{"id":188282,"date":"2026-08-22T16:19:28","date_gmt":"2026-08-22T16:19:28","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/188282\/"},"modified":"2026-08-22T16:19:28","modified_gmt":"2026-08-22T16:19:28","slug":"velky-risk-belmonda-chteli-nahradit-dav-malem-zadrzel-herce-a-skutecny-zlocinec-za-filmovym-hrdinou-skoncil-popravou","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/188282\/","title":{"rendered":"Velk\u00fd risk: Belmonda cht\u011bli nahradit, dav m\u00e1lem zadr\u017eel herce a skute\u010dn\u00fd zlo\u010dinec za filmov\u00fdm hrdinou skon\u010dil popravou"},"content":{"rendered":"

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

\"Velk\u00fd <\/a><\/p>\n

Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize<\/p>\n

Sn\u00edmek Velk\u00fd risk se z mnoha zaj\u00edmav\u00fdch d\u016fvod\u016f zapsal do d\u011bjin sv\u011btov\u00e9 kinematografie. \u00dast\u0159edn\u00ed dvojici v n\u011bm ztv\u00e1rnili Lino Ventura a Jean Paul Belmondo. Re\u017eis\u00e9r Claude Sautet p\u0159i tvorb\u011b v\u016fbec netu\u0161il, jakou kontroverzn\u00ed p\u0159edlohu zpracov\u00e1v\u00e1. Nat\u00e1\u010den\u00ed nav\u00edc p\u0159ineslo nepl\u00e1novan\u00e9 rva\u010dky s kolemjdouc\u00edmi i z\u00e1sadn\u00ed spory s producenty.<\/p>\n

Ne\u00fastupnost p\u0159i obsazov\u00e1n\u00ed<\/p>\n

Tv\u016frci museli o hereck\u00e9 obsazen\u00ed tvrd\u011b bojovat. Claude Sautet si pro roli mlad\u00e9ho lupi\u010de vyhl\u00e9dl tehdy t\u00e9m\u011b\u0159 nezn\u00e1m\u00e9ho Jeana Paula Belmonda<\/a>. V\u0161iml si ho ve sn\u00edmku Marcela Carn\u00e9ho s n\u00e1zvem Les Tricheurs a o jeho p\u0159irozen\u00e9m talentu nem\u011bl \u017e\u00e1dn\u00e9 pochybnosti. Producenti v\u0161ak m\u011bli \u00fapln\u011b jinou p\u0159edstavu a na m\u00edsto cht\u011bli anga\u017eovat Laurenta Terzieffa nebo G\u00e9rarda Blaina. Pova\u017eovali nasazen\u00ed nezn\u00e1m\u00e9 tv\u00e1\u0159e s nezvykl\u00fdm vzhledem za zbyte\u010dn\u00fd risk.<\/p>\n

Re\u017eis\u00e9r si v\u0161ak st\u00e1l pevn\u011b za sv\u00fdm a podpo\u0159il ho i Lino Ventura, kter\u00fd m\u011bl jako hv\u011bzda projektu a jeho inici\u00e1tor hlavn\u00ed slovo. S Venturou se re\u017eis\u00e9r sezn\u00e1mil u\u017e d\u0159\u00edve p\u0159i pr\u00e1ci na jin\u00e9m filmu a musel tam \u0159e\u0161it \u010dast\u00e9 neshody na place. Spole\u010dn\u011b nakonec Belmonda prosadili a div\u00e1ci si na jeho prvn\u00ed objeven\u00ed v p\u0159\u00edb\u011bhu mus\u00ed po\u010dkat cel\u00fdch osmat\u0159icet minut.<\/p>\n

Skryt\u00e1 kamera a panika na ulici<\/p>\n

\u00davodn\u00ed sc\u00e9ny loupe\u017ee vznikaly v ulic\u00edch italsk\u00e9ho Mil\u00e1na velmi neobvykl\u00fdm zp\u016fsobem. \u0160t\u00e1b nat\u00e1\u010del skrytou kamerou p\u0159\u00edmo na jedn\u00e9 z nejru\u0161n\u011bj\u0161\u00edch t\u0159\u00edd. Kolemjdouc\u00ed lid\u00e9 nem\u011bli tu\u0161en\u00ed o prob\u00edhaj\u00edc\u00ed filmov\u00e9 produkci a domn\u00edvali se, \u017ee sleduj\u00ed skute\u010dn\u00e9 ozbrojen\u00e9 p\u0159epaden\u00ed. Mnoz\u00ed z nich za\u010dali dokonce herce pron\u00e1sledovat a sna\u017eili se je zadr\u017eet.<\/p>\n

Vznikla obrovsk\u00e1 panika a jeden \u010dlov\u011bk v davu utrp\u011bl kv\u016fli rozru\u0161en\u00ed srde\u010dn\u00ed slabost. Pro tv\u016frce to znamenalo ohromn\u00e9 komplikace, v\u00fdsledek ale d\u00edky tomu p\u016fsob\u00ed naprosto autenticky.<\/p>\n

