{"id":203826,"date":"2026-09-05T14:54:11","date_gmt":"2026-09-05T14:54:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/203826\/"},"modified":"2026-09-05T14:54:11","modified_gmt":"2026-09-05T14:54:11","slug":"hurts-v-praze-pripomneli-svou-zaslou-slavu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/203826\/","title":{"rendered":"Hurts v Praze p\u0159ipomn\u011bli svou za\u0161lou sl\u00e1vu"},"content":{"rendered":"

Tak dlouho stoupali vzh\u016fru, a\u017e narazili na sv\u016fj limit. A n\u00e1sledoval strm\u00fd p\u00e1d. Kari\u00e9ra kdysi kultovn\u00edho dua Hurts dnes p\u0159ipom\u00edn\u00e1 lo\u010f, kter\u00e1 ne\u010dekan\u011b uv\u00e1zla na m\u011bl\u010din\u011b. To ale neznamen\u00e1, \u017ee se z nostalgick\u00e9ho v\u00fdletu do nejslavn\u011bj\u0161\u00edch \u010das\u016f formace nemohl st\u00e1t v\u00fdborn\u00fd koncert. A p\u0159esn\u011b to se v pra\u017esk\u00e9 Lucern\u011b odehr\u00e1lo.<\/p>\n

Live: Hurts<\/p>\n

m\u00edsto: Velk\u00fd s\u00e1l Lucerny, Praha
datum: 3. z\u00e1\u0159\u00ed 2026

\nsetlist: Redemption (\u00faryvek jako intro),Silver Lining, Some Kind Of Heaven, Ready To Go, Miracle, Rolling Stone \/ The Road (\u00faryvek), Devotion, Somebody To Die For, Illuminated, Voices, Sandman, Blood, Tears & Gold, Evelyn, Wonderful Life, Sunday, Better Than Love, Wings, Nothing Will Be Bigger Than Us, Under Control (Calvin Harris<\/a> cover), Stay<\/p>\n

\u00davodn\u00ed fotka poch\u00e1z\u00ed z koncertu ve Foru Karl\u00edn v roce 2017, na tom aktu\u00e1ln\u00edm jsme nem\u011bli fotografa.<\/p>\n

M\u011bli v\u0161echny p\u0159edpoklady k tomu, aby se z nich staly jedny z nejv\u011bt\u0161\u00edch hv\u011bzd posledn\u00edch dvaceti let. T\u0159eba na musicserveru nechyb\u011bly oslavn\u00e9 recenze u\u017e od kl\u00ed\u010dov\u00e9ho debutu z roku 2010, n\u00e1sledovala cesta p\u0159es mal\u00e9 kluby a st\u0159edn\u011b velk\u00e9 prostory a\u017e t\u00e9m\u011b\u0159 k t\u011bm nejv\u011bt\u0161\u00edm. Unik\u00e1tn\u00ed a rozpoznateln\u00fd synthpopov\u00fd zvuk, v\u00fdrazn\u00fd vok\u00e1l, chytlav\u00e9, ale p\u0159itom (v\u011bt\u0161inou) nepodb\u00edziv\u00e9 melodie, dob\u0159e d\u00e1vkovan\u00fd patos. To v\u0161e zabalen\u00e9 do decentn\u00ed image dua vystupuj\u00edc\u00edho v \u010dern\u00fdch oblec\u00edch a s b\u00edl\u00fdmi r\u016f\u017eemi bez trn\u016f v n\u00e1ru\u010d\u00ed, kter\u00e9 postupn\u011b h\u00e1zeli roztou\u017een\u00fdm fanynk\u00e1m do davu. Fungovalo to a snad v\u0161ichni jim p\u0159edv\u00eddali velkou budoucnost.<\/p>\n

