{"id":21396,"date":"2026-03-11T19:22:20","date_gmt":"2026-03-11T19:22:20","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/21396\/"},"modified":"2026-03-11T19:22:20","modified_gmt":"2026-03-11T19:22:20","slug":"recenze-jak-si-muzi-privlastnuji-zeny-v-dlouhe-hraji-pribeh-o-vegetariance","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/21396\/","title":{"rendered":"Recenze: Jak si mu\u017ei p\u0159ivlast\u0148uj\u00ed \u017eeny. V\u00a0Dlouh\u00e9 hraj\u00ed p\u0159\u00edb\u011bh o\u00a0vegetari\u00e1nce"},"content":{"rendered":"

Kdy\u017e spisovatelka Han Kang vydala roku 2007\u00a0rom\u00e1n Vegetari\u00e1nka, z\u016fstal v\u00a0jej\u00ed rodn\u00e9 Ji\u017en\u00ed Koreji bez v\u011bt\u0161\u00ed odezvy. Teprve osm let nato d\u00edky anglick\u00e9mu p\u0159ekladu vzbudil pozornost a\u00a0vynesl autorce presti\u017en\u00ed Mezin\u00e1rodn\u00ed Bookerovu cenu. <\/p>\n

B\u011bhem n\u00e1sleduj\u00edc\u00ed dek\u00e1dy se Han Kang stala sv\u011btov\u011b uzn\u00e1vanou liter\u00e1tkou, jej\u00ed\u017e novinky jsou automaticky p\u0159ekl\u00e1d\u00e1ny do des\u00edtek jazyk\u016f. P\u0159edloni jej\u00ed renom\u00e9 stvrdilo ud\u011blen\u00ed Nobelovy ceny za literaturu.<\/p>\n

Mo\u017en\u00e1 i\u00a0d\u00edky tomu se t\u00e9m\u011b\u0159 20\u00a0let star\u00e1 pr\u00f3za, kterou do \u010de\u0161tiny p\u0159elo\u017eila Petra Ben-Ari, nyn\u00ed do\u010dkala adaptace. Do jevi\u0161tn\u00ed podoby ji p\u0159evedlo pra\u017esk\u00e9 Divadlo v\u00a0Dlouh\u00e9, je\u017e vstoupilo do aktu\u00e1ln\u00ed sezony s\u00a0nov\u00fdm um\u011bleck\u00fdm veden\u00edm. P\u0159\u00edb\u011bh \u017eeny, kter\u00e1 se jako gesto tich\u00e9ho vzdoru rozhodne p\u0159estat j\u00edst maso, je v\u00a0re\u017eii Kamily Pol\u00edvkov\u00e9 a\u00a0dramatizaci Mat\u011bje Samce ostr\u00fdm ponorem do spole\u010dnosti \u0159\u00edzen\u00e9 mu\u017ei i\u00a0t\u00ed\u017eivou cestou za hranice lidskosti.<\/p>\n

Mezi n\u00e1mi d\u011bv\u010daty<\/p>\n

Hlavn\u00ed postavou je Jonghje\u00a0\u2013 \u017eena, kter\u00e1 v\u0161ak na zhruba dvou stech stran\u00e1ch promluvila jen n\u011bkolikr\u00e1t a\u00a0o n\u00ed\u017e se \u010dten\u00e1\u0159 dozv\u011bd\u011bl p\u0159ekvapiv\u011b m\u00e1lo. Jedno z\u00a0m\u00e1la vod\u00edtek k\u00a0jej\u00edmu vnit\u0159n\u00edmu sv\u011btu poskytl enigmatick\u00fd sen odehr\u00e1vaj\u00edc\u00ed se v\u00a0lese ov\u011b\u0161en\u00e9m syrov\u00fdm masem. Jej\u00ed du\u0161evn\u00ed i\u00a0t\u011blesnou prom\u011bnu rom\u00e1n postupn\u011b nahl\u00ed\u017eel optikou t\u0159\u00ed bl\u00edzk\u00fdch osob: kari\u00e9rn\u011b orientovan\u00e9ho man\u017eela, um\u011blecky zalo\u017een\u00e9ho \u0161vagra a\u00a0jej\u00ed sestry.<\/p>\n

