{"id":193097,"date":"2026-08-27T08:08:28","date_gmt":"2026-08-27T08:08:28","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/193097\/"},"modified":"2026-08-27T08:08:28","modified_gmt":"2026-08-27T08:08:28","slug":"nove-desky-33-2026-od-sama-smithe-pres-weezer-po-paris-jackson","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/193097\/","title":{"rendered":"Nov\u00e9 desky 33\/2026 – od Sama Smithe p\u0159es Weezer po Paris Jackson"},"content":{"rendered":"

Velmi pestrou sm\u011bsku alb p\u0159inesl z\u00e1v\u011br srpna. Vedle Sama Smithe, zlat\u00fdch Weezer a rockov\u00e9 Paris Jackson nab\u00eddl countryov\u00e9ho Brandona Flowerse, country-soulovou Grace Potter, d\u011btskou Natalie Merchant, bluesov\u00e9ho Keb\u2019 Mo\u2019, klasiku v pod\u00e1n\u00ed Anthony Hopkinse a Jana Mr\u00e1\u010dka, Lambchop, Chelsea Wolfe nebo \u017eiv\u00e1k Twenty One Pilots.<\/p>\n

V p\u00e1tek 21. srpna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Sam Smith – Hazel Eyes

\n\u017e\u00e1nr: pop, r&b, soul
\n\"Sam
\nSam Smith<\/a> r\u00e1di bo\u0159ej hranice. Zat\u00edmco v\u011bt\u0161ina muzikantstva nejd\u0159\u00edv vyd\u00e1 desku a s tou pak jede na turn\u00e9, oni loni vyrazili na s\u00e9rii reziden\u010dn\u00edch koncert\u016f „To Be Free“, kter\u00e1 te\u010f vyvrcholila p\u00e1tou \u0159adovkou „Hazel Eyes“. U\u017e ty koncerty p\u0159edznamenaly, \u017ee oproti t\u0159i a p\u016fl roku star\u00e9 kolekci „Gloria“<\/a> budou „O\u0159\u00ed\u0161kov\u00e9 o\u010di“ znamenat v Samov\u011b diskografii v\u00fdrazn\u00fd posun ke komorn\u011bj\u0161\u00ed produkci. Pry\u010d je protentokr\u00e1t \u00e9ra provokativn\u00edch, kinky track\u016f, p\u0159ipravte se na r&b, soul, gospel nebo barokn\u00ed pop. Dvan\u00e1ctipolo\u017ekovou kolekci d\u00e1val se Smithem dohromady Simon Aldred, u nat\u00e1\u010den\u00ed pak hostovali t\u0159eba Feist<\/a>, Shahzad Ismaily nebo Rob Moose<\/a>. V\u00fdsledek autorstvo charakterizuje jako „up\u0159\u00edmnou \u00f3du na New York, m\u011bsto, kde je te\u010f doma“. Do sv\u011bta ho vyprovodil u\u017e \u0161est\u00fd singl, na klipy ke v\u0161em m\u016f\u017eete koukat na YouTube<\/a>.
\n\"\"\"\"<\/a><\/p>\n

Weezer<\/a> – Weezer (The Gold Album) – Grimalkin\u2019
\n\u017e\u00e1nr: power pop \/ alternativn\u00ed rock \/ garage rock
\n\"WeezerAmerick\u00e1 formace Weezer<\/a> vyd\u00e1v\u00e1 sv\u00e9 dvac\u00e1t\u00e9 studiov\u00e9 album, je\u017e nese n\u00e1zev „Weezer (The Gold Album)“. Nahr\u00e1vka roz\u0161i\u0159uje s\u00e9rii eponymn\u00edch desek odli\u0161en\u00fdch specifickou barvou. V\u00fdraznou zm\u011bnou je p\u0159ebal, na kter\u00e9m poprv\u00e9 v historii t\u00e9to barevn\u00e9 s\u00e9rie chyb\u00ed tradi\u010dn\u00ed fotografie \u010dlen\u016f kapely a tvo\u0159\u00ed jej pouze metalicky zlat\u00e1 plocha. Materi\u00e1l vznikal ve zku\u0161ebn\u011b v Orange County.<\/p>\n

Z\u00e1kladn\u00ed kostru skladeb poprv\u00e9 od debutov\u00e9ho alba z roku 1994 vytvo\u0159ili spole\u010dn\u011b frontman Rivers Cuomo<\/a> a buben\u00edk Patrick Wilson<\/a>. O produkci deseti stop s celkovou stop\u00e1\u017e\u00ed necel\u00fdch t\u0159iat\u0159iceti minut se postarali Klas \u00c5hlund a Kenneth Blume. Zvuk se odkl\u00e1n\u00ed od popov\u00fdch experiment\u016f sm\u011brem k hutn\u011bj\u0161\u00edm kytar\u00e1m a syrov\u011bj\u0161\u00edmu garage rocku. Z obsa\u017een\u00fdch skladeb lze zm\u00ednit singly „Shine Again“ \u010di „We Might as Well Be Strangers“, kde hostuje zp\u011bva\u010dka Karly Hartzman<\/a>.Uk\u00e1zky ze zlat\u00e9ho alba naleznete na ofici\u00e1ln\u00edm .
\nYouTube profilu interpreta<\/a>.<\/p>\n

Brandon Flowers<\/a> – Thrasher
\n\u017e\u00e1nr: country \/ americana
\n\"Brandon
\nPo dlouh\u00fdch jeden\u00e1cti letech se frontman The Killers<\/a> vrac\u00ed ke sv\u00e9 vlastn\u00ed kari\u00e9\u0159e a vyd\u00e1v\u00e1 t\u0159et\u00ed s\u00f3lovku s n\u00e1zvem „Thrasher“, na kter\u00e9 se proti t\u011bm p\u0159edchoz\u00edm v\u00fdznamn\u011b \u017e\u00e1nrov\u011b odklonil. V deseti p\u00edsni\u010dk\u00e1ch se toti\u017e Brandon Flowers<\/a> vrac\u00ed zp\u011bt do rodn\u00e9ho Utahu a p\u0159edev\u0161\u00edm do dob sv\u00e9ho d\u011btstv\u00ed, kdy s rodi\u010di poslouchat legendy jako Johnny Cash<\/a> nebo Waylon Jennings<\/a>. Nikoho by tak nem\u011blo p\u0159ekvapit, \u017ee se pohybuje na pomez\u00ed country v jej\u00ed tradi\u010dn\u00ed form\u011b a americany a v tomu mu pom\u00e1hala dvojice producent\u016f, kter\u00e9 vyu\u017eila jeho domovsk\u00e1 formace na p\u0159edchoz\u00edch dvou nahr\u00e1vk\u00e1ch. Jsou jimi Jonathan Rado<\/a> z formace Foxygen<\/a> a \u0161estin\u00e1sobn\u00fd dr\u017eitel Grammy Shawn Everett<\/a>, zn\u00e1m\u00fd ze spolupr\u00e1ce s Alabama Shakes<\/a>, Kacey Musgraves<\/a> nebo The War On Drugs<\/a>. Album s n\u00edm nahr\u00e1vali Charlie McCoy, David Rawlings<\/a>, Bruce Bouton, tedy hudebn\u00edci, jejich\u017e slu\u017eby vyu\u017e\u00edvali i Bob Dylan<\/a>, Gillian Welch<\/a> nebo Elvis Presley<\/a>. K nim se nav\u00edc p\u0159idali \u010dlenov\u00e9 Dawes<\/a>, Steelism, Margo Price<\/a> \u010di t\u0159eba Fred Eltringham z The Wallflowers<\/a>. Pro\u010d jsou na tuhle desku velmi odli\u0161n\u00e9 recenze, zkoumejte na jeho YouTube<\/a>.<\/p>\n

