{"id":21752,"date":"2026-03-12T08:04:10","date_gmt":"2026-03-12T08:04:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/21752\/"},"modified":"2026-03-12T08:04:10","modified_gmt":"2026-03-12T08:04:10","slug":"co-divak-nevidi-navstivili-jsme-zkousku-vecne-vyprodaneho-dejvickeho-divadla-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/21752\/","title":{"rendered":"Co div\u00e1k nevid\u00ed. Nav\u0161t\u00edvili jsme zkou\u0161ku v\u011b\u010dn\u011b vyprodan\u00e9ho Dejvick\u00e9ho divadla \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

K zemi let\u00ed b\u00edl\u00fd v\u00e1lec z polystyrenu, kter\u00fd za p\u00e1r dn\u00ed nahrad\u00ed dort. Anna Pr\u00e1\u0161ilov\u00e1 Fialov\u00e1<\/a> ho pr\u00e1v\u011b shodila rukama, kter\u00e9 m\u00e1 sv\u00e1zan\u00e9 \u201ejen jako\u201c. Za z\u00e1dy j\u00ed stoj\u00ed Pavel \u0160im\u010d\u00edk<\/a>, kter\u00e9ho se \u201ejen jako\u201c boj\u00ed, p\u0159esto\u017ee se j\u00ed p\u0159ed chv\u00edl\u00ed starostliv\u011b zeptal, jestli p\u0159es ten hadr na o\u010d\u00edch vid\u00ed. \u201eIt’s a hard cake,\u201c zavtipkuje Anna anglicky sm\u011brem k\u00a0re\u017eis\u00e9rovi, Irovi Waynu Jordanovi, kter\u00fd hru rovn\u011b\u017e napsal. \u00a0\u00a0<\/p>\n

Moment\u00e1ln\u011b se tzv. stav\u00ed druh\u00e9 d\u011bjstv\u00ed. To znamen\u00e1, \u017ee na zkou\u0161k\u00e1ch nejsou p\u0159\u00edtomni v\u0161ichni herci. Nesed\u00ed u\u017e u stolu jako p\u0159i \u010dten\u00fdch zkou\u0161k\u00e1ch, ale zat\u00edm zkou\u0161\u00ed bez hotov\u00e9 sc\u00e9ny, rekvizit a kost\u00fdm\u016f. Situace na jevi\u0161ti tak trochu p\u0159ipom\u00edn\u00e1 nat\u00e1\u010den\u00ed filmov\u00e9 sc\u00e9ny p\u0159ed zelen\u00fdm pl\u00e1tnem. Podobn\u011b jako u filmu mus\u00ed herci zapojit hodn\u011b fantazie, ale z\u00e1rove\u0148 u\u017e tak\u00e9 mus\u00ed zn\u00e1t text a t\u00e9m\u011b\u0159 p\u0159esn\u011b nakrokovat, kudy se po jevi\u0161ti pohybovat.<\/p>\n

Herci zkoumaj\u00ed vnit\u0159n\u00ed motivace postav. Ka\u017ed\u00e9 gesto mus\u00ed m\u00edt svoje m\u00edsto a v\u00fdznam. Jedin\u00fdm spr\u00e1vn\u011b pojat\u00fdm dotekem na rameno Pavel \u0160im\u010d\u00edk vyj\u00e1d\u0159\u00ed nejen vztah sv\u00e9 postavy k hereck\u00e9 kolegyni, ale i atmosf\u00e9ru hran\u00e9 situace. Re\u017eis\u00e9r a z\u00e1rove\u0148 autor hry Wayne Jordan s \u010dervenou \u010dapkou na hlav\u011b si svoje pozn\u00e1mky k herc\u016fm nech\u00e1v\u00e1 pro sebe a\u017e do chv\u00edle, ne\u017e odehraj\u00ed celou sc\u00e9nu, vstupuje mezi n\u011b minim\u00e1ln\u011b. Nem\u00e1 probl\u00e9m jim p\u0159edehr\u00e1t, jak by m\u011bli v ur\u010dit\u00e9 situaci pracovat s t\u011blem, s\u00e1m je nejen re\u017eis\u00e9rem, ale i performerem. Jak vyj\u00e1d\u0159it \u0159e\u010d\u00ed t\u011bla rezignaci, smutek, strach a zoufalstv\u00ed dohromady? Sv\u011bsit ramena a pomalu se zhroutit do sebe; p\u0159edv\u00e1d\u00ed Ann\u011b P. Fialov\u00e9 p\u0159\u00edmo na jevi\u0161ti. <\/p>\n