Padaly \u00favahy o tom, zda se z nich stanou pokra\u010dovatel\u00e9 Pet Shop Boys<\/a>, nebo sp\u00ed\u0161e Depeche Mode<\/a>, p\u0159i\u010dem\u017e jednu dobu dokonce ani drtiv\u00e1 v\u011bt\u0161ina redakce musicserveru neposlouchala \u010dast\u011bji nic jin\u00e9ho ne\u017e pr\u00e1v\u011b Hurts<\/a>, kter\u00e9 jsme v \u010dele s na\u0161\u00edm \u0161\u00e9fredaktorem pro \u010desk\u00e9 publikum i tak trochu objevili.<\/p>\n

Je\u0161t\u011b v roce 2017 se \u0159e\u0161il koncert ve Foru Karl\u00edn, na ma\u010farsk\u00e9m festivalu Sziget u\u017e zast\u00e1vali roli tzv. sub-headliner\u016f a navenek se zd\u00e1lo, \u017ee po st\u00e1le siln\u011bj\u0161\u00edm p\u0159\u00edklonu k tane\u010dn\u00edmu popu a snaze sesb\u00edrat drobky z tehdej\u0161\u00ed mainstreamov\u00e9 obliby EDM chyb\u00ed u\u017e jen pomysln\u00fd fin\u00e1ln\u00ed krok. Ten zlom, kter\u00fd by je z O2 universa pl\u00e1novan\u00e9ho na rok 2021 p\u0159i n\u00e1sleduj\u00edc\u00edm turn\u00e9 posunul do hokejov\u00fdch hal typu O2 areny a na festivalov\u00fdch plak\u00e1tech na \u00fapln\u00fd vrchol. Chyb\u011bl kous\u00ed\u010dek. Nepoda\u0159ilo se. Publikum za\u010dalo zapom\u00ednat, a duo se tak zase st\u011bhuje do men\u0161\u00edch s\u00e1l\u016f.<\/p>\n

Kari\u00e9ra okouzluj\u00edc\u00ed dvojice se toti\u017e po letech usilovn\u00e9 pr\u00e1ce a neust\u00e1l\u00e9ho koncertov\u00e1n\u00ed zasekla. Kl\u00e1vesista Adam Anderson se p\u0159iznal k tomu, \u017ee u\u017e dv\u011b dek\u00e1dy bojuje s \u00fazkostmi a depresemi a doslova \u0159ekl, \u017ee neust\u00e1le sk\u00e1\u010de z jedn\u00e9 z\u00e1vislosti do druh\u00e9. Tak\u00e9 proto na nejnov\u011bj\u0161\u00edm turn\u00e9 sch\u00e1z\u00ed. Slavn\u011bj\u0161\u00ed z dvojice, zp\u011bv\u00e1k Theo Hutchcraft, zase p\u0159iznal extr\u00e9mn\u00ed vy\u010derp\u00e1n\u00ed a vyho\u0159en\u00ed, kter\u00e9mu se po tolika letech na cest\u00e1ch nelze p\u0159\u00edli\u0161 divit. Na leto\u0161n\u00edch p\u00e1r vystoupen\u00ed p\u0159esto s p\u011bti\u010dlennou doprovodnou sestavou vyrazil, pr\u00fd proto, aby cel\u00fd projekt udr\u017eel na\u017eivu.<\/p>\n

V\u011b\u0159it mu m\u016f\u017eeme i nemus\u00edme. P\u0159inejmen\u0161\u00edm velmi st\u0159\u00eddm\u00e1 produkce aktu\u00e1ln\u00edho koncertu – bez propracovan\u011bj\u0161\u00edho osv\u011btlen\u00ed, jak\u00fdchkoliv projekc\u00ed \u010di zkr\u00e1tka \u010dehokoliv, co by alespo\u0148 na chv\u00edli odvedlo pozornost od princip\u00e1la – ve spojen\u00ed se spolehliv\u00fdm l\u00e1kadlem v podob\u011b oslav patn\u00e1cti let od vyd\u00e1n\u00ed debutov\u00e9 desky „Happiness“ v\u0161ak minim\u00e1ln\u011b tro\u0161ku evokuje snahu snadno naplnit kapsy bez v\u011bt\u0161\u00edch investic.<\/p>\n

