{"id":33571,"date":"2026-03-23T20:45:09","date_gmt":"2026-03-23T20:45:09","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/33571\/"},"modified":"2026-03-23T20:45:09","modified_gmt":"2026-03-23T20:45:09","slug":"kdyz-svetu-vladla-tistena-media-vystava-ukazuje-co-s-nimi-delali-umelci","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/33571\/","title":{"rendered":"Kdy\u017e sv\u011btu vl\u00e1dla ti\u0161t\u011bn\u00e1 m\u00e9dia. V\u00fdstava ukazuje, co s\u00a0nimi d\u011blali um\u011blci"},"content":{"rendered":"

\u010cl\u00e1nek si tak\u00e9 m\u016f\u017eete poslechnout v\u00a0audioverzi.<\/p>\n

Podle novinov\u00e9 fotky z\u00a0v\u011bznice Ab\u00fa Ghrajb vzniklo um\u011bleck\u00e9 d\u00edlo. Fale\u0161n\u00e9 Hitlerovy \u0159e\u010di\u010dky u\u017e v\u00a0roce 1930\u00a0inspirovaly kol\u00e1\u017e z\u00a0tiskovin. A\u00a0na malb\u011b nazvan\u00e9 Perestrojka kr\u00e1\u010d\u00ed dav \u010dten\u00e1\u0159\u016f skryt\u00fdch za hradbou novin. Ti\u0161t\u011bn\u00e1 m\u00e9dia p\u0159itahuj\u00ed um\u011blce u\u017e 150\u00a0let, jak ukazuje nov\u00e1 velk\u00e1 p\u0159ehl\u00eddka nazvan\u00e1 Hit By News v\u00a0pra\u017esk\u00e9m Centru sou\u010dasn\u00e9ho um\u011bn\u00ed DOX. V\u00a0jeho dvou patrech se nach\u00e1z\u00ed \u010dty\u0159i stovky d\u011bl od dvou stovek autor\u016f \u010dasto velmi zvu\u010dn\u00fdch jmen.<\/p>\n

Mezi vystavuj\u00edc\u00edmi se vyj\u00edmaj\u00ed Andy Warhol, Joseph Beuys, Gerhard Richter, Man Ray, Kazimir Malevi\u010d, Christo, Alberto Giacometti, Joan Mir\u00f3, Le Corbusier \u010di David Hockney. V\u0161echny fotografie, malby, kol\u00e1\u017ee \u010di grafiky poch\u00e1zej\u00ed ze \u0161v\u00fdcarsk\u00e9 sb\u00edrky Annette a\u00a0Petera Nobelov\u00fdch. P\u0159ehl\u00eddka potrv\u00e1 do 23.\u00a0srpna.<\/p>\n

V\u016fbec prvn\u00ed d\u00edlo si advok\u00e1t se slavn\u00fdm jm\u00e9nem Peter Nobel po\u0159\u00eddil v\u00a080.\u00a0letech minul\u00e9ho stolet\u00ed, kdy za\u010dal v\u00a0Curychu pracovat pro vydavatelstv\u00ed Ringier. \u201eSm\u011bl jsem si vybrat dekoraci na ze\u010f do kancel\u00e1\u0159e. Kdy\u017e jsem se rozhodl pro Prodejce Blicku od Hannese Portmanna, veden\u00ed mi n\u00e1kup zak\u00e1zalo, proto\u017ee obraz nepova\u017eovalo za dostate\u010dn\u011b kvalitn\u00ed,\u201c vzpom\u00edn\u00e1<\/a> sb\u011bratel pro \u0161v\u00fdcarsk\u00fd Tagblatt. Nobel v\u0161ak trval na sv\u00e9m a\u00a0zaplatil za pr\u00e1ci 5000\u00a0frank\u016f z\u00a0vlastn\u00ed kapsy. Tak se za\u010dala rodit sb\u00edrka s\u00a0ojedin\u011bl\u00fdm zam\u011b\u0159en\u00edm na takzvan\u00fd press art, pr\u016fse\u010d\u00edk m\u00e9di\u00ed a\u00a0um\u011bn\u00ed. V\u00a0sou\u010dasnosti kolekce zahrnuje p\u0159ibli\u017en\u011b dva tis\u00edce d\u011bl, z\u00a0nich\u017e pro pra\u017eskou v\u00fdstavu vyb\u00edral \u0161v\u00fdcarsk\u00fd kur\u00e1tor Christoph Doswald. <\/p>\n

