{"id":24236,"date":"2026-03-14T14:03:08","date_gmt":"2026-03-14T14:03:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/24236\/"},"modified":"2026-03-14T14:03:08","modified_gmt":"2026-03-14T14:03:08","slug":"vladimir-borsky-zacinal-po-boku-mandlove-zaril-jako-rjepkin-nakonec-natocil-prvni-barevny-film","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/24236\/","title":{"rendered":"Vladim\u00edr Borsk\u00fd za\u010d\u00ednal po boku Mandlov\u00e9, z\u00e1\u0159il jako Rjepkin, nakonec nato\u010dil prvn\u00ed barevn\u00fd film"},"content":{"rendered":"

Na sv\u011bt p\u0159i\u0161el jako Vladim\u00edr Fuks dne 2.\u00a0b\u0159ezna 1904\u00a0na Sm\u00edchov\u011b, kter\u00fd byl tehdy je\u0161t\u011b samostatn\u00fdm m\u011bstem, nikoliv pouhou pra\u017eskou \u010dtvrt\u00ed. Po studiu na re\u00e1ln\u00e9m gymn\u00e1ziu pokra\u010doval nejprve na obchodn\u00ed akademii, ale jeho v\u00e1\u0161e\u0148 pro herectv\u00ed ho nakonec p\u0159ivedla na dramatick\u00e9 odd\u011blen\u00ed St\u00e1tn\u00ed konzervato\u0159e v\u00a0Praze. Po absolutoriu p\u016fsobil na men\u0161\u00edch pra\u017esk\u00fdch sc\u00e9n\u00e1ch, nap\u0159\u00edklad v\u00a0Intimn\u00edm divadle.<\/p>\n

Kritika jej ne\u0161et\u0159ila<\/p>\n

P\u0159ed filmovou kameru se poprv\u00e9 postavil v\u00a0n\u011bm\u00e9 filmov\u00e9 grotesce Prach a\u00a0broky. Tento po\u010din re\u017eis\u00e9ra P\u0159emysla Pra\u017esk\u00e9ho z\u00a0roku 1926\u00a0je dnes pova\u017eov\u00e1n za ztracen\u00fd. Znovu si Borsk\u00fd filmov\u00e1n\u00ed vyzkou\u0161el a\u017e v\u00a0\u00e9\u0159e zvuku. Po p\u011btilet\u00e9 pauze ztv\u00e1rnil malou roli\u010dku prodava\u010de gramodesek u\u00a0Ji\u0159\u00edho Zlatn\u00edka v\u00a0\u010desk\u00e9 i\u00a0n\u011bmeck\u00e9 verzi komedie Karla Lama\u010de, Martina Fri\u010de a\u00a0Vlasty Buriana To nezn\u00e1te Hadimr\u0161ku. Je\u0161t\u011b v\u00a0t\u00e9m\u017ee roce, tedy 1931, mu re\u017eis\u00e9r Miroslav J. Kr\u0148ansk\u00fd sv\u011b\u0159il tituln\u00ed \u00falohu v\u00a0komedii Kari\u00e9ra Pavla \u010camrdy. Na place se setkal se za\u010d\u00ednaj\u00edc\u00ed L\u00eddou Baarovou. M\u011bl tehdy obrovsk\u00e9 \u0161t\u011bst\u00ed. Maxe m\u011bl toti\u017e p\u016fvodn\u011b hr\u00e1t Stanislav Strnad, ale kv\u016fli onemocn\u011bn\u00ed o\u010dn\u00edm katarem musel odstoupit. \u010camrda Borsk\u00e9ho r\u00e1zem kapituloval mezi \u010desk\u00e9 hv\u011bzdy a\u00a0on od t\u00e9 chv\u00edle za\u010dal hr\u00e1t v\u011bt\u0161\u00ed \u010di tituln\u00ed milovnick\u00e9 role v\u00a0r\u016fzn\u00fdch komedi\u00edch a\u00a0melodramatech, kter\u00e9 mu p\u0159inesly nev\u00eddanou popularitu. Dobov\u00e1 kritika v\u0161ak poukazovala na fakt, \u017ee se do milovnick\u00fdch rol\u00ed nehod\u00ed a\u00a0\u017ee jeho hereck\u00fd materi\u00e1l je velmi chab\u00fd. Byl zat\u00ed\u017een jistou teatr\u00e1lnost\u00ed a\u00a0velk\u00fdm p\u0159eh\u00e1n\u011bn\u00edm v\u00a0gestech a\u00a0mimice.<\/p>\n

