{"id":201828,"date":"2026-09-03T18:03:11","date_gmt":"2026-09-03T18:03:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/201828\/"},"modified":"2026-09-03T18:03:11","modified_gmt":"2026-09-03T18:03:11","slug":"zemrela-nejlepsi-americka-zpevacka-cassandru-wilson-poznali-i-cesi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/201828\/","title":{"rendered":"Zem\u0159ela \u201enejlep\u0161\u00ed americk\u00e1 zp\u011bva\u010dka\u201c. Cassandru Wilson poznali i\u00a0\u010ce\u0161i"},"content":{"rendered":"

U po\u0161tovn\u00edch schr\u00e1nek v\u00a0newyorsk\u00e9m \u010din\u017e\u00e1ku se zkraje 90.\u00a0let minul\u00e9ho stolet\u00ed potkali dva soused\u00e9. Znali se z\u00a0m\u00edstn\u00edch jazzklub\u016f: Cassandra Wilson v\u00a0nich zp\u00edvala s\u00a0avantgardn\u00ed kapelou, Craig Street ob\u010das koncerty organizoval. Jemu se te\u010f ale neda\u0159ilo a\u00a0p\u0159ivyd\u011bl\u00e1val si na stavb\u011b. Ona vypr\u00e1v\u011bla, \u017ee pr\u00e1v\u011b podepsala smlouvu s\u00a0presti\u017en\u00edm vydavatelstv\u00edm Blue Note Records a\u00a0trochu v\u00e1l\u010d\u00ed, proto\u017ee j\u00ed mana\u017ee\u0159i podstrkuj\u00ed zaveden\u00e9 producenty. <\/p>\n

Street nab\u00eddl, \u017ee desku klidn\u011b zprodukuje s\u00e1m. \u201eA proto\u017ee u\u017e m\u00e1 takovou povahu, Cassandra je\u0161t\u011b to odpoledne nakr\u00e1\u010dela do kancel\u00e1\u0159\u00ed Blue Note a\u00a0\u0159ekla: tak jsem si producenta na\u0161la sama, je to d\u011bln\u00edk a\u00a0bydl\u00ed ve stejn\u00e9m bar\u00e1ku jako j\u00e1,\u201c vypr\u00e1v\u011bl.<\/p>\n

Firma to riskla. A\u00a0s\u00e1zka na neozkou\u0161en\u00e9 spojen\u00ed talentovan\u00e9 zp\u011bva\u010dky se za\u010d\u00ednaj\u00edc\u00edm producentem se mohutn\u011b vyplatila. Jejich spole\u010dn\u00e9 album Blue Light \u2019Til Dawn z\u00a0roku 1993\u00a0odstartovalo \u00fasp\u011b\u0161nou s\u00e9rii eklektick\u00fdch alb, kter\u00e1 Cassand\u0159e Wilson vydobyla celosv\u011btov\u00e9 uzn\u00e1n\u00ed.<\/p>\n

V n\u00e1sleduj\u00edc\u00edch letech prodala statis\u00edce nahr\u00e1vek, z\u00edskala dv\u011b Grammy, t\u0159ikr\u00e1t vyhr\u00e1la anketu \u010dasopisu Down Beat o\u00a0zp\u011bva\u010dku roku. Z\u00a0\u010dist\u011b jazzov\u00e9 interpretky se prom\u011bnila ve skladatelku a\u00a0nad\u017e\u00e1nrovou hv\u011bzdu m\u00edchaj\u00edc\u00ed blues, country, gospel \u010di folk s\u00a0africkou \u010di kub\u00e1nskou muzikou. <\/p>\n

V roce 2001, kdy byla na vrcholu, ji \u010dasopis Time tituloval \u201enejlep\u0161\u00ed americk\u00e1 zp\u011bva\u010dka\u201c a\u00a0producent T-Bone Burnett ji ozna\u010dil za \u201emo\u017en\u00e1 nejlep\u0161\u00ed \u017eij\u00edc\u00ed zp\u011bva\u010dku\u201c, zasluhuj\u00edc\u00ed stejn\u00e9 uzn\u00e1n\u00ed jako Ella Fitzgerald. Tuto st\u0159edu Cassandra Wilson ve v\u011bku 70\u00a0let zem\u0159ela. Zpr\u00e1vu potvrdil jej\u00ed agent, p\u0159\u00ed\u010dina zat\u00edm nen\u00ed zn\u00e1ma.<\/p>\n

