{"id":20309,"date":"2026-03-10T19:47:21","date_gmt":"2026-03-10T19:47:21","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/20309\/"},"modified":"2026-03-10T19:47:21","modified_gmt":"2026-03-10T19:47:21","slug":"da-da-da-nechci-te-vic-vysmech-popularni-hudbe-od-nemeckeho-tria-i-ladislava-vostarka-a-jeho-mydla","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/20309\/","title":{"rendered":"Da da da, nechci t\u011b v\u00edc. V\u00fdsm\u011bch popul\u00e1rn\u00ed hudb\u011b od n\u011bmeck\u00e9ho Tria i\u00a0Ladislava Vost\u00e1rka a\u00a0jeho M\u00fddla"},"content":{"rendered":"

V osmdes\u00e1t\u00fdch letech, kdy se hudebn\u00ed sv\u011bt plnil slo\u017eit\u00fdmi syntez\u00e1tory a\u00a0drah\u00fdmi studiov\u00fdmi efekty, se z\u00a0mal\u00e9ho z\u00e1padon\u011bmeck\u00e9ho m\u011bste\u010dka Gro\u00dfenkneten ozval zvuk, kter\u00fd v\u0161echny tyto trendy postavil na hlavu. Skupina Trio, kterou tvo\u0159ili Stephan Remmler, Gert Krawinkel a\u00a0Peter Behrens, p\u0159i\u0161la s\u00a0konceptem naprost\u00e9 jednoduchosti.<\/p>\n

Jejich nejv\u011bt\u0161\u00ed hit s\u00a0n\u00e1zvem Da Da Da byl v\u00a0podstat\u011b v\u00fdsm\u011bchem tehdej\u0161\u00edmu nabl\u00fdskan\u00e9mu popu. \u010clenov\u00e9 kapely se rozhodli, \u017ee odstran\u00ed v\u0161echnu zbyte\u010dnou hudebn\u00ed v\u00fdzdobu a\u00a0z\u016fstanou jen u\u00a0t\u011bch nejz\u00e1kladn\u011bj\u0161\u00edch prvk\u016f. P\u0159i koncertech to vypadalo tak, \u017ee zp\u011bv\u00e1k Stephan Remmler ovl\u00e1dal mal\u00fd n\u00e1stroj jednou rukou, zat\u00edmco buben\u00edk Peter Behrens hr\u00e1l na bic\u00ed tak\u00e9 jen jednou rukou a\u00a0v t\u00e9 druh\u00e9 klidn\u011b t\u0159eba t\u0159\u00edmal jablko.<\/p>\n

Aby Remmler dos\u00e1hl zvl\u00e1\u0161tn\u00edho zabarven\u00ed hlasu, p\u0159ikl\u00e1dal si v\u00a0n\u011bkter\u00fdch pas\u00e1\u017e\u00edch mikrofon p\u0159\u00edmo k\u00a0hrdlu. Samotn\u00fd n\u00e1zev p\u00edsn\u011b pak ironicky odkazoval na pr\u00e1zdn\u00e9 v\u00fdpln\u011b v\u00a0hitpar\u00e1dov\u00fdch p\u00edsn\u00edch typu \u201ebaby\u201c, kter\u00e9 Trio nahradilo pr\u00e1v\u011b on\u00edm strojov\u00fdm \u201eda da da\u201c.<\/p>\n

\"\"<\/a><\/p>\n

Z\u00e1sadn\u00edm symbolem t\u00e9to skladby se stal n\u00e1stroj Casio VL-1, v\u00a0podstat\u011b kapesn\u00ed kalkula\u010dka se zabudovan\u00fdm syntez\u00e1torem. Byl to levn\u00fd p\u0159\u00edstroj, kter\u00fd v\u00e1\u017eil necel\u00e9ho p\u016fl kila a\u00a0vypadal sp\u00ed\u0161e jako hra\u010dka pro d\u011bti ne\u017e jako seri\u00f3zn\u00ed hudebn\u00ed instrument. Kapela vyu\u017eila jeho p\u0159ednastaven\u00fd rytmus ozna\u010den\u00fd jako Rock-1\u00a0a\u00a0plechov\u00fd zvuk, kter\u00fd p\u0159ipom\u00ednal digit\u00e1ln\u00ed piano.<\/p>\n

Pr\u00e1v\u011b tento \u201elacin\u00fd\u201c podklad vytvo\u0159il p\u00e1te\u0159 celosv\u011btov\u00e9ho hitu. Produkce se ujal slavn\u00fd Klaus Voormann, kter\u00fd se d\u0159\u00edve p\u0159\u00e1telil dokonce s\u00a0hv\u011bzdami kalibru The Beatles a\u00a0spolupracoval s\u00a0nimi. Pr\u00e1v\u011b on pochopil, \u017ee s\u00edla skladby tkv\u00ed v\u00a0jej\u00ed syrovosti a\u00a0\u017ee by bylo chybou ji vylep\u0161ovat bohat\u0161\u00edmi n\u00e1stroji.<\/p>\n

