{"id":195507,"date":"2026-08-29T14:25:13","date_gmt":"2026-08-29T14:25:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/195507\/"},"modified":"2026-08-29T14:25:13","modified_gmt":"2026-08-29T14:25:13","slug":"dva-vecery-dva-herci-za-mikrofonem-jaci-byli-mig-21-a-vojta-dyk-s-d-y-k-na-prague-open-air","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/195507\/","title":{"rendered":"Dva ve\u010dery, dva herci za mikrofonem. Jac\u00ed byli Mig 21 a Vojta Dyk s D.Y.K. na Prague Open Air?"},"content":{"rendered":"

Dva herci – Jirka Mach\u00e1\u010dek a Vojta Dyk – se sv\u00fdmi hudebn\u00edmi projekty vystoupili dva ve\u010dery po sob\u011b v r\u00e1mci s\u00e9rie Prague Open Air. Oba jsou charismati\u010dt\u00ed a mohli jsme je spole\u010dn\u011b vid\u011bt nap\u0159\u00edklad ve filmu „\u017deny v poku\u0161en\u00ed“. Tentokr\u00e1t si v\u0161ak na sv\u00e9 p\u0159i\u0161ly nejen \u017eeny, ale zkr\u00e1tka v\u0161ichni, kdo se p\u0159i\u0161li bavit.<\/p>\n

Live: Mig 21 a Vojt\u011bch Dyk & D.Y.K.<\/p>\n


\nm\u00edsto: Are\u00e1l7, Praha

\ndatum: 25. a 26. srpna 2026

\nsetlist Mig 21: Malotraktorem, Hej k\u00e1mo!, H\u00e1dej, co \u017eena \u017e\u00e1d\u00e1, Jaro l\u00e9to podzim zima, Diskob\u016fh, Nest\u00e1l\u00e1, Snadn\u00e9 je \u017e\u00edt, Kalhotky si sundej, Venkovan kluk, Hur\u00e1\u00e1!, Hyj\u00e9\u00e9!, \u017divot zd\u00e1 se sladk\u00fd, M\u00e1ma se vrac\u00ed, Kor\u00e1b, T\u011bsn\u011bVedleSebe, Skejt, Svoboda nen\u00ed levn\u00e1 v\u011bc, Tan\u010d\u00edm, Ho-Ka-he, Chci ti \u0159\u00edct, Slepic p\u00edrka, M\u00e1vej

\nsetlist D.Y.K.: D.Y.K., If I Loose, Vina, Kopule, Arm\u00e1da l\u00e1sky, Duh\u00f6m\u00f6, You don’t know who I am, I’m Every Woman, How Come, Mr. Beat, Phone Song, Mercedes, L\u016fzr, Mel\u00f3die, Here I Am \n<\/p>\n

Co tyto dva mu\u017ee spojuje a co je naopak rozd\u011bluje?<\/p>\n

D\u011bl\u00ed je od sebe dv\u011b dek\u00e1dy. Na druhou stranu mlad\u0161\u00ed Vojta si libuje ve star\u0161\u00edch v\u011bcech, v\u010detn\u011b automobilov\u00fdch veter\u00e1n\u016f, a pokud m\u011b pam\u011b\u0165 neklame, m\u00e1 dokonce i tla\u010d\u00edtkov\u00fd telefon.<\/p>\n


\n \"Mig<\/a>
\n \u00a9 Prague Open AirSpojuje je naopak l\u00e1ska k muzice. Zat\u00edmco Mach\u00e1\u010dek s\u00e1z\u00ed na jednu kartu a vystupuje v\u00fdhradn\u011b s Mig 21<\/a>, Vojta Dyk<\/a> to m\u00e1 rozehran\u00e9 na v\u00edce stran. Vedle sv\u00e9 tvorby p\u016fsob\u00ed tak\u00e9 ve formaci Tros Discotequos a ob\u010das se nachom\u00fdtne k dal\u0161\u00edm projekt\u016fm (nap\u0159\u00edklad B-Side Band<\/a>). Z obou ka\u017edop\u00e1dn\u011b \u010di\u0161\u00ed obrovsk\u00e9 charisma, kter\u00e9 dovedou prodat, a oba um\u011bj\u00ed dokonale pracovat s publikem.<\/p>\n

