{"id":22335,"date":"2026-03-12T16:27:25","date_gmt":"2026-03-12T16:27:25","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/22335\/"},"modified":"2026-03-12T16:27:25","modified_gmt":"2026-03-12T16:27:25","slug":"nove-desky-9-2026-od-harryho-stylese-pres-gnarls-barkley-po-tomase-havlena","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/22335\/","title":{"rendered":"Nov\u00e9 desky 9\/2026 – od Harryho Stylese p\u0159es Gnarls Barkley po Tom\u00e1\u0161e Havlena"},"content":{"rendered":"

Prvn\u00ed b\u0159eznov\u00fd t\u00fdden si pro sebe s novou deskou ukradl Harry Styles, vedle n\u011bj se ale hl\u00e1s\u00ed i navr\u00e1tiv\u0161\u00ed se Gnarls Barkley, Tom\u00e1\u0161 Havlen, Squeeze a tak\u00e9 dom\u00e1c\u00ed jm\u00e9na jako P\u016fvodn\u00ed Bure\u0161, Libor \u0160moldas Quartet \u010di Slovnorama. V\u00fd\u010det novinek pak dopl\u0148uj\u00ed Erra, Taupe, The Scythe a benefi\u010dn\u00ed projekt War Child.<\/p>\n

V p\u00e1tek 6. b\u0159ezna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Harry Styles<\/a> – Kiss All The Time. Disco, Occasionally
\n\u017e\u00e1nr: pop \/ disco<\/p>\n

\"Harry
\n\u010cty\u0159i roky star\u00e9 album „Harry’s House“, obsahuj\u00edc\u00ed i megahit „As It Was“, znamenalo pro Harryho Stylese<\/a> velk\u00fd \u00fasp\u011bch. Za v\u0161e hovo\u0159\u00ed t\u0159i Grammy, Brit Awards, f\u016fra dal\u0161\u00edch cen i um\u00edst\u011bn\u00ed ve v\u00fdro\u010dn\u00edch \u017eeb\u0159\u00ed\u010dc\u00edch v\u011bt\u0161iny presti\u017en\u00edch m\u00e9di\u00ed. Nyn\u00ed se na n\u011bj bude sna\u017eit nav\u00e1zat \u010dtvrtou deskou „Kiss All The Time. Disco, Occasionally“ a asi nikoho nep\u0159ekvap\u00ed, \u017ee z\u016fst\u00e1v\u00e1 u osv\u011bd\u010den\u00fdch spolupracovn\u00edk\u016f, jimi\u017e jsou Kid Harpoon<\/a> a Tyler Johnson. <\/p>\n

Z\u00e1klad dvan\u00e1cti p\u00edsn\u00ed polo\u017eil v roce 2024 v lond\u00fdnsk\u00e9m RAK Studiu a v kv\u011btnu n\u00e1sleduj\u00edc\u00edho roku se p\u0159esunul do Berl\u00edna, kde za\u010dal tvo\u0159it „siln\u00e9 syntetiz\u00e1torov\u00e9 album“, kter\u00e9 srovn\u00e1v\u00e1 s berl\u00ednskou trilogi\u00ed Davida Bowieho<\/a>. P\u0159izn\u00e1v\u00e1 tak\u00e9, \u017ee ho hudebn\u011b siln\u011b inspirovali LCD Soundsystem<\/a>. Na nahr\u00e1v\u00e1n\u00ed se hojn\u011b pod\u00edleli lond\u00fdnsk\u00fd House Gospel Choir, Ellie Rowsell z Wolf Alice<\/a>, Tom Skinner<\/a> nebo Jules Buckley. A\u010dkoli \u010d\u00e1st kritik\u016f vn\u00edm\u00e1 kolekci jako tane\u010dn\u00ed nahr\u00e1vku, kter\u00e1 z\u016fstala n\u011bkde na p\u016fl cesty, ohlasy jsou vesm\u011bs p\u0159\u00edzniv\u00e9. Tom\u00e1\u0161 Navr\u00e1til na musicserveru desku v recenzi<\/a> ohodnotil sedmi body z deseti. Zda s n\u00edm budete souhlasit, zjist\u00edte na YouTube zp\u011bv\u00e1ka<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Gnarls Barkley<\/a> – Atlanta
\n\u017e\u00e1nr: neo soul \/ psychedelick\u00fd soul<\/p>\n

\"Gnarls
\nAmerick\u00fd zp\u011bv\u00e1k a skladatel CeeLo Green<\/a> a producent Danger Mouse<\/a> po vyd\u00e1n\u00ed druh\u00e9ho alba „The Odd Couple“ v roce 2008 spole\u010dn\u00fd projekt Gnarls Barkley<\/a> ulo\u017eili k ledu. Nyn\u00ed se ho rozhodli je\u0161t\u011b jednou, z\u0159ejm\u011b u\u017e naposled, obnovit. Prvn\u00ed re\u00e1ln\u00e9 \u00favahy p\u0159i\u0161ly b\u011bhem covidov\u00e9ho lockdownu, teprve letos ale v\u0161e dot\u00e1hli do podoby t\u0159et\u00ed a tedy posledn\u00ed desky „Atlanta“. Na t\u0159in\u00e1cti p\u00edsni\u010dk\u00e1ch se vedle nich samotn\u00fdch pod\u00edleli nap\u0159\u00edklad Dan Auerbach<\/a>, J-Zone, DJ Paul<\/a>, Juicy J<\/a>, Norman Whitfield, holand\u0161t\u00ed Earth And Fire, Sam Cohen, francouzsk\u00fd zp\u011bv\u00e1k Alain Kain nebo Jason Lytle<\/a> z indierockov\u00fdch Grandaddy<\/a>. Rozlou\u010den\u00ed s dr\u017eiteli n\u011bkolika Grammy podnikn\u011bte na jejich YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Tom\u00e1\u0161 Havlen<\/a> – Minul\u00e1 noc je jak jinej \u017eivot
\n\u017e\u00e1nr: r’n’b \/ pop<\/p>\n

