{"id":34022,"date":"2026-03-24T08:17:13","date_gmt":"2026-03-24T08:17:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/34022\/"},"modified":"2026-03-24T08:17:13","modified_gmt":"2026-03-24T08:17:13","slug":"tam-kde-staly-sekacky-je-dnes-nejkrasnejsi-smutecni-sin-v-cesku-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/34022\/","title":{"rendered":"tam, kde st\u00e1ly seka\u010dky, je dnes nejkr\u00e1sn\u011bj\u0161\u00ed smute\u010dn\u00ed s\u00ed\u0148 v \u010cesku \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"

Jak \u010das plynul, prostor ur\u010den\u00fd k rozlou\u010den\u00ed ztr\u00e1cel sv\u016fj p\u016fvodn\u00ed v\u00fdznam a nen\u00e1padn\u011b se prom\u011bnil v utilit\u00e1rn\u00ed z\u00e1zem\u00ed. Z kdysi d\u016fstojn\u00e9ho katafalku z \u010derven\u00e9ho mramoru se tak stala odkl\u00e1dac\u00ed plocha pro n\u00e1\u0159ad\u00ed a kanystry s olejem. A d\u016fm, kter\u00fd b\u00fdval z\u00e1rove\u0148 bytem spr\u00e1vce i m\u00edstem emotivn\u00edch ob\u0159ad\u016f, postupn\u011b p\u0159i\u0161el o svou n\u011bkdej\u0161\u00ed atmosf\u00e9ru i smysl.<\/p>\n

Siln\u00fd kontrast mezi pietou a ka\u017edodennost\u00ed pak vytvo\u0159il obraz, kter\u00fd byl sice syrov\u00fd, ale z\u00e1rove\u0148 definoval za\u010d\u00e1tek nov\u00e9 kapitoly.<\/p>\n

Souvisej\u00edc\u00ed<\/p>\n

\"Katedr\u00e1la\"Katedr\u00e1la\"Katedr\u00e1la<\/p>\n

48 fotografi\u00edProhl\u00e9dnout si 48 fotografi\u00ed<\/p>\n

Impuls ke zm\u011bn\u011b p\u0159i\u0161el od m\u011bstsk\u00e9ho architekta Ren\u00e9ho Dleska, kter\u00fd v dom\u011b rozpoznal skryt\u00fd potenci\u00e1l. Jeho anal\u00fdzy uk\u00e1zaly, \u017ee pr\u00e1v\u011b tento objekt m\u016f\u017ee plnohodnotn\u011b nahradit dosavadn\u00ed vyu\u017e\u00edv\u00e1n\u00ed kostela sv. Bartolom\u011bje pro civiln\u00ed ob\u0159ady. A tak vzniklo tak jasn\u00e9 zad\u00e1n\u00ed: vr\u00e1tit domu jeho p\u016fvodn\u00ed smysl, ale nov\u00fdm, sou\u010dasn\u00fdm jazykem.<\/p>\n

Mezi minulost\u00ed a sou\u010dasnost\u00ed<\/p>\n

P\u016fvodn\u00ed z\u00e1m\u011br byl ambici\u00f3zn\u00ed: zachovat maximum autentick\u00fdch prvk\u016f. Realita v\u0161ak uk\u00e1zala limity. Konstrukce \u2013 zejm\u00e9na z\u00e1klady \u2013 byla v tak \u0161patn\u00e9m stavu, \u017ee bezpe\u010dn\u00e9 zachov\u00e1n\u00ed nebylo mo\u017en\u00e9. D\u016fm tak byl postupn\u011b rozebr\u00e1n \u201ecihlu po cihle\u201c, s respektem, kter\u00fd p\u0159ipom\u00ednal sp\u00ed\u0161e archeologickou pr\u00e1ci ne\u017e demolici.<\/p>\n

V\u00fdsledkem pr\u00e1ce architekta Jakuba Va\u0161ka je fascinuj\u00edc\u00ed architektonick\u00e1 \u201ereinkarnace\u201c \u2013 do nov\u00e9 stavby se vr\u00e1tily p\u016fvodn\u00ed soklov\u00e9 kameny, o\u010di\u0161t\u011bn\u00e9 p\u00e1len\u00e9 cihly i p\u00edskovcov\u00e1 plastika, kter\u00e1 nyn\u00ed z\u00edskala d\u016fstojn\u00e9 m\u00edsto v nov\u00e9m kontextu. Minulost tu nen\u00ed jen p\u0159ipom\u00ednkou, je aktivn\u00ed sou\u010d\u00e1st\u00ed p\u0159\u00edtomnosti.<\/p>\n

Otev\u0159en\u00ed k nebi<\/p>\n

Novou smute\u010dn\u00ed s\u00ed\u0148 jej\u00ed tv\u016frci navrhli jako prostor, kter\u00fd neru\u0161\u00ed \u2013 nesna\u017e\u00ed se dominovat emoc\u00edm, ale jemn\u011b je jen doprov\u00e1z\u00ed. Interi\u00e9r pak stoj\u00ed na t\u0159ech principech: otev\u0159enosti, vzdu\u0161nosti a symbolick\u00e9m propojen\u00ed s nebem.<\/p>\n