\u201eJsi vtipn\u00fd, p\u0159esta\u0148 mi to ukazovat\u201c <\/p>\n

P\u0159esto\u017ee zkou\u0161en\u00e1 sc\u00e9na je pln\u00e1 nap\u011bt\u00ed, hra Slu\u017eebnictvo, kterou Jordan napsal na t\u011blo p\u0159\u00edmo herc\u016fm Dejvick\u00e9ho divadla, je komedi\u00ed plnou fyzick\u00fdch rva\u010dek a honi\u010dek. Proto na zkou\u0161ky bude p\u0159ivol\u00e1n i odborn\u00edk na pohybovou spolupr\u00e1ci. Poty\u010dky se zat\u00edm odehr\u00e1vaj\u00ed v n\u00e1znac\u00edch. \u201eSlu\u017eebnictvo je p\u016fvodn\u00ed hra, kter\u00e1 se odehr\u00e1v\u00e1 ve zvl\u00e1\u0161tn\u00edm bez\u010das\u00ed, v dob\u011b dystopick\u00e9 sou\u010dasnosti, daleko odev\u0161ad v jednom dom\u011b, kde je\u0161t\u011b plat\u00ed rezidua klasick\u00e9 struktury, jako je p\u00e1n, sluha a tak podobn\u011b. Ale ta se za\u010dne hroutit. Lid\u00e9 jsou v t\u00e9 h\u0159e na sob\u011b vz\u00e1jemn\u011b z\u00e1visl\u00ed a sna\u017e\u00ed se v tomhle syst\u00e9mu p\u0159e\u017e\u00edt,\u201c vysv\u011btluje dramaturgyn\u011b Dejvick\u00e9ho divadla <\/a>Marta Ljubkov\u00e1. <\/p>\n

Ta spole\u010dn\u011b s um\u011bleck\u00fdm \u0161\u00e9fem Ji\u0159\u00edm Havelkou<\/a> Jordana Wayna pro spolupr\u00e1ci s divadlem oslovila. Spolupr\u00e1ce s anglicky mluv\u00edc\u00edm autorem a re\u017eis\u00e9rem je pro Dejvick\u00e9 divadlo v\u00fdjime\u010dn\u00e1, potvrzuje Pavel \u0160im\u010d\u00edk z hledi\u0161t\u011b je\u0161t\u011b p\u0159ed zkou\u0161kou. Naposledy v angli\u010dtin\u011b zkou\u0161eli v devades\u00e1tk\u00e1ch M\u016fj \u017eivot se psy s Alexem Byrnem. Pro v\u011bt\u0161inu zkou\u0161ej\u00edc\u00edch herc\u016f angli\u010dtina nen\u00ed v komunikaci s\u00a0re\u017eis\u00e9rem p\u0159ek\u00e1\u017ekou. \u201eWell done, team,\u201c uzav\u00edr\u00e1 re\u017eis\u00e9r prvn\u00ed \u010d\u00e1st zkou\u0161ky a na jevi\u0161ti se vyst\u0159\u00edd\u00e1 osazenstvo.\u00a0<\/p>\n

Anna P. Fialov\u00e1 pop\u0159eje koleg\u016fm hezk\u00fd v\u00edkend a m\u00edsto n\u00ed u\u017e na prknech Pavlovi \u0160im\u010d\u00edkovi budou d\u011blat partnery Antonie Martinec Formanov\u00e1<\/a> a Dominik Teleky<\/a>. Ten je v\u00a0souboru Dejvick\u00e9ho divadla nov\u00e1\u010dkem. Zrovna on tvrd\u011b poc\u00edt\u00ed, \u017ee mu p\u00e1ska na p\u00f3diu, kter\u00e1 herc\u016fm ohrani\u010duje pohyb, prokazuje medv\u011bd\u00ed slu\u017ebu. B\u011bhem sv\u00e9ho v\u00fdstupu m\u00e1 nar\u00e1\u017eet do (v tuto chv\u00edli je\u0161t\u011b) neexistuj\u00edc\u00edch st\u011bn, co\u017e je pom\u011brn\u011b n\u00e1ro\u010dn\u00e1 discipl\u00edna. B\u011bhem zkou\u0161ky neskryje sv\u016fj p\u0159irozen\u00fd komedi\u00e1ln\u00ed talent, a\u017e ho re\u017eis\u00e9r mus\u00ed brzdit: \u201eJsi dobr\u00fd a vtipn\u00fd, p\u0159esta\u0148 mi to ukazovat,\u201c m\u00edrn\u00ed Dominika s \u00fasm\u011bvem. <\/p>\n