\"Tom\u00e1\u0161
\nTom\u00e1\u0161 Havlen<\/a> vystupuje ze st\u00ednu a poprv\u00e9 mluv\u00ed pouze s\u00e1m za sebe. Producent, hudebn\u00edk, polovina alt-popov\u00e9ho dua post-hudba<\/a> a spoluzakladatel labelu Bad Names vyd\u00e1v\u00e1 debutov\u00e9 s\u00f3lov\u00e9 album „Minul\u00e1 noc je jak jinej \u017eivot“. Na \u010desk\u00e9 sc\u00e9n\u011b si roky budoval jm\u00e9no hlavn\u011b jako zvukov\u00fd in\u017een\u00fdr a \u010dlov\u011bk v pozad\u00ed ciz\u00edch projekt\u016f, tentokr\u00e1t ale stav\u00ed do st\u0159edu vlastn\u00ed p\u0159\u00edb\u011bh. Novinka funguje jako chronologicky se\u0159azen\u00fd soubor osobn\u00edch z\u00e1pisk\u016f. Mapuje cestu od prvn\u00edch let v Praze p\u0159es vztahov\u00e9 zlomy a\u017e k sou\u010dasn\u00e9mu rodinn\u00e9mu \u017eivotu. Hudebn\u011b se pohybuje mezi \u010desky zp\u00edvan\u00fdm alternativn\u00edm r’n’b, ozvuky produkce p\u0159elomu tis\u00edcilet\u00ed i jej\u00ed temn\u011bj\u0161\u00ed a experiment\u00e1ln\u011bj\u0161\u00ed podobou. Havlen na desce otev\u00edr\u00e1 t\u00e9mata intimity, otcovstv\u00ed, modern\u00ed maskulinity, k\u0159ehkosti vztah\u016f i v\u011bdom\u00ed smrtelnosti.<\/p>\n

S\u00e1m p\u0159izn\u00e1v\u00e1, \u017ee my\u0161lenka na takovou nahr\u00e1vku v n\u011bm zr\u00e1la dlouho. „O tom, \u017ee ud\u011bl\u00e1m svoji s\u00f3lovou zp\u00edvanou desku, p\u0159em\u00fd\u0161l\u00edm u\u017e od chv\u00edle, co d\u011bl\u00e1m hudbu jako takovou. Od za\u010d\u00e1tk\u016f v lok\u00e1ln\u00edch libereckejch kapel\u00e1ch p\u0159es chv\u00edle, co jsme s Dominikem za\u010dali d\u011blat post-hudbu po v\u00fdlety k instrument\u00e1ln\u00ed elektronice b\u011bhem post-hudb\u00edho hiatu. I kdy\u017e vznikala b\u011bhem posledn\u00edho roku, tak se do n\u00ed prom\u00edtaj\u00ed moje z\u00e1\u017eitky z cel\u00fdho toho obdob\u00ed,“ \u0159\u00edk\u00e1 Havlen. V\u00fdsledkem je osobn\u00ed v\u00fdpov\u011b\u010f o dosp\u00edv\u00e1n\u00ed, dozr\u00e1v\u00e1n\u00ed a hled\u00e1n\u00ed vlastn\u00edho m\u00edsta – se v\u0161\u00edm, co k tomu pat\u0159\u00ed. Ochutnat z desky m\u016f\u017eete na jeho YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Libor \u0160moldas<\/a> Quartet – Sorry, Miles!
\n\u017e\u00e1nr: jazz<\/p>\n

\"Libor
\n„P\u0159ed n\u011bkolika lety jsem za\u010dal sl\u00fdchat zv\u011bsti, \u017ee n\u011bkter\u00e9 slavn\u00e9 Milesovy skladby, kter\u00e9 hrajeme, ve skute\u010dnosti nenapsal on. Zaujalo m\u011b to a za\u010dal jsem p\u00e1trat. To n\u00e1s nakonec p\u0159ivedlo k nahr\u00e1n\u00ed tohoto alba – skladby, kter\u00e9 Miles proslavil, ale s nejv\u011bt\u0161\u00ed pravd\u011bpodobnost\u00ed nenapsal, protkan\u00e9 n\u011bkter\u00fdmi m\u00fdmi vlastn\u00edmi kompozicemi inspirovan\u00fdmi Milesem samotn\u00fdm,“ vysv\u011btluje kontext vzniku desky Libor \u0160moldas<\/a>. <\/p>\n

