{"id":192850,"date":"2026-08-27T00:06:20","date_gmt":"2026-08-27T00:06:20","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/192850\/"},"modified":"2026-08-27T00:06:20","modified_gmt":"2026-08-27T00:06:20","slug":"festival-nepopularni-hudby-mikulove-nabidne-letni-kapelu-dunaj-i-fvck_kvlt","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/192850\/","title":{"rendered":"Festival nepopul\u00e1rn\u00ed hudby MikuLOVE nab\u00eddne Letn\u00ed kapelu, Dunaj i\u00a0Fvck_Kvlt"},"content":{"rendered":"

N\u00e1v\u0161t\u011bvn\u00edci se mohou t\u011b\u0161it na jm\u00e9na jako je Fvck_Kvlt, Mutanti hledaj v\u00fdchodisko, M\u00e1\u0159\u00ed, Kvietah nebo Cyril Kaplan. Samoz\u0159ejm\u011b se ale p\u0159edstav\u00ed i\u00a0st\u00e1lice tuzemsk\u00e9 alternativy jako Letn\u00ed kapela, Dunaj, Torn\u00e1do Lue nebo V\u00e1clav Koubek.<\/p>\n

Mlad\u00e1 krev<\/p>\n

Fvck_Kvlt je hudebn\u00ed projekt trnavsk\u00e9ho punkera Denise Banga, kter\u00fd v\u00fdrazn\u011b h\u00fdbe slovenskou sc\u00e9nou nap\u0159\u00ed\u010d \u017e\u00e1nry. Jeho tvorba je anga\u017eovan\u00e1, p\u0159\u00edm\u00e1 a\u00a0m\u00edsty a\u017e surov\u011b up\u0159\u00edmn\u00e1. Mutanti hledaj v\u00fdchodisko jsou pra\u017esk\u00e1 formace, kter\u00e1 dokazuje, \u017ee kombinace tane\u010dn\u00edch beat\u016f, ostr\u00e9ho rapu, elektroniky i\u00a0alternativn\u00edho hip-hopu prost\u011b funguje.<\/p>\n

Hudba M\u00e1\u0159\u00ed propojuje kytary, elektroniku i\u00a0pop s\u00a0autentick\u00fdmi ruchy pra\u017esk\u00fdch ulic. Autorsk\u00e9 texty vtahuj\u00ed poslucha\u010de do atmosf\u00e9ry dosp\u00edv\u00e1n\u00ed a\u00a0no\u010dn\u00edho m\u011bsta\u00a0\u2013 citliv\u011b, up\u0159\u00edmn\u011b a\u00a0bez p\u0159\u00edkras. Kvietah je mlad\u00e1 p\u00edsni\u010dk\u00e1\u0159ka, kter\u00e1 se hudebn\u011b pohybuje nap\u0159\u00ed\u010d \u017e\u00e1nry\u00a0\u2013 st\u0159\u00edd\u00e1 zkreslen\u00e9 alternativn\u011b rockov\u00e9 kytary, chytlav\u00e9 popov\u00e9 melodie, elektronick\u00e9 beaty i\u00a0k\u0159ehk\u00fd baladick\u00fd klav\u00edr.<\/p>\n

Foto: Festival MikuLOVE<\/p>\n

Kvietah (vlastn\u00edm jm\u00e9nem Magdalena Fendrychov\u00e1) je \u010desk\u00e1 hudebn\u00ed skladatelka, texta\u0159ka a\u00a0p\u00edsni\u010dk\u00e1\u0159ka. Je dr\u017eitelkou ocen\u011bn\u00ed And\u011bl 2024\u00a0v\u00a0kategorii Objev roku.<\/p>\n

Cyril Kaplan po p\u016fsoben\u00ed v\u00a0projektech jako Vlo\u017ete ko\u010dku nebo Mutanti hledaj v\u00fdchodisko vstoupil v\u00a0roce 2025\u00a0na s\u00f3lovou dr\u00e1hu. Jeho tvorba kombinuje retro-futuristick\u00e9 groove, analogov\u00e9 syntez\u00e1tory, \u017eiv\u00e9 bic\u00ed a\u00a0intimn\u00ed vok\u00e1ly.<\/p>\n

