![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/08\/jan-skopecek-herec.jpeg\")
Foto: Wikimedia Commons\/CC-BY-SA-3.0\/David Sedleck\u00fd<\/p>\nKdy\u017e se dnes \u0159ekne A\u0165 \u017eij\u00ed duchov\u00e9!, v\u011bt\u0161ina div\u00e1k\u016f si vybav\u00ed Ji\u0159\u00edho Sov\u00e1ka jako bru\u010dounsk\u00e9ho ryt\u00ed\u0159e Brtn\u00edka, malou Leont\u00fdnku v\u00a0pod\u00e1n\u00ed Dany V\u00e1vrov\u00e9, d\u011btskou partu a\u00a0p\u0159edev\u0161\u00edm p\u00edsni\u010dky Jaroslava Uhl\u00ed\u0159e. Film Old\u0159icha Lipsk\u00e9ho m\u011bl premi\u00e9ru 11.\u00a0listopadu 1977\u00a0a\u00a0postupn\u011b se za\u0159adil mezi nejzn\u00e1m\u011bj\u0161\u00ed \u010desk\u00e9 rodinn\u00e9 komedie. Jen\u017ee podoba, kterou dnes zn\u00e1me, nebyla od za\u010d\u00e1tku samoz\u0159ejm\u00e1. P\u016fvodn\u00ed l\u00e1tka toti\u017e vypadala podstatn\u011b jinak.<\/p>\n
Z p\u016fvodn\u00edho sc\u00e9n\u00e1\u0159e zmizela ideologie<\/p>\n
Na za\u010d\u00e1tku byl sc\u00e9n\u00e1\u0159 Ji\u0159\u00edho Mel\u00ed\u0161ka p\u0159ipravovan\u00fd pro bavi\u010de Anton\u00edna Jedli\u010dku. Z\u00a0dne\u0161n\u00edho pohledu je p\u0159itom zaj\u00edmav\u00e9, jak v\u00fdrazn\u011b se pozd\u011bji zm\u011bnil. Zden\u011bk Sv\u011br\u00e1k p\u016fvodn\u00ed text v\u00a0roce 1977\u00a0z\u00e1sadn\u011b p\u0159epracoval a\u00a0spole\u010dn\u011b s\u00a0Old\u0159ichem Lipsk\u00fdm vznikla podoba p\u0159\u00edb\u011bhu, kterou zn\u00e1me z\u00a0filmu.<\/p>\n
P\u016fvodn\u00ed verze byla mnohem v\u00edce zasazen\u00e1 do tehdej\u0161\u00ed reality a\u00a0pracovala s\u00a0pion\u00fdry a\u00a0takzvanou Akc\u00ed Z. Z\u00a0filmu nakonec dobov\u00e1 ideologie prakticky zmizela. M\u00edsto agitky dostali div\u00e1ci jednoduch\u00fd p\u0159\u00edb\u011bh d\u011bt\u00ed, kter\u00e9 cht\u011bj\u00ed zachr\u00e1nit ch\u00e1traj\u00edc\u00ed hrad a\u00a0p\u0159em\u011bnit ho na m\u00edsto, kde budou moci tr\u00e1vit \u010das.<\/p>\n
V tom spo\u010d\u00edv\u00e1 jeden z\u00a0d\u016fvod\u016f, pro\u010d film tak dob\u0159e zest\u00e1rl. Tv\u016frci odstranili to, co by dnes p\u016fsobilo poplatn\u011b sv\u00e9 dob\u011b, a\u00a0soust\u0159edili se na d\u011btskou fantazii, humor a\u00a0vztahy mezi postavami. Re\u017eie se ujal Old\u0159ich Lipsk\u00fd, kter\u00fd u\u017e m\u011bl za sebou nap\u0159\u00edklad Limon\u00e1dov\u00e9ho Joea aneb Konskou operu. Na sc\u00e9n\u00e1\u0159i se vedle Sv\u011br\u00e1ka a\u00a0Mel\u00ed\u0161ka pod\u00edlel tak\u00e9 samotn\u00fd Lipsk\u00fd.<\/p>\n
Foto: Wikimedia Commons\/CC-BY-SA-3.0\/David Sedleck\u00fd<\/p>\n
Jan Skope\u010dek se musel sm\u00ed\u0159it s\u00a0t\u00edm, \u017ee byl pro film nakonec nevhodn\u00fd<\/p>\n