Autorsk\u00e9 skladby ale nevze\u0161ly pouze z fascinace Davisov\u00fdm \u017eivotem a hudbou. Role sideman\u016f se ujaly v\u00fdrazn\u00e9 tv\u00e1\u0159e sou\u010dasn\u00e9ho \u010desk\u00e9ho i zahrani\u010dn\u00edho jazzu. V Libor \u0160moldas Quartet se potk\u00e1vaj\u00ed Tom\u00e1\u0161 Baro\u0161, jeden z nejlep\u0161\u00edch evropsk\u00fdch kontrabasist\u016f, vych\u00e1zej\u00edc\u00ed hv\u011bzda jazzov\u00e9ho piana Mikul\u00e1\u0161 Pokorn\u00fd a vynikaj\u00edc\u00ed americk\u00fd buben\u00edk Jesse Simpson. V\u00fdsledn\u00fd zvuk desky m\u00e1 na sv\u011bdom\u00ed Luk\u00e1\u0161 Mart\u00ednek a Studio Sv\u00e1rov. Uk\u00e1zky z alba nab\u00edz\u00ed \u010desk\u00fd jazzov\u00fd kytarista na sv\u00e9m YouTube profilu<\/a>.<\/p>\n

Squeeze<\/a> – Trixies
\n\u017e\u00e1nr: new wave \/ power pop<\/p>\n

\"Squeeze
\nSchopnost vypr\u00e1v\u011bt oby\u010dejn\u00e9 p\u0159\u00edb\u011bhy z ka\u017edodenn\u00edho \u017eivota s neoby\u010dejnou melodi\u00ed se naplno projevuje i na nov\u00e9 desce „Trixies“. Legend\u00e1rn\u00ed autorsk\u00e1 dvojice Chris Difford<\/a> a Glenn Tilbrook<\/a> se pod hlavi\u010dkou Squeeze<\/a> po del\u0161\u00ed odmlce vrac\u00ed k tomu, co j\u00ed jde nejl\u00e9pe – k chytr\u00e9mu pop-rocku s lehkost\u00ed a britsk\u00fdm vtipem. Album nep\u016fsob\u00ed jako pokus o modern\u00ed hitpar\u00e1dov\u00fd zvuk, sp\u00ed\u0161 jako p\u0159\u00edjemn\u00e9 setk\u00e1n\u00ed se star\u00fdmi p\u0159\u00e1teli v obl\u00edben\u00e9 kav\u00e1rn\u011b. Je to nahr\u00e1vka, kter\u00e1 nikam nesp\u011bch\u00e1 a s\u00e1z\u00ed na poctiv\u00e9 p\u00edsni\u010dk\u00e1\u0159stv\u00ed, kde m\u00e1 ka\u017ed\u00e9 slovo a ka\u017ed\u00fd akord jasn\u00fd smysl.<\/p>\n

Na nov\u00e9 kolekci najdeme p\u0159esn\u011b tu sm\u011bs melancholie a radosti, kter\u00e1 tuto partu proslavila u\u017e p\u0159ed desetilet\u00edmi. Tilbrook\u016fv hlas zn\u00ed st\u00e1le stejn\u011b sv\u011b\u017ee a Diffordovy texty jsou pln\u00e9 post\u0159eh\u016f o lidech, jejich chyb\u00e1ch i mal\u00fdch radostech. Hudebn\u011b je deska barevn\u00e1 a hrav\u00e1, pln\u00e1 chytlav\u00fdch refr\u00e9n\u016f, kter\u00e9 p\u0159i prvn\u00edm poslechu p\u016fsob\u00ed pov\u011bdom\u011b. Kdo chce sly\u0161et nov\u00e9 p\u0159\u00edb\u011bhy od mistr\u016f \u0159emesla, uk\u00e1zky z alba najde na ofici\u00e1ln\u00edm YouTube profilu formace<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n


\nR\u016fzn\u00ed – War Child – Help(2)

\n\u017e\u00e1nr: r\u016fzn\u00e9<\/p>\n

\"R\u016fzn\u00ed
\n\u010cas od \u010dasu vyd\u00e1 nadace War Child hudebn\u00ed kompilaci na podporu d\u011bt\u00ed ve v\u00e1le\u010dn\u00fdch oblastech. Prvn\u00ed s n\u00e1zvem „The Help Album“ p\u0159i\u0161la v roce 1995, aby podpo\u0159ila projekty v Jugosl\u00e1vii. A i kdy\u017e mezit\u00edm vznikly i dal\u0161\u00ed, jak napov\u00edd\u00e1 n\u00e1zev leto\u0161n\u00ed „Help(2)“, p\u0159ich\u00e1z\u00ed jej\u00ed p\u0159\u00edm\u00fd n\u00e1stupce zam\u011b\u0159en\u00fd na Ukrajinu, Gazu, Jemen a S\u00fad\u00e1n. Z p\u016fvodn\u00ed sestavy se vr\u00e1tili Damon Albarn<\/a>, Pulp<\/a> a Oasis<\/a> a k nim ve \u010dty\u0159iadvaceti p\u00edsni\u010dk\u00e1ch d\u00e1le p\u0159ibyli Arctic Monkeys<\/a>, Olivia Rodrigo<\/a>, Black Country, New Road<\/a>, Cameron Winter<\/a>, Beabadoobee<\/a>, Depeche Mode<\/a>, Kae Tempest<\/a>, The Last Dinner Party<\/a>, Beth Gibbons<\/a>, Arooj Aftab<\/a>, Beck<\/a>, King Krule<\/a>, Ezra Collective<\/a>, Arlo Parks<\/a>, Big Thief<\/a>, Fontaines D.C.<\/a>, Sampha<\/a>, Wet Leg<\/a>, Foals<\/a>, Bat For Lashes<\/a>, Anna Calvi<\/a> a dal\u0161\u00ed. Nad v\u00fdslednou podobou dohl\u00ed\u017eel producent James Ford. Kompletn\u00ed seznam z\u00fa\u010dastn\u011bn\u00fdch v\u010detn\u011b uk\u00e1zek najdete na bandcampu vydavatelstv\u00ed War Child Records<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Slovnorama<\/a> – Slovnorama
\n\u017e\u00e1nr: folk-rock \/ indie folk<\/p>\n