Ov\u011b\u0159en\u00e9 zna\u010dky<\/p>\n

Duo Noiseniors spole\u010dn\u011b vytv\u00e1\u0159\u00ed syrovou improviza\u010dn\u00ed f\u00fazi na pomez\u00ed noisu a\u00a0elektro-akustiky. Obyvatel\u00e9 cihlov\u00e9ho domu jsou kapela balancuj\u00edc\u00ed na hran\u011b crossoveru, punku, progressive rocku i\u00a0jazzu. Jejich zvuk propojuje klasick\u00fd klav\u00edr s\u00a0tvrd\u0161\u00ed, a\u017e metalov\u011b lad\u011bnou rytmikou a\u00a0v\u00fdrazn\u00fdm \u017eensk\u00fdm vok\u00e1lem.<\/p>\n

Letn\u00ed kapela je projektem hudebn\u00edka a\u00a0v\u00fdtvarn\u00edka Jarom\u00edra 99.\u00a0Jej\u00ed hudba stoj\u00ed na siln\u00fdch melodi\u00edch, p\u0159\u00edmo\u010dar\u00e9m soundu a\u00a0atmosf\u00e9\u0159e inspirovan\u00e9 krajinou Jesen\u00edk\u016f a\u00a0Rychlebsk\u00fdch hor. Nov\u00fd p\u0159\u00edtok Dunaje v\u00a0podob\u011b zp\u011bva\u010dky Jany V\u00e9brov\u00e9 p\u0159in\u00e1\u0161\u00ed do kapely sv\u011b\u017e\u00ed proud energie.<\/p>\n

Bratislavsk\u00e1 kapela Tornado Lue p\u0159in\u00e1\u0161\u00ed mix \u0161ansonu, punku, kabaretu i\u00a0klezmeru – a\u00a0p\u0159edev\u0161\u00edm silnou p\u00edsni\u010dk\u00e1\u0159skou v\u00fdpov\u011b\u010f Jany T\u00f3thov\u00e9. Vytv\u00e1\u0159\u00ed zvl\u00e1\u0161tn\u00ed, podmaniv\u00fd sv\u011bt, kde se m\u00eds\u00ed melancholie, expresivita i\u00a0syrov\u00e1 energie.<\/p>\n

P\u00edsni\u010dk\u00e1\u0159, harmonik\u00e1\u0159 a\u00a0vyprav\u011b\u010d V\u00e1clav Koubek si za des\u00edtky let na sc\u00e9n\u011b vybudoval nezam\u011bniteln\u00fd styl. Jeho tvorba se pohybuje na pomez\u00ed folku, \u0161ansonu a\u00a0hospodsk\u00e9 poetiky. Stoj\u00ed na siln\u00fdch p\u0159\u00edb\u011bz\u00edch, osobit\u00e9m humoru a\u00a0bezprost\u0159edn\u00edm kontaktu s\u00a0publikem.<\/p>\n

Foto: Festival MikuLOVE<\/p>\n

V\u00e1clav Koubek je v\u00fdrazn\u00e1 a\u00a0v\u0161estrann\u00e1 osobnost \u010desk\u00e9 nez\u00e1visl\u00e9 kultury.<\/p>\n

St\u00e1lice a\u00a0navr\u00e1tilci<\/p>\n

Karel Vep\u0159ek je p\u00edsni\u010dk\u00e1\u0159, jeho\u017e tvorba vyr\u016fst\u00e1 z\u00a0odkazu Karla Kryla a\u00a0poetiky Vladim\u00edra Merty. Jeho hudba je hluboce propojen\u00e1 s\u00a0poezi\u00ed. Z\u00e1sadn\u00ed vliv na jeho tvorbu m\u011blo p\u0159\u00e1telstv\u00ed s\u00a0b\u00e1sn\u00edkem Pavlem Kolma\u010dkou, stejn\u011b jako inspirace d\u00edlem Bohuslava Reynka.<\/p>\n