P\u0159ehl\u00eddku se\u0159adil do 14\u00a0v\u00edcem\u00e9n\u011b chronologick\u00fdch kapitol, p\u0159ipravil tak jakousi proch\u00e1zku kronikou \u017eurnalistiky, jak ji \u201enapsali\u201c um\u011blci z\u00a0Evropy, Ameriky \u010di Asie. Doswald\u016fv \u201ev\u00fdklad\u201c se\u00a0\u2013 stejn\u011b jako sb\u00edrka Nobelov\u00fdch\u00a0\u2013 milosrdn\u011b zastavil p\u0159ed rozmachem soci\u00e1ln\u00edch s\u00edt\u00ed. N\u00e1v\u0161t\u011bvn\u00edk, kter\u00fd mo\u017en\u00e1 o\u010dek\u00e1val medi\u00e1ln\u00ed brutalitu a\u00a0boj s\u00a0dezinformacemi, si m\u016f\u017ee vydechnout. Ne\u010dek\u00e1 ho pitv\u00e1n\u00ed \u0161\u00edlenstv\u00ed na s\u00edt\u00edch, kter\u00e9mu se sou\u010dasn\u00e9 um\u011bn\u00ed tak\u00e9 um\u00ed vyrovnat \u00faderem na sol\u00e1r lidsk\u00fdch emoc\u00ed.<\/p>\n

N\u011bkter\u00e9 \u010d\u00e1sti v\u00fdstavy jsou p\u0159\u00edmo idylick\u00e9, jin\u00e9 zobrazuj\u00ed d\u00edla, kter\u00e1 ve sv\u00e9 dob\u011b p\u016fsobila troufale kriticky, ale sou\u010dasn\u00edka u\u017e nepohor\u0161\u00ed ani neroz\u010d\u00edl\u00ed.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Velkou pot\u011bchu nab\u00edz\u00ed odd\u00edl p\u0159edstavuj\u00edc\u00ed zlatou \u00e9ru report\u00e9rsk\u00e9 fotografie. Man\u017eel\u016fm Nobelov\u00fdm se poda\u0159ilo shrom\u00e1\u017edit spoustu skv\u011bl\u00fdch sn\u00edmk\u016f od klasik\u016f dokument\u00e1rn\u00ed i\u00a0ateli\u00e9rov\u00e9 fotografie. Jsou tu d\u00edla Roberta Capy, Henriho Cartier-Bressona, Edwarda Steichena, Brassa\u00efe, Alexandra Rod\u010denka a\u00a0dal\u0161\u00edch.<\/p>\n

Gotthard Schuh zachytil v\u00a0roce 1930\u00a0korpulentn\u00ed pan\u00ed, kterak si d\u011bl\u00e1 pohodl\u00ed na cury\u0161sk\u00e9 lavi\u010dce p\u0159i \u010dten\u00ed novin. Dv\u011b meziv\u00e1le\u010dn\u00e9 fotografie Hanse Stauba ukazuj\u00ed, \u017ee pouli\u010dn\u00ed \u010dten\u00e1\u0159sk\u00e1 v\u00e1\u0161e\u0148 postihovala lidi nap\u0159\u00ed\u010d soci\u00e1ln\u00edmi t\u0159\u00eddami: vyfotografoval mladou \u010dten\u00e1\u0159ku zaujatou m\u00f3dn\u00edm magaz\u00ednem a\u00a0na druh\u00e9m sn\u00edmku podobn\u011b zahlouban\u00e9 t\u0159i stavebn\u00ed d\u011bln\u00edky, kte\u0159\u00ed b\u011bhem p\u0159est\u00e1vky \u010dtou spole\u010dn\u011b jedny noviny. Pe\u010dliv\u011b upraven\u00e1 d\u00edvka s\u00a0tenoulink\u00fdm obo\u010d\u00edm a\u00a0v kab\u00e1tku s\u00a0ko\u017ee\u0161inov\u00fdm l\u00edmcem jako by vypadla z\u00a0ob\u00e1lky \u010dasopisu. Naproti tomu t\u0159i mlad\u00edci nad novinami konzumuj\u00ed sva\u010diny.<\/p>\n

Soci\u00e1ln\u00ed podtext m\u00e1 i\u00a0Rod\u010denkova fotografie Kiosek z\u00a0roku 1928.\u00a0Zachycuje trafiku, u\u00a0n\u00ed\u017e maj\u00ed slo\u017een\u00fd sv\u016fj p\u0159enosn\u00fd stolek dv\u011b pouli\u010dn\u00ed prodava\u010dky zabalen\u00e9 do tlust\u00fdch \u0161\u00e1tk\u016f. <\/p>\n