\"Slovnorama
\nSv\u00e9 debutov\u00e9 eponymn\u00ed album vyd\u00e1v\u00e1 slovensko-norsk\u00e1 formace Slovnorama<\/a>, kter\u00e1 vznikla jako spolupr\u00e1ce slovensk\u00e9 zp\u011bva\u010dky Vanessy Weisz a norsk\u00e9ho producenta Erlinga Ramskjella b\u011bhem jeho hudebn\u00ed rezidence v Tren\u010d\u00edn\u011b v r\u00e1mci projektu TREB\u00d8 – v\u00edce kultury, kultura spojuje. P\u016fvodn\u00ed z\u00e1m\u011br byl jednoduch\u00fd: oslovit lok\u00e1ln\u00ed hudebn\u00edky a p\u0159ipravit jednor\u00e1zov\u00fd koncertn\u00ed program, k n\u011bmu\u017e se p\u0159idaly hudebnice z Komorn\u00edho orchestru m\u011bsta Tren\u010d\u00edn. Nahr\u00e1vka vznikala z\u010d\u00e1sti na d\u00e1lku a \u010d\u00e1ste\u010dn\u011b v \u00fanoru 2025 b\u011bhem pobytu v severn\u00edm Norsku za pol\u00e1rn\u00edm kruhem, co\u017e se odrazilo i v n\u00e1lad\u011b kolekce. <\/p>\n

„Na psan\u00ed, aran\u017eov\u00e1n\u00ed, zkou\u0161en\u00ed i nahr\u00e1v\u00e1n\u00ed jsme m\u011bli jen dva t\u00fddny, p\u0159i\u010dem\u017e klasick\u00e9 kvarteto m\u011blo na realizaci v Norsku pouh\u00e9 t\u0159i dny,“ \u0159\u00edk\u00e1 Adriana Bab\u00e1lov\u00e1 z KOMT. Album se nahr\u00e1valo v norsk\u00fdch studi\u00edch Store Studio v Bod\u00f8 a Strand Lydstudio v Beiarn pod veden\u00edm Areho Simonsena a Hallsteina Sandvina, kte\u0159\u00ed se pod\u00edleli i na n\u00e1sledn\u00e9 produkci. Prvn\u00ed nahr\u00e1vky vznikly ve studiu Men at Sound Studio v Tren\u010d\u00edn\u011b pod dohledem Mat\u00fa\u0161e Homoly a Michala Revil\u00e1ka. Ke sly\u0161en\u00ed je na bandcampu projektu<\/a>.<\/p>\n

P\u016fvodn\u00ed Bure\u0161<\/a> – Palimpsest
\n\u017e\u00e1nr: psychedelicpunkfolkrock<\/p>\n

\"P\u016fvodn\u00ed
\nVrstvy vzpom\u00ednek a p\u0159\u00edb\u011bh\u016f, kter\u00e9 se p\u0159es sebe skl\u00e1daj\u00ed jako na star\u00e9m pergamenu, tvo\u0159\u00ed z\u00e1klad nov\u00e9ho alba „Palimpsest“. Kapela P\u016fvodn\u00ed Bure\u0161<\/a>, kter\u00e1 u\u017e des\u00edtky let kr\u00e1\u010d\u00ed po sv\u00e9 vlastn\u00ed cest\u011b mimo hlavn\u00ed proudy, se na t\u00e9to novince vrac\u00ed k tomu, co um\u00ed nejl\u00e9pe – k vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f, v nich\u017e se historie prol\u00edn\u00e1 s fantazi\u00ed. N\u00e1zev desky p\u0159esn\u011b vystihuje jej\u00ed povahu. Pod ka\u017edou novou melodi\u00ed jako by prosv\u00edtal odkaz minul\u00fdch generac\u00ed, lidov\u00fdch balad a zapomenut\u00fdch m\u00fdt\u016f, kter\u00e9 sice zd\u00e1nliv\u011b zmizely, jejich stopa ale v pam\u011bti z\u016fst\u00e1v\u00e1.<\/p>\n