Paris Jackson<\/a> – Happiest Day Of My Life
\n\u017e\u00e1nr: alternativn\u00ed rock \/ post-grunge
\n\"Paris
\nPokud nebudeme po\u010d\u00edtat EP „The Lost“, trvalo pom\u011brn\u011b dlouh\u00fdch \u0161est let, ne\u017e Paris Jackson<\/a> p\u0159ipravila n\u00e1sledovn\u00edka sv\u00e9mu debutu „Wilted“. M\u011blo to z\u0159ejm\u011b sv\u016fj d\u016fvod, proto\u017ee u n\u00ed do\u0161lo k pom\u011brn\u011b v\u00fdrazn\u00e9mu \u017e\u00e1nrov\u00e9mu v\u00fdvoji, kdy se od indie folku posunula sm\u011brem k alternativn\u00edmu rocku a post-grunge. Partnerkou j\u00ed byla ve v\u011bt\u0161in\u011b z jeden\u00e1cti skladeb Linda Perry<\/a>, kterou doplnili Butch Walker<\/a> a Jason Lader. Dcera Kr\u00e1le popu deklarovala, \u017ee inspirac\u00ed j\u00ed byly nahr\u00e1vky The Smashing Pumpkins<\/a>, Pixies<\/a>, Marcy Playground nebo Bright Eyes<\/a> a prvn\u00ed ohlasy v\u00fdsledek p\u0159irovn\u00e1vaj\u00ed tak\u00e9 k Shirley Manson<\/a> nebo Alanis Morissette<\/a> z devades\u00e1t\u00fdch let. Zda je tam usly\u0161\u00edte tak\u00e9, zkoumejte na jej\u00edm Tube<\/a>.
\n\"\"\"\"<\/a><\/p>\n

Julia Holter<\/a> – Materia
\n\u017e\u00e1nr: art pop \/ avantgarda \/ komorn\u00ed pop
\n\"JuliaAmerick\u00e1 experiment\u00e1ln\u00ed skladatelka Julia Holter<\/a> vyd\u00e1v\u00e1 studiov\u00e9 album „Materia“, kter\u00e9 funguje jako p\u0159\u00edm\u00e9 pokra\u010dov\u00e1n\u00ed a sestersk\u00fd doprovod jej\u00edho projektu „Something in the Room She Moves“ z roku 2024. Nov\u00fd hudebn\u00ed materi\u00e1l vznikal z\u010d\u00e1sti b\u011bhem ned\u00e1vn\u00fdch koncertn\u00edch turn\u00e9, kde autorka s doprovodnou kapelou nahr\u00e1la zcela nov\u00e9 p\u00edsn\u011b. Zbytek stop\u00e1\u017ee pak tvo\u0159\u00ed p\u0159epracovan\u00e9 verze a voln\u00e9 improvizace postaven\u00e9 na z\u00e1kladech p\u0159edchoz\u00ed desky.<\/p>\n

Kolekce zahrnuje stopy jako tane\u010dn\u011bji lad\u011bn\u00fd singl „Fantasy“ \u010di kompozici „Materia 2“, vyu\u017e\u00edvaj\u00edc\u00ed klarinet a bezpra\u017ecovou baskytaru. Eponymn\u00ed p\u00edse\u0148 se v tracklistu nenach\u00e1z\u00ed, autorka na ni odkazuje pouze zm\u00edn\u011bn\u00fdmi variacemi. V\u00fdrazn\u00fdm produk\u010dn\u00edm prvkem alba je technick\u00e1 pr\u00e1ce s vrstven\u00edm vok\u00e1l\u016f. V desetiminutov\u00e9 hlasov\u00e9 improvizaci „My Twin“ je zp\u011bv upravov\u00e1n tak, aby vytvo\u0159il zvukovou iluzi symfonick\u00e9ho orchestru. Z\u00e1v\u011br form\u00e1tu pak obstar\u00e1v\u00e1 skryt\u00e1 stopa „Materia 3“. Uk\u00e1zky z t\u00e9to zaj\u00edmav\u00e9 novinky naleznete na YouTube profilu interpretky<\/a>.<\/p>\n

Chelsea Wolfe<\/a> – The Dark
\n\u017e\u00e1nr: alternativn\u00ed rock
\n\"Chelsea
\nAmerick\u00e1 zp\u011bva\u010dka a skladatelka Chelsea Wolfe<\/a> se na albu „The Dark“ znovu vrac\u00ed do prostoru, kde se potk\u00e1v\u00e1 gothic folk, doom, industrial, temn\u00fd rock a ritu\u00e1ln\u00ed intimita. Deska navazuje na oce\u0148ovan\u00e9 d\u00edlo „She Reaches Out to She Reaches Out to She“ z roku 2024. Magaz\u00edn Music Feeds popisuje desku jako materi\u00e1l o pou\u0161t\u011bn\u00ed, znovuz\u00edsk\u00e1n\u00ed vlastn\u00ed s\u00edly, smutku, spiritualit\u011b a posmrtnosti. To p\u0159esn\u011b k autorce sed\u00ed: Jej\u00ed hudba nikdy nepracovala s temnotou jako dekorac\u00ed, ale jako prostorem prom\u011bny. Recenze zat\u00edm potvrzuj\u00ed, \u017ee nejde jen o dal\u0161\u00ed „temnou“ desku v katalogu. Pitchfork p\u0159ipom\u00edn\u00e1, \u017ee p\u0159edchoz\u00ed album bylo jedn\u00edm z nejucelen\u011bj\u0161\u00edch v jej\u00ed t\u00e9m\u011b\u0159 dvacetilet\u00e9 kari\u00e9\u0159e. Guardian zase sly\u0161\u00ed n\u00e1vrat ke klasick\u00e9mu songwritingu, v\u011bt\u0161\u00ed v\u0159elosti a introspekci. Uk\u00e1zky najdete na YouTube<\/a>. <\/p>\n

Twenty One Pilots<\/a> – More Than We Ever Imagined (Live in Mexico City)
\n\u017e\u00e1nr: modern\u00ed pop rock
\n\"Twenty
\nTwenty One Pilots<\/a> vydali More Than We Ever Imagined (Live in Mexico City) jako \u017eiv\u00e9 album nav\u00e1zan\u00e9 na stejnojmenn\u00fd koncertn\u00ed film a speci\u00e1ln\u00ed watch party z 8. srpna leto\u0161n\u00edho roku. Pro Twenty One Pilots je \u017eiv\u00fd form\u00e1t zvl\u00e1\u0161\u0165 d\u016fle\u017eit\u00fd, proto\u017ee jejich koncerty dlouhodob\u011b funguj\u00ed jako kombinace popov\u00e9ho ritu\u00e1lu, fanou\u0161kovsk\u00e9 komunity, divadeln\u00ed re\u017eie a \u017e\u00e1nrov\u011b prom\u011bnliv\u00e9 energie. „More Than We Ever Imagined“ zachycuje pr\u00e1v\u011b tenhle rozm\u011br: Tyler Joseph<\/a> a Josh Dun<\/a> tu nep\u016fsob\u00ed jen jako auto\u0159i skladeb, ale jako centrum spole\u010dn\u00e9ho z\u00e1\u017eitku, kde publikum \u010dasto nese refr\u00e9ny stejn\u011b siln\u011b jako kapela. Pro uk\u00e1zky nav\u0161tivte YouTube<\/a>. <\/p>\n