Cartier-Bresson v\u00a0den korunovace kr\u00e1le Ji\u0159\u00edho VI. roku 1937\u00a0zv\u011b\u010dnil Trafalgarsk\u00fd pomn\u00edk oble\u017een\u00fd lidmi. U\u00a0jejich nohou na dla\u017eb\u011b zastlan\u00e9 vrstvou poh\u00e1zen\u00fdch novin sp\u00ed zmo\u017een\u00fd mlad\u00edk.<\/p>\n

Ani experiment\u00e1tor Man Ray neodolal tematice m\u00e9di\u00ed, v\u00a0roce 1933\u00a0po\u0159\u00eddil slavn\u00fd akt u\u00a0tiska\u0159sk\u00e9ho stroje.<\/p>\n

Foto: Tom\u00e1\u0161 Cindr, DOX<\/p>\n

Na fotografii z\u00a0v\u00fdstavy je d\u00edlo Kurta Schwitterse nazvan\u00e9 Pozor na pr\u00e1zdn\u00e1 slova z\u00a0roku 1930.<\/p>\n

Kur\u00e1tor se v\u00a0pr\u016fvodn\u00edch textech zam\u00fd\u0161l\u00ed, jak se um\u011blci vyrovn\u00e1vali s\u00a0rozmachem fotografie. Ta je podle jeho slov u\u017e za\u010d\u00e1tkem 19.\u00a0stolet\u00ed p\u0159ipravila o \u201evizu\u00e1ln\u00ed monopol, kdy\u017e obrazy za\u010daly b\u00fdt reprodukovateln\u00e9 v\u00a0novin\u00e1ch a\u00a0\u010dasopisech\u201c.<\/p>\n

Ve stoln\u00ed vitr\u00edn\u011b jsou vystaveny des\u00edtky dobov\u00fdch vizitek, drobn\u00fdch reprezentativn\u00edch portr\u00e9t\u016f n\u011bkdej\u0161\u00ed elity 19.\u00a0stolet\u00ed. P\u00e1nov\u00e9 s\u00a0licousy a\u00a0d\u00e1my v\u00a0klobouc\u00edch maj\u00ed n\u011bco spole\u010dn\u00e9ho. V\u0161ichni t\u0159\u00edmaj\u00ed v\u00a0rukou \u010di maj\u00ed vedle sebe v\u00fdznamn\u011b polo\u017een\u00e9 noviny. Dr\u017e\u00ed je \u201ejako tu nejd\u016fle\u017eit\u011bj\u0161\u00ed v\u011bc, kter\u00e1 ilustruje v\u00fdznam zastaven\u00e9ho okam\u017eiku\u201c, mysl\u00ed si kur\u00e1tor.<\/p>\n

Jedna z\u00a0dal\u0161\u00edch kapitol sleduje, jak se na vzniku politick\u00fdch utopi\u00ed za\u010d\u00e1tkem 20.\u00a0stolet\u00ed pod\u00edleli v\u00fdtvarn\u00edci. V\u00fdstava p\u0159ipom\u00edn\u00e1 d\u00edla Kazimira Malevi\u010de \u010di El Lisick\u00e9ho, jejich\u017e slu\u017eeb vyu\u017eila sov\u011btsk\u00e1 propaganda.<\/p>\n

Na politiku odpov\u011bd\u011blo um\u011bn\u00edm dadaismem a\u00a0kol\u00e1\u017e\u00ed. Ta se podle kur\u00e1tora \u201evyvinula ve zcela novou um\u011bleckou formu, kterou lze ch\u00e1pat jako reakci na manipulativn\u00ed m\u00e9dia\u201c, kdy \u201eum\u011blci st\u0159\u00edhali noviny, vyb\u00edrali p\u0159esn\u00e9 v\u00fd\u0148atky a\u00a0v\u00fdsledn\u00e9 pap\u00edrov\u00e9 \u00fatr\u017eky pot\u00e9 p\u0159eskl\u00e1dali, aby vytvo\u0159ili vlastn\u00ed realitu a\u00a0alternativn\u00ed pravdy\u201c.<\/p>\n

Foto: DOX<\/p>\n

Wictor Dubrowin: Perestroika 88.\u00a0D\u00edlo poch\u00e1z\u00ed z\u00a0roku 1991.<\/p>\n