\"Re\u017eis\u00e9r<\/p>\n

Re\u017eis\u00e9r Wayne Jordan b\u011bhem zkou\u0161ky inscenace Slu\u017eebnictvo. Hru, kter\u00e1 nab\u00edz\u00ed sou\u010dasn\u00fd pohled na jemn\u00e9 mechanismy loajality a manipulace, ambice a z\u00e1vislosti, napsal herc\u016fm Dejvick\u00e9ho divadla p\u0159\u00edmo na t\u011blo. Foto: Tom\u00e1\u0161 Krej\u010da<\/p>\n

Antonie M. Formanov\u00e1 zase stoj\u00ed p\u0159ed nelehk\u00fdm \u00fakolem, kdy v t\u00e9m\u011b\u0159 n\u011bm\u00e9 roli mus\u00ed p\u0159esv\u011bd\u010div\u011b zahr\u00e1t, \u017ee je kluk. \u201eA kde je m\u00e9n\u011b slov, o to v\u00edc je t\u0159eba pracovat s t\u011blem,\u201c vyjad\u0159uje se re\u017eis\u00e9r, zat\u00edmco ho Antonie p\u0159\u00e1telsky obejme. Zkou\u0161kou prosakuje profesion\u00e1ln\u00ed a z\u00e1rove\u0148 srde\u010dn\u00e1 atmosf\u00e9ra. A novin\u00e1\u0159sk\u00e9 o\u010di nav\u00edc? Ty herci v\u016fbec ne\u0159e\u0161\u00ed, jsou na pozornost zvykl\u00ed. Premi\u00e9ra Slu\u017eebnictva se bl\u00ed\u017e\u00ed, prob\u011bhne v Galaxii u\u017e 31. b\u0159ezna. <\/p>\n

M\u00edsto prom\u00edtac\u00edho pl\u00e1tna kuchy\u0148ka a toaleta <\/p>\n

I p\u0159es zav\u0159en\u00e9 dve\u0159e s\u00e1lu na zkou\u0161ku n\u00e1hle pronikne d\u011btsk\u00fd sm\u00edch. To ve vedlej\u0161\u00edm s\u00e1le skon\u010dilo dopoledn\u00ed p\u0159edstaven\u00ed pro d\u011bti divadla Minor<\/a>. V prostoru b\u00fdval\u00e9ho kina Galaxie nen\u00ed Dejvick\u00e9 divadlo samo. \u201eJe tu celkem dev\u011bt s\u00e1l\u016f a v nich p\u011bt um\u011bleck\u00fdch uskupen\u00ed: Naproti n\u00e1m je divadlo Minor, tane\u010dn\u00ed platforma Dance connected, festival 4+4 dny v pohybu a DAMU tu m\u00e1 u\u010debnu nov\u00e9ho oboru: Sv\u011bteln\u00fd a audiovizu\u00e1ln\u00ed design,\u201c vysv\u011btluje \u0159editel Dejvick\u00e9ho divadla Luk\u00e1\u0161 Pr\u016fdek<\/a>.\u00a0<\/p>\n

