{"id":18367,"date":"2026-03-08T22:43:14","date_gmt":"2026-03-08T22:43:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/18367\/"},"modified":"2026-03-08T22:43:14","modified_gmt":"2026-03-08T22:43:14","slug":"vystava-v-centru-dox-ukazuje-jak-tistena-media-za-sto-let-ovlivnila-spolecnost-vcetne-umeni","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/18367\/","title":{"rendered":"V\u00fdstava v\u00a0centru DOX ukazuje, jak ti\u0161t\u011bn\u00e1 m\u00e9dia za sto let ovlivnila spole\u010dnost, v\u010detn\u011b um\u011bn\u00ed"},"content":{"rendered":"

Expozice prezentuje \u0161v\u00fdcarskou sb\u00edrku Annette a\u00a0Petera Nobelov\u00fdch, kter\u00e1 podle po\u0159adatel\u016f pat\u0159\u00ed k\u00a0nejv\u00fdznamn\u011bj\u0161\u00edm soukrom\u00fdm kolekc\u00edm zam\u011b\u0159en\u00fdm na vztah um\u011bn\u00ed a\u00a0ti\u0161t\u011bn\u00fdch m\u00e9di\u00ed.<\/p>\n

Kolekce za\u010dala vznikat koncem 80.\u00a0let minul\u00e9ho stolet\u00ed a\u00a0soust\u0159ed\u00ed se zejm\u00e9na na to, co jej\u00ed majitel\u00e9 naz\u00fdvaj\u00ed term\u00ednem press art, tedy na um\u011bleck\u00e9 strategie pracuj\u00edc\u00ed s\u00a0ti\u0161t\u011bn\u00fdmi m\u00e9dii, zpr\u00e1vami, obrazov\u00fdm zpravodajstv\u00edm a\u00a0medi\u00e1ln\u00edm jazykem.<\/p>\n

V\u00fdstavu lze podle zakladatele centra DOX Leo\u0161e V\u00e1lky vn\u00edmat i\u00a0jako pohled na posledn\u00edch 130\u00a0let v\u00fdtvarn\u00e9ho um\u011bn\u00ed. <\/p>\n

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\u201eM\u016f\u017eete se na to d\u00edvat jako na historii v\u00fdtvarn\u00e9ho um\u011bn\u00ed. V\u0161echny etapy, v\u0161echny f\u00e1ze v\u00fdtvarn\u00e9ho um\u011bn\u00ed jsou tam obtisknuty a\u00a0ve sb\u00edrce jsou vid\u011bt,\u201c uvedl ve st\u0159edu p\u0159ed zah\u00e1jen\u00edm v\u00fdstavy. Sb\u00edrka zahrnuje v\u00edce ne\u017e dva tis\u00edce d\u011bl p\u0159edn\u00edch um\u011bleck\u00fdch osobnost\u00ed 20.\u00a0a\u00a021.\u00a0stolet\u00ed.<\/p>\n

Foto: DOX<\/p>\n

Victor Dubrovin\u00a0\u2013 Perestroika, centrum DOX<\/p>\n

V\u00fdstava se vrac\u00ed do 19.\u00a0stolet\u00ed, kdy se s\u00a0objevem fotografie a\u00a0roz\u0161\u00ed\u0159en\u00edm rota\u010dn\u00edch tisk\u00e1ren knihy, noviny a\u00a0\u010dasopisy staly popul\u00e1rn\u00edm a\u00a0roz\u0161\u00ed\u0159en\u00fdm spole\u010densk\u00fdm fenom\u00e9nem. S\u00a0vydavatelsk\u00fdm boomem se rozv\u00edjel reklamn\u00ed pr\u016fmysl a\u00a0vznikaly nov\u00e9 profese, jako grafik, report\u00e9r, redaktor, fotograf nebo tiska\u0159, kter\u00e9 se pod\u00edlely na vytv\u00e1\u0159en\u00ed nov\u00e9, medi\u00e1ln\u00ed reality.<\/p>\n

V\u00a0reakci na to za\u010dalo prom\u011bnou proch\u00e1zet i\u00a0v\u00fdtvarn\u00e9 um\u011bn\u00ed, proto\u017ee z\u00e1znam reality a\u00a0jej\u00ed dokumentace, kter\u00e9 d\u0159\u00edve um\u011bn\u00ed byly vlastn\u00ed, se staly p\u0159edm\u011btem m\u00e9di\u00ed.<\/p>\n