D\u00edla, z\u00a0nich\u017e lze dobov\u00e9 souvislosti a\u00a0anga\u017eovanost um\u011blc\u016f vy\u010d\u00edst, na v\u00fdstav\u011b st\u0159\u00eddaj\u00ed pr\u00e1ce, kter\u00e9 jsou se sv\u011btem \u017eurnalistiky spojeny mo\u017en\u00e1 jen n\u00e1hodn\u011b. Nap\u0159\u00edklad kresba \u010dern\u00fdm perem p\u0159es tituln\u00ed stranu novin od Alberta Giacomettiho z\u00a0roku 1963\u00a0nejsp\u00ed\u0161 p\u0159edstavuje jen moment\u00e1ln\u00ed n\u00e1pad, jak zachytit d\u00edvku sed\u00edc\u00ed u\u00a0vedlej\u0161\u00edho kav\u00e1rensk\u00e9ho stolku, a\u00a0nikoli koment\u00e1\u0159 k\u00a0m\u00e9di\u00edm.<\/p>\n

Tak\u00e9 dal\u0161\u00edm autor\u016fm se ti\u0161t\u011bn\u00e9 den\u00edky hodily mo\u017en\u00e1 jen jako dostupn\u00fd podklad rychl\u00e9ho n\u00e1padu. Na noviny maloval i\u00a0architekt Le Corbusier. Joan Mir\u00f3 se dokonce nespokojil s\u00a0tu\u017ekou \u010di perem, ale vzal si na to barvy.<\/p>\n

Velkou anga\u017eovanost lze vy\u010d\u00edst u\u00a0prac\u00ed Josepha Beuyse, kter\u00fd zkoumal ekologick\u00e9 mo\u017enosti \u017eivota. Tak\u00e9 Andy Warhol reagoval kriticky na svou sou\u010dasnost. Jeho n\u00e1m\u011btem byly nejen celebrity, kter\u00e9 ho fascinovaly kultem osobnosti. Vedle here\u010dky Marilyn Monroe v\u00a0mnoha barevn\u00fdch mutac\u00edch prohl\u00e1sil za um\u011bn\u00ed i\u00a0velkou zv\u011bt\u0161eninu tituln\u00ed strany den\u00edku New York Post. Dominovala j\u00ed zpr\u00e1va o\u00a0rasistick\u00e9 vra\u017ed\u011b sp\u00e1chan\u00e9 teenagerem. Jin\u00e1 zv\u011bt\u0161en\u00e1 novinov\u00e1 str\u00e1nka obsahovala ob\u0159\u00ed fotografii dopravn\u00ed nehody se zran\u011bn\u00fdmi i\u00a0mrtv\u00fdmi t\u011bly. Novin\u00e1\u0159sk\u00e1 senzacechtivost mo\u017en\u00e1 Warhola stejnou m\u011brou p\u0159itahovala, jako d\u011bsila, napad\u00e1 div\u00e1ka v\u00a0DOX tv\u00e1\u0159\u00ed v\u00a0tv\u00e1\u0159 jeho d\u00edl\u016fm.<\/p>\n

<\/a><\/p>\n

Hodn\u011b prostoru po\u0159adatel\u00e9 v\u011bnuj\u00ed tvorb\u011b 60.\u00a0let minul\u00e9ho stolet\u00ed. Um\u011blec Christo noviny balil do igelitu, C\u00e9sar je lisoval a\u00a0vytv\u00e1\u0159el z\u00a0nich objekty, Mimmo Rotella p\u0159etv\u00e1\u0159el filmov\u00e9 plak\u00e1ty s\u00a0Marilyn Monroe, Ingrid Bergman \u010di Humphreym Bogartem v\u00a0romantick\u00e1 d\u00edla.<\/p>\n

\u010c\u00edm v\u00edc se vystaven\u00e9 pr\u00e1ce bl\u00ed\u017e\u00ed sou\u010dasnosti, t\u00edm se zdaj\u00ed b\u00fdt t\u00e9mata pal\u010div\u011bj\u0161\u00ed. Alfredo Jaar v\u00a0cyklu Newsweek reprodukuje s\u00e9rii ob\u00e1lek \u010dasopisu, kter\u00e9 vych\u00e1zely v\u00a0roce 1994\u00a0po za\u010d\u00e1tku ob\u010dansk\u00e9 v\u00e1lky ve Rwand\u011b. \u0160estn\u00e1ct tituln\u00edch stran dokumentuje \u010dty\u0159i m\u011bs\u00edce, je\u017e ub\u011bhly do doby, ne\u017e se nejv\u00fdznamn\u011bj\u0161\u00ed americk\u00fd magaz\u00edn za\u010dal o\u00a0rwandsk\u00fd konflikt v\u00e1\u017en\u011b zaj\u00edmat.<\/p>\n

