![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/09\/f.jpeg\")
Foto: Mirek B\u0159ehovsk\u00fd, CC BY 3.0 , via Wikimedia Commons<\/p>\nVzpome\u0148me na fam\u00f3zn\u00ed v\u00fdkony herce Milo\u0161e Kopeck\u00e9ho ve filmech re\u017eis\u00e9ra Petra Schulhoffa jako byl Z\u00edtra to rozto\u010d\u00edme, drahou\u0161ku\u2026!. <\/p>\n
Nebo mysteri\u00f3zn\u00edho filmu \u0160est \u010dern\u00fdch d\u00edvek aneb Pro\u010d zmizel Zaj\u00edc? Ladislava Rychmana, autora v\u016fbec prvn\u00edho hudebn\u00edho klipu nato\u010den\u00e9ho v\u00a0\u010ceskoslovensku.<\/p>\n
Petr Schulhoff: autor nejslavn\u011bj\u0161\u00edch \u010desk\u00fdch komedi\u00edFoto: Mirek B\u0159ehovsk\u00fd, CC BY 3.0 , via Wikimedia Commons<\/p>\n
Petr Schulhoff<\/p>\n
Petr Schulhoff za nacismu skon\u010dil v\u00a0koncentra\u010dn\u00edm t\u00e1bo\u0159e spolu se sv\u00fdm otcem, kter\u00fd mu zem\u0159el v\u00a0n\u00e1ru\u010d\u00ed. Vlastnoru\u010dn\u011b mu musel vykopat hrob. Tento traumatick\u00fd z\u00e1\u017eitek jej pron\u00e1sledoval po cel\u00fd jeho \u017eivot. Zvl\u00e1\u0161\u0165, kdy\u017e \u017eil v\u00a0Praze, m\u011bst\u011b, kde m\u00edstn\u00ed lid\u00e9 t\u00e9m\u011b\u0159 bez v\u00fdhrad vydali \u017didy jejich tragick\u00e9mu osudu. V\u00a0tomto neblah\u00e9m prost\u0159ed\u00ed i\u00a0nakonec sp\u00e1chal sebevra\u017edu s\u00a0v\u011bdom\u00edm zhor\u0161uj\u00edc\u00edch se zdravotn\u00edch pot\u00ed\u017e\u00ed.<\/p>\n
\u010ce\u0161i tak p\u0159i\u0161li o\u00a0ikonick\u00e9ho re\u017eis\u00e9ra, kter\u00fd jejich psychosoci\u00e1ln\u00ed hr\u00e1tky m\u011bl na\u010dten\u00e9 snad nejl\u00e9pe ze v\u0161ech tv\u016frc\u016f. Sc\u00e9n\u00e1\u0159e \u010dasto spoluvytv\u00e1\u0159el a\u00a0psal je i\u00a0s\u00e1m. Jedn\u00e1 se o\u00a0takov\u00e9 komedie jako Hod\u00edme se k\u00a0sob\u011b, mil\u00e1\u010dku\u2026? (1974), kde excelovali Vlastimil Brodsk\u00fd\u00a0a\u00a0Jana Brejchov\u00e1.<\/p>\n
O dva roky pozd\u011bji to byla nesmrteln\u00e1 tragikomedie Z\u00edtra to rozto\u010d\u00edme, drahou\u0161ku\u2026! (1976). Na ni voln\u011b navazuje film Co je doma, to se po\u010d\u00edt\u00e1, p\u00e1nov\u00e9\u2026 (1980). Z\u00e1sadn\u00ed roli v\u00a0prvn\u00ed \u010d\u00e1sti s\u00e9rie hraje jeho p\u0159\u00edtel Milo\u0161 Kopeck\u00fd, kter\u00fd byl bohu\u017eel v\u00a0druh\u00e9m d\u00edle nahrazen ze zdravotn\u00edch d\u016fvod\u016f Ji\u0159\u00edm Sov\u00e1kem. <\/p>\n
Milo\u0161 Kopeck\u00fd dokonale ztv\u00e1rnil modern\u00edho Harpagona v\u00a0dal\u0161\u00edm Schulhoffov\u011b filmu J\u00e1 u\u017e budu hodn\u00fd, d\u011bde\u010dku! (1979). Net\u0159eba p\u0159ipom\u00ednat dal\u0161\u00ed komedii J\u00e1 to tedy beru, \u0161\u00e9fe\u2026! (1978), kter\u00e1 byla koncertem hereck\u00e9 dvojice – Petra N\u00e1ro\u017en\u00e9ho a\u00a0Lu\u010fka Soboty.<\/p>\n
Juraj Herz: Spalova\u010d mrtvol![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/09\/1788349749_56_f.jpeg\")
Foto: Petr Nov\u00e1k, Public domain via Wikimedia Commons<\/p>\n
Juraj Herz<\/p>\n