Hudebn\u011b dvojc\u00e9d\u00e9\u010dko s\u00e1z\u00ed na osv\u011bd\u010den\u00fd mix akustick\u00fdch n\u00e1stroj\u016f a rockov\u00e9ho tahu, kter\u00fd je tentokr\u00e1t je\u0161t\u011b o n\u011bco sev\u0159en\u011bj\u0161\u00ed a atmosf\u00e9ri\u010dt\u011bj\u0161\u00ed. Tato undergroundov\u00e1 parta u\u017e nikam nesp\u011bch\u00e1. Nech\u00e1v\u00e1 ka\u017edou p\u00edse\u0148 voln\u011b d\u00fdchat a budovat vlastn\u00ed n\u00e1ladu. Jarom\u00edr Franti\u0161ek Fumas Palme<\/a> jako hlavn\u00ed autor op\u011bt dokazuje, \u017ee um\u00ed naj\u00edt poezii i v oby\u010dejn\u00fdch v\u011bcech a zasadit ji do \u0161ir\u0161\u00edho, t\u00e9m\u011b\u0159 nad\u010dasov\u00e9ho kontextu. Kolekce obsahuje t\u0159icet sedm skladeb. Prvn\u00ed disk nab\u00edz\u00ed patn\u00e1ct kousk\u016f zaznamenan\u00fdch v letech 2024\/25<\/a>. Na druh\u00e9m disku najdete dvacet jedna raritn\u00edch nahr\u00e1vek sesb\u00edran\u00fdch z r\u016fzn\u00fdch obdob\u00ed kapely. Uk\u00e1zky naleznete na YouTube profilu formace<\/a>.<\/p>\n

The Scythe<\/a> – Strictly 4 The Scythe
\n\u017e\u00e1nr: hip hop \/ memphis rap \/ bounce<\/p>\n

\"The
\nDenzel Curry<\/a> p\u0159ed necel\u00fdmi dv\u011bma roky vydal album „King Of The Mischievous South Vol. 2“, na n\u011bm\u017e se vr\u00e1til ke sv\u00fdm memphisk\u00fdm ko\u0159en\u016fm. Tehdy mu vypomohli je\u0161t\u011b A$AP Ferg<\/a>, Bktherula, Key Nyata a TiaCorinne. Spolupr\u00e1ce se jim zal\u00edbila natolik, \u017ee se p\u0159es dal\u0161\u00ed nahr\u00e1vky a mixtape dopracovali a\u017e k uskupen\u00ed, kter\u00e9 si \u0159\u00edk\u00e1 The Scythe<\/a>. Nyn\u00ed vyd\u00e1v\u00e1 debutov\u00fd mixtape obsahuj\u00edc\u00ed osm track\u016f, kter\u00e9 produkovali BeautifulMvn, Bnyx, IlyKimchi, Oogie Mane nebo Swaggyono. Nav\u00edc se k nim coby host\u00e9 p\u0159ipojili Juicy J<\/a>, Smino, 454, Luh Tyler, Rich The Kid<\/a>, 1900Rugrat, SadBoi a Lazer Dim 700 a ve v\u00fdsledku se v nich m\u00eds\u00ed ji\u017eansk\u00fd hip hop, bounce, crunk, elektronika, memphisk\u00fd rap, miamsk\u00fd bass a phonk. Co si pod t\u00edm p\u0159edstavit, zjist\u00edte na Curryho YouTube<\/a>.<\/p>\n

Taupe<\/a> – Waxing | Waning
\n\u017e\u00e1nr: jazz-punk-fusion<\/p>\n

\"Taupe
\nNeust\u00e1l\u00e1 prom\u011bna a pohyb, p\u0159ipom\u00ednaj\u00edc\u00ed st\u0159\u00edd\u00e1n\u00ed f\u00e1z\u00ed m\u011bs\u00edce, tvo\u0159\u00ed samotn\u00e9 j\u00e1dro nov\u00e9 nahr\u00e1vky „Waxing | Waning“. Britsk\u00e9 trio Taupe<\/a>, kter\u00e9 se neboj\u00ed m\u00edchat jazz s energi\u00ed punkov\u00fdch klub\u016f, na sv\u00e9 novince ukazuje, \u017ee hudba nemus\u00ed m\u00edt pevn\u00e9 hranice, aby d\u00e1vala smysl. Cel\u00e9 album p\u016fsob\u00ed jako \u017eiv\u00fd organismus. Chv\u00edli je drav\u00e9 a pln\u00e9 ne\u010dekan\u00fdch zvrat\u016f, aby vz\u00e1p\u011bt\u00ed p\u0159e\u0161lo do klidn\u011bj\u0161\u00edch, hloubav\u00fdch pas\u00e1\u017e\u00ed. Hudebn\u00edci z Newcastle zde s\u00e1zej\u00ed na naprostou souhru a vz\u00e1jemn\u00e9 naslouch\u00e1n\u00ed, d\u00edky \u010demu\u017e nahr\u00e1vka ani p\u0159es svou divokost neztr\u00e1c\u00ed srozumitelnou tv\u00e1\u0159 a lidsk\u00fd dotek.<\/p>\n