Re\u017eis\u00e9\u0159i jej p\u0159esto obsazovali r\u00e1di, ostatn\u011b Vladim\u00edr Borsk\u00fd byl pohledn\u00fd a\u00a0urostl\u00fd a\u00a0filmov\u00fdm diva\u010dk\u00e1m se l\u00edbil. A\u00a0to do kina p\u0159itahovalo v\u00edce ne\u017e bezchybn\u00fd hereck\u00fd v\u00fdkon. K\u00a0dal\u0161\u00edm velk\u00fdm Borsk\u00e9ho rol\u00edm pat\u0159il \u0161lechtic Max v\u00a0komedii Madla z\u00a0cihelny, kde se op\u011bt jeho hereckou partnerkou stala L\u00edda Baarov\u00e1. V\u016fbec poprv\u00e9 se tu tehdy p\u0159ed kamerou mihla i\u00a0jej\u00ed mlad\u0161\u00ed sestra Zorka Jan\u016f, kter\u00e1 zde ztv\u00e1rnila dvan\u00e1ctilet\u00e9 d\u011bv\u010d\u00e1tko.<\/p>\n

Borsk\u00fd byl i\u00a0pytl\u00e1kem Luizlem v\u00a0dramatu Ze sv\u011bta lesn\u00edch samot, in\u017een\u00fdrem Prokopem Vackem v\u00a0komedii Jej\u00ed l\u00e9ka\u0159, doktorem Ji\u0159\u00edm Be\u010dv\u00e1\u0159em v\u00a0haasovsk\u00e9 komedii Posledn\u00ed mu\u017e, lehkomysln\u00fdm medikem v\u00a0sentiment\u00e1ln\u00ed komedii Studentsk\u00e1 m\u00e1ma, u\u010ditelem Jind\u0159ichem Nov\u00e1kem v\u00a0komedii Vdavky Nanynky Kulichovy, Franckem Hor\u00e1kem v\u00a0Mary\u0161e, doktorem obchodn\u00edch v\u011bd Jaroslavem H\u00e1jkem ve T\u0159ech mu\u017e\u00edch ve sn\u011bhu \u010di Janem Krej\u010d\u00edm ve \u0160vadlence. Pot\u00e9, co se opakovan\u011b dostal pod re\u017eijn\u00ed veden\u00ed Huga Haase, stal se daleko m\u00e9n\u011b prkenn\u00fdm a\u00a0o mnoho lep\u0161\u00edm hercem.<\/p>\n

Jeho \u017eivotn\u00ed role ale nakonec nebyla milovnick\u00e1, stal se j\u00ed tragick\u00fd hrdina Vladim\u00edr Toman alias poru\u010d\u00edk Alexander Rjepkin ve v\u00e1le\u010dn\u00e9m dramatu V\u00e1clava Binovce z\u00a0roku 1937\u00a0Poru\u010d\u00edk Alexander Rjepkin. Borsk\u00fd se tu setkal s\u00a0dal\u0161\u00ed velkou meziv\u00e1le\u010dnou hv\u011bzdou, Adinou Mandlovou.<\/p>\n

Zl\u00e1kala jej re\u017eie<\/p>\n

Vladim\u00edr Borsk\u00fd se sice kone\u010dn\u011b vymanil ze \u0161katulky milovn\u00edk\u016f, z\u00e1rove\u0148 ale ji\u017e mnoho filmov\u00fdch p\u0159\u00edle\u017eitost\u00ed nedostal. Objevil se jen v\u00a0n\u011bkolika epizodn\u00edch roli\u010dk\u00e1ch, stalo se tak kup\u0159\u00edkladu ve filmu Host do domu nebo Sle\u010dna od vody. Daleko v\u00edce jej toti\u017e za\u010dala l\u00e1kat re\u017eie a\u00a0scen\u00e1ristika. P\u0159itahovala ho p\u0159itom zhola jin\u00e1 t\u00e9mata, ne\u017e byla ona melodramata, v\u00a0nich\u017e tak \u010dasto hr\u00e1val. Jeho dom\u00e9nou se stal filmov\u00fd p\u0159epis \u010desk\u00e9 literatury a\u00a0historick\u00e1 t\u00e9mata. Jeho prvn\u00edm re\u017eis\u00e9rsk\u00fdm po\u010dinem byla v\u00a0roce 1936\u00a0adaptace divadeln\u00ed hry Aloise Jir\u00e1ska Vojnarka s\u00a0Ji\u0159inou \u0160t\u011bpni\u010dkovou v\u00a0hlavn\u00ed \u00faloze. O\u00a0rok pozd\u011bji zfilmoval divadeln\u00ed hru Franti\u0161ka Adolfa \u0160uberta Jan V\u00fdrava, kde se v\u00a0hlavn\u00ed roli sedl\u00e1ka p\u0159edvedl pro zm\u011bnu Zden\u011bk \u0160t\u011bp\u00e1nek. V\u00a0roce 1940\u00a0se Borsk\u00fd chopil realizace filmov\u00e9ho p\u0159episu ver\u0161ovan\u00e9 hry Franti\u0161ka Xavera Svobody \u010cekanky. Prvn\u00ed velkou filmovou \u00falohu zde sv\u011b\u0159il Zorce Jan\u016f, s\u00a0n\u00ed\u017e se sezn\u00e1mil na po\u010d\u00e1tku sv\u00e9 filmov\u00e9 kari\u00e9ry. Do konce v\u00e1lky sta\u010dil je\u0161t\u011b nato\u010dit slavnou Tylovu Pali\u010dovu dceru s\u00a0R\u016f\u017eenou Naskovou, Zde\u0148kem \u0160t\u011bp\u00e1nkem a\u00a0L\u00eddou Baarovou v\u00a0hlavn\u00edch rol\u00edch.<\/p>\n