V Dlouh\u00e9 toto rozd\u011blen\u00ed zachovali, samotnou Jonghje na p\u00f3diu nevid\u00edme. Pro \u00fa\u010dely zintenzivn\u011bn\u00ed komorn\u00edho, intimn\u00edho z\u00e1\u017eitku tv\u016frci p\u0159esunuli hledi\u0161t\u011b na roz\u0161\u00ed\u0159enou forb\u00ednu, kter\u00e1 pojme jen n\u011bkolik des\u00edtek div\u00e1k\u016f. Publikum se tak ocit\u00e1 v\u00a0bezprost\u0159edn\u00ed bl\u00edzkosti herc\u016f vystupuj\u00edc\u00edch na mal\u00e9m vyv\u00fd\u0161en\u00e9m jevi\u0161ti r\u016f\u017eov\u00e9 barvy. <\/p>\n

Foto: Zuzana Lazarov\u00e1<\/p>\n

Jako prvn\u00ed ze tmy vstupuje Maty\u00e1\u0161 \u0158ezn\u00ed\u010dek v\u00a0roli man\u017eela. Pohubl\u00fd herec oble\u010den\u00fd pouze v\u00a0n\u00e1t\u011bln\u00edku a\u00a0spodn\u00edm pr\u00e1dle dr\u017e\u00ed v\u00a0ruce oran\u017eov\u00fd igelitov\u00fd pytel s\u00a0nejasn\u00fdm obsahem. Jeho ztrhan\u00fd v\u00fdraz p\u0159edj\u00edm\u00e1 tragi\u010dnost p\u0159\u00edb\u011bhu. Vzpom\u00edn\u00e1, jak man\u017eelku potkal, kterak se ona po n\u011bkolika letech sou\u017eit\u00ed rozhodla st\u00e1t vegetari\u00e1nkou, a\u00a0vypr\u00e1v\u00ed, jak ji ostatn\u00ed \u010dlenov\u00e9 rodiny zkou\u0161eli p\u0159im\u011bt zm\u011bnit n\u00e1zor.<\/p>\n

Po \u0158ezn\u00ed\u010dkov\u011b v\u00fdstupu se slova uj\u00edm\u00e1 Ji\u0159\u00ed Spi\u0161\u00e1k coby \u0161vagr. Tak\u00e9 on ztv\u00e1r\u0148uje postavu na hran\u011b \u0161\u00edlenstv\u00ed, ov\u0161em v\u00a0kombinaci s\u00a0drav\u00fdm sexu\u00e1ln\u00edm pudem, kter\u00fd zejm\u00e9na v\u00a0\u00favodu sv\u00e9ho partu d\u00e1v\u00e1 v\u00fdrazn\u011b najevo. M\u00e1 strhuj\u00edc\u00ed projev, s\u00a0dostatkem prostoru pro odleh\u010duj\u00edc\u00ed ironii, a\u00a0ve srovn\u00e1n\u00ed s\u00a0kolegou p\u016fsob\u00ed civiln\u011bji, bez pot\u0159eby kl\u00e1st d\u016fraz na ka\u017ed\u00e9 druh\u00e9 slovo.<\/p>\n

Ob\u011b postavy p\u0159edstavuj\u00ed odli\u0161n\u00e9 podoby mu\u017esk\u00e9 pot\u0159eby nadvl\u00e1dy; k\u00a0nep\u0159\u00edtomn\u00e9 Jonghje se vztahuj\u00ed ko\u0159istnick\u00fdm zp\u016fsobem a\u00a0redukuj\u00ed ji na objekt vlastn\u00edch c\u00edl\u016f a\u00a0tu\u017eeb. Prvn\u00ed z\u00a0n\u00ed chce m\u00edt poslu\u0161nou man\u017eelku, druh\u00fd n\u00e1stroj sexu\u00e1ln\u00edho uspokojen\u00ed. U\u00a0jednoho je jej\u00ed t\u011blesnost z\u00fa\u017eena na poprs\u00ed, u\u00a0druh\u00e9ho na mongolskou skvrnu\u00a0\u2013 mate\u0159sk\u00e9 znam\u00e9nko, kter\u00e9 se v\u00a0pr\u016fb\u011bhu dosp\u00edv\u00e1n\u00ed obvykle vytr\u00e1c\u00ed, av\u0161ak u\u00a0n\u00ed p\u0159etrvalo.<\/p>\n

Do kontrastu k\u00a0t\u00e9to mentalit\u011b vstupuje v\u00a0z\u00e1v\u011bru sestra ztv\u00e1rn\u011bn\u00e1 Veronikou Lazor\u010d\u00e1kovou. P\u0159esto\u017ee se dok\u00e1\u017ee r\u00e1zn\u011b vymezit v\u016f\u010di man\u017eelovi, jej\u00ed p\u0159\u00edtomnost na jevi\u0161ti p\u016fsob\u00ed sp\u00ed\u0161e jako tich\u00e9 sv\u011bdectv\u00ed ne\u017e jednozna\u010dn\u00e1 protiv\u00e1ha mu\u017esk\u00e9 dominance. I\u00a0kv\u016fli mate\u0159stv\u00ed a\u00a0pot\u0159eb\u011b chr\u00e1nit \u017eivot nedok\u00e1\u017ee p\u0159ijmout Jonghjino rozhodnut\u00ed opustit lidsk\u00fd sv\u011bt. Sledujeme ji, jak na jevi\u0161ti poleh\u00e1v\u00e1 v\u00a0zoufalstv\u00ed, postupn\u011b obest\u00edran\u00e1 tmou, a\u017e sestru zcela pohlt\u00ed.<\/p>\n