Grace Potter<\/a> – Trespasser
\n\u017e\u00e1nr: country rock \/ soul
\n\"Grace
\nT\u0159i roky po albu „Mother Road“ se vrac\u00ed Grace Potter<\/a> s jeho n\u00e1sledovn\u00edkem, kter\u00fd pojmenovala „Trespasser“. Tituln\u00ed p\u00edse\u0148 vznikla z re\u00e1ln\u00e9ho z\u00e1\u017eitku, kdy se k n\u00ed v noci do domu vloupal psychicky dezorientovan\u00fd mu\u017e, kter\u00fd tvrdil, \u017ee ho \u017eena vol\u00e1 k ve\u010de\u0159i a \u017ee Grace s rodinou jsou kobylky, kter\u00e9 ji sn\u011bdly. M\u00edsto paniky se s n\u00edm rozhodla komunikovat z pozice pochopen\u00ed a nakonec v\u0161e dob\u0159e dopadlo, by\u0165 se nakonec uk\u00e1zalo, \u017ee mu\u017e m\u011bl u sebe n\u016f\u017e. \u017d\u00e1nrov\u011b jde o sm\u011bs soulu, kytarov\u00e9ho roots-rocku, psych-country i americk\u00e9ho gotick\u00e9ho folku. Album produkoval jej\u00ed man\u017eel Eric Valentine, zn\u00e1m\u00fd prac\u00ed pro Queens Of The Stone Age<\/a>, Slashe<\/a> nebo Weezer<\/a>. Na albu se pod\u00edleli i \u010dlenov\u00e9 Cage The Elephant<\/a> a \u010dlen koncertn\u00ed sestavy Kings Of Leon<\/a> Timothy Deaux. Co z toho vzniklo, zjist\u00edte na YouTube profilu americk\u00e9 hudebnice<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n


\nNatalie Merchant<\/a> And The Chicago Symphony Orchestra – Cabinet Of Wonder

\n\u017e\u00e1nr: d\u011btsk\u00e1 hudba \/ swing \/ world music<\/p>\n

\"Natalie
\nNatalie Merchant<\/a> zn\u00e1me p\u0159edev\u0161\u00edm jako folkovou p\u00edsni\u010dk\u00e1\u0159ku, ov\u0161em s The Chicago Symphony Orchestra za z\u00e1dy se na albu „Cabinet Of Wonder“ p\u0159edstavuje ve zcela nov\u00e9 roli. Obsahuje toti\u017e sedmn\u00e1ct skladeb a jednu mluvenou stopu v\u011bnovan\u00e9 d\u011btem, p\u0159i\u010dem\u017e t\u0159i z nich jsou autorsk\u00e9 novinky a zbytek adaptacemi tradi\u010dn\u00edch britsk\u00fdch a americk\u00fdch d\u011btsk\u00fdch \u0159\u00edkanek Mother Goose. Maj\u00ed d\u011btem v p\u0159ed\u0161koln\u00edm v\u011bku hravou formou p\u0159edstavit poezii, orchestr\u00e1ln\u00ed hudbu a vypr\u00e1v\u011bn\u00ed. Nahr\u00e1valo se v legend\u00e1rn\u00edm chicagsk\u00e9m studiu Electrical Audio pod dohledem zvukov\u00e9ho in\u017een\u00fdra a dr\u017eitele Grammy Ryana Freelanda, zat\u00edmco hudebn\u00ed aran\u017ee p\u0159ipravila violinistka a skladatelka Megan Gould. Hudebn\u011b vyu\u017e\u00edvaj\u00ed r\u016fzn\u00e9 styly od dixielandu p\u0159es calypso swing, keltsk\u00e9 rytmy a\u017e po komorn\u00ed klasiku a jazz. Americk\u00e1 hudebnice se na projektu pod\u00edlela nejen jako autorka, zp\u011bva\u010dka a here\u010dka, ale dokonce osobn\u011b navrhovala a \u0161ila kost\u00fdmy pro doprovodn\u00e1 videa a divadeln\u00ed ztv\u00e1rn\u011bn\u00ed a sama projekt ozna\u010duje za sv\u016fj \u017eivotn\u00ed odkaz, na n\u011bm\u017e pracovala n\u011bkolik let. V\u00edce o tomto projektu napov\u00ed jej\u00ed YouTube<\/a>.
\n\"\"\"\"<\/a><\/p>\n

Lambchop<\/a> – Punching The Clown
\n\u017e\u00e1nr: americana \/ alternativn\u00ed country \/ indie folk
\n\"LambchopAmerick\u00e1 formace Lambchop<\/a> vyd\u00e1v\u00e1 sedmn\u00e1ct\u00e9 studiov\u00e9 album s n\u00e1zvem „Punching the Clown“. Plnohodnotn\u00e1 nahr\u00e1vka p\u0159ich\u00e1z\u00ed po t\u00e9m\u011b\u0159 \u010dty\u0159ech letech a znamen\u00e1 v\u00fdrazn\u00fd n\u00e1vrat k akustick\u00e9mu minimalismu. Zvuk zcela eliminuje modern\u00ed studiov\u00e9 efekty a stav\u00ed prim\u00e1rn\u011b na p\u0159\u00edm\u00e9 souh\u0159e banja, kytary a sbor\u016f. Frontman Kurt Wagner<\/a> nalezl inspiraci v tradi\u010dn\u00edm skotsko-appala\u010dsk\u00e9m stylu zp\u011bvu zvan\u00e9m lined out singing, jen\u017e je pevn\u011b zalo\u017een na principu hlasov\u00e9 v\u00fdzvy a odpov\u011bdi.<\/p>\n

Nat\u00e1\u010den\u00ed dvan\u00e1cti skladeb prob\u011bhlo b\u011bhem pouh\u00fdch t\u0159\u00ed dn\u016f ve st\u00e1t\u011b Wisconsin. Ke studiov\u00e9 spolupr\u00e1ci byli p\u0159izv\u00e1ni kytarista Andrew Broder<\/a> a hudebn\u00edk Justin Vernon<\/a> z projektu Bon Iver<\/a>, jen\u017e na nahr\u00e1vce obstaral hru na banjo. Z\u00e1sadn\u00edm produk\u010dn\u00edm prvkem materi\u00e1lu je pr\u00e1ce s vok\u00e1ly. Z\u00e1kladn\u00ed v\u00edcehlasy vytvo\u0159il \u0161esti\u010dlenn\u00fd sbor z americk\u00e9ho Eau Claire a tyto party n\u00e1sledn\u011b ve fin\u00e1ln\u00edm mixu doplnil dvan\u00e1cti\u010dlenn\u00fd sbor z Lond\u00fdna. Uk\u00e1zky z novinky naleznete na
\nYouTube profilu interpreta<\/a>.<\/p>\n