Brtn\u00edka m\u011bl hr\u00e1t Jan Skope\u010dek<\/p>\n
Dnes si lze Ji\u0159\u00edho Sov\u00e1ka v\u00a0roli ryt\u00ed\u0159e Brtn\u00edka p\u0159edstavit jen velmi obt\u00ed\u017en\u011b nahraditeln\u00e9ho. P\u0159esto nebyl prvn\u00ed volbou, Brtn\u00edka m\u011bl toti\u017e p\u016fvodn\u011b hr\u00e1t Jan Skope\u010dek. \u201ePoslali mi nejd\u0159\u00edve liter\u00e1rn\u00ed sc\u00e9n\u00e1\u0159, pozd\u011bji technick\u00fd sc\u00e9n\u00e1\u0159 a\u00a0za\u010dalo se domlouvat, kdy m\u011b odvezou na Barrandov, abych si vyzkou\u0161el brn\u011bn\u00ed,\u201c vzpom\u00ednal herec. Jen\u017ee nakonec ho nahradil Ji\u0159\u00ed Sov\u00e1k. \u201eNajednou se nic ned\u011blo, produkce se odml\u010dela. Tak jsem tam zavolal, abych v\u011bd\u011bl, co se d\u011bje, na \u010dem jsem. Bylo a\u017e sm\u011b\u0161n\u00e9, jak si strkali sluch\u00e1tko, jeden asistent druh\u00e9mu, a\u00a0nikdo mi necht\u011bl \u0159\u00edct, \u017ee tam nehraju. Dozv\u011bd\u011bl jsem se to nakonec ale stejn\u011b. Taktn\u011b mi to sd\u011blil re\u017eis\u00e9r Old\u0159ich Lipsk\u00fd.\u201c<\/p>\n
D\u016fvodem m\u011bl b\u00fdt jeho postoj k\u00a0tehdej\u0161\u00edmu re\u017eimu. Skope\u010dek byl v\u00a0dob\u011b normalizace problematickou osobou pro n\u011bkter\u00e9 filmov\u00e9 p\u0159edstavitele a\u00a0jeho obsazen\u00ed nakonec nepro\u0161lo. P\u0159esn\u00e9 okolnosti zm\u011bny obsazen\u00ed se v\u00a0pozd\u011bj\u0161\u00edch vzpom\u00ednk\u00e1ch a\u00a0\u010dl\u00e1nc\u00edch popisuj\u00ed r\u016fzn\u011b, jist\u00e9 ale je, \u017ee Brtn\u00edk skon\u010dil u\u00a0Ji\u0159\u00edho Sov\u00e1ka.<\/p>\n
A byla to \u0161\u0165astn\u00e1 volba. Sov\u00e1k dok\u00e1zal spojit otr\u00e1venost, ironii a\u00a0autoritu s\u00a0d\u011btskou hravost\u00ed. Brtn\u00edk nen\u00ed klasick\u00fd poh\u00e1dkov\u00fd hrdina. Je trochu mrzut\u00fd, trochu l\u00edn\u00fd a\u00a0\u010dasto p\u016fsob\u00ed, jako by ho obt\u011b\u017eovalo v\u016fbec n\u011bco \u0159e\u0161it. D\u00edky tomu je ale uv\u011b\u0159iteln\u00fd. Vedle n\u011bj dostala v\u00fdraznou roli tak\u00e9 V\u011bra Tich\u00e1nkov\u00e1 jako Pil\u00e1tov\u00e1, Vlastimil Brodsk\u00fd jako \u0159editel V\u00e1vra a\u00a0Lubom\u00edr Lipsk\u00fd jako vedouc\u00ed samoobsluhy Jouza. D\u011btskou partu tvo\u0159ili mimo jin\u00e9 Ji\u0159\u00ed Proch\u00e1zka, Petr Star\u00fd, Igor Nachtigal, David Vl\u010dek a\u00a0Tom\u00e1\u0161 Hol\u00fd.<\/p>\n
Dan\u011b V\u00e1vrov\u00e9 film zm\u011bnil \u017eivot<\/p>\n
