{"id":18633,"date":"2026-03-09T08:45:13","date_gmt":"2026-03-09T08:45:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/18633\/"},"modified":"2026-03-09T08:45:13","modified_gmt":"2026-03-09T08:45:13","slug":"pisne-lecivejsi-nez-byliny-buracejici-florence-and-the-machine-hojili-prahu-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/18633\/","title":{"rendered":"P\u00edsn\u011b l\u00e9\u010div\u011bj\u0161\u00ed ne\u017e byliny. Bur\u00e1cej\u00edc\u00ed Florence and the Machine hojili Prahu \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

\u201eBudu tam naho\u0159e s mnoha mu\u017ei, deseti dal\u0161\u00edmi \u017eenami a stovkou nejlep\u0161\u00edch alb v\u0161ech dob,\u201c odsek\u00e1v\u00e1 dev\u011btat\u0159icetilet\u00e1 zp\u011bva\u010dka Florence Welchov\u00e1 <\/a>do zvuk\u016f bur\u00e1cej\u00edc\u00ed kapely p\u0159i p\u00edsni One of the Greats. \u201eMus\u00ed to b\u00fdt kr\u00e1sn\u00e9 – b\u00fdt mu\u017eem a d\u011blat nudnou hudbu jenom proto, \u017ee m\u016f\u017ee\u0161,\u201c pokra\u010duje, zat\u00edmco rockov\u00e1 hudba v pozad\u00ed jej\u00edho hlasu roste do barokn\u00edho klenut\u00ed.\u00a0<\/p>\n

V\u00fd\u0161e citovan\u00e9 ver\u0161e inspiroval seznam p\u011bti set nejlep\u0161\u00edch nahr\u00e1vek v\u0161ech dob sepsan\u00fd \u010dasopisem Rolling Stone, kde v prvn\u00ed stovce figuruje pouze osmn\u00e1ct \u017een, v prvn\u00ed pades\u00e1tce jenom sedm. \u201eAle aby bylo jasno, nemysl\u00edm to zle \/ jsem fanynka, se\u0161 m\u016fj druhej nejobl\u00edben\u011bj\u0161\u00ed frontman,\u201c boxuje Welchov\u00e1 do vzduchu a sc\u00e9na je zabarvena do ruda.\u00a0<\/p>\n

Skladba zn\u00ed ve velk\u00e9m fin\u00e1le ve\u010dera, k tradi\u010dn\u00edmu hitu m\u00e1 ale daleko. Stop\u00e1\u017e\u00ed se bl\u00ed\u017e\u00ed sedmi minut\u00e1m, p\u016fvodn\u011b \u0161lo o del\u0161\u00ed b\u00e1se\u0148, kter\u00e1 snad ani nem\u011bla b\u00fdt zhudebn\u011bn\u00e1. Ale pak si Welchov\u00e1 ve studiu sedla s Markem Bowenem, kytaristou kapely Idles. Zapnuli nahr\u00e1v\u00e1n\u00ed a najednou bylo hotovo. Prvn\u00ed a jedin\u00e1 verze se nakonec dostala na lo\u0148sk\u00e9 album Everybody Scream. Slova podivn\u011b klop\u00fdtaj\u00ed p\u0159es sebe, jako by se je zp\u011bva\u010dka sna\u017eila vy\u0159knout v\u0161echny najednou a z\u00e1rove\u0148 napasovat do rytmu, v n\u011bm\u017e se \u00fanava m\u00eds\u00ed s\u00a0odhodl\u00e1n\u00edm a roz\u010d\u00edlen\u00ed s u\u0161t\u011bpa\u010dn\u00fdm humorem.\u00a0<\/p>\n

\"Vystoupen\u00ed<\/p>\n

Vystoupen\u00ed Florence and the Macihne uhrane estetikou \u010darod\u011bjnick\u00fdch ob\u0159ad\u016f.Foto: Live Nation<\/p>\n