Keb\u2019 Mo<\/a>\u2019 – The Breakdown
\n\u017e\u00e1nr: blues \/ gospel \/ americana
\n\"Keb\u2019
\nKeb\u2019 Mo<\/a>\u2019 se po lo\u0148sk\u00e9m albu s Taj Mahalem p\u0159edstavuje op\u011bt s\u00f3lo s deskou „The Breakdown“. Jej\u00ed n\u00e1zev nen\u00ed nikterak abstraktn\u00ed, ale americk\u00fd bluesov\u00fd kytarista se tu v deseti zbrusu nov\u00fdch p\u00edsn\u00ed vrac\u00ed do velmi t\u011b\u017ek\u00e9ho obdob\u00ed z konce roku 2024, kdy musel podstoupit n\u00e1ro\u010dnou operaci srdce obsahuj\u00ed v\u00fdm\u011bnu chlopn\u011b a aneurysma aorty a z\u00e1rove\u0148 se mu po dvaceti letech rozpadlo man\u017eelstv\u00ed. nen\u00ed tedy divu, \u017ee se jedn\u00e1 o velmi osobn\u00ed nahr\u00e1vku, kterou po\u0159\u00eddil s\u00e1m v dom\u00e1c\u00edm studiu pouze se svoj\u00ed kytarou. V\u00fdjimkou jsou pouze dv\u011b p\u00edsn\u011b, v nich\u017e mu zahostovali Take 6<\/a> a Soweto Gospel Choir. Jak zjist\u00edte na jeho YouTube<\/a>, i p\u0159es v\u00e1\u017en\u00e1 t\u00e9mata rozhodn\u011b nezn\u00ed depresivn\u011b \u010di smutn\u011b.<\/p>\n

Dan + Shay<\/a> – Young
\n\u017e\u00e1nr: country
\n\"Dan
\nAmerick\u00e9 countryov\u00e9 duo Dan + Shay<\/a> se po t\u0159\u00edlet\u00e9 odmlce, kterou v\u0161ak vyplnili p\u0159ed dv\u011bma roky v\u00e1no\u010dn\u00edm albem „It’s Officially Christmas“, hl\u00e1s\u00ed se svoji \u0161estou \u0159adovkou. Dostala jednoduch\u00fd n\u00e1zev „Young“ a Dan Smyers a Shay Mooney pro n\u011bj nahr\u00e1li celkem deset p\u00edsni\u010dek. Vedle nich samotn\u00fdch se na nich autorsky pod\u00edleli nap\u0159\u00edklad Jimmy Robbins, Hillary Lindsey, Lori McKenna<\/a>, Liz Rose nebo Chris Tompkins. Produkce se pak ujal jako obvykle Scott Hendricks, do jeho\u017e st\u00e1je d\u00e1le pat\u0159\u00ed tak\u00e9 Blake Shelton<\/a>, Brooks & Dunn<\/a> nebo Alan Jackson<\/a>. Podstatnou \u010d\u00e1st alba sd\u00edl\u00ed dvojice na sv\u00e9m YouTube profilu<\/a>, a to v\u010detn\u011b „This Old Guys“, kde se k nim p\u0159ipojil Cody Johnson<\/a>.<\/p>\n

Anthony Hopkins<\/a> – Life Is A Dream
\n\u017e\u00e1nr: v\u00e1\u017en\u00e1 hudba \/ filmov\u00e1 hudba
\n\"Anthony
\nPro n\u011bkoho to bude p\u0159ekvapen\u00ed, pro pozorn\u00e9 \u010dten\u00e1\u0159e musicserveru ne, nicm\u00e9n\u011b oscarov\u00fd herec Anthony Hopkins<\/a> vyd\u00e1v\u00e1 album „Life Is A Dream“ a navazuje tak na \u010dtrn\u00e1ct let starou nahr\u00e1vku „Composer“. Nyn\u00ed v\u0161ak ve dvan\u00e1cti skladb\u00e1ch shrnuje svoji dosavadn\u00ed tvorbu, kterou zapo\u010dal ji\u017e jako n\u00e1ctilet\u00fd. Najdeme mezi nimi nap\u0159\u00edklad „And The Waltz Goes On“, j\u00ed\u017e uvedl na sv\u011btlo sv\u011bta v roce 2011 Andr\u00e9 Rieu<\/a>. Zde ji v\u0161ak nahr\u00e1l filharmonick\u00fd orchestr, kter\u00fd \u0159\u00eddil hv\u011bzdn\u00fd Gustavo Dudamel<\/a>. P\u0159ipojil se k nim tak\u00e9 sbory The Bach Choir a The Boy Choristers z Winchester Cathedral, violoncellista Gregorio Nieto a klav\u00edrista Sergio Tiempo. Jak zjist\u00edte z uk\u00e1zek v e-shopu Presto Classical<\/a>, pohybuje se na pomez\u00ed v\u00e1\u017en\u00e9 a filmov\u00e9 hudby. Album je k dispozici tak\u00e9 v Dolby Atmos.<\/p>\n

The Afghan Whigs<\/a> – Soft Control
\n\u017e\u00e1nr: alternativn\u00ed rock \/ soul \/ post-punk
\n\"TheAmerick\u00e1 formace The Afghan Whigs<\/a> vyd\u00e1v\u00e1 u p\u0159\u00edle\u017eitosti \u010dty\u0159ic\u00e1t\u00e9ho v\u00fdro\u010d\u00ed od sv\u00e9ho zalo\u017een\u00ed des\u00e1t\u00e9 studiov\u00e9 album „Soft Control“. Nahr\u00e1v\u00e1n\u00ed prob\u00edhalo na n\u011bkolika r\u016fzn\u00fdch m\u00edstech ve Spojen\u00fdch st\u00e1tech. Skupina nat\u00e1\u010dela v pou\u0161tn\u00edm studiu Fireside Sound, neworleansk\u00e9m Marigny Studios, losangelesk\u00e9m Gold Diggers Sound a tak\u00e9 ve studiu Sycamore v Cincinnati.<\/p>\n

N\u00e1zev titulu si frontman Greg Dulli<\/a> vyp\u016fj\u010dil ze star\u00e9ho cit\u00e1tu Davida Bowieho<\/a>. Z p\u016fvodn\u00edch dvaadvaceti zkomponovan\u00fdch skladeb kapela pro fin\u00e1ln\u00ed tracklist vybrala deset stop s celkovou stop\u00e1\u017e\u00ed sedmat\u0159icet minut. Do studia byli ke spolupr\u00e1ci p\u0159izv\u00e1ni host\u00e9 jako houslistka Petra Haden<\/a>, kl\u00e1vesista Bo Koster<\/a> a b\u00fdval\u00fd buben\u00edk kapely Patrick Keeler<\/a>. Na desce nechyb\u00ed ani d\u0159\u00edve vydan\u00fd pilotn\u00ed singl „Jungle Roux“. Uk\u00e1zky k poslechu naleznete na ofici\u00e1ln\u00edm
\nYouTube profilu formace<\/a>.<\/p>\n

Pattern-Seeking Animals<\/a> – Grimalkin\u2019
\n\u017e\u00e1nr: progresivn\u00ed rock
\n\"Pattern-SeekingAmerick\u00e1 formace Pattern-Seeking Animals<\/a>, tvo\u0159en\u00e1 sou\u010dasn\u00fdmi i b\u00fdval\u00fdmi \u010dleny skupiny Spock’s Beard<\/a> vyd\u00e1v\u00e1 \u0161est\u00e9 studiov\u00e9 album. Nahr\u00e1vka nese n\u00e1zev „Grimalkin“. Tento v\u00fdraz poch\u00e1z\u00ed ze \u0161estn\u00e1ct\u00e9ho stolet\u00ed a p\u016fvodn\u011b ozna\u010doval starou \u0161edou ko\u010dku. Pozd\u011bji jej proslavil William Shakespeare v divadeln\u00ed h\u0159e Macbeth jako jm\u00e9no \u010darod\u011bjnick\u00e9ho pomocn\u00edka. <\/p>\n