O jej\u00edch kvalit\u00e1ch se dvakr\u00e1t mohli p\u0159esv\u011bd\u010dit i\u00a0\u010ce\u0161i. Zvl\u00e1\u0161\u0165 pam\u00e1tn\u00fd byl prvn\u00ed koncert z\u00a0roku 2009, kdy na pozv\u00e1n\u00ed festivalu Struny podzimu vyprodala pra\u017esk\u00e9 Rudolfinum. <\/p>\n

Enigmatick\u00e1, so\u0161n\u00e1 zp\u011bva\u010dka se zlat\u00fdmi dready uhranula zakou\u0159en\u00fdm, vl\u00e1\u010dn\u00fdm, temn\u011b sametov\u00fdm kontraaltem osobit\u00e9 barvy. Zpomalen\u011b, smysln\u011b vyslovovala, l\u00edn\u011b protahovala a\u00a0expresivn\u011b zabarvovala slova, jimi\u017e jako by poslucha\u010de p\u0159en\u00e1\u0161ela do jin\u00fdch sv\u011bt\u016f.<\/p>\n

V osobit\u00fdch aran\u017em\u00e1 ponech\u00e1vaj\u00edc\u00edch v\u00a0hudb\u011b spoustu pr\u00e1zdn\u00fdch m\u00edst kombinovala jazzov\u00e9 standardy s\u00a0coververzemi skladeb Wichita Lineman, Harvest Moon od Neila Younga nebo Something So Right od Paula Simona. A\u00a0vydatn\u011b nechala zaz\u00e1\u0159it v\u0161estrannou kapelu, ve kter\u00e9 excelovali kytarista Marvin Sewell nebo kontrabasista Reginald Veal s\u00a0buben\u00edkem Herlinem Rileyem, sehran\u00e1 rytmick\u00e1 sekce zn\u00e1m\u00e1 z\u00a0desek brat\u0159\u00ed Marsalis\u016f.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Cassandra Wilson prodala statis\u00edce desek, z\u00edskala dv\u011b Grammy a\u00a0t\u0159ikr\u00e1t vyhr\u00e1la anketu \u010dasopisu Down Beat o\u00a0zp\u011bva\u010dku roku.<\/p>\n

Do tohoto bodu vedla dlouh\u00e1 cesta. Cassandra Wilson vyr\u016fstala jako nejmlad\u0161\u00ed ze t\u0159\u00ed d\u011bt\u00ed u\u010ditelky a\u00a0jazzov\u00e9ho hudebn\u00edka v\u00a0mississippsk\u00e9m m\u011bst\u011b Jackson. Z\u00a0d\u011btstv\u00ed m\u011bla klasickou klav\u00edrn\u00ed pr\u016fpravu, v\u00a0dosp\u00edv\u00e1n\u00ed hr\u00e1la na klarinet i\u00a0kytaru, na st\u0159edn\u00ed \u0161kole zp\u00edvala ve folkov\u00e9m triu. <\/p>\n

Pak ale vystudovala marketing a\u00a0za\u010d\u00e1tkem 80.\u00a0let minul\u00e9ho stolet\u00ed nastoupila do neworle\u00e1nsk\u00e9 region\u00e1ln\u00ed televize. \u201eMyslela jsem, \u017ee budu m\u00edt televizn\u00ed kari\u00e9ru,\u201c p\u0159ipustila pozd\u011bji.<\/p>\n

U\u017e tehdy sb\u00edrala prvn\u00ed hudebn\u00ed zku\u0161enosti po boku saxofonisty Earla Turbintona. Koncem dek\u00e1dy se pak s\u00a0man\u017eelem p\u0159est\u011bhovala do New Yorku. \u201eA proto\u017ee se mi neda\u0159ilo sehnat pr\u00e1ci, chodila jsem \u010dast\u011bji na jam session,\u201c popsala v\u00a0\u010dasopisu Down Beat, jak za\u010dala pravideln\u011b zp\u00edvat v\u00a0jazzklubech. Nejd\u0159\u00edv jen standardy, dokud ji neoslovil saxofonista Steve Coleman. <\/p>\n