Herz byl re\u017eis\u00e9r slovensko-\u017eidovsk\u00e9ho p\u016fvodu, kter\u00fd pro\u017eil podstatnou \u010d\u00e1st \u017eivota \u00a0a\u00a0sv\u00e9 kari\u00e9ry na \u010desk\u00e9 stran\u011b. Bylo tomu tak proto, \u017ee na Slovensku ztratil za ml\u00e1d\u00ed sv\u00e9 iluze o\u00a0lidech. Sta\u010dilo m\u00e1lo a\u00a0p\u0159i\u0161el by i\u00a0o \u017eivot. <\/p>\n
Jeho rodi\u010de byli \u017did\u00e9, kte\u0159\u00ed se rad\u011bji nechali pok\u0159t\u00edt, aby unikli pogromu. Odst\u011bhovali se do N\u011bmecka, kde je ukr\u00fdvali n\u011bme\u010dt\u00ed sedl\u00e1ci. Nicm\u00e9n\u011b, pak do\u0161li k\u00a0z\u00e1v\u011bru, \u017ee v\u00a0Ke\u017emarku je ji\u017e bezpe\u010dno, ale nebylo. Na Slovensku byli v\u0161ichni zat\u010deni a\u00a0expedov\u00e1ni do koncentra\u010dn\u00edch t\u00e1bor\u016f. V\u0161ichni p\u0159e\u017eili. Juraj p\u0159e\u017eil pobyt v\u00a0 koncentra\u010dn\u00edm t\u00e1bo\u0159e Ravensbr\u00fcck. <\/p>\n
Do d\u011bjin kinematografie se zapsal p\u0159edev\u0161\u00edm sv\u00fdm experiment\u00e1ln\u00edm d\u00edlem Spalova\u010d mrtvol (1969).<\/p>\n
Najednou z\u00edskal na stra\u0161liv\u00e9 aktu\u00e1lnosti, proto\u017ee byl o\u00a0konformistovi. Po srpnu se nej\u017e\u00e1dan\u011bj\u0161\u00edmi typy stali pr\u00e1v\u011b konformist\u00e9. Najednou byl zoufale aktu\u00e1ln\u00ed: o\u00a0lidech, kte\u0159\u00ed ot\u00e1\u010deli. Proto ho zak\u00e1zali.<\/p>\n
Herz o Spalova\u010di mrtvol<\/p>\n
Je vlastn\u011b jako jedin\u00fd mistrem \u010desko-\u017eidovsk\u00e9ho filmov\u00e9ho hororu. Ostatn\u00ed re\u017eis\u00e9\u0159i a\u00a0v\u016fbec ani publikum na takov\u00fd \u017e\u00e1nr nem\u011bli popt\u00e1vku. On v\u0161ak dok\u00e1zal i\u00a0z poh\u00e1dky Panna a\u00a0netvor (1978) ud\u011blat slu\u0161n\u00fd psychologick\u00fd horor, za kter\u00fd by se nemusel styd\u011bt ani Alfred Hitchcock. Stejn\u011b tak nato\u010dil po listopadu slu\u0161n\u00fd horor T.M.A. (2009). Kam se na n\u011bj hrabou jin\u00e9 \u010desk\u00e9 filmy, kter\u00e9 jsou jen chab\u00fdm pokusem o\u00a0mysteri\u00f3zn\u00ed \u017e\u00e1nr, jako \u201eetudy\u201c re\u017eis\u00e9ra Ji\u0159\u00edho Stracha.<\/p>\n
M\u011bl za sebou i\u00a0kr\u00e1tk\u00e9 obdob\u00ed emigrace – v\u00a0roce 1987\u00a0do N\u011bmecka, nebo\u0165 necht\u011bl to\u010dit hloupou politickou agitku ani si oh\u00fdbat h\u0159bet p\u0159ed m\u00edstn\u00ed politickou honorac\u00ed.<\/p>\n
Milo\u0161 Kopeck\u00fd – fam\u00f3zn\u00ed herec, kter\u00fd m\u011bl ze sv\u00fdch rol\u00ed depresi![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/09\/1788349749_9_f.jpeg\")
Foto: Barbora.freiova369, CC BY-SA 4.0 , via Wikimedia Commons<\/p>\n
Milo\u0161 K.<\/p>\n
Milo\u0161e Kopeck\u00e9ho net\u0159eba p\u0159edstavovat. Je v\u0161ak mo\u017en\u00e9 vid\u011bt trajektorii jeho depresivn\u00edch epizod pr\u00e1v\u011b v\u00a0souvislosti s\u00a0jeho filmov\u00fdmi rolemi. Do sv\u00fdch postav se toti\u017e dokonale v\u017e\u00edval a\u00a0splynul s\u00a0nimi. To se mu stalo osudn\u00fdm.<\/p>\n