Hlavn\u00ed skladatel John Boegehold<\/a> obohatil aran\u017em\u00e1 osmi skladeb s celkovou stop\u00e1\u017e\u00ed osma\u010dty\u0159icet minut o netradi\u010dn\u00ed n\u00e1stroje. Vedle klasick\u00fdch kl\u00e1ves a mellotronu bylo vyu\u017eito jihoamerick\u00e9 strunn\u00e9 ronroco a mandocello. Materi\u00e1l zahrnuje mimo jin\u00e9 i uvoln\u011bn\u00e9 singly „Maybe All a Dream“ a „Traveler on the Wrong Road Home“. Vizu\u00e1ln\u00ed zpracov\u00e1n\u00ed p\u0159ebalu zajistila v\u00fdtvarnice Laura Nagel. Uk\u00e1zky zu\u010debnice modern\u00edho prog a symfonick\u00e9ho rocku naleznete na
\nYouTube profilu formace<\/a>.<\/p>\n

EP a minialba
\n
\n
\nDenzel Curry<\/a> & Kenny Beats<\/a> – II

\nDvojice americk\u00fdch rapper\u016f nato\u010dila dal\u0161\u00ed spole\u010dnou nahr\u00e1vka, kter\u00e1 navazuje na EP „Unlocked“ a „Unlocked 1.5“. Tentokr\u00e1t do p\u011btadvaceti minut vm\u00e1\u010dkli hned dev\u011bt track\u016f a hosty jako JPEGMafia, Westside Gunn<\/a> a Yebba<\/a>. (YouTube<\/a>)
\n
\nAlex G<\/a> – Teenage Sex And Death At Camp Miasma (soundtrack)

\nStejn\u00fd po\u010det skladeb a d\u00e9lku nahr\u00e1vky m\u00e1 i nov\u00fd soundtrack americk\u00e9ho skladatele a producenta Alexandera Giannascoliho. Jde o satirick\u00fd surrealistick\u00fd psychologick\u00fd horor v hlavn\u00ed roli s Hannah Einbinder a Gillian Anderson. (YouTube<\/a>)
\n
\nEnhypen<\/a> – The Sin: Bliss

\nA\u010dkoli v leto\u0161n\u00edm roce opustil korejskou formaci Heeseung, rozhodn\u011b se nezd\u00e1, \u017ee by to zb\u00fdvaj\u00edc\u00ed \u0161estici nikterak ovlivnilo. Vyd\u00e1v\u00e1 toti\u017e ji\u017e sv\u00e9 osm\u00e9 minialbum a s n\u00edm \u0161estici p\u00edsni\u010dek. (YouTube<\/a>)
\n
\nLilyisthatyou – From The Garden I Grew

\nJi\u017e sv\u00e9 druh\u00e9 \u00edp\u00ed\u010dko letos vyd\u00e1v\u00e1 kanadsk\u00e1 alt popov\u00e1 zp\u011bva\u010dka. Pro sv\u00e9 fanou\u0161ky nachystala sedm track\u016f lehce p\u0159esahuj\u00edc\u00ed \u0161estn\u00e1ct minut. (YouTube<\/a>) <\/p>\n

Rapsody<\/a> – God Gotta Afro & Gold Hoops
\n\u017e\u00e1nr: hip hop
\n\"Rapsody
\nAmerick\u00e1 rapperka Rapsody<\/a> se po dvou letech od „Please Don’t Cry“ vrac\u00ed se sv\u00fdm p\u00e1t\u00fdm albem „God Gotta Afro & Gold Hoops“. Hlavn\u00edm spolupracovn\u00edkem v sedmn\u00e1cti trac\u00edch j\u00ed byl Mr. Porter<\/a>, kter\u00e9ho d\u00e1le doplnili Groove, Madlib<\/a> a Blk Odyssy. Ti j\u00ed p\u0159inesli pom\u011brn\u011b zna\u010dn\u00fd stylov\u00fd posun sm\u011brem k hutn\u00fdm syntetiz\u00e1torov\u00fdm z\u00e1klad\u016fm a jak napov\u00edd\u00e1 n\u00e1zev i s ur\u010dit\u00fdm vlivem world music, p\u0159edev\u0161\u00edm k afrobeatu. Tomu odpov\u00edd\u00e1 i sestava host\u016f, kter\u00e9 tvo\u0159\u00ed Kerabo Ya Morena, Amanda Reifer, Jojo Abot, George Clinton<\/a>, Nomisupasta, Malice a Amber Navran. Vyd\u00e1n\u00edm desky \u017eije YouTube Rapsody<\/a>.<\/p>\n

DMA’s<\/a> – DMA’s
\n\u017e\u00e1nr: indie rock \/ brit pop
\n\"Dma'sAustralsk\u00e1 formace DMA’s<\/a> p\u0159edstavuje sv\u00e9 v po\u0159ad\u00ed p\u00e1t\u00e9 studiov\u00e9 album, je\u017e nese stejnojmenn\u00fd n\u00e1zev. Nahr\u00e1vka p\u0159ich\u00e1z\u00ed p\u0159esn\u011b deset let po jejich debutu a pro skupinu znamen\u00e1 symbolick\u00fd n\u00e1vrat k hudebn\u00edm ko\u0159en\u016fm. C\u00edlem tv\u016frc\u016f bylo dos\u00e1hnout syrov\u011bj\u0161\u00edho a podstatn\u011b m\u00e9n\u011b uhlazen\u00e9ho kytarov\u00e9ho zvuku, j\u00edm\u017e se kapela prezentovala ve sv\u00fdch hudebn\u00edch po\u010d\u00e1tc\u00edch. Vznik materi\u00e1lu, z n\u011bho\u017e jsou jasn\u011b patrn\u00e9 vlivy britsk\u00e9 kytarov\u00e9 sc\u00e9ny, prob\u00edhal st\u0159\u00eddav\u011b ve vlastn\u00edm studiu kapely v sydneysk\u00e9 \u010dtvrti Glebe a n\u00e1sledn\u011b tak\u00e9 ve studi\u00edch v Los Angeles.<\/p>\n

Eponymn\u00ed deska nab\u00edz\u00ed poslucha\u010d\u016fm celkem jeden\u00e1ct stop. Hudebn\u00edci p\u0159i jejich p\u0159\u00edprav\u011b dbali na p\u0159\u00edm\u00fd n\u00e1strojov\u00fd projev a vyh\u00fdbaj\u00ed se nadm\u011brn\u00fdm studiov\u00fdm \u00faprav\u00e1m. Kolekce tak pod\u00e1v\u00e1 ucelenou zpr\u00e1vu o aktu\u00e1ln\u00edm stavu kapely, je\u017e se z\u00e1m\u011brn\u011b ohl\u00ed\u017e\u00ed do minulosti a stav\u00ed do pop\u0159ed\u00ed p\u0159edev\u0161\u00edm ryz\u00ed kytarovou hru.Uk\u00e1zky z novinky naleznete na ofici\u00e1ln\u00edm YouTube profilu formace<\/a>.<\/p>\n

