![\"Kniha](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/03\/shutterstock_2307092037-1-scaled.webp.webp\" "\\"shutterstock_2307092037")
Re\u017eis\u00e9r se atmosf\u00e9rou inspiroval v rom\u00e1nu 1984. Zdroj: Shutterstock<\/p>\n\t\t\t\t\t7. 3. 2026<\/p>\n
V\u00a0na\u0161ich filmovou bran\u017e\u00ed nepol\u00edben\u00fdch o\u010d\u00edch je tvorba film\u016f vcelku jednoduch\u00fd proces. N\u011bkdo dostane skv\u011bl\u00fd n\u00e1pad na sc\u00e9n\u00e1\u0159, se\u017eenou se investo\u0159i, obsazen\u00ed, re\u017eis\u00e9r, ten film nato\u010d\u00ed podle sv\u00e9ho gusta a po fin\u00e1ln\u00edm st\u0159ihu a \u00faprav\u00e1ch putuje do kin, kam na n\u011bj chod\u00ed z\u00e1stupy nad\u0161en\u00fdch fanou\u0161k\u016f.<\/p>\n
Tak to ale samoz\u0159ejm\u011b v\u016fbec nen\u00ed a u\u017e hotov\u00e9 filmy mnohdy je\u0161t\u011b proch\u00e1zej\u00ed \u00fapravami, o kter\u00fdch my fanou\u0161ci nem\u00e1me ani pon\u011bt\u00ed. Krom\u011b alternativn\u00edch konc\u016f nebo takov\u00fdch \u00faprav sc\u00e9n\u00e1\u0159e, \u017ee \u00fapln\u011b zm\u011bn\u00ed p\u016fvodn\u00ed povahu filmu, se ob\u010das stane i to, \u017ee se u\u017e hotov\u00fd film nel\u00edb\u00ed produk\u010dn\u00ed spole\u010dnosti a p\u0159es v\u00fdhrady re\u017eis\u00e9ra ho zm\u011bn\u00ed. To p\u0159esn\u011b se stalo ikonick\u00e9mu filmu z roku 1985.<\/p>\n
Re\u017eis\u00e9r se atmosf\u00e9rou inspiroval v rom\u00e1nu 1984. Zdroj: Shutterstock<\/p>\n
Z komedi\u00ed do temn\u00e9 dystopie<\/p>\n
Jak se v\u016fbec m\u016f\u017ee st\u00e1t, \u017ee film po dokon\u010den\u00ed neprojde s\u00edtem produk\u010dn\u00ed spole\u010dnosti a mus\u00ed se p\u0159ed\u011blat? V\u017edy\u0165 u cel\u00e9ho procesu spole\u010dnost je, financuje vytvo\u0159en\u00ed filmu a sc\u00e9n\u00e1\u0159 jist\u011b tak\u00e9 vid\u011bla. Nav\u00edc pokud anga\u017euje konkr\u00e9tn\u00edho re\u017eis\u00e9ra, obvykle u\u017e v\u00ed, jak\u00e9 sn\u00edmky m\u00e1 za sebou a jestli m\u00e1 takov\u00fd \u010di on\u00fd rukopis. A to byl p\u0159esn\u011b ten probl\u00e9m i zde.<\/p>\n
Re\u017eie se toti\u017e ujal Terry Gilliam, kter\u00fd byl zn\u00e1m\u00fd mimo jin\u00e9 d\u00edky \u00fasp\u011b\u0161n\u00e9 s\u00e9rii Monty Python nebo sn\u00edmku \u017dvahlav. V\u00a0podstat\u011b ve\u0161ker\u00e1 jeho tvorba do t\u00e9 doby byla bu\u010f satirick\u00e1, nebo komedi\u00e1ln\u00ed a skoro to vypad\u00e1, \u017ee ho tento sn\u00edmek ponoukl k\u00a0\u00fapln\u011b jin\u00e9 cest\u011b.<\/p>\n
P\u0159\u00edb\u011bh je o \u00fa\u0159edn\u00edc\u00edch, kte\u0159\u00ed v\u00a0bl\u00ed\u017ee nespecifikovan\u00e9 dob\u011b striktn\u011b dodr\u017euj\u00ed kancel\u00e1\u0159skou etiku a na ka\u017ed\u00e9m kroku je doprov\u00e1zej\u00ed roboti modern\u00ed doby. Postavy jsou groteskn\u00ed a z\u00e1rove\u0148 naivn\u00ed. Hlavn\u00ed hrdina se v\u00a0pr\u016fb\u011bhu d\u011bje p\u0159ed o\u010dima m\u011bn\u00ed z\u00a0celkem p\u0159\u00edjemn\u00e9ho chlap\u00edka v\u00a0bezduch\u00fd produkt zr\u016fdn\u00e9ho syst\u00e9mu. Gilliam se netajil t\u00edm, \u017ee ho ve zpracov\u00e1n\u00ed inspiroval Orwell\u016fv rom\u00e1n 1984 a podobn\u011b bez\u00fat\u011b\u0161n\u00fd dojem se sna\u017eil vyvolat tak\u00e9. Jen\u017ee p\u0159esn\u011b to se stalo probl\u00e9mem.<\/p>\n
Studio to vid\u011blo jinak<\/p>\n
Universal Pictures z\u00a0v\u00fdsledku nebylo v\u016fbec nad\u0161en\u00e9 a vysoce postaven\u00ed mana\u017ee\u0159i m\u011bli pocit, \u017ee film je p\u0159\u00edli\u0161 zvl\u00e1\u0161tn\u00ed, a hlavn\u011b p\u0159\u00edli\u0161 pesimistick\u00fd. Nejv\u011bt\u0161\u00ed probl\u00e9m pak p\u0159edstavoval konec, kter\u00fd byl temn\u00fd, dystopick\u00fd a emocion\u00e1ln\u011b p\u0159edstavoval naprost\u00fd zmar. Bez Gilliamova souhlasu pak nechali zpracovat nov\u00fd, alternativn\u00ed konec, kter\u00fd je pozitivn\u011b lad\u011bn\u00fd, a\u017e snov\u00fd. Tato verze se pozd\u011bji ironicky ozna\u010dovala jako \u201eLove Conquers All\u201c, tedy \u201eL\u00e1ska v\u00edt\u011bz\u00ed nad v\u0161\u00edm\u201c. Jen\u017ee takov\u00fd konec podle re\u017eis\u00e9ra \u00fapln\u011b pop\u00edral smysl filmu.<\/p>\n
