{"id":178407,"date":"2026-08-13T16:08:13","date_gmt":"2026-08-13T16:08:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/178407\/"},"modified":"2026-08-13T16:08:13","modified_gmt":"2026-08-13T16:08:13","slug":"vymyslel-i-logo-ceske-narodni-banky-vystava-priblizuje-hvezdu-typografie","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/178407\/","title":{"rendered":"Vymyslel i\u00a0logo \u010cesk\u00e9 n\u00e1rodn\u00ed banky. V\u00fdstava p\u0159ibli\u017euje hv\u011bzdu typografie"},"content":{"rendered":"

Slovo Rounded v\u00a0n\u00e1zvu v\u00fdstavy neodkazuje jen k\u00a0zaoblen\u00e9mu, zakulacen\u00e9mu a \u201em\u011bkk\u00e9mu\u201c p\u00edsmu, ale tak\u00e9 k\u00a0zaokrouhlen\u00ed, tedy v\u00fdb\u011bru toho podstatn\u00e9ho. <\/p>\n

Nevelkou plze\u0148skou v\u00fdstavn\u00ed s\u00ed\u0148 13\u00a0kur\u00e1to\u0159i prom\u011bnili v\u00a0jakousi my\u0161lenkovou mapu, na kter\u00e9 nejslavn\u011bj\u0161\u00ed \u010desk\u00fd typograf a\u00a0pedagog Jan Solpera skrze texty z\u00a0aktu\u00e1ln\u00ed knihy nazvan\u00e9 Typo \u017eivota b\u011bh = Solpera komentuje svou tvorbu od 60.\u00a0let minul\u00e9ho stolet\u00ed. Pat\u0159\u00ed do n\u00ed plak\u00e1ty, kni\u017en\u00ed ob\u00e1lky, des\u00edtky logotyp\u016f v\u010detn\u011b pravd\u011bpodobn\u011b toho nejslavn\u011bj\u0161\u00edho pro \u010ceskou n\u00e1rodn\u00ed banku, informa\u010dn\u00ed syst\u00e9m u\u017e neexistuj\u00edc\u00edho brutalistn\u00edho hotelu Praha, televizn\u00ed grafika a\u00a0samoz\u0159ejm\u011b i\u00a0j\u00edm vyvinut\u00e1 p\u00edsma. P\u0159ehl\u00eddka potrv\u00e1 do 4.\u00a0\u0159\u00edjna.<\/p>\n

Zaujmout kolemjdouc\u00ed<\/p>\n

Na n\u011bkter\u00fdch m\u00edstech Solpera popisuje motivace vzniku autorsk\u00e9ho p\u00edsma Insignia, pozd\u011bji p\u0159ejmenovan\u00e9ho na Solpera, nebo vysv\u011btluje, jak koncem 70.\u00a0let p\u0159ipravoval normu pro klasifikaci tiskov\u00fdch p\u00edsem pro polygrafick\u00fd pr\u016fmysl. Tyto pas\u00e1\u017ee ocen\u00ed sp\u00ed\u0161e profesion\u00e1lov\u00e9. I\u00a0z odborn\u011bj\u0161\u00edch \u010d\u00e1st\u00ed ale vypl\u00fdv\u00e1, jak funk\u010dn\u011b a\u00a0nad\u010dasov\u011b o\u00a0p\u00edsmu i\u00a0vizu\u00e1ln\u00ed komunikaci autor p\u0159em\u00fd\u0161l\u00ed.<\/p>\n

Mo\u017en\u00e1 nejv\u00fdrazn\u011bji se Solper\u016fv typografick\u00fd cit ukazuje hned v\u00a0\u00favodu. Kur\u00e1to\u0159i tu p\u0159edstavuj\u00ed plak\u00e1ty, s\u00a0nimi\u017e u\u017e b\u011bhem studi\u00ed na pra\u017esk\u00e9 UMPRUM vstoupil na sc\u00e9nu a\u00a0kter\u00e9 pr\u00fd d\u011bl\u00e1val nejrad\u011bji.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Jemn\u011b melancholick\u00fd m\u011bs\u00edc z\u00a0pouta\u010de na Rusalku v\u00a0Jiho\u010desk\u00e9m divadle, avantgardn\u00ed \u201ekosti\u010dkovan\u00e9\u201c Etudy pro Divadlo Na z\u00e1bradl\u00ed nebo \u00fapln\u011b jednoduch\u00fd, do bl\u00edzkov\u00fdchodn\u00ed estetiky stylizovan\u00fd plak\u00e1t S\u00fdrie ve fotografii. V\u0161echny tyto pr\u00e1ce se od ran\u00fdch 60.\u00a0let vyzna\u010dovaly promy\u0161lenou hravost\u00ed a\u00a0citem pro \u00fa\u010del: zaujmout kolemjdouc\u00ed.<\/p>\n

