sv\u00ed\u010dek dod\u00e1v\u00e1 \u00fachvatn\u00fdm kulis\u00e1m na v\u011brohodnosti. Kost\u00fdmy Chrise Vinze, kdy dobov\u00e9 oble\u010den\u00ed a\u00a0paruky obl\u00e9kli i\u00a0hr\u00e1\u010di orchestru, dokonale podporuj\u00ed iluzi, \u017ee se \u010dlov\u011bk p\u0159enesl v\u00a0\u010dase. Prostor m\u00e1 v\u00fdte\u010dnou akustiku, hudebn\u00ed doprovod tu zn\u00ed kompaktn\u011b a\u00a0bohat\u011b, p\u011bvc\u016fm je rozum\u011bt ka\u017ed\u00e9 slovo.<\/p>\n

<\/a><\/p>\n

Skladatel obsadil \u017eensk\u00e9 role sopr\u00e1nem, mezzosopr\u00e1nem a\u00a0altem, \u010d\u00edm\u017e dal ka\u017ed\u00e9 postav\u011b jedine\u010dnou charakteristiku. Sopranistka Helena Hozov\u00e1 p\u0159esv\u011bd\u010div\u011b p\u0159ednesla dramatick\u00fd v\u00fdstup zn\u00e1zor\u0148uj\u00edc\u00ed trag\u00e9dii. Mezzosopranistka Aneta Petrasov\u00e1 si s\u00a0lehkost\u00ed u\u017eila naivitu past\u00fd\u0159sk\u00e9 idylky, zat\u00edmco Monika J\u00e4gerov\u00e1 disponuj\u00edc\u00ed nev\u0161edn\u00edm altem si tentokr\u00e1t s\u00a0gustem zahr\u00e1la komick\u00fd v\u00fdstup. Marek \u017dihla s\u00a0v\u00fdrazn\u00fdm, kultivovan\u00fdm a\u00a0nosn\u00fdm tenorem stmeloval celek dramaticky i\u00a0p\u011bvecky. <\/p>\n

\u0160\u0165astn\u00e1 volba \u010dtve\u0159ice protagonist\u016f naplno vyzn\u011bla ve fin\u00e1le, kdy se hlasy navz\u00e1jem pojily v\u00a0dokonal\u00e9m souzvuku.<\/p>\n

Re\u017eijn\u00ed veden\u00ed Andrey Miltnerov\u00e9 vych\u00e1zelo z\u00a0princip\u016f barokn\u00ed gestiky. Ta nab\u00edz\u00ed mnoho stylizovan\u00fdch p\u00f3z a\u00a0postoj\u016f, kter\u00e9 se ur\u010dit\u011b budou skv\u011ble vyj\u00edmat na fotografi\u00edch. P\u011bvci si je v\u0161ak osvojili p\u0159irozen\u011b, tak\u017ee nic nep\u016fsobilo strnule nebo strojen\u011b. Cel\u00e9 re\u017eijn\u00ed pojet\u00ed bylo ve shod\u011b s\u00a0t\u00e9matem napln\u011bno jemnou sebeironi\u00ed, odstupem a\u00a0hravost\u00ed.<\/p>\n

Festival Krumlov pr\u00e1v\u011b zavr\u0161il 35.\u00a0ro\u010dn\u00edk. Pod veden\u00edm \u0159editelky Gabriely Rachidi a\u00a0dramaturga Martina Rudovsk\u00e9ho posledn\u00ed roky vyzr\u00e1l v\u00a0p\u0159ehl\u00eddku impozantn\u00edho rozsahu a\u00a0zna\u010dn\u00fdch um\u011bleck\u00fdch ambic. Je skv\u011bl\u00e9, \u017ee jeden z\u00a0leto\u0161n\u00edch vrchol\u016f, p\u0159edstaven\u00ed Gluckov\u00fdch \u010c\u00ed\u0148anek, bude dostupn\u00fd tak\u00e9 v\u00a0internetov\u00e9m vys\u00edl\u00e1n\u00ed \u010cesk\u00e9 televize a\u00a0na kan\u00e1lu Mezzo.<\/p>\n

Opera: Collegium 1704 & V\u00e1clav Luks\u00a0\u2013 Le Cinesi<\/p>\n

Po\u0159adatel: Festival Krumlov<\/p>\n

Re\u017eie: Andrea Miltnerov\u00e1<\/p>\n

Barokn\u00ed divadlo, \u010cesk\u00fd Krumlov, 7.\u00a0a\u00a08.\u00a0srpna 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Pam\u00e1tka tohoto typu nen\u00ed ur\u010dena pro denn\u00ed divadeln\u00ed provoz, a\u00a0tak je mo\u017enost nav\u0161t\u00edvit zde opern\u00ed p\u0159edstaven\u00ed a\u00a0spat\u0159it p\u016fvodn\u00ed…\n","protected":false},"author":2,"featured_media":173716,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[42174,42172,15867,79,38661,1429,1435,1430,42173,80],"class_list":["post-173715","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-andrea-miltnerova","tag-barokni-orchestr-collegium-1704","tag-baroko","tag-entertainment","tag-festival-krumlov","tag-klasicka-hudba","tag-opera","tag-operni-recenze","tag-vaclav-luks","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117065727718750394","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/173715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=173715"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/173715\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/173716"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=173715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=173715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=173715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}