Joan Fontcuberta zpracovala fotografii z\u00a0v\u011bznice Ab\u00fa Ghrajb, kde doch\u00e1zelo k\u00a0mu\u010den\u00ed v\u00e1le\u010dn\u00fdch zajatc\u016f b\u011bhem americk\u00e9ho ta\u017een\u00ed v\u00a0Ir\u00e1ku z\u00a0roku 2004.\u00a0Novinov\u00fd sn\u00edmek um\u011blkyn\u011b rozpixelovala do stovek miniaturn\u00edch fotografi\u00ed sta\u017een\u00fdch z\u00a0internetu s\u00a0t\u00edmto motivem.<\/p>\n

Podobnou metodu zvolila Sabine Hertig. Jej\u00ed obraz Krajina tvo\u0159\u00ed stovky drobn\u00fdch fote\u010dek vyst\u0159i\u017een\u00fdch z\u00a0francouzsk\u00e9ho Le Monde. Autorka na vlastn\u00ed k\u016f\u017ei zakusila, jak m\u016f\u017ee b\u00fdt pr\u00e1ce s\u00a0m\u00e9dii t\u00e9\u017e nebezpe\u010dn\u00e1: P\u0159i v\u00fdstav\u011b v\u00a0Istanbulu kr\u00e1tce \u010delila podez\u0159en\u00ed z\u00a0\u00fadajn\u00e9ho \u0161\u00ed\u0159en\u00ed propagandy teroristick\u00e9 organizace, proto\u017ee na jednom mal\u00e9m pol\u00ed\u010dku jej\u00edho d\u00edla byla vid\u011bt vlaje\u010dka Strany kurdsk\u00fdch pracuj\u00edc\u00edch zn\u00e1m\u00e9 pod zkratkou PKK.<\/p>\n

Foto: Profimedia.cz<\/p>\n

\u010c\u00edm v\u00edc se vystaven\u00e9 pr\u00e1ce bl\u00ed\u017e\u00ed sou\u010dasnosti, t\u00edm se zdaj\u00ed b\u00fdt t\u00e9mata pal\u010div\u011bj\u0161\u00ed.<\/p>\n

V\u00fdstava v\u00a0DOX, na n\u00ed\u017e je z\u00a0\u010desk\u00fdch tv\u016frc\u016f zastoupen pouze kol\u00e1\u017eista Ji\u0159\u00ed Kol\u00e1\u0159, nab\u00edz\u00ed mnoho obraz\u016f, kter\u00e9 se svou vizualitou a\u00a0sd\u011blen\u00edm nadlouho vryj\u00ed do pam\u011bti. A\u00a0nemus\u00ed j\u00edt o\u00a0\u017e\u00e1dnou konkr\u00e9tn\u00ed ud\u00e1lost. <\/p>\n

Takov\u00fdm d\u00edlem m\u016f\u017ee b\u00fdt fotografie Posledn\u00ed ve\u010de\u0159e pracuj\u00edc\u00edch z\u00a0roku 2006\u00a0od \u010d\u00ednsk\u00e9ho um\u011blce \u010canga Sien-junga. Tlupa u\u0161mudlan\u00fdch, zb\u011bsile se tv\u00e1\u0159\u00edc\u00edch d\u011bln\u00edk\u016f se nad stolem pokryt\u00fdm novinami l\u00e1duje h\u016flkami j\u00eddlem z\u00a0hlin\u00edkov\u00fdch misek. Tv\u00e1\u0159 mistra i\u00a0v\u0161ech 12 \u201eu\u010dedn\u00edk\u016f\u201c pat\u0159\u00ed um\u011blci. Je to skv\u011bl\u00e9 zcizen\u00ed k\u0159es\u0165ansk\u00e9ho motivu, kter\u00e9 si od doby Leonarda da Vinciho dosud n\u00e1rokovala evropsk\u00e1 kultura.<\/p>\n

V\u00fdstava: Hit by News<\/p>\n

Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX, Praha, do 23.\u00a0srpna 2026.<\/p>\n","protected":false},"excerpt":{"rendered":"\u010cl\u00e1nek si tak\u00e9 m\u016f\u017eete poslechnout v\u00a0audioverzi. Podle novinov\u00e9 fotky z\u00a0v\u011bznice Ab\u00fa Ghrajb vzniklo um\u011bleck\u00e9 d\u00edlo. Fale\u0161n\u00e9 Hitlerovy \u0159e\u010di\u010dky…\n","protected":false},"author":2,"featured_media":33572,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[9277,79,91,1450,80],"class_list":{"0":"post-33571","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dox","9":"tag-entertainment","10":"tag-vystavy","11":"tag-vytvarne-umeni","12":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116280447683107793","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/33571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=33571"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/33571\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/33572"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=33571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=33571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=33571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}