Kdy\u017e hr\u00e1l v\u00a0komedii sv\u00e9ho p\u0159\u00edtele Z\u00edtra to rozto\u010d\u00edme, drahou\u0161ku\u2026! z\u00e1\u0161tipln\u00e9ho a\u00a0zlomysln\u00e9ho souseda vyst\u0159ihnul ho na jedni\u010dku. A\u017e tak, \u017ee se natolik du\u0161evn\u011b vy\u010derpal, \u017ee pokra\u010dov\u00e1n\u00ed Co je doma, to se po\u010d\u00edt\u00e1\u2026 ji\u017e nemohl nato\u010dit. Podobn\u011b tomu bylo i\u00a0s filmem Svatby pana Voka, kdy p\u0159esn\u011b vyst\u0159ihnul rozma\u0159il\u00e9ho Voka, nicm\u00e9n\u011b v\u00a0pokra\u010dov\u00e1n\u00ed Pan Vok odch\u00e1z\u00ed (1979) ji\u017e hr\u00e1l nemohl. Nahradil jej Martin R\u016f\u017eek. <\/p>\n
Milo\u0161 Kopeck\u00fd hr\u00e1l \u010dasto r\u016fzn\u00e9 bonviv\u00e1ny, pov\u011btron\u011b a\u00a0hlavn\u011b zlomysln\u00e9 postavy a\u00a0figurky. To se mu do jist\u00e9 m\u00edry stalo osudn\u00fdm. Takov\u00e9ho velkoform\u00e1tov\u00e9ho \u0161kodi\u010de zobrazil poprv\u00e9 ve filmu Mu\u017e z\u00a0prvn\u00edho stolet\u00ed (1961), na n\u011bm\u017e se pod\u00edlel i\u00a0tehdy novope\u010den\u00fd sc\u00e9n\u00e1rista Milo\u0161 Macourek.<\/p>\n
Pro dokonal\u00e9 ztv\u00e1rn\u011bn\u00ed sv\u00fdch postav ob\u011btoval v\u0161e. Ve sv\u00e9m soukrom\u00ed v\u0161ak nem\u011bl, kde na\u010derpat s\u00edly. Sv\u00e9 popularity u\u00a0\u017een velmi vyu\u017e\u00edval, ale nakonec mu nep\u0159inesla nic ne\u017e jen maniodepresivn\u00ed onemocn\u011bn\u00ed. <\/p>\n
Jednou z\u00a0p\u0159\u00ed\u010din jeho t\u00e1hl\u00e9 choroby byla podobn\u011b jako u\u00a0jeho p\u0159\u00edtele Schulhoffa internace v\u00a0nacistick\u00e9m pracovn\u00edm t\u00e1bo\u0159e. Matka byla \u017eidovsk\u00e9ho p\u016fvodu a\u00a0v koncentr\u00e1ku i\u00a0zahynula. Jeho otec se rad\u011bji s\u00a0matkou rozvedl, aby unikl perzekuci. Co\u017e mu Kopeck\u00fd nikdy neodpustil. A\u00a0tak m\u011bl v\u00a0sob\u011b i\u00a0jistou p\u0159ehnanou m\u00edru p\u00e9\u010de o\u00a0\u017eeny, kter\u00e1 se mu nakonec stala osudnou.<\/p>\n
Hugo Haas – mistr \u017eidovsk\u00e9ho humoru![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/09\/1788349750_226_f.jpeg\")
Foto: Moravian Library in Brno, CC BY-SA 4.0 , via Wikimedia Commons<\/p>\n
Hugo Haas<\/p>\n
Hugo Haas sv\u00e9ho \u010dasu soupe\u0159il na st\u0159\u00edbrn\u00e9m pl\u00e1tn\u011b s\u00a0humorem druh\u00e9ho herce – kr\u00e1le komik\u016f – Vlastou Burianem. Ale oba m\u011bli pon\u011bkud jin\u00fd styl vyjad\u0159ov\u00e1n\u00ed, spole\u010dnou m\u011bli v\u0161ak v\u00fdte\u010dnou hru se slovy. <\/p>\n
Vzpome\u0148me na fam\u00f3zn\u00ed filmy A\u0165 \u017eije nebo\u017et\u00edk (1935), Velbloud uchem jehly (1936) anebo \u010capkovo drama B\u00edl\u00e1 nemoc (1937). Haas m\u011bl \u0161irok\u00fd hereck\u00fd rozsah – um\u011bl p\u0159esv\u011bd\u010div\u011b zahr\u00e1t trylkuj\u00edc\u00edho eleg\u00e1na a\u017e po seri\u00f3zn\u00edho doktora, kter\u00fd je ochoten nasadit sv\u016fj \u017eivot za ide\u00e1ly. Narozd\u00edl od n\u011bkter\u00fdch jin\u00fdch \u010desk\u00fdch herc\u016f nebyl naivn\u00ed a\u00a0v\u011bd\u011bl, co m\u016f\u017ee vzhledem k\u00a0nastal\u00e9mu v\u00fdvoji v\u00a0tehdej\u0161\u00edm \u010ceskoslovensku o\u010dek\u00e1vat.<\/p>\n