Lesy, louky a mok\u0159ady<\/p>\n

Velkolep\u00e1 show je naprogramovan\u00e1 na vte\u0159iny, p\u0159esto p\u016fsob\u00ed jako tajn\u00fd ritu\u00e1l z dob, kdy Vyso\u010dany m\u00edsto industri\u00e1ln\u00edch hal a kolej\u00ed pokr\u00fdvaly jenom lesy, louky a mok\u0159ady zaplavovan\u00e9 nedalekou Rokytkou. Konstrukce O2 areny na necel\u00e9 dv\u011b hodiny pocitov\u011b miz\u00ed, z\u016fstala jen potemn\u011bl\u00e1 pl\u00e1\u0148 se z\u00e1stupy lid\u00ed v o\u010dek\u00e1v\u00e1n\u00ed \u010dehosi velk\u00e9ho.\u00a0<\/p>\n

P\u00f3dium p\u0159ed za\u010d\u00e1tkem koncertu zakr\u00fdv\u00e1 ob\u0159\u00ed rud\u00e1 plachta s kresbami rostlin. Koko\u0161ka pastu\u0161\u00ed tobolka, kostival, m\u011bs\u00ed\u010dek l\u00e9ka\u0159sk\u00fd nebo malin\u00edk, v\u0161echno jsou to byliny, kter\u00e9 po stalet\u00ed pou\u017e\u00edvaly porodn\u00ed b\u00e1by.\u00a0<\/p>\n

Aktu\u00e1ln\u00ed album Everybody Scream vznikalo b\u011bhem procesu fyzick\u00e9ho i psychick\u00e9ho hojen\u00ed. Posledn\u00ed dva koncerty p\u0159ede\u0161l\u00e9ho turn\u00e9 musela Welchov\u00e1 zru\u0161it kv\u016fli akutn\u00ed operaci. Pozd\u011bji prozradila, \u017ee pro\u0161la mimod\u011blo\u017en\u00edm t\u011bhotenstv\u00edm, potratem a masivn\u00edm vnit\u0159n\u00edm krv\u00e1cen\u00edm. \u201eNejbl\u00ed\u017e, co jsem kdy byla stvo\u0159en\u00ed \u017eivota, jsem se z\u00e1rove\u0148 ocitla nejbl\u00ed\u017e smrti,\u201c \u0159ekla loni v rozhovoru pro Guardian. \u201eA m\u011bla jsem pocit, jako bych pro\u0161la dve\u0159mi do m\u00edstnosti pln\u00e9 \u017een. V\u0161echny je\u010dely.\u201c V sou\u010dasnosti jezd\u00ed po sv\u011bt\u011b a den co den se pokou\u0161\u00ed l\u00e9\u010dit r\u00e1ny, kter\u00e9 st\u00e1le p\u0159ib\u00fdvaj\u00ed.\u00a0<\/p>\n

Katarzn\u00edm jekotem vrchol\u00ed Witch Dance, v po\u0159ad\u00ed druh\u00e1 p\u00edse\u0148 ve\u010dera. Uv\u00e1d\u00ed ji zlov\u011bstn\u00e1 basov\u00e1 linka a nervn\u00ed \u00fadery do bic\u00edch. Welchovou na p\u00f3diu doprov\u00e1z\u00ed \u010dty\u0159i tane\u010dnice-\u010darod\u011bjnice. \u010cern\u00e9 \u0161aty, b\u00edl\u00e9 spodni\u010dky, choreografie je l\u00e1me do k\u0159e\u010d\u00ed. V z\u00e1chvatech a bolestech se v\u00e1l\u00ed po zemi, poka\u017ed\u00e9 ale vstanou a tan\u010d\u00ed d\u00e1l. Ob\u010das se s\u00e1pou na lidi v publiku, fanynky v prvn\u00edch \u0159ad\u00e1ch ale vypadaj\u00ed sp\u00ed\u0161 jako v\u00edly.\u00a0<\/p>\n