V kontextu dne\u0161n\u00edho \u017eivota ve vizu\u00e1ln\u00edm smogu je zaj\u00edmav\u00fd i\u00a0Solper\u016fv n\u00e1vod k\u00a0upot\u0159eben\u00ed. \u201eP\u0159i navrhov\u00e1n\u00ed plak\u00e1t\u016f nebo jin\u00fdch produkt\u016f u\u017eit\u00e9 grafiky, ze kter\u00e9 se v\u00a0pr\u016fb\u011bhu m\u00fdch aktivn\u00edch let stal grafick\u00fd design, jsem vych\u00e1zel z\u00a0n\u011bkolika z\u00e1sad. D\u016fle\u017eit\u00e9 je ujasnit si, v\u00a0jak\u00e9m prost\u0159ed\u00ed bude v\u00fdsledek na\u0161\u00ed pr\u00e1ce p\u016fsobit, p\u0159\u00edpadn\u011b v\u00a0jak\u00e9 konkurenci se mus\u00ed prosadit,\u201c uvedl Solpera.<\/p>\n

Jeho vyti\u0161t\u011bn\u00e9 plak\u00e1ty nem\u011bly p\u016fsobit samostatn\u011b, n\u00fdbr\u017e b\u00fdt vylepov\u00e1ny na ploch\u00e1ch vedle dal\u0161\u00edch plak\u00e1t\u016f, je\u017e vznikaly se stejn\u00fdm z\u00e1m\u011brem \u201ep\u0159ek\u0159i\u010det\u201c sv\u00e9 sousedy. \u201eProto jsem pracoval tak, aby si m\u016fj plak\u00e1t nejd\u0159\u00edve vytvo\u0159il pot\u0159ebn\u00e9 klidn\u00e9 prost\u0159ed\u00ed, ze kter\u00e9ho teprve vyst\u0159el\u00ed pat\u0159i\u010dn\u00fd vizu\u00e1ln\u00ed atak na nicnetu\u0161\u00edc\u00edho kolemjdouc\u00edho chodce. Na m\u00fdch typografick\u00fdch plak\u00e1tech ze 70.\u00a0a\u017e 90.\u00a0let minul\u00e9ho stolet\u00ed proto z\u00a0klidn\u00e9 a\u00a0velk\u00e9 pr\u00e1zdn\u00e9 plochy vystupuje hlavn\u00ed motiv, kter\u00fdm je slovo nebo \u010d\u00edslice,\u201c objas\u0148uje v\u00fdtvarn\u00edk.<\/p>\n

Kdo je Jan Solpera<\/p>\n

\u2022 Narodil se roku 1939\u00a0v\u00a0Jind\u0159ichov\u011b Hradci. Studoval na pra\u017esk\u00e9 St\u0159edn\u00ed odborn\u00e9 \u0161kole v\u00fdtvarn\u00e9 a\u00a0pak v\u00a0ateli\u00e9ru typografa Franti\u0161ka Muziky na Vysok\u00e9 \u0161kole um\u011bleckopr\u016fmyslov\u00e9. Tehdy se za\u010dal intenzivn\u011b zaj\u00edmat tak\u00e9 o\u00a0p\u00edsma ze druh\u00e9 poloviny 19.\u00a0stolet\u00ed a\u00a0za\u010d\u00e1tku 20.\u00a0stolet\u00ed. <\/p>\n

\u2022 Na UMPRUM vedl mezi lety 1987\u00a0a\u00a02003\u00a0Ateli\u00e9r tvorby p\u00edsma a\u00a0typografie.<\/p>\n

\u2022 Za svou pr\u00e1ci z\u00edskal mnoho cen u\u00a0n\u00e1s i\u00a0v zahrani\u010d\u00ed, je \u010dlenem S\u00edn\u011b sl\u00e1vy Akademie designu \u010cesk\u00e9 republiky i\u00a0profesn\u00edch organizac\u00ed, jako jsou Type Directors Club v\u00a0New Yorku, anglick\u00fd Double Crown Club nebo TypoDesignClub v\u00a0Praze.<\/p>\n