Na desce nenajdeme \u017e\u00e1dnou vatu ani pr\u00e1zdn\u00e9 p\u0159edv\u00e1d\u011bn\u00ed techniky. Ka\u017ed\u00fd t\u00f3n saxofonu, \u00fader do bic\u00edch nebo linka baskytary m\u00e1 sv\u016fj d\u016fvod a spole\u010dn\u011b buduj\u00ed atmosf\u00e9ru, kter\u00e1 nenech\u00e1 v klidu. Je to kolekce, kter\u00e1 vy\u017eaduje pozornost, ale odm\u011bn\u00ed pocitem opravdovosti a radost\u00ed z objevov\u00e1n\u00ed nov\u00fdch zvuk\u016f. Kdo tou\u017e\u00ed sly\u0161et tuhle energickou j\u00edzdu, uk\u00e1zky najde na ofici\u00e1ln\u00edm YouTube profilu formace<\/a>.<\/p>\n

Erra<\/a> – Silence Outlives The Earth
\n\u017e\u00e1nr: metalcore<\/p>\n

\"Erra
\nAmerick\u00e1 metalcoreov\u00e1 formace Erra<\/a> p\u0159ich\u00e1z\u00ed se sedm\u00fdm studiov\u00fdm albem. N\u00e1stupce dva roky star\u00e9ho d\u00edla „Cure“, na n\u011bm\u017e se poprv\u00e9 bl\u00fdskl kytarista Clint Tustin, p\u0159in\u00e1\u0161\u00ed jeden\u00e1ct nov\u00fdch kousk\u016f. Novinka p\u0159edstavuje skupinu ve v\u00fdrazn\u011b temn\u011bj\u0161\u00edm a filozofi\u010dt\u011bj\u0161\u00edm rozpolo\u017een\u00ed. N\u00e1zev alba odkazuje k p\u0159edstav\u011b sv\u011bta po lidsk\u00e9 civilizaci – k tichu, kter\u00e9 p\u0159e\u017eije v\u0161echny konflikty a katastrofy. Texty se dot\u00fdkaj\u00ed environment\u00e1ln\u00edho kolapsu, technologick\u00e9 odcizenosti i osobn\u00ed odpov\u011bdnosti jednotlivce. Poslucha\u010di se mohou t\u011b\u0161it na precizn\u00ed metalcore s progresivn\u00edmi prvky. Komplexn\u00ed rytmika, melodick\u00e9 kytary a kontrast mezi \u010dist\u00fdm zp\u011bvem a growlem vytv\u00e1\u0159ej\u00ed dynamickou strukturu. Publikum oce\u0148uje, \u017ee formace dok\u00e1\u017ee skloubit technickou n\u00e1ro\u010dnost s emotivn\u00ed silou. Uk\u00e1zku v podob\u011b kousku „Black Cloud“ najdete na YouTube<\/a>.<\/p>\n


\n
\nBonnie ‚Prince‘ Billy<\/a> – We Are Together Again

\nAmerick\u00fd p\u00edsni\u010dk\u00e1\u0159 Will Oldham<\/a> nenech\u00e1v\u00e1 sv\u00e9 fanou\u0161ky nikterak vydechnout a po roce od alba „The Purple Bird“ jim serv\u00edruje novou kolekci deseti p\u00edsni\u010dek, na jejich\u017e produkci se s n\u00edm pod\u00edlel Jim Marlowe. (YouTube<\/a>)
\n
\n
\n
\n
\nTanya Tagaq<\/a> – Saputjiji

\nPo \u010dty\u0159ech letech od nahr\u00e1vky „Tongues“ vyd\u00e1v\u00e1 sv\u00e9 nov\u00e9 album kanadsko-inuitsk\u00e1 zp\u011bva\u010dka, kter\u00e1 m\u00e1 na sv\u00e9m kont\u011b \u0159adu cen v\u010detn\u011b Polaris Music Prize z roku 2014 za nahr\u00e1vku „Animism“. Letos sv\u016fj hrdeln\u00ed hlas rozezn\u011bla v jeden\u00e1cti skladb\u00e1ch na pomez\u00ed experiment\u00e1lu a alternativy. (bandcamp<\/a>)
\n
\n
\n
\n
\nShabaka<\/a> – Of The Earth

\nBritsk\u00fd saxofonista a klarinetista, \u010dlen Sons Of Kemet<\/a> \u010di The Comet Is Coming<\/a>, vyd\u00e1v\u00e1 dal\u0161\u00ed s\u00f3lovou desku. Dvan\u00e1ct skladeb na pomez\u00ed elektroniky, fusion jazzu, avantgardy a spiritu\u00e1ln\u00edho jazzu si s\u00e1m slo\u017eil, nahr\u00e1l, produkoval i mixoval. (bandcamp<\/a>)
\n
\n
\n
\n
\nAlice Sara Ott<\/a> – J\u00f3hann J\u00f3hannsson<\/a>: Piano Works

\nN\u011bmeck\u00e1 klav\u00edrn\u00ed virtuoska se po lo\u0148sk\u00e9m albu s kompozicemi Johna Fielda vrhla na klav\u00edrn\u00ed tvorbu islandsk\u00e9ho skladatele J\u00f3hanna J\u00f3hannssona. Na desce naleznete v jej\u00edm pod\u00e1n\u00ed hned t\u0159icet uk\u00e1zek jeho d\u00edla. (Deutsche Grammophon<\/a>)
\n
\n
\n
\n
\nKatherine Priddy – These Frightening Machines