Dana V\u00e1vrov\u00e1 byla p\u0159i nat\u00e1\u010den\u00ed je\u0161t\u011b d\u00edt\u011b. Leont\u00fdnka pro ni znamenala jednu z\u00a0prvn\u00edch v\u00fdrazn\u00fdch filmov\u00fdch rol\u00ed a\u00a0z\u00e1rove\u0148 start kari\u00e9ry, kter\u00e1 se pozd\u011bji rozv\u00edjela i\u00a0v zahrani\u010d\u00ed. Jej\u00ed hereck\u00fd osud je p\u0159itom zvl\u00e1\u0161tn\u00ed. Z\u00a0mal\u00e9 Leont\u00fdnky vyrostla v\u00fdrazn\u00e1 here\u010dka a\u00a0pozd\u011bji tak\u00e9 re\u017eis\u00e9rka. Hr\u00e1la nap\u0159\u00edklad v\u00a0Kulov\u00e9m blesku, objevila se v\u00a0seri\u00e1lu Arabela a\u00a0pozd\u011bji p\u016fsobila p\u0159edev\u0161\u00edm v\u00a0N\u011bmecku. Zem\u0159ela v\u00a0roce 2009\u00a0ve v\u011bku pouh\u00fdch 41\u00a0let. Jej\u00ed \u017eivot tak skon\u010dil mnohem d\u0159\u00edve, ne\u017e by odpov\u00eddalo kari\u00e9\u0159e, kterou m\u011bla p\u0159ed sebou.<\/p>\n
Na nat\u00e1\u010den\u00ed A\u0165 \u017eij\u00ed duchov\u00e9! se nav\u00edc podle pozd\u011bj\u0161\u00edch vzpom\u00ednek odehr\u00e1vala i\u00a0d\u011btsk\u00e1 zamilovanost. V\u00e1vrov\u00e1 se m\u011bla zakoukat do Ji\u0159\u00edho Proch\u00e1zky, p\u0159edstavitele Jendy Dlouh\u00e9ho. Je to jedna z\u00a0t\u011bch drobn\u00fdch historek ze z\u00e1kulis\u00ed, kter\u00e9 ukazuj\u00ed, \u017ee d\u011btsk\u00e9 hereck\u00e9 party nebyly jen dokonale funguj\u00edc\u00edm filmov\u00fdm mechanismem, ale skute\u010dn\u00fdmi d\u011btmi, kter\u00e9 spolu tr\u00e1vily dlouh\u00e9 t\u00fddny. Proch\u00e1zka nav\u00edc b\u011bhem nat\u00e1\u010den\u00ed onemocn\u011bl a\u00a0v n\u011bkter\u00fdch z\u00e1b\u011brech ho musel zastoupit spolu\u017e\u00e1k. Film tak vznikal i\u00a0za pomoci velmi praktick\u00fdch \u0159e\u0161en\u00ed, kter\u00e1 by dnes div\u00e1k na prvn\u00ed pohled v\u016fbec nepoznal.<\/p>\n
![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/08\/jiri-prochazka-at-ziji-duchove-film.webp\")
Foto: Profimedia (koupen\u00e1 licence)<\/p>\n
Ji\u0159\u00ed Proch\u00e1zka ve filmu A\u0165 \u017eij\u00ed duchov\u00e9!<\/p>\n
Trpasl\u00edci byli ve skute\u010dnosti d\u00e1l<\/p>\n
Jedn\u00edm z\u00a0nejzaj\u00edmav\u011bj\u0161\u00edch aspekt\u016f filmu jsou jeho triky. Dnes by podobn\u00e9 sc\u00e9ny vznikly pom\u011brn\u011b snadno digit\u00e1ln\u011b, v\u00a0roce 1977\u00a0v\u0161ak museli filma\u0159i pracovat s\u00a0kamerou, perspektivou, p\u0159esn\u011b p\u0159ipraven\u00fdmi kulisami a\u00a0hlavn\u011b s\u00a0p\u0159esn\u00fdm na\u010dasov\u00e1n\u00edm. V\u00fdraznou osobnost\u00ed v\u00a0t\u00e9to oblasti byl Vladim\u00edr Novotn\u00fd, specialista na trikov\u00e9 nat\u00e1\u010den\u00ed. U\u00a0A\u0165 \u017eij\u00ed duchov\u00e9! se pod\u00edlel na \u0159e\u0161en\u00ed sc\u00e9n s\u00a0trpasl\u00edky pomoc\u00ed fale\u0161n\u00e9 perspektivy. D\u011bt\u0161t\u00ed herci byli um\u00edst\u011bni bl\u00edzko kamery, zat\u00edmco dosp\u011bl\u00ed kaskad\u00e9\u0159i v\u00a0kost\u00fdmech trpasl\u00edk\u016f st\u00e1li mnohem d\u00e1l. D\u00edky rozd\u00edln\u00e9 vzd\u00e1lenosti od objektivu pak vypadali v\u00fdrazn\u011b men\u0161\u00ed.<\/p>\n