\u2022 Z\u00e1pado\u010desk\u00e1 galerie v\u00a0Plzni c\u00edlen\u011b mapuje i\u00a0autory v\u011bnuj\u00edc\u00ed se grafick\u00e9mu designu a\u00a0typografii. Solperova p\u0159ehl\u00eddka navazuje na projekt Rostislav Van\u011bk Extended, kter\u00fd v\u00a0rol\u00edch kur\u00e1tor\u016f takt\u00e9\u017e p\u0159ipravili grafi\u010dt\u00ed design\u00e9\u0159i Zuzana Burgrov\u00e1 a\u00a0Robert V. Nov\u00e1k.<\/p>\n

Neb\u00e1t se m\u00edt tv\u00e1\u0159 <\/p>\n

V\u00fdstavu krom\u011b kur\u00e1torsk\u00e9ho textu uv\u00e1d\u00ed osobn\u011b lad\u011bn\u00fd p\u0159\u00edsp\u011bvek Franti\u0161ka \u0160torma. Solper\u016fv student, spolupracovn\u00edk a\u00a0kamar\u00e1d p\u00ed\u0161e t\u0159eba o\u00a0tom, jak jej mentor nau\u010dil neb\u00e1t se vtisknout designu vlastn\u00ed tv\u00e1\u0159 a\u00a0vyslat tak do sv\u011bta v\u00fdrazn\u00fd um\u011bleck\u00fd sign\u00e1l. Grafick\u00fd design m\u00e1 toti\u017e podle Solpery v\u011bt\u0161\u00ed dopad na \u017eivot ne\u017e um\u011bn\u00ed zav\u0159en\u00e9 v\u00a0galeri\u00edch.<\/p>\n

\u201eKa\u017ed\u00fd jeho divadeln\u00ed \u010di v\u00fdstavn\u00ed plak\u00e1t je v\u00fdtvarnou ud\u00e1lost\u00ed a\u00a0trouf\u00e1m si tvrdit, \u017ee mnoh\u00e9 z\u00a0nich jsou lep\u0161\u00ed ne\u017e to, co propagovaly. Tot\u00e9\u017e plat\u00ed o\u00a0jeho kni\u017en\u00edch ob\u00e1lk\u00e1ch. P\u016fsob\u00ed nejen svou konkr\u00e9tn\u00ed vizu\u00e1ln\u00ed formou, ale tak\u00e9 metodou p\u0159iv\u00e1ben\u00ed pozornosti a\u00a0organizac\u00ed plochy kompozice. Nap\u0159\u00edklad ob\u00e1lka knihy Gotick\u00e1 du\u0161e je motiv hodn\u00fd tetov\u00e1n\u00ed,\u201c konstatuje jinak t\u00e9\u017e \u010dlen metalov\u00e9 kapely Master\u2019s Hammer Franti\u0161ek \u0160torm, kter\u00e9ho Solpera p\u0159ivedl ke \u201egotick\u00e9 kaligrafii i\u00a0\u00fapadkov\u00e9mu \u0161vabachu\u201c.<\/p>\n

\u0160torm je tak\u00e9 zakladatelem p\u00edsmolijny Storm Type Foundry a\u00a0Solperovi p\u0159ed dvaceti lety pomohl stvo\u0159it p\u00edsmo Areplos. Aktu\u00e1ln\u011b s\u00a0n\u00edm pracuje na p\u00edsmu zcela nov\u00e9m.<\/p>\n

<\/a><\/p>\n

Jestli\u017ee \u0160torm v\u00a0souvislosti s\u00a0vizu\u00e1ln\u00edm pojet\u00edm n\u00e1zvu Gotick\u00e9 du\u0161e p\u00ed\u0161e o\u00a0tetovac\u00edm motivu, pak m\u00edstnost v\u011bnovan\u00e1 dal\u0161\u00edm Solperov\u00fdm kni\u017en\u00edm ob\u00e1lk\u00e1m by mohla poslou\u017eit jako cel\u00e9 tetovac\u00ed studio. Nad Cizincem od Alberta Camuse, Mikul\u00e1\u0161ov\u00fdmi pat\u00e1liemi napsan\u00fdmi Ren\u00e9m Goscinnym nebo s\u00e9ri\u00ed knih z\u00a0nakladatelstv\u00ed Odeon je na zdech zav\u011b\u0161en\u00e1 p\u0159ehl\u00eddka n\u00e1zv\u016f a\u00a0n\u00e1pis\u016f, kter\u00e9 kombinuj\u00ed mimo jin\u00e9 i\u00a0Solperovu l\u00e1sku k\u00a0typografii 19.\u00a0stolet\u00ed, mimoevropskou estetiku \u010di dynamiku typickou pro koncerty tvrd\u00e9 hudby. Fascinuj\u00edc\u00ed s\u00e9rie. Jako kdyby autor u\u017e p\u0159ed pades\u00e1ti lety v\u011bd\u011bl, co se bude nosit dnes.<\/p>\n