Po osvobozen\u00ed se Vladim\u00edr Borsk\u00fd stal jedn\u00edm ze sympatizant\u016f komunistick\u00e9 strany. V\u00a0roce 1946\u00a0podepsal prokomunistick\u00e9 M\u00e1jov\u00e9 poselstv\u00ed kulturn\u00edch pracovn\u00edk\u016f \u010desk\u00e9mu lidu! publikovan\u00e9 p\u0159ed parlamentn\u00edmi volbami do N\u00e1rodn\u00edho shrom\u00e1\u017ed\u011bn\u00ed. Tento p\u0159edvolebn\u00ed manifest tehdy podepsalo v\u00edce ne\u017e osm set kulturn\u00edch pracovn\u00edk\u016f a\u00a0komunist\u00e9 volby vyhr\u00e1li. Pozd\u011bji Borsk\u00fd podepsal v\u00fdzvu prokomunistick\u00e9 inteligence Kup\u0159edu, zp\u00e1tky ni krok!, je\u017e byla publikov\u00e1na dne 25.\u00a0\u00fanora 1948\u00a0na podporu komunistick\u00e9ho p\u0159evratu.<\/p>\n

M\u011bl ty nejlep\u0161\u00ed p\u0159edpoklady st\u00e1t se prvn\u00edm<\/p>\n

Ji\u017e v\u00a0\u010dervnu roku 1947\u00a0se Borsk\u00fd stal um\u011bleck\u00fdm vedouc\u00edm I. v\u00fdrobn\u00ed skupiny na Barrandov\u011b. Z\u00e1hy dostal mimo\u0159\u00e1dnou p\u0159\u00edle\u017eitost nato\u010dit prvn\u00ed \u010desk\u00fd barevn\u00fd velkofilm Jan Roh\u00e1\u010d z\u00a0Dub\u00e9. Nebylo \u017e\u00e1dn\u00fdm p\u0159ekvapen\u00edm, \u017ee volba padla pr\u00e1v\u011b na n\u011bho. Spolu s\u00a0kameramanem Janem Stallichem ji\u017e zku\u0161enost s\u00a0nat\u00e1\u010den\u00edm na barevn\u00fd materi\u00e1l m\u011bli, nebo\u0165 ji\u017e p\u0159edt\u00edm nat\u00e1\u010deli ve V\u00eddni s\u00a0re\u017eis\u00e9rem Willi Forstem. Borsk\u00fd k\u00a0filmu napsal i\u00a0sc\u00e9n\u00e1\u0159. Pro tituln\u00ed roli si zvolil Otomara Korbel\u00e1\u0159e. Objevili se tu ale i\u00a0Ladislav Boh\u00e1\u010d, Felix le Breux, Theodor Pi\u0161t\u011bk, Rudolf Deyl mlad\u0161\u00ed, Jaroslav Vojta \u010di Josef Bl\u00e1ha.<\/p>\n