Precizn\u00ed abstrakce<\/p>\n

Rom\u00e1n vynikl siln\u00fdmi, \u010dasto nejednozna\u010dn\u00fdmi obrazy, nap\u0159\u00edklad sc\u00e9nou pomalov\u00e1n\u00ed Jonghjina t\u011bla okv\u011btn\u00edmi l\u00edstky ve \u0161vagrov\u011b ateli\u00e9ru. Pr\u00e1ce s\u00a0obraznost\u00ed pat\u0159\u00ed tak\u00e9 k\u00a0hlavn\u00edm rys\u016fm re\u017eie Kamily Pol\u00edvkov\u00e9, kter\u00e1 v\u00a0inscenaci pro tento \u00fa\u010del vyu\u017e\u00edv\u00e1 video. Na jevi\u0161ti p\u0159\u00edtomn\u00fd kameraman Kry\u0161tof Melka s\u00a0makroobjektivem sn\u00edm\u00e1 fragmenty rozpadaj\u00edc\u00edho se j\u00eddla, je\u017e postupn\u011b zaplavuje sc\u00e9nu.<\/p>\n

Z\u00e1b\u011bry p\u0159en\u00e1\u0161en\u00e9 na pl\u00e1tno vis\u00edc\u00ed nad jevi\u0161t\u011bm evokuj\u00ed abstraktn\u00ed, snov\u00e9 krajiny, kter\u00e9 lze \u010d\u00edst jako opakovan\u011b nazna\u010dovan\u00e9 spl\u00fdv\u00e1n\u00ed hlavn\u00ed hrdinky s\u00a0p\u0159\u00edrodou. T\u00edsnivou atmosf\u00e9ru vizu\u00e1ln\u00edch pas\u00e1\u017e\u00ed d\u00e1le podporuje hudba Jonat\u00e1na Pastir\u010d\u00e1ka zn\u00e1m\u00e9ho jako Pjoni a\u00a0Aid Kida, tvo\u0159en\u00e1 \u0161k\u00e1lou neur\u010dit\u00fdch \u0161um\u016f \u010di organick\u00fdch ruch\u016f.<\/p>\n

<\/a><\/p>\n

Pol\u00edvkov\u00e1 v\u0161ak nestav\u00ed pouze na pr\u00e1ci s\u00a0videem a\u00a0zvukem. Jednotliv\u00e9 v\u00fdstupy nech\u00e1v\u00e1 gradovat do p\u016fsobiv\u00fdch, m\u00edsty a\u017e hororov\u011b lad\u011bn\u00fdch obraz\u016f. Siln\u00fdm momentem je zapojen\u00ed performera od\u011bn\u00e9ho do \u010dern\u00e9ho overalu, kter\u00fd se t\u00e9m\u011b\u0159 nepozorovan\u011b pohybuje po jevi\u0161ti a\u00a0kv\u016fli \u010dern\u00e9mu pozad\u00ed i\u00a0pr\u00e1ci se sv\u011btlem z\u016fst\u00e1v\u00e1 na hranici viditelnosti. V\u00a0inscenaci, je\u017e do zna\u010dn\u00e9 m\u00edry pracuje s\u00a0nedo\u0159e\u010denost\u00ed, funguje jako mnohozna\u010dn\u00fd symbol\u00a0\u2013 m\u016f\u017ee zastupovat nep\u0159\u00edtomnou Jonghje, nar\u016fstaj\u00edc\u00ed pocit \u00fazkosti a\u00a0du\u0161evn\u00edho rozkladu ostatn\u00edch postav, ale tak\u00e9 mytickou, obt\u00ed\u017en\u011b uchopitelnou figuru.<\/p>\n