T\u0159eba uk\u00e1zky grafick\u00e9 koncepce druh\u00e9ho kan\u00e1lu \u010deskoslovensk\u00e9 televize, kter\u00e9 na za\u010d\u00e1tku 70.\u00a0let postavil na poetice v\u00fdtvarn\u00e9ho sm\u011bru zvan\u00e9ho op-art, by se v\u00a0roce 2026\u00a0skv\u011ble hodily coby klubov\u00e1 projekce. P\u0159ed p\u016flstolet\u00edm ale \u00fasp\u011bch nezaznamenaly. \u201eOhlasy div\u00e1k\u016f na op-artov\u00e9 p\u0159epojovac\u00ed diapozitivy byly naprosto negativn\u00ed. Televize znovu za\u010dala p\u0159i r\u016fzn\u00fdch pauz\u00e1ch rad\u011bji prom\u00edtat hraj\u00edc\u00ed si ko\u0165\u00e1tka a\u00a0kapky rosy na jarn\u00ed v\u011btvi\u010dce, co\u017e bylo p\u0159ijateln\u011bj\u0161\u00ed ne\u017e \u010dernob\u00edl\u00e9 pruhy, troj\u00faheln\u00edky a\u00a0kruhy. Ale m\u00e9 op-artov\u011b \u0159e\u0161en\u00e9 televizn\u00ed hodiny se pou\u017e\u00edvaly pom\u011brn\u011b dlouho,\u201c vzpom\u00edn\u00e1 um\u011blec.<\/p>\n

Foto: Z\u00e1pado\u010desk\u00e1 galerie v Plzni<\/p>\n

\u201eOhlasy div\u00e1k\u016f na op-artov\u00e9 p\u0159epojovac\u00ed diapozitivy byly naprosto negativn\u00ed,\u201c p\u0159izn\u00e1v\u00e1 Jan Solpera.<\/p>\n

Nejslavn\u011bj\u0161\u00ed zak\u00e1zka <\/p>\n

N\u00e1klonnost k\u00a0jednoduch\u00fdm a\u00a0\u00fa\u010deln\u00fdm \u0159e\u0161en\u00edm Solpera naplno vyu\u017eil p\u0159i spolupr\u00e1ci s\u00a0v\u00fdtvarn\u00edkem Old\u0159ichem Kulh\u00e1nkem. Jejich d\u00edlo zn\u00e1 cel\u00e1 republika, nebo\u0165 vymysleli vizu\u00e1ln\u00ed podobu \u010desk\u00fdch bankovek.<\/p>\n

\u201eKdy\u017e p\u0159\u00edtel Kulh\u00e1nek na za\u010d\u00e1tku 90.\u00a0let pracoval na n\u00e1vrz\u00edch sv\u00e9 prvn\u00ed nov\u00e9 bankovky, obr\u00e1til se na m\u011b, abych mu pomohl s\u00a0v\u00fdb\u011brem vhodn\u00e9ho p\u00edsma. Rozmlouval jsem mu to, proto\u017ee pat\u0159il k\u00a0n\u011bkolika z\u00a0m\u00e1la voln\u011b tvo\u0159\u00edc\u00edch grafik\u016f, kte\u0159\u00ed rozum\u011bj\u00ed typografii, a\u00a0mimo to s\u00e1m p\u00edsmo perfektn\u011b kreslil. Trval ale na sv\u00e9m,\u201c l\u00ed\u010d\u00ed Solpera.<\/p>\n

Kulh\u00e1nkovi p\u0159edlo\u017eil dv\u011b mo\u017en\u00e1 \u0159e\u0161en\u00ed, z\u00a0nich\u017e si kolega vybral to vytvo\u0159en\u00e9 ze Solperova p\u00edsma Insignia. \u201eP\u016fvodn\u00ed n\u00e1zev se ale nedal pou\u017e\u00edt, proto\u017ee p\u00edsmo stejn\u00e9ho jm\u00e9na u\u017e existovalo. Z\u00a0vrozen\u00e9 skromnosti jsem proto nov\u00e9 p\u00edsmo pojmenoval sv\u00fdm jm\u00e9nem,\u201c popisuje v\u00fdtvarn\u00edk, jak se doslova dostal do ob\u011bhu. <\/p>\n