Bl\u00edzk\u00fd je jim tak\u00e9 humor, kter\u00fd se prol\u00edn\u00e1 cel\u00fdm jejich reperto\u00e1rem. Chlapeck\u00e1 tane\u010dn\u00ed, p\u011bveck\u00e1 i stript\u00e9rsk\u00e1 parta z Prahy 5-Sm\u00edchova sice tvrd\u00ed, \u017ee hraje pouze vlastn\u00ed autorskou tvorbu, ale o tom by se dalo polemizovat – nap\u0159\u00edklad z\u00e1v\u011bre\u010dn\u00fd hit „M\u00e1vej“ je p\u0159etextovan\u00e1 skladba „My Way“ od Franka Sinatry<\/a>.<\/p>\n

To Dyk se sv\u00fdmi dvan\u00e1cti muzikanty a zp\u011bv\u00e1ky se neboj\u00ed vsadit na osv\u011bd\u010den\u00e9 sv\u011btov\u00e9 evergreeny. Zazn\u011bla tak t\u0159eba p\u00edse\u0148 „I’m Every Woman“ od Whitney Houston<\/a>, kde dostaly velk\u00fd prostor skv\u011bl\u00e9 sboristky Marta Klou\u010dkov\u00e1<\/a> a Annam\u00e1ria d’Almeida<\/a>.<\/p>\n


\n \"Mig<\/a>
\n \u00a9 Prague Open AirPokud jde o samotn\u00fd z\u00e1\u017eitek z koncertu, Dyk byl o pozn\u00e1n\u00ed hlasit\u011bj\u0161\u00ed a l\u00e9pe sly\u0161et. Nev\u00edm, zda v tom sehr\u00e1lo roli m\u00edsto, kam jsem se na Migy postavila – st\u00e1la jsem na druh\u00e9 stran\u011b bl\u00ed\u017e k p\u00f3diu -, ale zvuk byl na jejich vystoupen\u00ed bohu\u017eel ti\u0161\u0161\u00ed, ne\u017e bych si p\u0159\u00e1la, tak\u017ee se do toho \u010dlov\u011bk nedok\u00e1zal tolik polo\u017eit. \u0160koda otravn\u00fdch omezen\u00edch s decibely, ale o tom jsme u\u017e psali v jin\u00fdch \u010dl\u00e1nc\u00edch.<\/p>\n

Ob\u011b formace krom\u011b osv\u011bd\u010den\u00e9ho reperto\u00e1ru p\u0159edstavily dv\u011b novinky. V p\u0159\u00edpad\u011b sm\u00edchovsk\u00fdch to byly p\u00edsn\u011b „Nest\u00e1l\u00e1“ a „Kor\u00e1b“. Dyk zase zaperlil v p\u0159\u00eddavku roztancovanou „Mel\u00f3di\u00ed“, i kdy\u017e zp\u00edval o tom, \u017ee se c\u00edt\u00ed jako „L\u016fzr“<\/a>. Oba songy u\u017e ale vy\u0161ly jako singly.<\/p>\n


\n \"Mig<\/a>
\n \u00a9 Prague Open AirJeliko\u017e pat\u0159\u00edm k velmi \u010dast\u00fdm n\u00e1v\u0161t\u011bvn\u00edk\u016fm Mig\u00e1\u010d\u016f, nechyb\u011bly pro m\u011b u\u017e tradi\u010dn\u00ed prvky: mexick\u00e1 vlna, h\u00e1zen\u00ed kalhotek na p\u00f3dium, r\u016fzn\u00e9 rekvizity, sborov\u00e9 vyk\u0159ikov\u00e1n\u00ed odpov\u011bdi „Fuck you!“ na Jirkovo „I love you“, pob\u00edh\u00e1n\u00ed s nafukovac\u00ed kytarou nebo indi\u00e1nsk\u00e9 \u010delenky p\u0159i „Ho-Ka-he“. Oproti tomu pro m\u011b Dyk p\u016fsobil neokoukan\u011b a o n\u011bco v\u00edc nestrojen\u011b.<\/p>\n

Zat\u00edmco Mach\u00e1\u010dek se na p\u00f3diu odd\u00e1v\u00e1 sv\u00fdm pravideln\u00fdm tane\u010dn\u00edm krok\u016fm, a to nemus\u00ed hr\u00e1t jen k tomu ur\u010den\u00e9 „Diskob\u016fh“ \u010di „Tan\u010d\u00edm“, Dyk je aktu\u00e1ln\u011b tr\u00e9nuje jako sout\u011b\u017e\u00edc\u00ed v p\u0159ipravovan\u00e9 StarDance (trumfy si nech\u00e1v\u00e1 a\u017e do televize).<\/p>\n