The Cramps<\/a> – Gravest Gravy
\n\u017e\u00e1nr: psychobilly \/ rockabilly \/ garage punk
\n\"TheAmerick\u00e1 formace The Cramps<\/a> p\u0159edstavuje dosud nevydan\u00e9 studiov\u00e9 album „Gravest Gravy“. Jde o v\u016fbec prvn\u00ed nahr\u00e1vku nov\u011b za\u0161t\u00edt\u011bnou kytaristkou Poison Ivy<\/a>. Materi\u00e1l produkovan\u00fd Alexem Chiltonem vznikl ji\u017e roku 1977 v Memphisu. Ztracen\u00e9 archivn\u00ed p\u00e1sky s ran\u00fdmi verzemi skladeb byly ned\u00e1vno objeveny p\u0159\u00edmo v gar\u00e1\u017ei zm\u00edn\u011bn\u00e9 hudebnice. V\u011bt\u0161ina z dvan\u00e1cti obsa\u017een\u00fdch stop, v\u010detn\u011b prvotn\u00ed podoby p\u00edsn\u011b „TV Set“, byla doposud zn\u00e1ma pouze z nekvalitn\u00edch pir\u00e1tsk\u00fdch koncertn\u00edch z\u00e1znam\u016f.<\/p>\n

O fin\u00e1ln\u00ed zvukovou \u00fapravu objeven\u00fdch nahr\u00e1vek se postarali hudebn\u00edci Henry Rollins<\/a> a Ian MacKaye<\/a>. Ti materi\u00e1l pe\u010dliv\u011b analyzovali, aby v\u00fdsledn\u00fd zvuk co nejv\u00edce odpov\u00eddal p\u016fvodn\u00edm dobov\u00fdm p\u0159edstav\u00e1m kapely. Fyzick\u00fd nosi\u010d je vedle standardn\u00ed \u010dern\u00e9 desky dostupn\u00fd tak\u00e9 ve speci\u00e1ln\u00edch barevn\u00fdch edic\u00edch. Sb\u011bratel\u00e9 mohou zvolit nap\u0159\u00edklad zcela pr\u016fhlednou variantu Clear Nude nebo ho\u0159\u010dicov\u011b \u017elut\u00e9 proveden\u00ed Mustard. Uk\u00e1zky z tohoto ztracen\u00e9ho alba naleznete na ofici\u00e1ln\u00edm .
\nYouTube profilu formace<\/a>.<\/p>\n

Jan Mr\u00e1\u010dek<\/a> – Suk: Fantasie – Schubert: Rondo – Mendelssohn: Houslov\u00fd koncert d moll (Supraphon)
\n\u017e\u00e1nr: klasick\u00e1 hudba
\n\"Jan
\nDebutov\u00e1 nahr\u00e1vka Jana Mr\u00e1\u010dka, koncertn\u00edho mistra \u010cesk\u00e9 filharmonie, p\u0159edstavuje jednoho z nejv\u00fdrazn\u011bj\u0161\u00edch \u010desk\u00fdch houslist\u016f sv\u00e9 generace v reperto\u00e1ru, kter\u00fd spojuje virtuozitu, lyriku i mladistvou energii. \u00dast\u0159edn\u00ed skladbou alba je „Fantasie pro housle a orchestr op. 24“ Josefa Suka, v n\u00ed\u017e ho doprov\u00e1z\u00ed \u010cesk\u00e1 filharmonie<\/a> pod veden\u00edm Sira Johna Eliota Gardinera. Tuto skladbu dopl\u0148uj\u00ed dal\u0161\u00ed dv\u011b z obdob\u00ed ran\u00e9ho romantismu, a sice „Rondo pro housle a smy\u010dce A dur“ Franze Schuberta a „Koncert pro housle a komorn\u00ed orchestr d moll“ Felixe Mendelssohna Bartholdyho. V nich mu za z\u00e1dy hr\u00e1l Komorn\u00ed orchestr \u010cesk\u00e9 filharmonie. Sezn\u00e1men\u00ed s Janem Mr\u00e1\u010dkem a v\u00edce informac\u00ed o nahr\u00e1vce poskytuj\u00ed str\u00e1nky vydavatelstv\u00ed Supraphon<\/a>.<\/p>\n


\nBaby Queen<\/a> – I Hope You Don’t Remember Me

\nV Jihoafrick\u00e9 republice narozen\u00e1 britsk\u00e1 zp\u011bva\u010dka Arabella Sarah Lennox Latham po necel\u00fdch t\u0159ech letech navazuje na sv\u016fj debut „Quarter Life Crisis“. Jeden\u00e1ct p\u00edsni\u010dek j\u00ed pom\u00e1hal tvo\u0159it Alex Casnoff z americk\u00e9 alt rockov\u00e9 formace Harriet. (YouTube<\/a>)
\n
\nWilliam Shatner<\/a> – Love & Other Mysteries

\nAmerick\u00fd herec, kter\u00fd se proslavil p\u0159edev\u0161\u00edm rol\u00ed kapit\u00e1na Kirka ve „Star Treku“, nahr\u00e1l nov\u00e9 album, kter\u00e9 v\u0161ak je i nen\u00ed hudebn\u00ed. Patn\u00e1ct polo\u017eek se toti\u017e pohybuje na pomez\u00ed mluven\u00e9ho slova a country. Onen country podkres a tak\u00e9 produkci zajistil jeho kamar\u00e1d Brad Paisley<\/a>. (YouTube<\/a>)
\n
\nJorja Smith<\/a> – What Are The Odds

\nBritsk\u00e1 zp\u011bva\u010dka vyd\u00e1v\u00e1 sv\u00e9 t\u0159et\u00ed album s dvan\u00e1ctkou p\u00edsni\u010dek, na kter\u00e9m j\u00ed hostoval Wizkid<\/a> a Devlin<\/a>. Produk\u010dn\u011b jsou pod n\u00edm podepsan\u00ed zejm\u00e9na P2J a Cole YoursTruly. (YouTube<\/a>)
\n
\nMystery Jets<\/a> – A Hole To See The Sky Through

\nLond\u00fdnsk\u00e1 indie-rockov\u00e1 formace se vrac\u00ed s novou nahr\u00e1vkou, kter\u00e1 p\u0159in\u00e1\u0161\u00ed jejich typicky rafinovanou f\u00fazi melodick\u00e9ho kytarov\u00e9ho popu, progresivn\u00edho rocku a barokn\u00ed psychedelie. P\u00edsn\u011b stav\u00ed na zvoniv\u00fdch kytarov\u00fdch vyhr\u00e1vk\u00e1ch, bohat\u00fdch v\u00edcehlasech, syntez\u00e1torov\u00fdch barv\u00e1ch a poetick\u00fdch textech pln\u00fdch reflexe sou\u010dasn\u00e9ho sv\u011bta i lidsk\u00e9ho nitra. (YouTube<\/a>)
\n
\nWestside Cowboy<\/a> – It Goes On

\nNez\u00e1visl\u00fd americk\u00fd projekt p\u0159ich\u00e1z\u00ed s nahr\u00e1vkou, kter\u00e1 p\u0159edstavuje f\u00fazi modern\u00edho indie folku, alternativn\u00edho country a lo-fi p\u00edsni\u010dk\u00e1\u0159stv\u00ed. Materi\u00e1l stav\u00ed na poklidn\u00fdch vybrnk\u00e1van\u00fdch kytarov\u00fdch link\u00e1ch, h\u0159ejiv\u00fdch akustick\u00fdch ploch\u00e1ch a intimn\u00edm, vyprav\u011b\u010dsky veden\u00e9m vok\u00e1lu. Cel\u00e9 album d\u00fdch\u00e1 melancholickou, filmov\u011b zapr\u00e1\u0161enou atmosf\u00e9rou a nab\u00edz\u00ed reflexivn\u00ed skladby o plynut\u00ed \u010dasu, samot\u011b a hled\u00e1n\u00ed klidu na cest\u00e1ch.
\n(YouTube<\/a>)
\n
\nSawyer Hill<\/a> – Everybody\u2019s Home, Nobody\u2019s Happy