Nap\u011bt\u00ed se neodv\u00edj\u00ed jen od vizu\u00e1ln\u011b promy\u0161len\u00e9 a\u00a0technicky precizn\u00ed re\u017eie, ale tak\u00e9 od uchopen\u00ed knihy. Mat\u011bj Samec s\u00a0dramaturgyn\u00ed Terezou Mare\u010dkovou nap\u0159\u00edklad vypustili vrcholnou n\u00e1silnou sc\u00e9nu prvn\u00ed \u010d\u00e1sti, co\u017e vytv\u00e1\u0159\u00ed znepokojivou nejistotu ohledn\u011b toho, co se s\u00a0Jonghje vlastn\u011b stalo.<\/p>\n

V\u0161emocn\u00fd patriarch\u00e1t<\/p>\n

Pokud lze inscenaci vytknout v\u00fdrazn\u011bj\u0161\u00ed slabinu, spo\u010d\u00edv\u00e1 p\u0159edev\u0161\u00edm v\u00a0neujasn\u011bnosti, nakolik zachovat kulturn\u00ed specifi\u010dnost p\u0159edlohy a\u00a0do jak\u00e9 m\u00edry ji zobecnit. Nejv\u00fdrazn\u011bji se to projevuje v\u00a0\u00fast\u0159edn\u00edm t\u00e9matu postaven\u00ed \u017een, kter\u00e9 v\u00a0korejsk\u00e9m kontextu vyr\u016fst\u00e1 z\u00a0tradi\u010dn\u00edho pojet\u00ed genderov\u00fdch rol\u00ed. V\u00a0divadeln\u00ed adaptaci to m\u00edsty vyzn\u00edv\u00e1 a\u017e p\u0159\u00edli\u0161 schematicky, jako d\u011blen\u00ed sv\u011bta na dva protikladn\u00e9 principy\u00a0\u2013 \u017eenskou soun\u00e1le\u017eitost, by\u0165 zrozenou z\u00a0traumatu nebo pomsty, a\u00a0mu\u017eskou dravost.<\/p>\n

Navzdory t\u00e9to v\u00fdhrad\u011b p\u0159edstavuje t\u0159et\u00ed premi\u00e9ra sezony velmi solidn\u00ed p\u0159\u00edsp\u011bvek do reperto\u00e1ru Dlouh\u00e9. Soubor s\u00a0nov\u00fdm veden\u00edm z\u0159eteln\u011b sm\u011b\u0159uje k\u00a0aktu\u00e1ln\u011bj\u0161\u00edm postup\u016fm a\u00a0estetice. Vegetari\u00e1nka kombinuje spole\u010denskou v\u00fdpov\u011b\u010f s\u00a0p\u016fsobiv\u011b budovanou tajuplnou atmosf\u00e9rou, kter\u00e1 ponech\u00e1v\u00e1 prostor pro individu\u00e1ln\u00ed interpretaci abstraktn\u011bj\u0161\u00edch t\u00e9mat, jako jsou vzdor, identita \u010di hranice lidskosti.<\/p>\n

Inscenace: Han Kang\u00a0\u2013 Vegetari\u00e1nka<\/p>\n

Re\u017eie: Kamila Pol\u00edvkov\u00e1<\/p>\n

Hraj\u00ed: Veronika Lazor\u010d\u00e1kov\u00e1, Maty\u00e1\u0161 \u0158ezn\u00ed\u010dek, Ji\u0159\u00ed Spi\u0161\u00e1k, Kry\u0161tof Melka v\u00a0alternaci s\u00a0Mat\u011bjem Pi\u0148osem a\u00a0Dominikem \u017di\u017ekou a\u00a0Radim Kl\u00e1sek v\u00a0alternaci s\u00a0Michalem Vodenkou.<\/p>\n

Divadlo v\u00a0Dlouh\u00e9, Praha, premi\u00e9ra 28.\u00a0\u00fanora, nejbli\u017e\u0161\u00ed repr\u00edzy 13.\u00a0a\u00a018.\u00a0b\u0159ezna.<\/p>\n","protected":false},"excerpt":{"rendered":"Kdy\u017e spisovatelka Han Kang vydala roku 2007\u00a0rom\u00e1n Vegetari\u00e1nka, z\u016fstal v\u00a0jej\u00ed rodn\u00e9 Ji\u017en\u00ed Koreji bez v\u011bt\u0161\u00ed odezvy. Teprve osm…\n","protected":false},"author":2,"featured_media":21397,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[30],"tags":[2097,1172,2095,8282,8285,8284,98,99],"class_list":["post-21396","post","type-post","status-publish","format-standard","has-post-thumbnail","category-praha","tag-adaptace","tag-divadelni-predstaveni","tag-divadelni-recenze","tag-divadlo-v-dlouhe","tag-han-kang","tag-kamila-polivkova","tag-prague","tag-praha"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116212173670055467","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/21396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=21396"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/21396\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/21397"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=21396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=21396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=21396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}