\nAnglick\u00e1 folka\u0159ka se propracovala ke sv\u00e9mu t\u0159et\u00edmu \u0159adov\u00e9mu albu. Deset p\u00edsn\u00ed produkoval n\u011bkdej\u0161\u00ed spolupracovn\u00edk PJ Harvey<\/a> Rob Ellis a dvojici host\u016f tvo\u0159\u00ed Richard Walters a Torres<\/a>. (bandcamp<\/a>)
\n
\n
\n
\n
\nGregory Uhlmann – Extra Stars

\nAmerick\u00fd hudebn\u00edk, skladatel a producent, kter\u00fd spolupracoval s interprety jako Miya Folick<\/a>, Meg Duffy \u010di Perfume Genius<\/a>, si pro sv\u00e9 nov\u00e9 album nachystal celkem \u010dtrn\u00e1ct skladeb, v nich\u017e experimentuje a improvizuje s mixem folku, soulu, jazzu, psychedelie a elektroniky. (bandcamp<\/a>)
\n
\n
\n
\n
\nCharlotte Sands<\/a> – Satellite

\nNa sv\u016fj debut „Looking Her“ po \u0161esti letech navazuje americk\u00e1 zp\u011bva\u010dka a hudebnice, jej\u00ed\u017e vok\u00e1l vyu\u017eili nap\u0159\u00edklad Mod Sun<\/a>, Demi Lovato<\/a>, The Maine<\/a> nebo Sleeping With Sirens<\/a>. Nep\u0159ekvap\u00ed, \u017ee se tedy i novinka nese v rockov\u00e9m duchu. (YouTube<\/a>)
\n
\n
\n
\n
\nWilla Ford – Amanda

\nPo p\u011bti letech od debutu „Willa Was Here“ se vrac\u00ed s druhou deskou tak\u00e9 popov\u00e1 zp\u011bva\u010dka a here\u010dka, kter\u00e1 dvan\u00e1ct p\u00edsni\u010dek nasm\u011brovala vst\u0159\u00edc tane\u010dn\u00edm rytm\u016fm. (YouTube<\/a>)
\n
\n
\n
\n
\nBook Of Churches – Book Of Churches

\nSv\u00fdm eponymn\u00edm debutem s des\u00edtkou p\u00edsni\u010dek vstupuje na hudebn\u00ed sc\u00e9nu Felix Mackenzie-Barrow z britsk\u00e9 countryov\u00e9 formace Divorce. (bandcamp<\/a>)
\n
\n
\n
\n
\nMarlon Magn\u00e9e<\/a> – Dark Star

\nPa\u0159\u00ed\u017esk\u00e9 klubov\u00e9 podsv\u011bt\u00ed vdechlo \u017eivot hudebn\u00edmu sm\u011b\u0159ov\u00e1n\u00ed tohoto francouzsk\u00e9ho um\u011blce, kter\u00fd se v r\u00e1mci sv\u00e9 tvorby pohybuje na hran\u011b potemn\u011bl\u00e9ho synth popu a snov\u00e9 elektroniky. Debutov\u00fd s\u00f3lov\u00fd projekt se z\u00e1m\u011brn\u011b odkl\u00e1n\u00ed od hrav\u00e9 pestrosti jeho domovsk\u00e9ho ans\u00e1mblu a vol\u00ed cestu minimalistick\u00fdch aran\u017e\u00ed, jim\u017e dominuje melancholick\u00fd opar a syrov\u00e1 up\u0159\u00edmnost. (YouTube<\/a>)
\n
\n
\n
\n
\nProng<\/a> – Live And Uncleansed

\nNewyorsk\u00e9 trio, je\u017e po dlouh\u00e1 l\u00e9ta piluje sv\u016fj nezam\u011bniteln\u00fd souzvuk pr\u016fmyslov\u00e9ho h\u0159m\u011bn\u00ed a hutn\u00e9ho rytmu, se v aktu\u00e1ln\u00edm p\u0159\u00edpad\u011b vrac\u00ed k naprost\u00e9 syrovosti. Rozs\u00e1hl\u00fd soupis jeho d\u011bl roz\u0161i\u0159uje \u017eiv\u00fd z\u00e1znam, jen\u017e nam\u00edsto studiov\u00e9 vybrou\u0161enosti uct\u00edv\u00e1 nezkrocenou s\u00edlu a bezprost\u0159edn\u00ed kontakt s oddan\u00fdm publikem. (YouTube<\/a>)
\n
\n
\n
\n
\nBosse-De-Nage<\/a> – Hidden Fires Burn Hottest

\n\u0160est\u00e1 studiovka a prvn\u00ed nahr\u00e1vka po osmi letech americk\u00e9 experiment\u00e1ln\u00ed blackmetalov\u00e9 formace. (YouTube<\/a>)
\n
\n
\n
\n
\nLost Society<\/a> – Hell Is A State Of Mind

\n\u0160est\u00e1 nahr\u00e1vka finsk\u00e9 modern\u00ed metalov\u00e9 formace, kter\u00e1 se od thrash metalu p\u0159esunula k modern\u00edmu metalcoru a groove metalu. (YouTube<\/a>)
\n
\n
\n
\n
\nSurfbort<\/a> – Reality Star