\nMlad\u00fd americk\u00fd p\u00edsni\u010dk\u00e1\u0159 a hudebn\u00edk z Arkansasu p\u0159ich\u00e1z\u00ed s debutov\u00fdm albem, kter\u00e9 p\u0159edstavuje modern\u00ed pojet\u00ed alternativn\u00edho rocku s v\u00fdrazn\u00fdm vlivem post-punku a indie rocku devades\u00e1t\u00fdch let.
\n(YouTube<\/a>)
\n
\nThe Tragically Hip<\/a> – Live July 22 – August 20, 2016

\nKultovn\u00ed kanadsk\u00e1 rockov\u00e1 formace z ontarijsk\u00e9ho Kingstonu vyd\u00e1v\u00e1 rozs\u00e1hl\u00fd \u017eiv\u00fd z\u00e1znam, kter\u00fd do detailu mapuje jejich historicky posledn\u00ed a hluboce emotivn\u00ed koncertn\u00ed turn\u00e9 po kanadsk\u00fdch ar\u00e9n\u00e1ch. Materi\u00e1l p\u0159in\u00e1\u0161\u00ed pr\u016f\u0159ez celou jejich bohatou diskografi\u00ed a nab\u00edz\u00ed ryz\u00ed, energick\u00fd alternativn\u00ed rock a roots rock postaven\u00fd na pevn\u00fdch kytarov\u00fdch riffech i nezam\u011bniteln\u00e9m, strhuj\u00edc\u00edm p\u00f3diov\u00e9m projevu t\u011b\u017ece nemocn\u00e9ho frontmana.
\n(YouTube<\/a>)
\n
\nSondre Lerche<\/a> – Acrobats

\nPo \u010dty\u0159ech letech se vrac\u00ed norsk\u00fd zp\u011bv\u00e1k s novou deskou, pro n\u00ed\u017e nahr\u00e1l celkem osm p\u00edsn\u00ed. Produk\u010dn\u011b jsou pod nimi podepsan\u00ed Matias Tellez, Alexander Von Mehren a Kato Adland. (bandcamp<\/a>)
\n
\nHenry Threadgill, Vijay Iyer<\/a> & Dafnis Prieto – Fifteen

\nTrojice americk\u00fdch oce\u0148ovan\u00fdch jazzman\u016f nato\u010dila spole\u010dn\u00e9 album s osmi vlastn\u00edmi kompozicemi. Slu\u0161\u00ed se upozornit, \u017ee se pohybuj\u00ed v pom\u011brn\u011b n\u00e1ro\u010dn\u00fdch a m\u00edsty a\u017e avantgardn\u00edch oblastech a poslech bude sp\u00ed\u0161e pro fajn\u0161mekry. (bandcamp<\/a>)
\n
\nStella Lefty – Long Way Home

\nPoch\u00e1z\u00ed z Illinois, \u017eije v Kalifornii, studovala v Amsterdamu, jej\u00ed otec je jeden z nejbohat\u0161\u00edch lid\u00ed na planet\u011b Eric Lefkofsky, av\u0161ak ona se proslavila nejv\u00edce hitem „Boston“. Nyn\u00ed vyd\u00e1v\u00e1 country-popov\u00e1 p\u00edsni\u010dk\u00e1\u0159ka debutov\u00e9 album s \u010dtrn\u00e1cti p\u00edsni\u010dkami. (YouTube<\/a>)
\n
\nDavid Nail – Flowers

\nPo dlouh\u00fdch deseti letech zap\u0159\u00ed\u010din\u011bn\u00fdch depresemi a psychick\u00fdmi probl\u00e9my i pokusy o odtr\u017een\u00ed od nashvillsk\u00e9 ma\u0161in\u00e9rie se vrac\u00ed countryov\u00fd zp\u011bv\u00e1k se svoji p\u00e1tou deskou. Hlavn\u00edmi par\u0165\u00e1ky mu v deseti p\u00edsni\u010dk\u00e1ch byli Anderson East<\/a> a Lori McKenna<\/a>. (YouTube<\/a>)
\n
\nLexi Jayde – Lover Girl

\nSv\u016fj debut se \u010dtrn\u00e1cti p\u00edsni\u010dkami vyd\u00e1v\u00e1 americk\u00e1 popov\u00e1 zp\u011bva\u010dka a here\u010dka, kter\u00e1 ztv\u00e1rnila hlavn\u00ed roli v seri\u00e1lu „Crown Lake“. Produkci si rozd\u011blili zejm\u00e9na Tommy King a Nick Ruth. (YouTube<\/a>)
\n
\nRuth B.<\/a> – Peace To Make

\nKe sv\u00e9mu t\u0159et\u00edmu albu po p\u011bti letech se propracovala kanadsk\u00e1 zp\u011bva\u010dka a skladatelka, kter\u00e1 bodovala zejm\u00e9na sv\u00fdm debutem z roku 2017 „Safe Haven“. Produk\u010dn\u011b j\u00ed podpo\u0159il Joel Little<\/a> (Taylor Swift<\/a>, Lorde<\/a>, Niall Horan<\/a>, Noah Kahan<\/a>). (YouTube<\/a>)
\n
\nCrooked Colours – Dirt Road Gold

\nSe svoji \u010dtvrtou deskou se vrac\u00ed australsk\u00fd indie tane\u010dn\u00ed hudebn\u00edk Philip Leonard Slabber. Jedin\u00fdm hostem byl Georgi Kay. (bandcamp<\/a>)
\n
\nDestin Conrad – Roadrunner

\nAmerick\u00fd zp\u011bv\u00e1k a skladatel, kter\u00fd si letos vyslou\u017eil svoji prvn\u00ed nominaci na Grammy, vyd\u00e1v\u00e1 sv\u00e9 t\u0159et\u00ed album, kde mu hostuj\u00ed kwn, Amanda Reifer a Stalk Ashley. (YouTube<\/a>)
\n
\nNate Sib – Reborn

\nSv\u016fj debut vyd\u00e1v\u00e1 tak\u00e9 americk\u00fd hyperpopov\u00fd hudebn\u00edk, jemu\u017e s deseti p\u00edsni\u010dkami vypomohl nap\u0159\u00edklad i Ryan Tedder<\/a>, 2hollis<\/a> nebo Inc. No World. (bandcamp<\/a>)
\n
\nTyondai Braxton<\/a> – Splayed Werks

\nNovou deskou po \u010dty\u0159ech letech se p\u0159ipom\u00edn\u00e1 americk\u00fd hudebn\u00edk, kter\u00fd p\u016fsobil tak\u00e9 v experiment\u00e1ln\u011b rockov\u00e9 formaci Battles<\/a>. (bandcamp<\/a>)
\n
\nCornelius<\/a> – Refractions

\nOsm\u00e1 studiovka japonsk\u00e9ho hudebn\u00edka, producenta a zvukov\u00e9ho architekta. (YouTube<\/a>)
\n
\nDark Funeral<\/a> – A Beast To Praise

