{"id":3365,"date":"2026-02-21T05:37:08","date_gmt":"2026-02-21T05:37:08","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/3365\/"},"modified":"2026-02-21T05:37:08","modified_gmt":"2026-02-21T05:37:08","slug":"jo-tresne-zraly-umi-zazpivat-kazdy-cech-malokdo-ale-vi-ze-original-je-kriminalnicky-song","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/3365\/","title":{"rendered":"J\u00f3, t\u0159e\u0161n\u011b zr\u00e1ly um\u00ed zazp\u00edvat ka\u017ed\u00fd \u010cech. M\u00e1lokdo ale v\u00ed, \u017ee origin\u00e1l je krimin\u00e1lnick\u00fd song"},"content":{"rendered":"

Zat\u00edmco ka\u017ed\u00fd z\u00a0n\u00e1s by asi z\u00a0hlavy dal dohromady melodii a\u00a0podstatnou \u010d\u00e1st textu, a\u00a0p\u00edsni\u010dka pat\u0159\u00ed k\u00a0z\u00e1kladn\u00ed v\u00fdbav\u011b skoro ka\u017ed\u00e9ho amat\u00e9rsk\u00e9ho kytaristy, m\u00e1lokdo z\u00a0n\u00e1s v\u00ed, \u017ee historie origin\u00e1lu a\u00a0jeho vyzn\u011bn\u00ed je radik\u00e1ln\u011b odli\u0161n\u00e9 od \u010desk\u00e9ho. P\u016fvodn\u00ed verze se jmenovala Jailer, Bring Me Water (\u017dal\u00e1\u0159n\u00edku, dones mi vodu) a\u00a0jej\u00edm autorem byl v\u0161estrann\u00fd americk\u00fd um\u011blec Bobby Darin.<\/p>\n

Ten ji napsal v\u00a0roce 1961, v\u00a0obdob\u00ed, kdy hledal inspiraci v\u00a0ko\u0159enech americk\u00e9 hudby, jako je folk a\u00a0gospel. Nahr\u00e1vka vznikla pod dohledem slavn\u00e9ho producenta Ahmeta Erteguna a\u00a0Darin se v\u00a0n\u00ed nep\u0159edstavil jen jako zp\u011bv\u00e1k, ale tak\u00e9 jako klav\u00edrista.<\/p>\n

\"\"<\/a><\/p>\n

P\u016fvodn\u011b \u0161lo o\u00a0syrov\u00fd p\u0159\u00edb\u011bh v\u011bzn\u011b, kter\u00fd p\u0159i t\u011b\u017ek\u00e9 pr\u00e1ci trp\u00ed \u017e\u00edzn\u00ed a\u00a0vzkazuje sbohem sv\u00e9 d\u00edvce. P\u00edse\u0148 vy\u0161la v\u00a0roce 1962\u00a0jako \u201eb\u00e9\u010dkov\u00e1\u201c strana singlu a\u00a0nikdo tehdy netu\u0161il, \u017ee se z\u00a0n\u00ed stane celosv\u011btov\u00fd evergreen. <\/p>\n

Skute\u010dn\u00fd glob\u00e1ln\u00ed rozmach skladb\u011b zajistil a\u017e zp\u011bv\u00e1k Trini Lopez, kter\u00fd ji v\u00a0roce 1963\u00a0za\u0159adil na sv\u00e9 legend\u00e1rn\u00ed album nahran\u00e9 \u017eiv\u011b v\u00a0hollywoodsk\u00e9m klubu PJ’s. Lopezova verze, doprov\u00e1zen\u00e1 tlesk\u00e1n\u00edm publika a\u00a0energickou kytarou, prom\u011bnila v\u011bze\u0148sk\u00e9 blues v\u00a0nespoutan\u00fd hit, kter\u00fd se bleskov\u011b \u0161\u00ed\u0159il Evropou i\u00a0Asi\u00ed.<\/p>\n

Skladba se tak do\u010dkala mnoha mezin\u00e1rodn\u00edch podob. V\u00a0N\u011bmecku, Nizozemsku \u010di It\u00e1lii se Lopezovy nahr\u00e1vky dr\u017eely na p\u0159edn\u00edch p\u0159\u00ed\u010dk\u00e1ch hitpar\u00e1d. Existuje dokonce i\u00a0japonsk\u00e1 verze od Johnnyho Tillotsona, kter\u00fd byl v\u00a0t\u00e9to zemi nesm\u00edrn\u011b popul\u00e1rn\u00ed a\u00a0p\u00edse\u0148 nahr\u00e1l p\u0159\u00edmo pro tamn\u00ed trh. Tato mezin\u00e1rodn\u00ed popularita sv\u011bd\u010d\u00ed o\u00a0tom, jak univerz\u00e1ln\u011b chytlav\u00e1 byla Darinova melodie. <\/p>\n