Dejvick\u00e9 divadlo v Galaxii okupuje nejv\u011bt\u0161\u00ed s\u00e1l, jeho kapacita je oproti p\u016fvodn\u00ed adrese Dejvick\u00e9ho dvojn\u00e1sobn\u00e1, asi 270 m\u00edst. P\u016fvodn\u00ed kinos\u00e1l museli p\u0159estav\u011bt pro pot\u0159eby divadla, improvizovan\u00e9 p\u00f3dium m\u00e1 i p\u016fl metru hlubok\u00e9 propadli\u0161t\u011b. \u201eNavezli jsme sem v\u0161echny divadeln\u00ed technologie v\u010detn\u011b p\u00f3dia a tras \u2013 ty jsme museli ukotvit do stropn\u00ed konstrukce. Z\u00e1rove\u0148 t\u00e1mhle byly p\u016fvodn\u00ed prom\u00edta\u010dky, ale ta d\u00edra ve zdi byla moc mal\u00e1, tak\u017ee jsme ji museli nechat zv\u011bt\u0161it, aby tam mohla b\u00fdt kabina pro re\u017eii, zvuk a sv\u011btla,\u201c ukazuje Luk\u00e1\u0161 Pr\u016fdek rukou nad auditorium a vede m\u011b dve\u0159mi prora\u017een\u00fdmi ve st\u011bn\u011b rovnou do druh\u00e9ho s\u00e1lu. <\/p>\n

\u201eA v tomhle s\u00e1le m\u00e1me z\u00e1zem\u00ed. Z\u00e1rove\u0148 \u0161atna, z\u00e1rove\u0148 fundus. Na\u0161e podm\u00ednka pro m\u00edsto, kde se po dobu rekonstrukce do\u010dasn\u011b us\u00eddl\u00edme, byla, abychom tam mohli um\u00edstit v\u0161echny na\u0161e dekorace a rekvizity k cel\u00e9mu reperto\u00e1ru. Co\u017e Galaxie kv\u016fli tomuhle s\u00e1lu nav\u00edc spl\u0148uje. A odsud se taky obsluhuje p\u0159edstaven\u00ed. Tamhle je inspice, tam odtud se p\u0159edstaven\u00ed \u0159\u00edd\u00ed, t\u00e1mhle se sch\u00e1z\u00ed herci p\u0159ed p\u0159edstaven\u00edm a tudy proch\u00e1z\u00ed na jevi\u0161t\u011b,\u201c ukazuje uprost\u0159ed kask\u00e1dovit\u00e9 m\u00edstnosti pln\u00e9 haramp\u00e1d\u00ed a dod\u00e1v\u00e1: \u201eV m\u00edst\u011b b\u00fdval\u00e9ho prom\u00edtac\u00edho pl\u00e1tna jsme nechali z\u0159\u00eddit kuchy\u0148ku a toaletu.\u201c <\/p>\n

\"Kask\u00e1dovit\u00e1<\/p>\n

Kask\u00e1dovit\u00e1 m\u00edstnost slou\u017e\u00ed jako do\u010dasn\u00e1 hereck\u00e1 \u0161atna, fundus i sklad rekvizit a kulis.Foto: Tom\u00e1\u0161 Krej\u010da<\/p>\n

Program Galaxie a emoce v lahv\u00edch <\/p>\n

Dejvick\u00e9 divadlo se do Galaxie p\u0159est\u011bhovalo kv\u016fli rekonstrukci sv\u00e9 dom\u00e1c\u00ed sc\u00e9ny. Prvn\u00ed p\u0159edstaven\u00ed na Ji\u017en\u00edm M\u011bst\u011b odehr\u00e1li 25. \u010dervna 2025 a na t\u00e9to do\u010dasn\u00e9 adrese pl\u00e1nuj\u00ed z\u016fstat do konce tohoto roku. Je to v\u016fbec poprv\u00e9, kdy se kv\u016fli rekonstrukci sv\u00e9 sc\u00e9ny divadlo kompletn\u011b p\u0159est\u011bhovalo, dote\u010f se p\u0159estavby \u0159e\u0161ily jen p\u0159es l\u00e9to, nebo se doba oprav vykryla z\u00e1jezdy. <\/p>\n