Film Jan Roh\u00e1\u010d z\u00a0Dub\u00e9 se nat\u00e1\u010del na Agfacolor a\u00a0vy\u017e\u00e1dal si n\u00e1klady p\u0159esahuj\u00edc\u00ed \u010dty\u0159i miliony korun, co\u017e byl v\u00edce ne\u017e dvojn\u00e1sobek pr\u016fm\u011brn\u00fdch n\u00e1klad\u016f vynalo\u017een\u00fdch na b\u011b\u017en\u00e9 filmy t\u00e9 doby. Drah\u00e1 kulisa hradu Sion byla postavena na Barrandov\u011b. Borsk\u00fd se do\u017eadoval, aby dobyt\u00fd hrad skute\u010dn\u011b sho\u0159el, s\u00a0\u010d\u00edm\u017e produkce nesouhlasila. Ve chv\u00edli, kdy se posledn\u00ed z\u00e1b\u011br na Si\u00f3nu nat\u00e1\u010del, byl zinscenovan\u00fdm omylem odvol\u00e1n vedouc\u00ed v\u00fdroby Bohumil \u0160m\u00edda z\u00a0produkce k\u00a0vzd\u00e1len\u00e9mu telefon\u00e1tu. Kdy\u017e dob\u011bhl zp\u011bt, vid\u011bl ji\u017e jen oblak d\u00fdmu, kter\u00fd z\u00a0kulis z\u016fstal.<\/p>\n

\"\"<\/a><\/p>\n

Pra\u017esk\u00e9 premi\u00e9ry se dne 28.\u00a0b\u0159ezna 1947\u00a0z\u00fa\u010dastnili nejvy\u0161\u0161\u00ed st\u00e1tn\u00ed p\u0159edstavitel\u00e9 v\u00a0\u010dele s\u00a0prezidentem Edvardem Bene\u0161em. Film doposud v\u00a0kin\u011b vid\u011blo okolo \u010dty\u0159 milion\u016f div\u00e1k\u016f, \u010d\u00e1ste\u010dn\u011b i\u00a0d\u00edky nov\u00e9mu uveden\u00ed na po\u010d\u00e1tku \u0161edes\u00e1t\u00fdch let. Kdy byla jeho p\u016fvodn\u011b t\u00e9m\u011b\u0159 dvouhodinov\u00e1 stop\u00e1\u017e zkr\u00e1cena na osmdes\u00e1t \u010dty\u0159i minut. Stalo se tak bohu\u017eel velmi ne\u0161etrn\u00fdm zp\u016fsobem, n\u00e1sledkem \u010deho\u017e je film zna\u010dn\u011b nep\u0159ehledn\u00fd a\u00a0zmaten\u00fd.<\/p>\n

Jan Roh\u00e1\u010d z\u00a0Dub\u00e9 nicm\u00e9n\u011b zajistil ji\u017e nav\u017edy Vladim\u00edru Borsk\u00e9mu p\u0159edn\u00ed m\u00edsto v\u00a0d\u011bjin\u00e1ch \u010desk\u00e9 kinematografie. V\u00a0pades\u00e1t\u00fdch letech re\u017eis\u00e9r nato\u010dil je\u0161t\u011b takov\u00e9 sn\u00edmky jako byly drama Jest\u0159\u00e1b kontra Hrdli\u010dka, komedie Kudy kam? \u010di krimifilm Pad\u011blek. Svoji re\u017eis\u00e9rskou filmografii pak zakon\u010dil ji\u017e zapomenut\u00fdm st\u0159edometr\u00e1\u017en\u00edm medailonkem Herec Stanislav Neumann. Spolupracoval rovn\u011b\u017e s\u00a0rozhlasem a\u00a0okrajov\u011b i\u00a0s televiz\u00ed. Vladim\u00edr Borsk\u00fd podlehl zhoubn\u00e9 nemoci dne 24.\u00a0\u0159\u00edjna 1962\u00a0v\u00a0Praze. Bylo mu pouh\u00fdch pades\u00e1t osm let. A\u017e do konce \u017eivota z\u016fstal svobodn\u00fd a\u00a0bezd\u011btn\u00fd.<\/p>\n","protected":false},"excerpt":{"rendered":"Na sv\u011bt p\u0159i\u0161el jako Vladim\u00edr Fuks dne 2.\u00a0b\u0159ezna 1904\u00a0na Sm\u00edchov\u011b, kter\u00fd byl tehdy je\u0161t\u011b samostatn\u00fdm m\u011bstem, nikoliv pouhou…\n","protected":false},"author":2,"featured_media":24237,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8018,79,1093,441,1448,650,1073,80,437],"class_list":{"0":"post-24236","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-ceska-historie","9":"tag-entertainment","10":"tag-filmy","11":"tag-historie","12":"tag-kultura","13":"tag-lide","14":"tag-pribeh","15":"tag-zabava","16":"tag-zajimavosti"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116227906181051431","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/24236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=24236"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/24236\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/24237"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=24236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=24236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=24236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}