\u00dasp\u011bch to byl obrovsk\u00fd. P\u00edse\u0148 bodovala v\u00a0hitpar\u00e1d\u00e1ch v\u00edce ne\u017e t\u0159iceti zem\u00ed a\u00a0po cel\u00e9m sv\u011bt\u011b se prodalo zhruba t\u0159in\u00e1ct milion\u016f kus\u016f singlu. Pozd\u011bji, v\u00a0roce 1997, za\u017eila skladba ne\u010dekan\u00fd n\u00e1vrat d\u00edky reklam\u011b na automobil Volkswagen, kde dva mlad\u00edci beze slov proj\u00ed\u017ed\u011bj\u00ed m\u011bstem a\u00a0sb\u00edraj\u00ed odlo\u017een\u00fd n\u00e1bytek pr\u00e1v\u011b za doprovodu tohoto hypnotick\u00e9ho rytmu.<\/p>\n

\"\"<\/a><\/p>\n

V \u010ceskoslovensku se k\u00a0tomuto fenom\u00e9nu postavil po sv\u00e9m Ladislav Vost\u00e1rek, mu\u017e, kter\u00fd byl zn\u00e1m\u00fd jako mimo\u0159\u00e1dn\u011b praktick\u00fd mana\u017eer a\u00a0texta\u0159 stoj\u00edc\u00ed za \u00fasp\u011bchy skupin Katapult nebo Turbo. Vost\u00e1rek m\u011bl v\u00a0hudebn\u00edm sv\u011bt\u011b pov\u011bst \u010dlov\u011bka, kter\u00fd p\u0159esn\u011b v\u011bd\u011bl, co lid\u00e9 cht\u011bj\u00ed sly\u0161et, i\u00a0kdy\u017e mu odborn\u00edci \u010dasto – a\u00a0pr\u00e1vem – vyt\u00fdkali p\u0159\u00edli\u0161nou jednoduchost.<\/p>\n

Spole\u010dn\u011b s\u00a0hudebn\u00edkem Vladim\u00edrem Ko\u010dandrlem, kter\u00fd se zaj\u00edmal o\u00a0modern\u00ed elektroniku, zalo\u017eili projekt M\u00fddlo. \u0160lo v\u00a0podstat\u011b o\u00a0recesn\u00ed z\u00e1le\u017eitost. Vost\u00e1rek tehdy prohl\u00e1sil, \u017ee hv\u011bzdu showbyznysu lze ud\u011blat z\u00a0kohokoli, a\u00a0cht\u011bl to dok\u00e1zat v\u00a0praxi. \u010cesk\u00e1 verze s\u00a0n\u00e1zvem Da da da, nechci t\u011b v\u00edc vznikla v\u00a0roce 1982.\u00a0Vost\u00e1rek si k\u00a0p\u016fvodn\u00ed melodii napsal vlastn\u00ed text, kter\u00fd popisoval rozchod a\u00a0nez\u00e1jem, a\u00a0s\u00e1m si ho i\u00a0le\u017e\u00e9rn\u00edm polomluven\u00fdm stylem nazp\u00edval.<\/p>\n

Reakce na projekt M\u00fddlo byly bou\u0159liv\u00e9. U\u00a0poslucha\u010d\u016f p\u00edse\u0148 okam\u017eit\u011b vyhr\u00e1la na cel\u00e9 \u010d\u00e1\u0159e. Singl se stal v\u00a0prodejn\u00e1ch nedostatkov\u00fdm zbo\u017e\u00edm a\u00a0celkov\u011b se ho prodalo p\u0159es dv\u011b st\u011b tis\u00edc kus\u016f, co\u017e byl na tehdej\u0161\u00ed pom\u011bry obrovsk\u00fd v\u00fdsledek. V\u00a0roce 1983\u00a0p\u00edse\u0148 dokonce zv\u00edt\u011bzila v\u00a0celost\u00e1tn\u00ed hitpar\u00e1d\u011b.<\/p>\n

Na druh\u00e9 stran\u011b v\u0161ak st\u00e1la tehdej\u0161\u00ed hudebn\u00ed kritika, kter\u00e1 byla zvykl\u00e1 na n\u00e1ro\u010dn\u011bj\u0161\u00ed \u017e\u00e1nry. Nap\u0159\u00edklad respektovan\u00fd kritik Ji\u0159\u00ed \u010cern\u00fd se o\u00a0Vost\u00e1rkov\u00fdch metod\u00e1ch vyjad\u0159oval velmi skepticky a\u00a0tvrdil, \u017ee popularita takov\u00fdch p\u00edsn\u00ed je jen um\u011ble vyvolan\u00e1 mana\u017eersk\u00fdmi triky.<\/p>\n