\u201eVysv\u011btlil mi, \u017ee si mus\u00edm vybudovat vlastn\u00ed reperto\u00e1r a\u00a0roz\u0161\u00ed\u0159it styl. \u017de pokud budu d\u011blat tot\u00e9\u017e co v\u0161ichni ostatn\u00ed, nikdy neproraz\u00edm. J\u00e1 p\u0159itom do t\u00e9 doby s\u00a0v\u00fdjimkou Abbey Lincoln neznala \u017e\u00e1dnou zp\u011bva\u010dku, kter\u00e1 by si psala svoje v\u011bci. Ale \u010d\u00edm v\u00edc jsem skl\u00e1dala, t\u00edm v\u00edc se mi to l\u00edbilo,\u201c vypr\u00e1v\u011bla.<\/p>\n

Coleman ji p\u0159ivedl do voln\u00e9ho brooklynsk\u00e9ho kolektivu M-Base, jeho\u017e \u010dleny byli d\u00e1le saxofonista Greg Osby, pianistka Geri Allen \u010di basista Lonnie Plaxico. S\u00a0dobrodru\u017en\u00fdm uskupen\u00edm, m\u00edchaj\u00edc\u00edm prvky avantgardy, funku i\u00a0voln\u00e9 improvizace, zav\u00edtala Cassandra Wilson poprv\u00e9 do studia. Mezi lety 1985\u00a0a\u017e 1992\u00a0nato\u010dila osm alb pro mnichovsk\u00e9 vydavatelstv\u00ed JMT. <\/p>\n

\u201eRoz\u0161\u00ed\u0159ila jsem si reperto\u00e1r a\u00a0nau\u010dila jsem se skladby dekonstruovat, abych jim porozum\u011bla,\u201c vzpom\u00ednala na \u00e9ru, kdy k\u00a0jej\u00edm p\u011bveck\u00fdm vzor\u016fm pat\u0159ily Sarah Vaughan, Dinah Washington nebo Carmen McRae a\u00a0kdy zp\u00edvala tak\u00e9 v\u00a0sopr\u00e1nov\u00fdch v\u00fd\u0161k\u00e1ch. Co do fr\u00e1zov\u00e1n\u00ed m\u011bla za velk\u00fd vzor Betty Carter, jej\u00ed\u017e technicky n\u00e1ro\u010dnou skladbu Tight uv\u00e1d\u011bla na\u017eivo i\u00a0pozd\u011bji. <\/p>\n

P\u0159esto z\u00a0tehdej\u0161\u00edch nahr\u00e1vek m\u011bla m\u00e1lokter\u00e1 ohlas\u00a0\u2013 ke sv\u011btl\u00fdm v\u00fdjimk\u00e1m pat\u0159\u00ed kolekce standard\u016f Blue Skies z\u00a0roku 1988, nahran\u00e1 s\u00a0pianistou Mulgrewem Millerem.<\/p>\n

Do mainstreamu Cassandra Wilson prorazila a\u017e za\u010d\u00e1tkem 90.\u00a0let s\u00a0albem Blue Light \u2019til Dawn, prvn\u00edm pro vydavatelstv\u00ed Blue Note Records, kam ji p\u0159ivedl vlivn\u00fd \u0161\u00e9f firmy Bruce Lundvall a\u00a0vlo\u017eil v\u00a0n\u00ed d\u016fv\u011bru. Do t\u00e9 doby jazzov\u00e1 zp\u011bva\u010dka si ve spolupr\u00e1ci s\u00a0producentem Craigem Streetem nad\u017e\u00e1nrov\u011b roz\u0161\u00ed\u0159ila reperto\u00e1r. <\/p>\n