Mo\u017enost os\u00eddlit b\u00fdval\u00e9 kino dostalo Dejvick\u00e9 divadlo nab\u00eddkou. \u201eHledali jsme prostor, abychom neztratili kontakt s na\u0161imi div\u00e1ky. A z\u00e1rove\u0148 jsme v\u011bd\u011bli, \u017ee bychom se tady b\u00e1li sami, proto\u017ee je to tu obrovsk\u00e9, b\u00e1li by se tu i div\u00e1ci. Tak jsme oslovili dal\u0161\u00ed partnery a v\u0161ichni na to k\u00fdvli, proto\u017ee se jim hrozn\u011b l\u00edbil prostor i synergie, kterou vytv\u00e1\u0159\u00edme, kdy\u017e jsme tu dohromady. A ohlasy jsou nadm\u00edru pozitivn\u00ed, p\u0159ed\u010dilo to na\u0161e o\u010dek\u00e1v\u00e1n\u00ed. M\u00e1me 40 procent nov\u00fdch div\u00e1k\u016f, 20 procent je z Ji\u017en\u00edho M\u011bsta,\u201c pochvaluje si Luk\u00e1\u0161 Pr\u016fdek, jak se z pl\u00e1nu B pro vykryt\u00ed rekonstrukce zrodil nov\u00fd kulturn\u00ed hub. <\/p>\n

\"V<\/p>\n

V prostor\u00e1ch b\u00fdval\u00e9ho pra\u017esk\u00e9ho kina Galaxie vznikl kulturn\u00ed prostor, kde se mj. nach\u00e1z\u00ed i bar, jeho\u017e v\u00fdtvarn\u00e9ho pojet\u00ed se zhostil Kri\u0161tof Kintera. Foto: Tom\u00e1\u0161 Krej\u010da<\/p>\n

Program Galaxie si opravdu dal za c\u00edl kulturn\u011b o\u017eivit Ji\u017en\u00ed M\u011bsto. Vyjma festivalu 4+4 dny v\u00a0pohybu, kter\u00fd tu po\u0159\u00e1d\u00e1 v\u00fdstavy, zde najdeme t\u0159eba i origin\u00e1ln\u011b v\u00fdtvarn\u011b ztv\u00e1rn\u011bnou pokladnu plnou retro p\u0159edm\u011bt\u016f spojen\u00fdch s filmem. Baru a \u00faprav st\u011bn foyer se zhostil Kri\u0161tof Kintera<\/a>. Vyu\u017eil osv\u011bd\u010den\u00e9ho konceptu pestr\u00e9 nab\u00eddky lahv\u00ed, jejich\u017e obsahem jsou lidsk\u00e9 emoce.<\/p>\n

Luk\u00e1\u0161 Pr\u016fdek p\u0159izn\u00e1v\u00e1, \u017ee mu \u017eivot v komunit\u011b Galaxie bude chyb\u011bt. \u201eJ\u00e1 to tady miluju. Dneska jsem sem p\u0159i\u0161el, po foyer pob\u00edhaly d\u011bti, to se v\u00e1m v\u00a0Dejvick\u00e9m divadle nestane, proto\u017ee my pro n\u011b nehrajeme. K tomu maj\u00ed dneska premi\u00e9ru tane\u010dn\u00edci, te\u010f prob\u00edhal gener\u00e1lkov\u00fd t\u00fdden, tak\u017ee jsme tu potk\u00e1vali i je.\u201c\u00a0<\/p>\n

P\u016fsoben\u00ed Dejvick\u00e9ho divadla na Ji\u017en\u00edm M\u011bst\u011b Luk\u00e1\u0161 Pr\u016fdek p\u0159irovn\u00e1v\u00e1 k v\u00fdjezdu na letn\u00ed t\u00e1bor. \u201eJe to takov\u00fd t\u00e1borov\u00fd syndrom, a\u017e se odtud vr\u00e1t\u00edme, bude to stejn\u00e9, jako kdy\u017e p\u0159ijedete dom\u016f z t\u00e1bora.\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"K zemi let\u00ed b\u00edl\u00fd v\u00e1lec z polystyrenu, kter\u00fd za p\u00e1r dn\u00ed nahrad\u00ed dort. Anna Pr\u00e1\u0161ilov\u00e1 Fialov\u00e1 ho pr\u00e1v\u011b…\n","protected":false},"author":2,"featured_media":21753,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[10509,10510,1372,79,10508,1141,80],"class_list":{"0":"post-21752","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-anna-fialova","9":"tag-antonie-formanova","10":"tag-dejvicke-divadlo","11":"tag-entertainment","12":"tag-pavel-simcik","13":"tag-reportaz","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116215169852754722","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/21752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=21752"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/21752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/21753"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=21752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=21752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=21752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}