Kr\u00e1sn\u00e9 nov\u00e9 stroje pod veden\u00edm Stanislava Divi\u0161e si za v\u00edce ne\u017e 40\u00a0koncertn\u00edch sezon vybudovaly nezam\u011bniteln\u00fd styl a\u00a0staly se inspirac\u00ed pro celou \u0159adu dal\u0161\u00edch kapel. V\u00a0jejich hudb\u011b doch\u00e1z\u00ed k\u00a0eklektick\u00e9mu mixu tane\u010dn\u00edho reggae, v\u00fdbu\u0161n\u00e9ho punku a\u00a0sofistikovan\u00e9ho jazzu.<\/p>\n

V roce 2024\u00a0uplynulo 50\u00a0let od nahr\u00e1n\u00ed legend\u00e1rn\u00ed desky Egon Bondy\u2019s Happy Hearts Club Banned skupiny The Plastic People Of The Universe. K\u00a0tomuto v\u00fdro\u010d\u00ed vznikl projekt PPU, slo\u017een\u00fd z\u00a0hudebn\u00edk\u016f, kte\u0159\u00ed hr\u00e1li v\u00a0kapele je\u0161t\u011b p\u0159ed rokem 1989.\u00a0Na p\u00f3diu se setk\u00e1vaj\u00ed Josef Jan\u00ed\u010dek, Jan Brabec, Vladim\u00edr D\u011bdek, Tom\u00e1\u0161 Schilla a\u00a0Ivan Bierhanzl. V\u00a0jejich setu zazn\u00ed nejen skladby z\u00a0ikonick\u00e9ho alba, ale i\u00a0pr\u016f\u0159ez tvorbou Plastic People z\u00a0let 1974\u20131988.<\/p>\n

N\u00e1v\u0161t\u011bva z\u00a0ciziny<\/p>\n

Jako ka\u017ed\u00fd rok vystoup\u00ed i\u00a0zahrani\u010dn\u00ed host\u00e9. Z\u00a0Japonska p\u0159ijede poprv\u00e9 do \u010ceska progresivn\u00ed avantgardn\u00ed trio Korekyojinn. Jejich zvuk je ostr\u00fd jako b\u0159itva\u00a0\u2013 na pomez\u00ed progresivn\u00edho rocku, sou\u010dasn\u00e9ho jazzu a\u00a0futuristick\u00e9ho hardrockov\u00e9ho funku. Seattlesk\u00fd kolektiv Degenerate Art Ensemble nav\u0161t\u00edv\u00ed festival se svou aktu\u00e1ln\u00ed performanc\u00ed Anima Mundi, kter\u00e1 bour\u00e1 hranice mezi koncertem, performanc\u00ed a\u00a0kolektivn\u00edm ob\u0159adem.<\/p>\n

Vedle dvaceti hudebn\u00edch polo\u017eek je sou\u010d\u00e1st\u00ed festivalu tak\u00e9 doprovodn\u00fd program, kter\u00fd zahrnuje divadlo pro d\u011bti, projekci filmu od Degenerate Art Ensemble v\u00a0m\u011bstsk\u00e9m kin\u011b, slam poetry na pop-up stage, akustick\u00fd koncert Kvietah v\u00a0mikulovsk\u00e9 synagoze nebo v\u00fdstavy fotek v\u00a0are\u00e1lu festivalu i\u00a0mimo n\u011bj.<\/p>\n

Foto: Festival MikuLOVE<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"N\u00e1v\u0161t\u011bvn\u00edci se mohou t\u011b\u0161it na jm\u00e9na jako je Fvck_Kvlt, Mutanti hledaj v\u00fdchodisko, M\u00e1\u0159\u00ed, Kvietah nebo Cyril Kaplan. Samoz\u0159ejm\u011b…\n","protected":false},"author":2,"featured_media":192851,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,44650,9838,84,1448,80],"class_list":["post-192850","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-festival-mikulove","tag-festivaly","tag-hudba","tag-kultura","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117164558827540314","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/192850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=192850"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/192850\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/192851"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=192850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=192850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=192850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}