Novotn\u00fd p\u0159itom nepat\u0159il k\u00a0tv\u016frc\u016fm, kte\u0159\u00ed by spol\u00e9hali na n\u00e1kladn\u00e9 efekty. Jeho specialitou byly pr\u00e1v\u011b praktick\u00e9 triky zalo\u017een\u00e9 na perspektiv\u011b, zrcadlech a\u00a0chytr\u00e9m rozm\u00edst\u011bn\u00ed objekt\u016f p\u0159ed kamerou. Stejn\u00fd p\u0159\u00edstup vyu\u017e\u00edval tak\u00e9 v\u00a0dal\u0161\u00edch \u010desk\u00fdch filmech a\u00a0pozd\u011bji nap\u0159\u00edklad v\u00a0Arabele. Tyto triky jsou podle m\u011b jednou z\u00a0v\u011bc\u00ed, kter\u00e9 filmu dod\u00e1vaj\u00ed kouzlo i\u00a0dnes.<\/p>\n
Hrad Krakovec nen\u00ed takov\u00fd, jak si ho div\u00e1ci pamatuj\u00ed<\/p>\n
Velk\u00e1 \u010d\u00e1st filmu vznikala na z\u0159\u00edcenin\u011b hradu Krakovec nedaleko Rakovn\u00edka. Samotn\u00fd hrad je dodnes jedn\u00edm z\u00a0hlavn\u00edch d\u016fvod\u016f, pro\u010d fanou\u0161ci filmu na m\u00edsto m\u00ed\u0159\u00ed. Kdo ale p\u0159ijede na Krakovec s\u00a0p\u0159edstavou, \u017ee uvid\u00ed cel\u00fd hrad p\u0159esn\u011b jako ve filmu, m\u016f\u017ee b\u00fdt p\u0159ekvapen\u00fd. N\u011bkter\u00e9 \u010d\u00e1sti filmov\u00e9ho hradu byly vytvo\u0159eny nebo upraveny pouze pro pot\u0159eby nat\u00e1\u010den\u00ed. Slavn\u00e1 st\u0159echa nap\u0159\u00edklad nebyla skute\u010dnou st\u0159echou, kter\u00e1 by se na Krakovci dochovala. Filma\u0159i pracovali s\u00a0filmovou iluz\u00ed a\u00a0zmen\u0161en\u00fdm modelem.<\/p>\n
Jedn\u00edm z\u00a0pozoruhodn\u00fdch rys\u016f filmu je zp\u016fsob, jak\u00fdm pracuje s\u00a0v\u00fdrobky zn\u00e1m\u00fdmi z\u00a0tehdej\u0161\u00edho \u010ceskoslovenska. Ve filmu se objevuje Pribin\u00e1\u010dek i\u00a0Alpa. Nejde p\u0159itom o\u00a0n\u00e1hodn\u00e9 rekvizity polo\u017een\u00e9 n\u011bkde v\u00a0pozad\u00ed. Filmov\u00fd p\u0159ehled ozna\u010duje jejich zapojen\u00ed p\u0159\u00edmo za p\u0159\u00edklad dobov\u00e9ho product placementu.<\/p>\n
Dnes je podobn\u00e9 um\u00edst\u011bn\u00ed v\u00fdrobk\u016f b\u011b\u017enou sou\u010d\u00e1st\u00ed filmov\u00e9 a\u00a0televizn\u00ed produkce. V\u00a0sedmdes\u00e1t\u00fdch letech v\u0161ak p\u016fsob\u00ed zp\u016fsob, jak\u00fdm se konkr\u00e9tn\u00ed v\u00fdrobky dost\u00e1vaj\u00ed do d\u011bje, pon\u011bkud \u00fasm\u011bvn\u011b. Je to tak\u00e9 hezk\u00e1 uk\u00e1zka toho, jak se filma\u0159i sna\u017eili pracovat s\u00a0omezen\u00fdmi mo\u017enostmi sv\u00e9 doby. N\u011bkter\u00e9 rekvizity a\u00a0prost\u0159ed\u00ed nebylo pot\u0159eba slo\u017eit\u011b vytv\u00e1\u0159et, proto\u017ee se daly p\u0159irozen\u011b zapojit do p\u0159\u00edb\u011bhu.<\/p>\n