Za\u010dala zp\u00edvat songy Joni Mitchell nebo Vana Morrisona, co\u017e u\u00a0jazzov\u00fdch hv\u011bzd tou dobou nebylo zvykem, stejn\u011b jako t\u0159eba skladby tehdy je\u0161t\u011b zapomenut\u00e9ho bluesmana Roberta Johnsona. A\u00a0p\u0159esto\u017ee d\u00e1l vyu\u017e\u00edvala jazzovou techniku, zvukov\u011b si zpest\u0159ila paletu sm\u011brem k\u00a0hudb\u011b z\u00a0delty \u0159eky Mississippi, kombinaci akustick\u00e9ho folku, country \u010di lidov\u00e9ho blues. A\u00a0z\u00e1rove\u0148 se obloukem vr\u00e1tila do d\u011btstv\u00ed.<\/p>\n

\u201eCraig \u0161el na to freudovsky. \u0158ekl mi, a\u0165 si lehnu na pohovku, a\u00a0vypt\u00e1val se, na jak\u00e9 hudb\u011b jsem vyr\u016fstala. Vypr\u00e1v\u011bla jsem mu, jak jsem na st\u0159edn\u00ed \u0161kole hr\u00e1vala na kytaru p\u00edsn\u011b Joni Mitchell. A\u017e d\u00edky tomu jsem si uv\u011bdomila, jak moc mi tahle muzika chyb\u00ed,\u201c popsala vznik desky, kter\u00e9 dominuj\u00ed akustick\u00e9 kytary, perkuse, housle \u010di akordeon. \u201eHudebn\u011b to funguje \u00fapln\u011b jinak ne\u017e cokoliv, na co jsem byla zvykl\u00e1. Proto\u017ee jsou tam sam\u00e9 strunn\u00e9 n\u00e1stroje, kapela m\u00e1 stra\u0161n\u011b flexibiln\u00ed zvuk a\u00a0m\u016fj hlas se kolem toho m\u016f\u017ee pohodln\u011b pohybovat. Otev\u0159el se mi nov\u00fd sv\u011bt,\u201c l\u00ed\u010dila.<\/p>\n

Foto: Getty Images<\/p>\n

Cassandra Wilson (na fotografii z\u00a090.\u00a0let minul\u00e9ho stolet\u00ed) proslula hlubok\u00fdm a\u00a0expresivn\u00edm kontraaltov\u00fdm hlasem.<\/p>\n

Alba Blue Light \u2019til Dawn se prodaly stovky tis\u00edc kus\u016f, stejn\u011b jako podobn\u011b \u00fasp\u011b\u0161n\u00e9ho voln\u00e9ho pokra\u010dov\u00e1n\u00ed New Moon Daughter, je\u017e roku 1995\u00a0proniklo i\u00a0do hitpar\u00e1dy Billboard 200\u00a0a\u00a0vyneslo zp\u011bva\u010dce prvn\u00ed cenu Grammy. Mimo jin\u00e9 t\u00edm pro\u0161lapala cestu kolegyn\u00edm Madeleine Peyroux, Lizz Wright \u010di Melody Gardot, kter\u00e9 p\u0159i\u0161ly po n\u00ed a\u00a0u\u017e se nemusely v\u00e1zat na jazzov\u00e9 standardy.<\/p>\n

Desky m\u011bly pozitivn\u00ed vliv i\u00a0na jej\u00ed hlas. \u201eC\u00edt\u00edm, \u017ee je ukotven\u011bj\u0161\u00ed, \u0161ir\u0161\u00ed, \u017ee m\u00e1 v\u00fdrazn\u011bj\u0161\u00ed texturu. Te\u010f u\u017e se mi opravdu l\u00edb\u00ed. Kdy\u017e jsem za\u010d\u00ednala zp\u00edvat, nemohla jsem sv\u016fj hlas vyst\u00e1t. V\u017edycky jsem m\u011bla pocit, \u017ee m\u00e1 na v\u00edc, ale teprve te\u010f jako bych tuhle jeho \u010d\u00e1st odemkla,\u201c kvitovala.<\/p>\n

<\/a><\/p>\n

Od t\u00e9 doby u\u017e Cassandra Wilson v\u017edy \u0161la svou cestou. Koncem 90.\u00a0let \u00fa\u010dinkovala v\u00a0jazzov\u00e9m oratoriu Blood on the Fields skladatele Wyntona Marsalise o\u00a0otroctv\u00ed v\u00a0USA, kter\u00e9 z\u00edskalo Pulitzerovu cenu. <\/p>\n