Pravda je ale takov\u00e1, \u017ee fanou\u0161ci dodnes nejd\u016fle\u017eit\u011bj\u0161\u00edho alba skupiny v t\u00e9m\u011b\u0159 vyprodan\u00e9 Lucern\u011b nedostali v setlistu nic moc nav\u00edc oproti tomu, na co byli zvykl\u00ed ze star\u0161\u00edch turn\u00e9. \u017d\u00e1dn\u00e9 p\u0159ehr\u00e1v\u00e1n\u00ed debutu od za\u010d\u00e1tku do konce ani v obr\u00e1cen\u00e9m po\u0159ad\u00ed, jak b\u00fdv\u00e1 na v\u00fdro\u010dn\u00edch \u0161\u0148\u016fr\u00e1ch zvykem, se nekonalo, tak\u017ee v\u0161ichni, kte\u0159\u00ed doufali v n\u011bjakou tu raritku z konce stop\u00e1\u017ee prvn\u00ed desky, z\u016fstali neukojeni.
\n
\nI nesinglov\u00e9 v\u011bci, jako t\u0159eba „Silver Lining“, kterou se pod b\u00edl\u00fdmi ku\u017eely sv\u011btel po intru za\u010d\u00ednalo, toti\u017e z p\u0159edchoz\u00edch koncertn\u00edch s\u00e9ri\u00ed d\u00e1vno zn\u00e1me. P\u0159esto z\u016fstal debut zastoupen nej\u010dast\u011bji, do\u0161lo na rovn\u00fdch dev\u011bt polo\u017eek. Za nejvz\u00e1cn\u011bj\u0161\u00ed z nich m\u016f\u017eeme pova\u017eovat singl „Blood, Tears & Gold“, p\u0159i n\u011bm\u017e jedin\u00e1 hozen\u00e1 b\u00edl\u00e1 r\u016f\u017ee skon\u010dila v m\u00fdch rukou. B\u011b\u017en\u011b jej toti\u017e skupina do leto\u0161n\u00edho programu neza\u0159azuje. A mo\u017en\u00e1 i proto p\u0159i n\u011bm Theo drobn\u011b popletl text druh\u00e9 sloky.<\/p>\n

\u017de \u010das nelze zastavit, dokazovali jak fanou\u0161ci a hlavn\u011b fanynky v publiku, kter\u00fdm u\u017e t\u00e1hlo sp\u00ed\u0161e na \u010dty\u0159icet a p\u0159i „Somebody To Die For“ mnoz\u00ed nemysleli ani tak na svou \u017eivotn\u00ed l\u00e1sku jako sp\u00ed\u0161e na dceru \u010di syna, tak samotn\u00fd Theo Hutchcraft. Ty tam byly jeho ikonick\u00e9 powerp\u00f3zy a dynamick\u00fd pohyb. P\u0159edev\u0161\u00edm zpo\u010d\u00e1tku p\u016fsobil dojmem, \u017ee nen\u00ed \u00fapln\u011b ve sv\u00e9 k\u016f\u017ei, po p\u00f3diu se proch\u00e1zel le\u017e\u00e9rn\u011b a odevzdan\u011b a vypadal, jako by p\u0159ed za\u010d\u00e1tkem snad i n\u011bco po\u017eil. Jako by mu n\u011bkdej\u0161\u00ed svalstvo ochablo, s\u00edly do\u0161ly a on se sna\u017eil cel\u00fd ve\u010der prost\u011b jen p\u0159e\u017e\u00edt.<\/p>\n

Na\u0161t\u011bst\u00ed se postupn\u011b dost\u00e1val do tempa. Kdy\u017e vid\u011bl, jak euforicky dav reaguje na jeho n\u00e1vrat do Prahy, tradi\u010dn\u011b m\u00e1ch\u00e1 rukama p\u0159i „Sunday“ a ka\u017edou rychlej\u0161\u00ed p\u00edse\u0148 doprov\u00e1z\u00ed viditelnou aktivitou, za\u010dal s\u00e1m p\u0159ipom\u00ednat star\u00e9 dobr\u00e9 koncerty ve vedlej\u0161\u00edm Lucerna Music Baru. T\u011blo se zase nap\u0159\u00edmilo, \u00fasm\u011bv roz\u0161i\u0159oval a netrvalo dlouho, ne\u017e se vr\u00e1tily powerp\u00f3zy, ikonick\u00e9 pohazov\u00e1n\u00ed stojanem na mikrofon i kous\u00e1n\u00ed do jeho kabelu.<\/p>\n