\nBrooklynsk\u00e9 seskupen\u00ed, je\u017e svou cestu raz\u00ed skrze nespoutan\u00fd punk a \u0161pinav\u00fd gar\u00e1\u017eov\u00fd rock, p\u0159etavilo syrovou energii americk\u00fdch ulic do sv\u00e9 nejnov\u011bj\u0161\u00ed nahr\u00e1vky. T\u0159et\u00ed \u0159adov\u00e1 deska v jeho diskografii s\u00e1z\u00ed na p\u0159\u00edmo\u010darost a nekompromisn\u00ed rytmiku, kter\u00e1 v sob\u011b nese ozv\u011bny zlat\u00fdch \u010das\u016f tamn\u00edho hudebn\u00edho podzem\u00ed. (YouTube<\/a>)
\n
\n
\n
\n
\nSeamus Fogarty – Ships

\nKdo m\u00e1 r\u00e1d folktroniku, nem\u011bl by minout \u010dtvrt\u00e9 album irsk\u00e9ho p\u00edsni\u010dk\u00e1\u0159e, kter\u00fd tentokr\u00e1t experimentuje i s hip hopem. (bandcamp<\/a>)
\n
\n <\/p>\n

Anna Lapwood – Arise, Shine
\nBitter Branches – Let\u2019s Give The Land Back To The Animals
\nBlack<\/a> Lung – Forever Beyond
\nBory – Never Turns To Night
\nDaniel Avery<\/a> – Tremor (Midnight Versions)
\nGodsmack<\/a> – Awake (25Th Anniversary Edition)
\nHater – Mosquito
\nChicago Farmer – Homeaid
\nJoshua Idehen – I Know You\u2019re Hurting, Everyone Is Hurting, Everyone Is Trying, You Have Got To Try

\nKazuki Yamada – William Walton : Symphonies 1 & 2, Orb And Sceptre
\nMute Swan – Skin Slip
\nNew Age Doom, H.R. – Angels Against Angels
\nOhyung – Iowa
\nPat Kelly – Hook
\nScout Gillett – Tough Touch
\nTalking Heads<\/a> – Tentative Decisions: Demos & Live
\nTemple Of Void – The Crawl

\nThe Brook & The Bluff – Werewolf
\nTravis Bolt – Burning Bridges
\nVoid – Live
\nWaterbaby – Memory Be A Blade
\nXpfm – .Bloom\/\/Fade<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nBitter Branches – Let\u2019s Give The Land Back To The Animals
\nBlack Lung – Forever Beyond
\nBonnie ‚Prince‘ Billy<\/a> – We Are Together Again
\nBosse-De-Nage<\/a> – Hidden Fires Burn Hottest
\nCobrah – Torn
\nDan Swan\u00f6<\/a> – Moontower
\nDuran Duran<\/a> – Duran Duran<\/a>
\nDuran Duran<\/a> – Thank You
\nErra<\/a> – Silence Outlives The Earth
\nGregory Uhlmann – Extra Stars
\nHarry Styles<\/a> – Kiss All The Time. Disco, Occasionally
\nHater – Mosquito
\nCharlie Puth<\/a> – Whatever’s Clever!
\nJi\u0159\u00ed Schelinger<\/a>, Skupina Franti\u0161ka Ringo \u010cecha – Nem\u00e1m Hlas Jako Zvon (Supraphon)
\nJoshua Idehen – I Know You\u2019re Hurting, Everyone Is Hurting, Everyone Is Trying, You Have Got To Try
\nKatherine Priddy – These Frightening Machines
\nLost Society<\/a> – Hell Is A State Of Mind
\nMarlon Magn\u00e9e<\/a> – Dark Star
\nMorrissey<\/a> – Make-Up Is A Lie
\nNew Age Doom, H.R. – Angels Against Angels
\nSqueeze<\/a> – Trixies
\nTalking Heads<\/a> – Tentative Decisions: Demos & Live
\nTaupe<\/a> – Waxing | Waning

\nThe Brook & The Bluff – Werewolf
\nThe Cure<\/a> – Boys Don’t Cry
\nWaterbaby – Memory Be A Blade<\/p>\n

EP:
\n2D0Gs – All The D0Gs Are Barking
\nDutch Interior – It\u2019s Glass
\nTeenage Bottlerocket<\/a> – The Invisible Man<\/p>\n

Reedice:
\nDuran Duran<\/a> – Duran Duran<\/a>
\nDuran Duran<\/a> – Thank You
\nJi\u0159\u00ed Schelinger<\/a> – Zem\u011bt\u0159esen\u00ed<\/a> \/ Epicentrum (Supraphon)

\nJoey Valence & Brae – Punk Tactics
\nThe Cure<\/a> – Boys Don’t Cry \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Prvn\u00ed b\u0159eznov\u00fd t\u00fdden si pro sebe s novou deskou ukradl Harry Styles, vedle n\u011bj se ale hl\u00e1s\u00ed i…\n","protected":false},"author":2,"featured_media":22336,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-22335","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116217147748240512","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/22335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=22335"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/22335\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/22336"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=22335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=22335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=22335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}