Hugo sta\u010dil p\u0159ed nacistickou perzekuc\u00ed emigrovat a\u00a0na \u010das se usadil v\u00a0USA. Prvn\u00ed jobovka, kter\u00e1 ho v\u00a0\u010cesku zastihla, byla nacistick\u00e1 hrozba a\u00a0druh\u00e1 n\u00e1sledovala hned pot\u00e9. Kv\u016fli jeho pochopiteln\u011b vyhrocen\u00e9 zku\u0161enosti s\u00a0totalitn\u00edm Hitlerov\u00fdm re\u017eimem, se ani nerozpakoval vr\u00e1tit se zp\u011bt za \u017eeleznou oponu. Trvale se usadil ve V\u00eddni, kde v\u00a0osamocen\u00ed do\u017eil sv\u00e9 dny. B\u011bhem holokaustu toti\u017e p\u0159i\u0161el o\u00a0v\u011bt\u0161inu sv\u00e9 rodiny. V\u00a0koncentr\u00e1ku zahynul jeho milovan\u00fd bratr Pavel Haas, zn\u00e1m\u00fd hudebn\u00ed skladatel. B\u011bhem \u010dasu se u\u00a0n\u011bj rozvinulo t\u011b\u017ek\u00e9 astma, kter\u00e9 za\u010dalo m\u00edt vliv na jeho mo\u017enosti cestovat a\u00a0hr\u00e1t. <\/p>\n
Jeho vztah k\u00a0\u010cesku by se dal shrnout do jedn\u00e9 z\u00a0jeho p\u00edsn\u00ed v\u00a0komedii z\u00a030.\u00a0let: \u201eM\u011b to tady nebav\u00ed, je tady vzduch nezdrav\u00fd\u2026\u201c<\/p>\n
\u010ce\u0161t\u00ed \u017eidov\u0161t\u00ed um\u011blci pon\u011bkud rozh\u00fdb\u00e1vali a\u00a0\u010de\u0159ili stojatou vodu \u010desk\u00e9ho um\u011bleck\u00e9ho sv\u011bta a\u00a0d\u011blali z\u00a0\u010desk\u00e9ho zatuchl\u00e9ho rybn\u00edku dravou \u0159eku. Nakonec se jim v\u0161ak nepoda\u0159ilo tak \u010dinit nast\u00e1lo. Z\u00a0rozvodn\u011bn\u00e9 \u0159eky jejich imaginace se stal potok, z\u00a0n\u011bj pot\u016f\u010dek, pozd\u011bji u\u017e jen vyschl\u00e9 koryto. <\/p>\n
https:\/\/ct24.ceskatelevize.cz\/clanek\/kultura\/roztomily-clovek-hugo-haas-224926<\/p>\n
https:\/\/www.idnes.cz\/technet\/pred-100-lety\/pred-100-lety-ladislav-rychman-starci-na-chmelu-gott-bohdalova-dama-na-kolejich.A221007_172318_pred-100-lety_vojt<\/p>\n
https:\/\/www.facebook.com\/TerezinMemorial\/posts\/103-let-od-narozen\u00ed-milo\u0161e-kopeck\u00e9ho-nikdy-nezapomn\u011bl-otci-\u017ee-se-rozvedl-se-svoj\/1328942775902964\/<\/p>\n
https:\/\/www.irozhlas.cz\/kultura\/film\/zemrel-juraj-herz_1804090558_miz<\/p>\n","protected":false},"excerpt":{"rendered":"Vzpome\u0148me na fam\u00f3zn\u00ed v\u00fdkony herce Milo\u0161e Kopeck\u00e9ho ve filmech re\u017eis\u00e9ra Petra Schulhoffa jako byl Z\u00edtra to rozto\u010d\u00edme, drahou\u0161ku\u2026!.…\n","protected":false},"author":2,"featured_media":199779,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[8018,79,1946,1093,1682,80,7205],"class_list":["post-199778","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-ceska-historie","tag-entertainment","tag-filmovy-prumysl","tag-filmy","tag-umeni","tag-zabava","tag-zide"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117201297272833264","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/199778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=199778"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/199778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/199779"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=199778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=199778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=199778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}