Na p\u0159elomu tis\u00edcilet\u00ed nato\u010dila osobitou poctu trumpetistovi Milesi Davisovi nazvanou Traveling Miles, kde odv\u00e1\u017en\u011b p\u0159ipsala slova skladb\u00e1m Seven Steps to Heaven nebo Miles Runs the Voodoo Down. \u201eMiles je m\u016fj nejv\u011bt\u0161\u00ed vzor. Dok\u00e1zal proniknout do emocion\u00e1ln\u00edho j\u00e1dra skladby a\u00a0vym\u00e1\u010dknout z\u00a0n\u011bj tolik, \u017ee v\u00e1s to \u00fapln\u011b rozsekalo,\u201c \u0159ekla o\u00a0sv\u00e9 prvn\u00ed spolupr\u00e1ci s\u00a0kytaristou Marvinem Sewellem.<\/p>\n

Z jej\u00edch alb pro zna\u010dku Blue Note Records je dobr\u00e9 i\u00a0Belly of the Sun, nato\u010den\u00e9 roku 2002\u00a0na rozp\u00e1len\u00e9m b\u00fdval\u00e9m n\u00e1dra\u017e\u00ed v\u00a0mississippsk\u00e9m Clarksdale, kde um\u011blkyn\u011b hledala sty\u010dn\u00e9 body mezi domovem blues a\u00a0vlastn\u00edm d\u011btstv\u00edm. Deska za\u010d\u00ednaj\u00edc\u00ed coververz\u00ed p\u00edsn\u011b The Weight od skupiny The Band zahrnuje mimo jin\u00e9 origin\u00e1ln\u00ed aran\u017em\u00e1 skladeb Antonia Carlose Jobima \u010di Jimmyho Webba. <\/p>\n

S\u00e9rii pro Blue Note pak zavr\u0161uje Thunderbird z\u00a0roku 2006, nazvan\u00fd podle hromov\u00e9ho pt\u00e1ka z\u00a0mytologie severoamerick\u00fdch indi\u00e1n\u016f. Deska produkovan\u00e1 T-Bone Burnettem m\u00e1 modern\u011bj\u0161\u00ed zvuk s\u00a0prvky hiphopu, a\u00a0to od chytlav\u00e9ho vysamplovan\u00e9ho groovu v\u00a0\u00favodn\u00ed p\u00edsni Go To Mexico a\u017e po z\u00e1v\u011bre\u010dn\u00fd Tarot, kombinuj\u00edc\u00ed akustickou kytaru vybrnk\u00e1vanou samotnou Cassandrou Wilson se s\u00f3lem na foukac\u00ed harmoniku od Gr\u00e9goira Mareta.<\/p>\n

Tou dobou u\u017e se Cassandra Wilson nast\u00e1lo p\u0159est\u011bhovala zp\u011bt do rodn\u00e9ho m\u011bsta Jackson v\u00a0Mississippi, aby se starala o\u00a0nemocnou matku. \u201eJako Afroameri\u010dan\u00e9 jsme ztratili dennodenn\u00ed kontakt s\u00a0p\u0159\u00edrodou,\u201c vypr\u00e1v\u011bla v\u00a0rozhovorech, jak tr\u00e1v\u00ed \u010d\u00edm d\u00e1l v\u00edc \u010dasu na zahrad\u011b nebo v\u00a0p\u0159\u00edrod\u011b. V\u00a0regionu za\u017eila ni\u010div\u00fd dopad hurik\u00e1nu Katrina a\u00a0objevovala historii sv\u00e9 rodiny, z\u0159ejm\u011b spojen\u00e9 s\u00a0africk\u00fdm etnikem Jorub\u016f.<\/p>\n

Po tradi\u010dn\u011bj\u0161\u00edm albu jazzov\u00fdch standard\u016f Loverly, nap\u016fl koncertn\u00edm z\u00e1znamu Silver Pony a\u00a0desce Another Country, nato\u010den\u00e9 p\u0159ev\u00e1\u017en\u011b v\u00a0italsk\u00e9 Florencii s\u00a0kytaristou Fabriziem Sottim, naposledy v\u00a0roce 2015\u00a0vydala Coming Forth by Day, povedenou poctu zp\u011bva\u010dce Billie Holiday. <\/p>\n