D\u00edky kooperaci s\u00a0Kulh\u00e1nkem pak p\u0159ijal nab\u00eddku na p\u0159\u00edpravu dodnes funk\u010dn\u00edho loga pro \u010ceskou n\u00e1rodn\u00ed banku. Toto\u017en\u00e9 p\u00edsmo v\u00a0logu instituce i\u00a0na bankovk\u00e1ch, je\u017e vyd\u00e1v\u00e1, je nav\u00edc sv\u011btov\u00fd unik\u00e1t.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Jan Solpera byl v\u00a0b\u0159eznu 2015\u00a0uveden do S\u00edn\u011b sl\u00e1vy Cen Czech Grand Design za celo\u017eivotn\u00ed p\u0159\u00ednos. Na fotografii je z\u00a0n\u00e1sleduj\u00edc\u00edho roku.<\/p>\n

Posedlost heraldick\u00fdmi r\u016f\u017eemi <\/p>\n

Jan Solpera se narodil v\u00a0Jind\u0159ichov\u011b Hradci, p\u0159eb\u00fdv\u00e1 na T\u0159ebo\u0148sku a\u00a0histori\u00ed t\u00e9to oblasti se posledn\u00edch p\u011btadvacet let intenzivn\u011b zab\u00fdv\u00e1. Nen\u00ed tak s\u00a0podivem, \u017ee ji\u017en\u00ed \u010cechy dostal i\u00a0do sv\u00e9 typografick\u00e9 pr\u00e1ce. Na v\u00fdstav\u011b popisuje nap\u0159\u00edklad vznik jednoduch\u00e9 zna\u010dky pro \u010deskobud\u011bjovick\u00e9 nakladatelstv\u00ed R\u016f\u017ee, kterou na konci 60.\u00a0let odvodil od p\u011btilist\u00e9 heraldick\u00e9 r\u016f\u017ee rodu V\u00edtkovc\u016f. Nakreslil ji pr\u00fd hned a\u00a0jedn\u00edm nep\u0159eru\u0161ovan\u00fdm tahem. <\/p>\n

Za heraldika se nikdy nepova\u017eoval, tento obor jej ale v\u017edy zaj\u00edmal, proto\u017ee p\u0159edstavuje jeden ze z\u00e1klad\u016f vizu\u00e1ln\u00ed komunikace. \u201eDva dny jsem si tehdy kreslil dal\u0161\u00ed r\u016f\u017ee, kter\u00e9 jsem nal\u00e9zal na kamenn\u00fdch port\u00e1lech dom\u016f, v\u00a0ost\u011bn\u00ed oken nebo na m\u011bstsk\u00fdch bran\u00e1ch. Bohat\u00e1 a\u00a0p\u0159ekr\u00e1sn\u00e1 galerie heraldick\u00fdch r\u016f\u017e\u00ed je t\u0159eba na ark\u00e1d\u00e1ch z\u00e1mku v\u00a0Jind\u0159ichov\u011b Hradci. I\u00a0kdy\u017e v\u00edm, \u017ee je u\u017e pot\u0159ebovat nebudu, posedlost hledat a\u00a0dokumentovat si heraldick\u00e9 r\u016f\u017ee m\u011b od t\u00e9 doby ani po v\u00edce ne\u017e pades\u00e1ti letech neopustila. Rozd\u00edl je jen v\u00a0tom, \u017ee je nekresl\u00edm, ale fotografuji,\u201c uzav\u00edr\u00e1 Jan Solpera.<\/p>\n

V\u00fdstava: Jan Solpera\u00a0\u2013 Rounded<\/p>\n

Po\u0159adatel: Z\u00e1pado\u010desk\u00e1 galerie v\u00a0Plzni<\/p>\n

V\u00fdstavn\u00ed s\u00ed\u0148 13, Plze\u0148, do 4.\u00a0\u0159\u00edjna 2026<\/p>\n","protected":false},"excerpt":{"rendered":"Slovo Rounded v\u00a0n\u00e1zvu v\u00fdstavy neodkazuje jen k\u00a0zaoblen\u00e9mu, zakulacen\u00e9mu a \u201em\u011bkk\u00e9mu\u201c p\u00edsmu, ale tak\u00e9 k\u00a0zaokrouhlen\u00ed, tedy v\u00fdb\u011bru toho podstatn\u00e9ho.…\n","protected":false},"author":2,"featured_media":178408,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[7],"tags":[43,42,41,40,42862,42861,91,1450,26200],"class_list":["post-178407","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cesko","tag-ceska-republika","tag-cesko","tag-czech-republic","tag-czechia","tag-graficky-design","tag-jan-solpera","tag-vystavy","tag-vytvarne-umeni","tag-zapadoceska-galerie-v-plzni"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117089069214471669","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/178407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=178407"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/178407\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/178408"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=178407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=178407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=178407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}