\n \"Vojt\u011bch<\/a>
\n \u00a9 Prague Open AirZ Vojtova koncertu byl c\u00edtit z\u00e1van gospelu a obrovsk\u00e1 p\u0159irozenost, s lidmi to zcela samoz\u0159ejm\u011b \u0161ilo, muzikanti si s p\u00edsn\u011bmi v\u00edc hr\u00e1li, mazlili se s nimi, natahovali je, jako kdyby se s nimi necht\u011bli rozlou\u010dit. Cel\u00e1 kapela byla nav\u00edc vyzbrojen\u00e1 stylov\u00fdmi p\u00e1sky s logem D.Y.K.<\/a>.<\/p>\n

N\u011bco mohlo na prvn\u00ed pohled p\u016fsobit p\u0159ehnan\u011b teatr\u00e1ln\u011b – jako t\u0159eba p\u00edse\u0148 „Arm\u00e1da l\u00e1sky“<\/a>, na jej\u00edm\u017e konci vyst\u0159elily konfety ve tvaru srd\u00ed\u010dek, nebo p\u0159epozitivn\u00ed n\u00e1ladou zalit\u00e1 „Duh\u00f6m\u00f6“<\/a> – ale mn\u011b to tady v\u016fbec nevadilo.<\/p>\n


\n \"Vojt\u011bch<\/a>
\n \u00a9 Prague Open AirZp\u011bv\u00e1k toti\u017e mimo jin\u00e9 skv\u011ble zapojil div\u00e1ky. Ud\u011blal si anketu, kdo z p\u00e1n\u016f je na koncert\u011b z donucen\u00ed, a lidi s dra\u017e\u0161\u00edmi vstupenkami ur\u010den\u00fdmi na sezen\u00ed vtipn\u011b ozna\u010dil za aristokraty.<\/p>\n

Nechal publikum pobrukovat melodii a dojat\u011b p\u0159iznal, jak moc se mu to l\u00edb\u00ed (a\u017e mu z toho doslovn\u011b ‚houplo‘) a jak moc dnes spole\u010dnosti chyb\u00ed harmonie. Takov\u00e1, kdy ka\u017ed\u00fd m\u00e1me sv\u016fj vlastn\u00ed hlas, ale dohromady tvo\u0159\u00edme celek. Je kr\u00e1sn\u00e9 vn\u00edmat i druh\u00e9, a o tom je nejen hudba. Z\u00e1rove\u0148 s humorem dodal, \u017ee ho vlastn\u011b zar\u00e1\u017e\u00ed, \u017ee se t\u00edmto \u017eiv\u00ed.<\/p>\n

Cel\u00e1 show, kter\u00e1 se do Hole\u0161ovic p\u0159esunula d\u00edky v\u011bt\u0161\u00edmu z\u00e1jmu z Riegr\u00e1\u010d\u016f, se obe\u0161la bez velk\u00fdch projekc\u00ed, ob\u010das n\u011bco zajisk\u0159ilo, vylet\u011bla konfeta, ale decentn\u011b – aby vynikla \u010distota okam\u017eiku. Nechyb\u011bla ani par\u00e1dn\u00ed j\u00f3dlova\u010dka v p\u00edsni „Mr. Beat“. Sympatick\u00e9 bylo i to, \u017ee v ka\u017ed\u00e9 skladb\u011b dostal prostor pro s\u00f3lo jin\u00fd muzikant, kter\u00e9ho Vojta osobn\u011b p\u0159edstavil a vyzdvihl jeho kvality, aby nikdo nez\u016fstal v jeho st\u00ednu.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Jedno je jist\u00e9: \u010dlov\u011bk po obou koncertech odch\u00e1zel s dobrou n\u00e1ladou ve stavu bez t\u00ed\u017ee a vyblbnut\u00fd jak hudebn\u011b, tane\u010dn\u011b, tak i co se t\u00fd\u010de humoru. \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Dva herci – Jirka Mach\u00e1\u010dek a Vojta Dyk – se sv\u00fdmi hudebn\u00edmi projekty vystoupili dva ve\u010dery po sob\u011b…\n","protected":false},"author":2,"featured_media":195508,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[30],"tags":[8086,8087,8085,98,99,195],"class_list":["post-195507","post","type-post","status-publish","format-standard","has-post-thumbnail","category-praha","tag-cs","tag-dvd","tag-musicserver","tag-prague","tag-praha","tag-recenze"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117179261381439916","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/195507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=195507"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/195507\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/195508"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=195507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=195507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=195507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}