Modern\u00ed \u010darod\u011bjka<\/p>\n

Welchov\u00e1 v Praze zp\u00edvala dv\u011b noci po krvav\u00e9m \u00fapl\u0148ku, ve dnech, kdy vr\u00e1ny kr\u00e1kaj\u00ed o konci zimy. N\u011bkde na p\u016fl cesty mezi zimn\u00edm a letn\u00edm slunovratem. Lond\u00fdnsk\u00e9 zp\u011bva\u010dce se b\u011bhem dvou uplynul\u00fdch dek\u00e1d poda\u0159ilo prostoupit mystiku pohansk\u00e9ho folkloru a nevypo\u010ditatelnost art rocku postupy v\u00fdsostn\u00e9ho popu, ani\u017e by v\u00fdsledek p\u016fsobil strojen\u011b nebo nepat\u0159i\u010dn\u011b.\u00a0<\/p>\n

Shake it Out je \u010distokrevn\u00fd hit s v\u00fdrazn\u00fdm n\u00e1p\u011bvem, publikum se odd\u00e1v\u00e1 hore\u010dnat\u00e9mu tanci, kter\u00fd se zd\u00e1 b\u00fdt ozdravn\u00fd. P\u0159i Daffodil, co\u017e je anglick\u00e9 ozna\u010den\u00ed pro pr\u00e1v\u011b pu\u010d\u00edc\u00ed narcis, \u010dtve\u0159ice \u010darod\u011bjek tan\u010d\u00ed u\u017e jen ve spodni\u010dk\u00e1ch. Pa\u017ee odhalen\u00e9, kdy\u017e si lehnou na z\u00e1da, jsou vid\u011bt i podvazky. Cesta k osvobozen\u00ed trvala p\u011bt p\u00edsn\u00ed.\u00a0<\/p>\n

\"EDITORIAL<\/p>\n

Dev\u011btat\u0159icetilet\u00e1 zp\u011bva\u010dka a texta\u0159ka Florence Welchov\u00e1 se narodila v Camberwell v Lond\u00fdn\u011b.Foto: Profimedia<\/p>\n

Welchov\u00e1 v Praze dok\u00e1zala, \u017ee jej\u00ed \u0161est\u00e9 album pat\u0159\u00ed mezi nejsiln\u011bj\u0161\u00ed, jak\u00e1 nato\u010dila. Folkov\u00e9 motivy ost\u0159\u00ed prvky hororu, lidovost povy\u0161uje na vzne\u0161enost. \u017divot jedn\u00e9 z nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edch zp\u011bva\u010dek sou\u010dasnosti, minim\u00e1ln\u011b na poli alternativn\u00edho rocku, l\u00ed\u010d\u00ed jako s\u00e9rii nikdy neust\u00e1vaj\u00edc\u00edch p\u00e1d\u016f a n\u00e1vrat\u016f. N\u00e1zvoslov\u00edm p\u0159irozen\u011b navazuje nap\u0159\u00edklad na Kate Bush.\u00a0<\/p>\n

Mohutn\u00fd zvuk Sympathy Magic nebo One of the Greats st\u0159\u00edd\u00e1 civiln\u00ed Buckle. \u201eChci ti zavolat \/ p\u0159esv\u011bd\u010dila jsem tis\u00edce lid\u00ed, aby m\u011b milovali \/ a te\u010f tu sed\u00edm \u00fapln\u011b sama,\u201c zp\u00edv\u00e1 do akustick\u00e9 kytary. Dal\u0161\u00ed p\u00edse\u0148 o tom, jak j\u00ed n\u011bkdo neodepisuje na SMS, podle sv\u00fdch slov u\u017e necht\u011bla nikdy vydat. Jen\u017ee na takov\u00e9 emoce \u010dlov\u011bk asi nikdy nen\u00ed dost star\u00fd. Ve\u0161ker\u00e1 mystika se na chv\u00edli rozplyne, z\u016fst\u00e1v\u00e1 jen samota hotelov\u00e9ho pokoje.\u00a0<\/p>\n