P\u016fdorys byl o\u010di\u0161t\u011bn od p\u0159\u00ed\u010dek, aby vznikl velkorys\u00fd prostor pro shrom\u00e1\u017ed\u011bn\u00ed. Strop se zved\u00e1 v\u00fd\u0161, ne\u017e byste \u010dekali, a dod\u00e1v\u00e1 m\u00edstu ne\u010dekanou lehkost. A pak je tu gesto, kter\u00e9 definuje cel\u00fd z\u00e1\u017eitek \u2013 \u201eotev\u0159en\u00ed k nebi\u201c. \u0160pi\u010dka st\u0159echy je pomysln\u011b se\u0159\u00edznut\u00e1 a nahrazen\u00e1 velkoform\u00e1tov\u00fdm sv\u011btl\u00edkem. Skrze n\u011bj proud\u00ed sv\u011btlo i pohled vzh\u016fru, kde se obraz nebe setk\u00e1v\u00e1 s korunou stromu. Moment, kter\u00fd nelze napl\u00e1novat, jen pro\u017e\u00edt.<\/p>\n

Interi\u00e9r roku<\/p>\n

Tato rekonstrukce \u2013 spadaj\u00edc\u00ed pod kategorii Ve\u0159ejn\u00fd interi\u00e9r II \u2013 je p\u0159esn\u011b typem projektu, kter\u00fd sout\u011b\u017e s n\u00e1zvem Interi\u00e9r roku oce\u0148uje.<\/p>\n

Do sout\u011b\u017ee se mohou hl\u00e1sit projekty dokon\u010den\u00e9 v p\u0159edchoz\u00edm roce z \u010ceska i Slovenska a o v\u00edt\u011bz\u00edch rozhoduje mezin\u00e1rodn\u00ed porota odborn\u00edk\u016f \u2013 a jeden\u00e1ct\u00fd ro\u010dn\u00edk je v\u00fdjime\u010dn\u00fd cenou vyrobenou z porcel\u00e1nu.<\/p>\n

Uz\u00e1v\u011brka p\u0159ihl\u00e1\u0161ek je 28. 2. 2026 a v\u00edt\u011bzov\u00e9 budou vyhl\u00e1\u0161eni \u2013 jako obvykle \u2013 v pra\u017esk\u00e9m Centru sou\u010dasn\u00e9ho um\u011bn\u00ed DOX na ja\u0159e 2026. A hlasovat m\u016f\u017ee i ve\u0159ejnost.<\/p>\n

St\u00e1rnout s gr\u00e1ci\u00ed<\/p>\n

Prostor je haptick\u00fd, t\u00e9m\u011b\u0159 a\u017e fyzicky p\u0159\u00edtomn\u00fd. Pod nohama c\u00edt\u00edte \u017eulovou dla\u017ebu, kolem sebe vn\u00edm\u00e1te strukturu star\u00fdch cihel. D\u0159evo \u2013 dub i borovice \u2013 dod\u00e1v\u00e1 interi\u00e9ru teplo, zat\u00edmco keramick\u00e1 mozaika a k\u00e1men p\u0159in\u00e1\u0161ej\u00ed kontrast i trvanlivost.<\/p>\n

Ka\u017ed\u00fd materi\u00e1l byl vybr\u00e1n s ohledem na \u010das. Nejen na to, jak vypad\u00e1 dnes, ale jak bude vypadat za deset dvacet let. Patina tu nen\u00ed vadou \u2013 je sou\u010d\u00e1st\u00ed konceptu. A a\u010dkoliv je stavba siln\u011b emotivn\u00ed, z\u016fst\u00e1v\u00e1 praktick\u00e1. D\u016fm je rozd\u011blen do t\u0159\u00ed \u010d\u00e1st\u00ed: samotn\u00e9 smute\u010dn\u00ed s\u00edn\u011b, ve\u0159ejn\u00fdch toalet a z\u00e1zem\u00ed pro spr\u00e1vce h\u0159bitova. Interi\u00e9r nav\u00edc plynule p\u0159ech\u00e1z\u00ed do exteri\u00e9ru, kde vzniklo intimn\u00ed z\u00e1kout\u00ed. P\u00edskovcovou plastiku zde r\u00e1muj\u00ed surov\u00e9 ocelov\u00e9 pl\u00e1ty \u2013 siln\u00fd vizu\u00e1ln\u00ed moment, kter\u00fd uzav\u00edr\u00e1 pohledovou osu za katafalkem.<\/p>\n

Nov\u00e1 smute\u010dn\u00ed s\u00ed\u0148 ve Vimperku nen\u00ed ok\u00e1zal\u00e1. Nepot\u0159ebuje to. Jej\u00ed s\u00edla spo\u010d\u00edv\u00e1 v jemnosti, respektu k minulosti a hlubok\u00e9m porozum\u011bn\u00ed tomu, co takov\u00e9 m\u00edsto m\u00e1 b\u00fdt.<\/p>\n

VIDEO: \u201eAno, stavme, ale hlavn\u011b ne u m\u011b!\u201c Expert vysv\u011btluje, pro\u010d je v \u010cesku krize bydlen\u00ed<\/p>\n

Zdroj: Ing. Arch. Jakub Va\u0161ek, Interi\u00e9r roku<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Jak \u010das plynul, prostor ur\u010den\u00fd k rozlou\u010den\u00ed ztr\u00e1cel sv\u016fj p\u016fvodn\u00ed v\u00fdznam a nen\u00e1padn\u011b se prom\u011bnil v utilit\u00e1rn\u00ed z\u00e1zem\u00ed.…\n","protected":false},"author":2,"featured_media":34023,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[4025,43,42,41,40,335,441,14254,6260,14253,14252,911],"class_list":{"0":"post-34022","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cesko","8":"tag-architektura","9":"tag-ceska-republika","10":"tag-cesko","11":"tag-czech-republic","12":"tag-czechia","13":"tag-design","14":"tag-historie","15":"tag-hrbitov","16":"tag-lifestyle","17":"tag-sin","18":"tag-smutecni-obrad","19":"tag-smutek"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116283168802983162","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/34022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=34022"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/34022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/34023"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=34022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=34022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=34022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}