Rozs\u00e1hl\u00e1 expozice ve dvou patrech centra DOX je roz\u010dlen\u011bna do 14\u00a0kapitol, kter\u00e9 v\u00edcem\u00e9n\u011b chronologicky popisuj\u00ed r\u016fzn\u00e9 etapy \u010di vztahy m\u00e9di\u00ed a\u00a0um\u011bn\u00ed. P\u0159edstavuje v\u00a0meziv\u00e1le\u010dn\u00e9 dob\u011b noviny jako symbol modernity a\u00a0ukazuje sn\u00edmky slavn\u00fdch fotograf\u016f, na nich\u017e tisk figuruje. V\u00a0jedn\u00e9 z\u00a0\u00favodn\u00edch m\u00edstnost\u00ed v\u00fdstavy tak n\u00e1v\u0161t\u011bvn\u00edci uvid\u00ed sn\u00edmky Roberta Capy, Mana Raye \u010di Henri Cartier-Bressona. <\/p>\n

Foto: \u010cTK<\/p>\n

Pohled do v\u00fdstavy Hit by News v\u00a0centru DOX<\/p>\n

V dob\u00e1ch vl\u00e1dy totalitn\u00edch re\u017eim\u016f um\u011bn\u00ed kritizovalo roli m\u00e9di\u00ed jako n\u00e1stroje propagandy, pozd\u011bji reagovalo na pov\u00e1le\u010dn\u00fd konzumerismus z\u00e1padn\u00ed Evropy. Od konce studen\u00e9 v\u00e1lky a\u00a0n\u00e1stupu globalizace je v\u00fdrazn\u00fdm aspektem um\u011bleck\u00e9ho postoje kritika medi\u00e1ln\u00edho pr\u016fmyslu. A\u00a0s bl\u00ed\u017e\u00edc\u00edm se koncem ti\u0161t\u011bn\u00fdch materi\u00e1l\u016f um\u011bn\u00ed prov\u00e1z\u00ed i\u00a0jist\u00fd p\u0159\u00eddech melancholie.<\/p>\n

Krom\u011b zm\u00edn\u011bn\u00fdch autor\u016f div\u00e1ci na v\u00fdstav\u011b uvid\u00ed tvorbu um\u011blc\u016f, mezi nimi\u017e jsou Georges Braque, Fernand L\u00e9ger, Vladimir Majakovskij, Kazimir Malevi\u010d, Jean Arp, Joseph Beuys, Christo, Le Corbusier, Alberto Giacometti, David Hockney, Dennis Hopper, William Kentridge nebo Matthew Barney. \u010cesk\u00e1 stopa je ve v\u00fdstav\u011b prost\u0159ednictv\u00edm kol\u00e1\u017ee Ji\u0159\u00edho Kol\u00e1\u0159e.<\/p>\n

Foto: \u010cTK<\/p>\n

Pohled do v\u00fdstavy Hit by News v\u00a0centru DOX<\/p>\n

Sb\u00edrku za\u010dal Peter Nobel budovat po zvl\u00e1\u0161tn\u00edm z\u00e1\u017eitku, kter\u00fd popsal kur\u00e1tor v\u00fdstavy Christoph Doswald. Ten je t\u00e9m\u011b\u0159 30\u00a0let i\u00a0kur\u00e1torem sb\u00edrky Nobelov\u00fdch. Nobel p\u016fsobil jako podnikov\u00fd pr\u00e1vn\u00edk ve \u0161v\u00fdcarsk\u00e9m vydavatelstv\u00ed Ringier a\u00a0jeho nad\u0159\u00edzen\u00fd mu po n\u00e1stupu \u0159ekl, aby si za firemn\u00ed pen\u00edze po\u0159\u00eddil reprezentativn\u00ed um\u011bleck\u00e9 d\u00edlo do kancel\u00e1\u0159e. <\/p>\n

Nobel si koupil d\u00edlo, na kter\u00e9m byl vyobrazen\u00fd zoufal\u00fd kamelot na ulici. P\u0159i\u0161lo mu pr\u00fd, \u017ee tematicky lad\u00ed s\u00a0jeho zam\u011bstn\u00e1n\u00edm. Jeho \u0161\u00e9f mu ale d\u00edlo na\u0159\u00eddil odstranit. Nobel se na\u0161tval, koupil si d\u00edlo za svoje pen\u00edze a\u00a0m\u011bl z\u00e1klad sv\u00e9 sb\u00edrky. <\/p>\n

<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Expozice prezentuje \u0161v\u00fdcarskou sb\u00edrku Annette a\u00a0Petera Nobelov\u00fdch, kter\u00e1 podle po\u0159adatel\u016f pat\u0159\u00ed k\u00a0nejv\u00fdznamn\u011bj\u0161\u00edm soukrom\u00fdm kolekc\u00edm zam\u011b\u0159en\u00fdm na vztah um\u011bn\u00ed…\n","protected":false},"author":2,"featured_media":18368,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[9277,79,1448,1263,9278,91,1450,80],"class_list":{"0":"post-18367","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dox","9":"tag-entertainment","10":"tag-kultura","11":"tag-media","12":"tag-vystava-hit-by-news","13":"tag-vystavy","14":"tag-vytvarne-umeni","15":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116195977009824459","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/18367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=18367"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/18367\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/18368"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=18367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=18367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=18367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}