\n\u017div\u00e1k \u0161v\u00e9dsk\u00e9 blackmetalov\u00e9 kapely zachycuj\u00edc\u00ed jejich koncert z F\u00e5llan ve Stockholmu z roku 2022. (YouTube<\/a>)
\n
\nAlex Amor – Heavenly Bodies

\nKdo m\u00e1 r\u00e1d dream pop v kombinaci s jemnou elektronikou, rozhodn\u011b by nem\u011bl minout debut skotsk\u00e9 p\u00edsni\u010dk\u00e1\u0159ky s dvan\u00e1ctkou p\u00edsni\u010dek. (YouTube<\/a>)
\n
\nBlack Marble<\/a> – Life In Small Spaces

\nP\u011bt let trvala p\u0159\u00edprava nov\u00e9ho alba americk\u00e9mu hudebn\u00edkovi, kter\u00fd se pohybuje na pomez\u00ed cold wave a synth-popu. (YouTube<\/a>)
\n
\nSquirrel Flower<\/a> – Say A Prayer To The Gods Of Getting Going

\n\u010ctvrt\u00e1 studiovka americk\u00e9 p\u00edsni\u010dk\u00e1\u0159ky. (YouTube<\/a>)
\n
\nStephen O\u2019malley<\/a> – Avaeken

\nNovinka americk\u00e9ho kytaristy, skladatele a experiment\u00e1tora. (YouTube<\/a>)
\n
\nAntony Szmierek<\/a> – Decoding Birdsong

\nEllur, 1-800 Girls, Imogen And The Knife, Max Rad a Pretty Girl, to je v\u00fd\u010det koleg\u016f, kte\u0159\u00ed se pod\u00edleli na druh\u00e9m albu britsk\u00e9ho hudebn\u00edka a b\u00e1sn\u00edka. (YouTube<\/a>) <\/p>\n

Tom\u00e1\u0161:
\n*\tJulia Holter<\/a> – Materia
\n*\tLambchop<\/a> – Punching The Clown
\n??\tMystery Jets<\/a> – A Hole<\/a> To See The Sky Through
\n??\tPattern-Seeking Animals<\/a> – Grimalkin\u2019
\n—\tSawyer Hill<\/a> – Everybody\u2019s Home<\/a>, Nobody\u2019s Happy
\n*\tThe Afghan Whigs<\/a> – Soft Control
\n*\/–\tThe Cramps<\/a> – Gravest Gravy
\n—\tThe Tragically Hip<\/a> – Live July 22 – August 20, 2016
\n*\tWeezer<\/a> – Weezer<\/a> (The Gold Album)
\n—\tWestside Cowboy<\/a> – It Goes On<\/p>\n

Petra<\/a>:
\n–\tCornelius<\/a> – Refractions
\n–\/*\tDark Funeral<\/a> – A Beast To Praise
\n*\tChelsea Wolfe<\/a> – The Dark<\/a>
\n–\tSquirrel Flower<\/a> – Say A Prayer To The Gods Of Getting Going
\n*\/–\tStephen O\u2019malley<\/a> – Avaeken
\n*\tTwenty One Pilots<\/a> – More Than We Ever Imagined (Live in Mexico City<\/a>)<\/p>\n

David:
\n*na TS\tSam Smith<\/a> – Hazel Eyes<\/p>\n

Brendan Wedl – Brendan Wedl
\nClaire Rosinkranz – My Lover (Deluxe)
\nDana Salah – Bent Bladna
\nDrippin So Pretty – Funeral
\nElanor Moss – The Knife, The Needle
\nFeid – El Club De Las 19 Flores
\nFejd – Nifelheim
\nFrances Chang – Been Thinking Bout Confession
\nGabrielle Rubio – La Traversi\u00e9re
\nGb – Herzsprung
\nGhost Hounds – Justified
\nGrandmas House – Baby You\u2019re A Winner
\nHey, Nothing – Hound
\nImproved Movement – Your Perfect Real Life
\nJames Ivy – The Seams
\nJoey Trap – Flexgod2
\nKhantrast – Poster Child
\nKiss<\/a> – Destroys Anaheim ’76
\nLa Reveuse – L’\u00e9nigme Sainte Colombe
\nLorg – I Fell For Fantasy
\nMary Beth Barone – Galaxy Brain
\nOk Cowgirl – Rhinestone Cowgirl
\nR\u016fzn\u00ed – Schmigadoon! (Original Broadway Cast Recording)
\nSkilla Baby – The Price Of Fame
\nSzn4 – I Fear
\nTexas Is The Reason – Do You Know Who You Are?: TX30 Special Edition
\nThe B-52\u2019S – Ancient Culture: Mesopotamia Revisited
\nWild Pink – Still Coming Down<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nAnthony Hopkins<\/a> – Life Is A Dream
\nAntony Szmierek<\/a> – Decoding Birdsong
\nBaby Queen<\/a> – I Hope You Don’t Remember Me
\nBlack Marble<\/a> – Life In Small Spaces
\nBrandon Flowers<\/a> – Thrasher
\nCrooked Colours – Dirt Road Gold
\nDark Funeral<\/a> – A Beast To Praise
\nDenzel Curry<\/a> And Kenneth Blume – Ii
\nElanor Moss – The Knife, The Needle
\nFejd – Nifelheim
\nFrances<\/a> Chang – Been Thinking Bout Confession
\nGb – Herzsprung
\nGrandmas House – Baby You\u2019re A Winner
\nHenry Threadgill, Vijay Iyer<\/a> & Dafnis Prieto – Fifteen
\nChelsea Wolfe<\/a> – The Dark
\nJulia Holter<\/a> – Materia
\nKeb\u2019 Mo<\/a>\u2019 – The Breakdown
\nKiss<\/a> – Destroys Anaheim ’76
\nLambchop<\/a> – Punching The Clown
\nMystery Jets<\/a> – A Hole To See The Sky Through
\nNate Sib – Reborn
\nPattern-Seeking Animals<\/a> – Grimalkin\u2019
\nRapsody<\/a> – God Gotta Afro & Gold Hoops
\nSam Smith<\/a> – Hazel Eyes
\nSondre Lerche<\/a> – Acrobats
\nSquirrel Flower<\/a> – Say A Prayer To The Gods Of Getting Going
\nThe Afghan Whigs<\/a> – Soft Control
\nTwenty One Pilots<\/a> – More Than We Ever Imagined (Live in Mexico City)
\nTyondai Braxton<\/a> – Splayed Werks
\nWeezer<\/a> – Weezer
\nWestside Cowboy<\/a> – It Goes On
\nWild Pink – Still Coming Down<\/p>\n

EP:
\nKaren Di\u00f3<\/a> – Fugaz
\nNo Joy – Big Life, Big Leaf<\/p>\n

Reedice:
\nDanzig<\/a> – Deth Red Sabaoth
\nQueen<\/a> – A Night At The Opera
\nQueen<\/a> – Live At Wembley Stadium
\nQueen<\/a> – News Of The World
\nQueen<\/a> – The Game
\n \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Velmi pestrou sm\u011bsku alb p\u0159inesl z\u00e1v\u011br srpna. Vedle Sama Smithe, zlat\u00fdch Weezer a rockov\u00e9 Paris Jackson nab\u00eddl countryov\u00e9ho…\n","protected":false},"author":2,"featured_media":193098,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":["post-193097","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-cs","tag-dvd","tag-entertainment","tag-musicserver","tag-recenze","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117166454627297495","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/193097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=193097"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/193097\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/193098"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=193097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=193097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=193097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}