Temn\u00e1 minulost hlavn\u00ed postavy<\/p>\n

Postava star\u00e9ho zlod\u011bje Abela Davose vych\u00e1z\u00ed ze skute\u010dn\u00fdch ud\u00e1lost\u00ed a osoby Abela Danose. Tento mu\u017e m\u011bl kv\u016fli sv\u00e9 zavalit\u00e9 postav\u011b p\u0159ezd\u00edvku Mamut a setkal se s n\u00edm spisovatel Jos\u00e9 Giovanni ve v\u011bzen\u00ed. Autor kni\u017en\u00ed p\u0159edlohy byl Danos\u016fv vlastn\u00ed synovec a pro sv\u016fj rom\u00e1n p\u0159\u00edb\u011bh p\u0159ikr\u00e1\u0161lil. Vytvo\u0159il z n\u011bj miluj\u00edc\u00edho otce rodiny a zcela vynechal jeho skute\u010dn\u00e9 zlo\u010diny.<\/p>\n

Skute\u010dn\u00fd Danos p\u016fsobil p\u0159ed v\u00e1lkou jako n\u00e1jemn\u00fd vrah a v letech 1941 a\u017e 1944 se stal vy\u0161et\u0159ovatelem francouzsk\u00e9ho gestapa v Pa\u0159\u00ed\u017ei. \u00da\u010dastnil se aktivn\u00ed kolaborace v takzvan\u00e9m gangu Bonny Lafont a obohacoval se na \u00fakor nevinn\u00fdch ob\u011bt\u00ed. Spravedlnost ho dostihla a v roce 1952 byl za sv\u00e9 \u010diny popraven zast\u0159elen\u00edm.<\/p>\n

\u201eKdybych to v\u011bd\u011bl, mo\u017en\u00e1 bych ten film nenato\u010dil,\u201c p\u0159iznal Claude Sautet tehdy v rozhovoru pro novin\u00e1\u0159e. Historick\u00e9 souvislosti o skute\u010dn\u00e9 identit\u011b hrdiny v dob\u011b nat\u00e1\u010den\u00ed naprosto ignoroval a nikdo ze znalc\u016f historie se neozval.<\/p>\n

Nebezpe\u010d\u00ed u stojanu a fat\u00e1ln\u00ed konkurence<\/p>\n

Pozorn\u00ed div\u00e1ci mohou ve filmu zachytit jednu \u00fasm\u011bvnou chybu. Kdy\u017e zastav\u00ed Jean Paul Belmondo na \u010derpac\u00ed stanici kv\u016fli tankov\u00e1n\u00ed, celou dobu bezstarostn\u011b kou\u0159\u00ed cigaretu. Pohybuje se p\u0159\u00edmo u palivov\u00fdch n\u00e1dr\u017e\u00ed i samotn\u00fdch stojan\u016f a nikdo ho neupozorn\u00ed na hroz\u00edc\u00ed nebezpe\u010d\u00ed.<\/p>\n

Komer\u010dn\u00ed \u00fasp\u011bch se ov\u0161em po premi\u00e9\u0159e p\u0159ekvapiv\u011b nedostavil a sn\u00edmek znamenal pro tehdej\u0161\u00ed producenty finan\u010dn\u00ed krach. Do kin dorazil pouh\u00fd t\u00fdden po obrovsk\u00e9m hitu U konce s dechem, kde hr\u00e1l shodou okolnost\u00ed tak\u00e9 Jean Paul Belmondo. Konkurence tohoto \u00fasp\u011b\u0161n\u00e9ho titulu zap\u0159\u00ed\u010dinila po\u010d\u00e1te\u010dn\u00ed nez\u00e1jem div\u00e1k\u016f.<\/p>\n

Sn\u00edmek Velk\u00fd risk a jeho specifickou atmosf\u00e9ru p\u0159ipomene televizn\u00ed vys\u00edl\u00e1n\u00ed na \u010cT2 22. srpna ve 13:15.<\/p>\n

Dal\u0161\u00ed filmov\u00e9 a seri\u00e1lov\u00e9 zaj\u00edmavosti si m\u016f\u017eete p\u0159e\u010d\u00edst ZDE<\/a>.<\/p>\n

Zdroj informac\u00ed: autorsk\u00e9 zpracov\u00e1n\u00ed redakce Vtelce.cz<\/a> na z\u00e1klad\u011b ve\u0159ejn\u011b dostupn\u00fdch informac\u00ed z m\u00e9di\u00ed (csfd<\/a>, imdb<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize Velk\u00fd risk, FOTO: Zebra Films \/ distr. \u010cesk\u00e1 televize…\n","protected":false},"author":2,"featured_media":188283,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[44093,737,44094,79,11571,8823,29967,24504,44095,17897,7577,2267,44096,80,437],"class_list":["post-188282","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-abel-danos","tag-ceska-televize","tag-claude-sautet","tag-entertainment","tag-filmove-chyby","tag-francouzsky-film","tag-jean-paul-belmondo","tag-kriminalni-drama","tag-lino-ventura","tag-perlicky-z-nataceni","tag-skryta-kamera","tag-tip-na-film","tag-velky-risk","tag-zabava","tag-zajimavosti"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117140077177105360","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/188282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=188282"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/188282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/188283"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=188282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=188282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=188282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}