A l\u00e1ska\u2026<\/p>\n

Welchov\u00e1 v pr\u016fb\u011bhu ve\u010dera kouzl\u00ed hlavn\u011b hlasem, pronikav\u00fd mezzosopr\u00e1n vynik\u00e1 nap\u0159\u00edklad p\u0159i Big God, b\u011bhem Sympathy Magic hlas napln\u00ed ka\u017ed\u00fd kout haly. N\u011bkde tady se ve\u010der za\u010dne z dr\u00e1sav\u00e9 melancholie l\u00e1mat do kolektivn\u00ed euforie, l\u00e9\u010div\u00e9ho ob\u0159adu. Z velkorys\u00e9ho a dusav\u00e9ho zvuku p\u00edsn\u011b Welchov\u00e1 p\u0159ech\u00e1z\u00ed do \u0161epotu. \u201eTak poj\u010f, tak poj\u010f, zvl\u00e1dnu to \/ dej mi v\u0161echno, co m\u00e1\u0161,\u201c up\u00edn\u00e1 se k tis\u00edc\u016fm lid\u00ed, kte\u0159\u00ed ji obklopuj\u00ed.\u00a0<\/p>\n

Kolegov\u00e9 ze showbyznysu zp\u011bva\u010dce ob\u010das vy\u010d\u00edtali teatr\u00e1lnost a velik\u00e1\u0161sk\u00fd projev, co\u017e j\u00ed sr\u00e1\u017eelo sebev\u011bdom\u00ed. Jen\u017ee Dog Days are Over v p\u0159\u00eddavku vyzn\u00edvaj\u00ed jako jeden z nejlep\u0161\u00edch stadi\u00f3nov\u00fdch hit\u016f sou\u010dasn\u00e9ho mil\u00e9nia. \u201eMizern\u00fd dny jsou pry\u010d \/ Sly\u0161\u00ed\u0161 ten dusot? \/ Kon\u011b u\u017e b\u011b\u017e\u00ed.\u201c Jenom s p\u011bti\u010dlennou kapelou se prohnala Prahou jako tis\u00edcihlav\u00e9 st\u00e1do.\u00a0<\/p>\n

M\u00e1lokter\u00fd sou\u010dasn\u00fd hlas dok\u00e1\u017ee uchopit hudbu jako skute\u010dn\u011b hojivou s\u00edlu. D\u00edky \u00fasp\u011bchu m\u016f\u017ee Welchov\u00e1 mytick\u00e9 i osobn\u00ed p\u00edsn\u011b spl\u00e9st v dramatick\u00fd spekt\u00e1kl. Publikum \u00fast\u0159edn\u00ed \u017eenu ve\u010dera poslouch\u00e1 na slovo, v\u011bt\u0161inou ani nemus\u00ed promluvit. Sta\u010d\u00ed jemn\u00e9 gesto rukou a ochozy stoj\u00ed, dav posko\u010d\u00ed.\u00a0<\/p>\n

\u201eN\u011bkdy si \u0159\u00edk\u00e1m, jsou p\u00edsn\u011b skute\u010dn\u011b kouzla, proroctv\u00ed?\u201c pt\u00e1 se p\u0159ed posledn\u00edm kusem. Kdy\u017e v sam\u00e9m z\u00e1v\u011bru p\u00edsn\u011b And Love opakuje \u201em\u00edr p\u0159ijde, m\u00edr p\u0159ijde,\u201c zn\u00ed to jako nezpochybniteln\u00e1 pravda. A\u0165 u\u017e m\u00e1 na mysli konec neust\u00e1vaj\u00edc\u00edho \u0159in\u010den\u00ed zbran\u00ed, nebo vnit\u0159n\u00ed klid a usm\u00ed\u0159en\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201eBudu tam naho\u0159e s mnoha mu\u017ei, deseti dal\u0161\u00edmi \u017eenami a stovkou nejlep\u0161\u00edch alb v\u0161ech dob,\u201c odsek\u00e1v\u00e1 dev\u011btat\u0159icetilet\u00e1 zp\u011bva\u010dka…\n","protected":false},"author":2,"featured_media":18634,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,8389,195,80],"class_list":["post-18633","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-florence-the-machine","tag-recenze","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116198344142968062","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/18633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=18633"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/18633\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/18634"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=18633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=18633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=18633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}