P\u00edsni\u010dky se staly mo\u017en\u00e1 je\u0161t\u011b slavn\u011bj\u0161\u00ed ne\u017e samotn\u00fd film<\/p>\n
Velkou z\u00e1sluhu na \u017eivotnosti filmu m\u00e1 Jaroslav Uhl\u00ed\u0159. A\u0165 \u017eij\u00ed duchov\u00e9! nebyl jen d\u011btskou komedi\u00ed, ale z\u00e1rove\u0148 v\u00fdrazn\u011b hudebn\u00edm filmem. Uhl\u00ed\u0159ovy melodie dostaly texty Zde\u0148ka Sv\u011br\u00e1ka a\u00a0n\u011bkter\u00e9 z\u00a0nich p\u0159e\u017eily film samotn\u00fd. Na ofici\u00e1ln\u011b vydan\u00e9m soundtracku jsou nap\u0159\u00edklad skladby Zavolejte str\u00e1\u017ee, Hajn\u00fd je lesa p\u00e1n, \u0160upy dupy dup nebo P\u00edse\u0148 Leont\u00fdnky. Album obsahuje celkem \u0159adu hudebn\u00edch i\u00a0dialogov\u00fdch \u00fasek\u016f z\u00a0filmu.<\/p>\n
Pr\u00e1v\u011b Zavolejte str\u00e1\u017ee pat\u0159\u00ed k\u00a0nejzn\u00e1m\u011bj\u0161\u00edm melodi\u00edm cel\u00e9ho filmu. Zaj\u00edmav\u00e9 je, \u017ee skladby z\u00a0A\u0165 \u017eij\u00ed duchov\u00e9! se postupn\u011b za\u010daly odd\u011blovat od p\u016fvodn\u00edho filmov\u00e9ho p\u0159\u00edb\u011bhu a\u00a0fungovat samostatn\u011b. To je u\u00a0d\u011btsk\u00e9ho filmu pom\u011brn\u011b vz\u00e1cn\u00e9.<\/p>\n
Zdroj: autorsk\u00fd \u010dl\u00e1nek s\u00a0vyu\u017eit\u00edm<\/p>\n","protected":false},"excerpt":{"rendered":"Kdy\u017e se dnes \u0159ekne A\u0165 \u017eij\u00ed duchov\u00e9!, v\u011bt\u0161ina div\u00e1k\u016f si vybav\u00ed Ji\u0159\u00edho Sov\u00e1ka jako bru\u010dounsk\u00e9ho ryt\u00ed\u0159e Brtn\u00edka, malou…\n","protected":false},"author":2,"featured_media":191685,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[44494,79,1093,9771,15801,17366,1448,650,1073,649,80,437],"class_list":["post-191684","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-at-ziji-duchove","tag-entertainment","tag-filmy","tag-humor","tag-jan-skopecek","tag-jiri-sovak","tag-kultura","tag-lide","tag-pribeh","tag-spolecnost","tag-zabava","tag-zajimavosti"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117158381157988430","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/191684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=191684"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/191684\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/191685"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=191684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=191684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=191684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}