{"id":188180,"date":"2026-08-22T14:03:19","date_gmt":"2026-08-22T14:03:19","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/188180\/"},"modified":"2026-08-22T14:03:19","modified_gmt":"2026-08-22T14:03:19","slug":"prace-grafika-jana-solpery-ma-kazdy-z-nas-denne-pred-ocima","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/188180\/","title":{"rendered":"Pr\u00e1ce grafika Jana Solpery m\u00e1 ka\u017ed\u00fd z\u00a0n\u00e1s denn\u011b p\u0159ed o\u010dima"},"content":{"rendered":"

Tvorbu Jana Solpery zn\u00e1 ka\u017ed\u00fd, ani\u017e by o\u00a0tom v\u011bd\u011bl. V\u00fdtvarn\u00edk toti\u017e vytvo\u0159il p\u00edsmo na na\u0161ich bankovk\u00e1ch a\u00a0jeho p\u00edsmo pou\u017e\u00edv\u00e1 ve vizu\u00e1lu i\u00a0\u010cesk\u00e1 n\u00e1rodn\u00ed banka. Mimo to najdeme v\u00a0galerii uk\u00e1zku jeho autorsk\u00fdch p\u00edsem, d\u00e1le kni\u017en\u00ed grafiku, logotypy i\u00a0televizn\u00ed grafiku z\u00a0\u0161edes\u00e1t\u00fdch a\u00a0sedmdes\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed. <\/p>\n

Podstatn\u00fdmi znaky Solperovy tvorby jsou, krom\u011b samoz\u0159ejm\u00e9 \u0159emesln\u00e9 dokonalosti, tak\u00e9 promy\u0161len\u00e1 pr\u00e1ce s\u00a0lini\u00ed, jej\u00ed oh\u00fdb\u00e1n\u00ed slou\u017e\u00edc\u00ed p\u0159edev\u0161\u00edm tvarov\u00e9 p\u0159esv\u011bd\u010divosti a\u00a0v neposledn\u00ed \u0159ad\u011b tak\u00e9 promy\u0161len\u00e1 hra s\u00a0pom\u011bry jednotliv\u00fdch \u010d\u00e1st\u00ed celku. <\/p>\n

V\u0161e v\u00fd\u0161e uveden\u00e9 ov\u0161em v\u017edy slou\u017e\u00ed v\u00a0prvn\u00ed \u0159ad\u011b vizu\u00e1ln\u00ed srozumitelnosti a\u00a0ne obrazov\u00e9mu man\u00fdrismu na prvn\u00ed dobrou. Anglick\u00e9 slovo rounded, pou\u017eit\u00e9 coby n\u00e1zev cel\u00e9 kolekce, toti\u017e znamen\u00e1 nejen zakulacen\u00fd (u lini\u00ed p\u00edsma), ale tak\u00e9 vyzr\u00e1l\u00fd. Ano, uk\u00e1zka tvorby Jana Solpery je uk\u00e1zkou vyzr\u00e1l\u00e9ho, origin\u00e1ln\u00edho a\u00a0ucelen\u00e9ho d\u00edla.<\/p>\n

<\/a><\/p>\n

N\u00e1v\u0161t\u011bvn\u00edk ani nemus\u00ed b\u00fdt extra pou\u010den\u00fdm v\u00a0oblasti grafiky, aby okam\u017eit\u011b rozpoznal, \u017ee m\u00e1 co d\u011blat s\u00a0interesantn\u00edmi artefakty. Plak\u00e1t z\u00a0roku 1982\u00a0S\u00fdrie ve fotografii pracuje s\u00a0kontrastem dvou barev, oran\u017eov\u00e9ho podkladu a\u00a0\u010dern\u00e9ho p\u00edsma. Slovo S\u00fdrie evokuje orient\u00e1ln\u00ed styl a\u00a0vytv\u00e1\u0159\u00ed hlavn\u00ed estetick\u00fd pl\u00e1n. Podobn\u011b je koncipov\u00e1n i\u00a0plak\u00e1t 25\u00a0let Divadla Na z\u00e1bradl\u00ed (1983). I\u00a0v tomto p\u0159\u00edpad\u011b hraje hlavn\u00ed roli \u010dern\u00e1 \u010d\u00edslovka lemovan\u00e1 \u017elut\u011b na oran\u017eov\u00e9 plo\u0161e. <\/p>\n