Jazzovou hv\u011bzdu z\u00e1vislou na drog\u00e1ch i\u00a0alkoholu odm\u00edtala soudit i\u00a0vn\u00edmat \u010dist\u011b jako ob\u011b\u0165. \u201eM\u011bla stra\u0161n\u011b kr\u00e1tk\u00fd \u017eivot, ale nikdo nem\u00e1me nic jist\u00e9. A\u00a0co kdy\u017e \u017e\u00edt d\u00e9le neznamen\u00e1 automaticky \u017e\u00edt l\u00e9pe? Nejd\u016fle\u017eit\u011bj\u0161\u00ed je p\u0159ece \u017e\u00edt naplno. A\u00a0ona ho\u0159ela jasn\u00fdm plamenem,\u201c uva\u017eovala Cassandra Wilson v\u00a0den\u00edku Wall Street Journal. <\/p>\n

Desku vytvo\u0159ila s\u00a0Nickem Launaym, spolupracovn\u00edkem zp\u011bv\u00e1ka Nicka Cavea a\u00a0kapely The Bad Seeds, jej\u00ed\u017e \u010dlenov\u00e9 Thomas Wydler a\u00a0Martyn P. Casey zde tak\u00e9 \u00fa\u010dinkuj\u00ed. V\u00a0listopadu 2015\u00a0s\u00a0t\u00edmto projektem Cassandra Wilson je\u0161t\u011b jednou p\u0159ijela na Struny podzimu, kde skladby jako Don\u2019t Explain, You Go to My Head nebo God Bless the Child p\u0159edstavila tentokr\u00e1t ve velk\u00e9m s\u00e1le Lucerny.<\/p>\n

A poctou Billie Holiday zavr\u0161ila sv\u016fj hudebn\u00ed v\u00fdvoj. Na mnoho let se pak odml\u010dela a\u00a0vyjma kr\u00e1tk\u00e9ho n\u00e1vratu na p\u00f3dia po pandemii koronaviru nestihla p\u0159ij\u00edt s\u00a0dal\u0161\u00edm projektem. Jej\u00ed posledn\u00ed p\u00edsn\u00ed tak z\u016fst\u00e1v\u00e1 ta, ve kter\u00e9 dom\u00fd\u0161l\u00ed skute\u010dn\u00fd incident z\u00a0roku 1959, kdy Billie Holiday nesm\u011bla vystoupit na poh\u0159bu sv\u00e9ho dlouholet\u00e9ho saxofonisty Lestera Younga. <\/p>\n

Cassandra Wilson zde vyslovuje p\u0159esv\u011bd\u010den\u00ed, \u017ee se ti dva znovu setkali v\u00a0posmrtn\u00e9m \u017eivot\u011b. \u201eV\u011b\u0159\u00edm ve sv\u011bt duch\u016f. \u017dijeme v\u00a0tom, co si sami vytvo\u0159\u00edme,\u201c poznamenala na to konto. \u201eV\u00edm, \u017ee ti zp\u00edv\u00e1m naposledy \/ Tohle je m\u00e1 posledn\u00ed p\u00edse\u0148 \/ M\u016fj posledn\u00ed vzkaz,\u201c kon\u010d\u00ed tuto skladbu. Nikoho tehdy nenapadlo, \u017ee to \u0159\u00edk\u00e1 i\u00a0za sebe.<\/p>\n","protected":false},"excerpt":{"rendered":"U po\u0161tovn\u00edch schr\u00e1nek v\u00a0newyorsk\u00e9m \u010din\u017e\u00e1ku se zkraje 90.\u00a0let minul\u00e9ho stolet\u00ed potkali dva soused\u00e9. Znali se z\u00a0m\u00edstn\u00edch jazzklub\u016f: Cassandra…\n","protected":false},"author":2,"featured_media":201829,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[46136,24539,46135,79,84,8524,81,80],"class_list":["post-201828","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-blue-note-records","tag-blues","tag-cassandra-wilson","tag-entertainment","tag-hudba","tag-jazz","tag-umrti","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117208429989454251","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/201828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=201828"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/201828\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/201829"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=201828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=201828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=201828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}