Nejslavn\u011bj\u0161\u00ed hollywoodsk\u00fd kompromis<\/p>\n
Ten se s rozhodnut\u00edm studia necht\u011bl sm\u00ed\u0159it. Spor mezi n\u00edm a spole\u010dnost\u00ed Universal se brzy stal jedn\u00edm z nejzn\u00e1m\u011bj\u0161\u00edch konflikt\u016f mezi tv\u016frcem a studiem. Gilliam dokonce za\u010dal po\u0159\u00e1dat tajn\u00e9 projekce sv\u00e9 p\u016fvodn\u00ed verze pro filmov\u00e9 kritiky. Ti byli z filmu nad\u0161en\u00ed a postupn\u011b se za\u010dal \u0161\u00ed\u0159it n\u00e1zor, \u017ee studio blokuje skute\u010dn\u00e9 d\u00edlo. Re\u017eis\u00e9r nav\u00edc zve\u0159ejnil otev\u0159en\u00fd dopis veden\u00ed studia, ve kter\u00e9m se ironicky ptal, kdy kone\u010dn\u011b uvedou jeho film Brazil. Nakonec studio trochu ustoupilo a do kin se sice nedostala p\u016fvodn\u00ed verze, ale jin\u00e1 verze, kter\u00e1 je mnohem bli\u017e\u0161\u00ed Gilliamov\u011b p\u016fvodn\u00ed p\u0159edstav\u011b.<\/p>\n
![\"Bruce](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/03\/shutterstock_117352450-1.webp.webp\" "\\"shutterstock_117352450")
Gilliam ve sv\u00e9m \u00fasp\u011bchu pokra\u010doval filmem 12 opic s Brucem Willisem. Zdroj: Shutterstock<\/p>\n
Kultovn\u00ed klasika, kter\u00e1 za to stoj\u00ed<\/p>\n
Dnes je Brazil pova\u017eov\u00e1n za jednu z nejlep\u0161\u00edch filmov\u00fdch dystopi\u00ed osmdes\u00e1t\u00fdch let. Jeho bizarn\u00ed vizu\u00e1ln\u00ed styl, \u010dern\u00fd humor a kritika byrokracie inspirovaly celou \u0159adu dal\u0161\u00edch tv\u016frc\u016f.<\/p>\n
A s\u00e1m Gilliam pokra\u010doval v\u00a0t\u00e9to atmosf\u00e9\u0159e i ve sv\u00fdch dal\u0161\u00edch sn\u00edmc\u00edch, co\u017e se uk\u00e1zalo jako spr\u00e1vn\u00fd krok, proto\u017ee jeho dal\u0161\u00ed podobn\u011b lad\u011bn\u00fd sn\u00edmek 12 opic s\u00a0Brucem Willisem z\u00edskal n\u011bkolik ocen\u011bn\u00ed a na filmov\u00e9 datab\u00e1zi m\u00e1 skv\u011bl\u00fdch 87 %. Nav\u00edc dystopie maj\u00ed jednu nespornou v\u00fdhodu, a tou je, \u017ee kdy\u017e se na takov\u00fd film \u010dlov\u011bk pod\u00edv\u00e1 dnes, po tolika letech od vyd\u00e1n\u00ed, je a\u017e d\u011bsiv\u00e9, jak aktu\u00e1ln\u011b p\u016fsob\u00ed, a nejsp\u00ed\u0161 tak bude p\u016fsobit i v\u00a0pr\u016fb\u011bhu dal\u0161\u00edch dek\u00e1d. Nekone\u010dn\u00e9 formul\u00e1\u0159e, absurdn\u00ed pravidla a \u00fa\u0159ady, kter\u00e9 si odporuj\u00ed \u2013 kdo by v tom nena\u0161el n\u011bco z dne\u0161n\u00edho sv\u011bta, \u017ee? Tak kterou verzi jste vid\u011bli vy?<\/p>\n
Zdroje: csfd.cz, csfd.cz, csfd.cz, nofilmschool.com, reddit.com<\/p>\n","protected":false},"excerpt":{"rendered":"7. 3. 2026 V\u00a0na\u0161ich filmovou bran\u017e\u00ed nepol\u00edben\u00fdch o\u010d\u00edch je tvorba film\u016f vcelku jednoduch\u00fd proces. N\u011bkdo dostane skv\u011bl\u00fd n\u00e1pad…\n","protected":false},"author":2,"featured_media":17464,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[9011,79,124,9012,47,80],"class_list":{"0":"post-17463","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dystopie","9":"tag-entertainment","10":"tag-hollywood","11":"tag-kultovni-film","12":"tag-televize","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116190184933124164","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/17463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=17463"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/17463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/17464"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=17463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=17463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=17463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}