Do \u010ceskoslovenska p\u0159inesl melodii dirigent Josef Vobruba, kter\u00fd ji nab\u00eddl Waldemaru Matu\u0161kovi. O\u00a0text se postaral dvorn\u00ed Matu\u0161k\u016fv texta\u0159 Ivo Fischer. Ten nebyl zast\u00e1ncem doslovn\u00fdch p\u0159eklad\u016f. Traduje se, \u017ee kdy\u017e dostal za \u00fakol napsat text, pod\u00edval se z\u00a0okna sv\u00e9 pracovny a\u00a0uvid\u011bl dozr\u00e1vaj\u00edc\u00ed ovoce, co\u017e mu dalo n\u00e1pad na p\u0159\u00edb\u011bh o\u00a0letn\u00edm setk\u00e1n\u00ed a\u00a0v\u011brnosti k \u201emal\u00e9 Gracy\u201c.<\/p>\n

Fischer celkem logicky usoudil, \u017ee v\u011bze\u0148sk\u00e1 tematika, alespo\u0148 tak, jak je pojata v\u00a0origin\u00e1le, by u\u00a0n\u00e1s v\u00a0t\u00e9 dob\u011b nebyla tak \u00fasp\u011b\u0161n\u00e1, a\u00a0tak vytvo\u0159il \u010desk\u00fd kovbojsk\u00fd song s\u00a0n\u00e1dechem humoru a\u00a0Matu\u0161ku stylizoval do jeho snad nejobl\u00edben\u011bj\u0161\u00ed a\u00a0nejautenti\u010dt\u011bji p\u016fsob\u00edc\u00ed role svobodomysln\u00e9ho tul\u00e1ka.<\/p>\n

\"\"<\/a><\/p>\n

Skladba se stala okam\u017eit\u00fdm hitem a\u00a0v\u00edt\u011bzila v\u00a0rozhlasov\u00e9 hitpar\u00e1d\u011b Houpa\u010dka man\u017eel\u016f \u010cern\u00fdch. V\u00a0anket\u011b Zlat\u00fd slav\u00edk se Matu\u0161ka i\u00a0d\u00edky tomuto hitu dr\u017eel na absolutn\u00edm vrcholu a\u00a0svedl t\u011bsn\u00fd souboj o\u00a0prvenstv\u00ed s\u00a0Karlem Gottem. <\/p>\n

Po roce 1968\u00a0z\u00edskala p\u00edse\u0148 pro mnoho lid\u00ed dal\u0161\u00ed rozm\u011br\u00a0\u2013 stala se symbolem touhy po volnosti a\u00a0\u00faniku z\u00a0\u0161edi re\u017eimu. Fischerovy texty pln\u00e9 d\u00e1lek fungovaly jako jak\u00e9si okno do jin\u00e9ho sv\u011bta. Osud p\u00edsn\u011b se v\u0161ak dramaticky zm\u011bnil v\u00a0roce 1986, kdy Waldemar Matu\u0161ka emigroval do USA.<\/p>\n

Totalitn\u00ed moc na to reagovala tvrd\u011b: Matu\u0161k\u016fv hlas musel zmizet z\u00a0\u00e9teru, desky byly stahov\u00e1ny z\u00a0prodejen a\u00a0zp\u011bv\u00e1k se stal \u201eosobou neexistuj\u00edc\u00ed\u201c. Tento z\u00e1kaz postihl i\u00a0Iva Fischera, pro kter\u00e9ho Matu\u0161k\u016fv odchod znamenal profesn\u00ed i\u00a0finan\u010dn\u00ed katastrofu. Navzdory cenzu\u0159e v\u0161ak p\u00edse\u0148 \u017eila d\u00e1l na soukrom\u00fdch nahr\u00e1vk\u00e1ch a\u00a0u trampsk\u00fdch oh\u0148\u016f.<\/p>\n

Dal\u0161\u00ed \u010dl\u00e1nky o\u00a0\u010desk\u00fdch verz\u00edch zahrani\u010dn\u00edch hit\u016f (v\u00fdb\u011br):<\/p>\n

https:\/\/www.bobbydarin.net\/jailer.html<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Bobby_Darin<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Trini_Lopez<\/p>\n

https:\/\/news.headliner.cz\/novinky\/textari-ivo-fischer-slavna-slova-pro-waldemara<\/p>\n

https:\/\/program.rozhlas.cz\/jo-tresne-zraly-legendarni-bard-waldemar-matuska-oslavil-90-8772304<\/p>\n","protected":false},"excerpt":{"rendered":"Zat\u00edmco ka\u017ed\u00fd z\u00a0n\u00e1s by asi z\u00a0hlavy dal dohromady melodii a\u00a0podstatnou \u010d\u00e1st textu, a\u00a0p\u00edsni\u010dka pat\u0159\u00ed k\u00a0z\u00e1kladn\u00ed v\u00fdbav\u011b skoro ka\u017ed\u00e9ho…\n","protected":false},"author":2,"featured_media":3366,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1074,79,1078,84,650,1073,649,2809,80],"class_list":{"0":"post-3365","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-ceska-hudba","9":"tag-entertainment","10":"tag-hity","11":"tag-hudba","12":"tag-lide","13":"tag-pribeh","14":"tag-spolecnost","15":"tag-waldemar-matuska","16":"tag-zabava"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/3365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=3365"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/3365\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/3366"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=3365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=3365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=3365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}