Solpera se v\u0161ak neomezuje pouze na hru s\u00a0literami, ale dok\u00e1\u017ee vyu\u017e\u00edt i\u00a0figurativn\u00ed motivy. Plak\u00e1t ke dvac\u00e1t\u00e9mu v\u00fdro\u010d\u00ed pantomimy Ladislava Fialky je toho dobr\u00fdm p\u0159\u00edkladem. Mim je zobrazen pouze schematicky, co je v\u0161ak v\u00fdrazn\u00e9, jsou jeho o\u010di v\u00a0nab\u00edlen\u00e9 tv\u00e1\u0159i. Ty okam\u017eit\u011b p\u0159it\u00e1hnou pozorovatelovu pozornost. P\u00edsmo zvolil autor velmi decentn\u00ed, tvo\u0159en\u00e9 tenk\u00fdmi liniemi a\u00a0t\u0159emi \u010derven\u00fdmi body (tvo\u0159\u00edc\u00edmi te\u010dky nad m\u011bkk\u00fdmi i).<\/p>\n

Barevnosti se nez\u0159\u00edk\u00e1 <\/p>\n

A\u010dkoliv v\u011bt\u0161ina vystaven\u00fdch prac\u00ed pracuje pouze s\u00a0\u010dernou a\u00a0b\u00edlou, barevnosti se autor nez\u0159\u00edk\u00e1. V\u017edycky s\u00a0n\u00ed pracuje ale velmi st\u0159\u00eddm\u011b, a\u017e cudn\u011b. A\u00a0v\u017edycky ji pou\u017e\u00edv\u00e1 jako nosn\u00fd vizu\u00e1ln\u00ed motiv. Vytv\u00e1\u0159\u00ed tak vlastn\u011b jak\u00e9si reklamn\u00ed logo (a\u0165 u\u017e je to litera nebo \u010d\u00edslo), p\u0159itahuj\u00edc\u00ed okam\u017eitou pozornost.<\/p>\n

Kreslen\u00e9 tituly knih a\u00a0uk\u00e1zky kaligrafick\u00e9ho mistrovstv\u00ed vyu\u017e\u00edvaj\u00ed tot\u00e1ln\u00edho minimalismu, v\u00fdrazn\u00e9ho kontrastu a\u00a0povy\u0161ov\u00e1n\u00ed dan\u00e9 linie nad prim\u00e1rn\u00ed estetickou \u0159e\u010d. Ka\u017ed\u00e9 p\u00edsmeno m\u016f\u017ee st\u00e1t samo o\u00a0sob\u011b coby sebev\u011bdom\u00e9 um\u011bleck\u00e9 d\u00edlo.<\/p>\n

Tvorba Jana Solpery vlastn\u011b neust\u00e1le osciluje mezi striktn\u00edm \u010di \u00fasporn\u00fdm v\u00fdtvarn\u00fdm vyj\u00e1d\u0159en\u00edm a\u00a0latentn\u00edm smyslem, kter\u00fd je jakoby zak\u00f3dov\u00e1n pod povrchem jedn\u00e9 ka\u017ed\u00e9 linie. A\u00a0dokazuje, \u017ee autor m\u00e1 p\u00edsmo a\u00a0kn\u00ed\u017eky opravdu r\u00e1d.<\/p>\n

Foto: Jan \u0160\u00edda, Novinky<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Tvorbu Jana Solpery zn\u00e1 ka\u017ed\u00fd, ani\u017e by o\u00a0tom v\u011bd\u011bl. V\u00fdtvarn\u00edk toti\u017e vytvo\u0159il p\u00edsmo na na\u0161ich bankovk\u00e1ch a\u00a0jeho p\u00edsmo…\n","protected":false},"author":2,"featured_media":188181,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[7],"tags":[43,42,41,40,1681,3416,42861,1682,91],"class_list":["post-188180","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cesko","tag-ceska-republika","tag-cesko","tag-czech-republic","tag-czechia","tag-galerie","tag-grafika","tag-jan-solpera","tag-umeni","tag-vystavy"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117139538731925010","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/188180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=188180"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/188180\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/188181"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=188180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=188180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=188180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}