Tak\u00e9 hozen\u00fdch r\u016f\u017e\u00ed postupn\u011b p\u0159ib\u00fdvalo, hrub\u00fdm odhadem jich v publiku skon\u010dilo okolo dvaceti. Nejv\u00edce jich rozh\u00e1zel p\u0159i ikonick\u00e9 „Wonderful Life“ – p\u00edsni, kter\u00e9 vd\u011b\u010d\u00ed za sv\u016fj sou\u010dasn\u00fd \u017eivotn\u00ed standard. \u0160irok\u00fd \u00fasm\u011bv a v\u00edt\u011bzoslavn\u011b zvednut\u00e9 za\u0165at\u00e9 p\u011bsti zp\u011bv\u00e1ka daly v jej\u00edm z\u00e1v\u011bru div\u00e1k\u016fm jasn\u011b najevo, \u017ee je s proveden\u00edm i reakcemi publika spokojen.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Vrchol\u016f v\u0161ak ve\u010der nab\u00edzel spoustu – osudovou „Illuminated“ s rozsv\u00edcen\u00fdmi mobily, rud\u011b zbarvenou „Voices“ coby jedin\u00e9ho z\u00e1stupce zat\u00edm posledn\u00ed a nep\u0159\u00edli\u0161 dob\u0159e p\u0159ijat\u00e9 \u0159adovky a samoz\u0159ejm\u011b na \u00fapln\u00fd z\u00e1v\u011br za\u0159azenou mimo\u0159\u00e1dnou baladu „Stay“, jeden z nejlep\u0161\u00edch plou\u017e\u00e1k\u016f v\u0161ech dob. Fungoval dokonce i EDM blok s ve sv\u00e9 dob\u011b kontroverzn\u011b p\u0159ijat\u00fdmi hity, kter\u00fd j\u00ed p\u0159edch\u00e1zel. Snad proto, \u017ee koncertn\u00ed pauza byla tak dlouh\u00e1.<\/p>\n

Nespokojen\u00e9 patrn\u011b z\u016fstaly jen fanynky na protilehl\u00e9m balk\u00f3nu, kter\u00e9 marn\u011b dr\u017eely transparent s p\u0159\u00e1n\u00edm, aby zazn\u011bla p\u00edse\u0148 „Blind“, p\u0159\u00edpadn\u011b ti, kte\u0159\u00ed doufali alespo\u0148 v jednu novinku. Jinak se ale d\u00e1 bezpe\u010dn\u011b prohl\u00e1sit, \u017ee i bez Adama zn\u011bli Hurts d\u00edky dv\u011bma v\u00fdte\u010dn\u00fdm vokalistk\u00e1m a p\u0159esn\u00e9 doprovodn\u00e9 sestav\u011b jako ti sta\u0159\u00ed dob\u0159\u00ed Hurts<\/a>, kter\u00e9 zn\u00e1me a m\u00e1me r\u00e1di. A to je v\u00fdborn\u00e1 zpr\u00e1va. \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Tak dlouho stoupali vzh\u016fru, a\u017e narazili na sv\u016fj limit. A n\u00e1sledoval strm\u00fd p\u00e1d. Kari\u00e9ra kdysi kultovn\u00edho dua Hurts…\n","protected":false},"author":2,"featured_media":203827,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[30],"tags":[8086,8087,8085,98,99,195],"class_list":["post-203826","post","type-post","status-publish","format-standard","has-post-thumbnail","category-praha","tag-cs","tag-dvd","tag-musicserver","tag-prague","tag-praha","tag-recenze"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/117219011514358643","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/203826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=203826"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/203826\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/203827"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=203826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=203826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=203826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}