Vost\u00e1rek na tyto v\u00fdtky reagoval s\u00a0klidem a\u00a0tvrdil, \u017ee v\u00a0popul\u00e1rn\u00ed hudb\u011b jde p\u0159edev\u0161\u00edm o\u00a0to zas\u00e1hnout lidi a\u00a0prodat emoci, i\u00a0kdy\u017e je zabalen\u00e1 do jednoduch\u00e9ho obalu. Projekt M\u00fddlo byl vlastn\u011b jak\u00fdmsi vedlej\u0161\u00edm produktem OK Bandu, jedn\u00e9 z\u00a0kapel \u010desk\u00e9 nov\u00e9 vlny, kde Ko\u010dandrle naplno rozv\u00edjel svou z\u00e1libu v\u00a0elektronice a\u00a0Vost\u00e1rek byl jejich mana\u017eerem a\u00a0psal pro n\u011b texty pod pseudonymem Vlasta Voko.<\/p>\n

\"\"<\/a><\/p>\n

D\u00edky tomu, jak byla p\u00edse\u0148 postaven\u00e1, vzniklo po cel\u00e9m sv\u011bt\u011b neuv\u011b\u0159iteln\u00e9 mno\u017estv\u00ed verz\u00ed v\u00a0r\u016fzn\u00fdch jazyc\u00edch. Krom\u011b anglick\u00e9 varianty, kterou muselo Trio nato\u010dit pro americk\u00fd a\u00a0britsk\u00fd trh, existuje nap\u0159\u00edklad italsk\u00e1 verze, kter\u00e1 oslavovala v\u00edt\u011bzstv\u00ed It\u00e1lie na mistrovstv\u00ed sv\u011bta ve fotbale v\u00a0roce 1982.<\/p>\n

Francouzsk\u00fd zp\u011bv\u00e1k Zam zase ud\u011blal z\u00a0p\u00edsn\u011b hit ve sv\u00e9 zemi a\u00a0v N\u011bmecku se objevila i\u00a0parodie od bavi\u010de Franka Zandera. Mimo\u0159\u00e1dn\u00fd a\u00a0udivuj\u00edc\u00ed je ale dosah p\u00edsn\u011b do exoti\u010dt\u011bj\u0161\u00edch oblast\u00ed. Svou verzi v\u00a0thaj\u0161tin\u011b nahr\u00e1la skupina The Hot Pepper Singers, co\u017e dokazuje, \u017ee rytmus z\u00a0mal\u00e9 kalkula\u010dky Casio fungoval bez ohledu na kulturu.<\/p>\n

Velmi popul\u00e1rn\u00ed byla skladba tak\u00e9 v\u00a0Japonsku, kde se stala sou\u010d\u00e1st\u00ed tamn\u00ed karaoke kultury. Existuj\u00ed dokonce nahr\u00e1vky v\u00a0hind\u0161tin\u011b. K\u00a0\u017eivotu p\u00edsn\u011b v\u00a0\u010cesku je je\u0161t\u011b t\u0159eba p\u0159ipomenout, \u017ee jej\u00ed vlastn\u00ed verzi v\u00a0roce 1995\u00a0s\u00a0pat\u0159i\u010dn\u011b p\u0159isprostl\u00fdm textem Lou Fan\u00e1nka Hagena nato\u010dily tak\u00e9 T\u0159i sestry.<\/p>\n

Dal\u0161\u00ed \u010dl\u00e1nky o\u00a0\u010desk\u00fdch verz\u00edch zahrani\u010dn\u00edch hit\u016f (v\u00fdb\u011br):<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Da_Da_Da<\/p>\n

https:\/\/de.wikipedia.org\/wiki\/Da_Da_Da_ich_lieb_dich_nicht_du_liebst_mich_nicht_aha_aha_aha<\/p>\n

https:\/\/www.vintagesynth.com\/casio\/vl-tone-vl-1<\/p>\n

https:\/\/strednicechy.rozhlas.cz\/texty-ladislava-vostarka-proslavily-skupiny-katapult-i-turbo-s-vekem-uz-mam-8532173<\/p>\n

https:\/\/www.czechmusic.net\/band.php?id=1552-Mydlo<\/p>\n

https:\/\/cs.wikipedia.org\/wiki\/Ladislav_Vost%C3%A1rek<\/p>\n

https:\/\/cs.wikipedia.org\/wiki\/Hudba_z_marsu<\/p>\n

Ladislav Vost\u00e1rek: Jen jednou dostat \u0161anci (vlastn\u00edm n\u00e1kladem 2020)<\/p>\n","protected":false},"excerpt":{"rendered":"V osmdes\u00e1t\u00fdch letech, kdy se hudebn\u00ed sv\u011bt plnil slo\u017eit\u00fdmi syntez\u00e1tory a\u00a0drah\u00fdmi studiov\u00fdmi efekty, se z\u00a0mal\u00e9ho z\u00e1padon\u011bmeck\u00e9ho m\u011bste\u010dka Gro\u00dfenkneten…\n","protected":false},"author":2,"featured_media":20310,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1074,79,1078,84,650,86,1073,649,80],"class_list":{"0":"post-20309","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-ceska-hudba","9":"tag-entertainment","10":"tag-hity","11":"tag-hudba","12":"tag-lide","13":"tag-popova-hudba-pop-music","14":"tag-pribeh","15":"tag-spolecnost","16":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116206609626811204","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/20309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=20309"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/20309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/20310"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=20309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=20309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=20309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}