{"id":36960,"date":"2026-03-27T05:54:09","date_gmt":"2026-03-27T05:54:09","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/36960\/"},"modified":"2026-03-27T05:54:09","modified_gmt":"2026-03-27T05:54:09","slug":"tenhle-cesky-film-je-prusvih-cizinci-kvuli-nemu-nechteji-do-ceska-ani-vkrocit","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/36960\/","title":{"rendered":"Tenhle \u010desk\u00fd film je pr\u016f\u0161vih. Cizinci kv\u016fli n\u011bmu necht\u011bj\u00ed do \u010ceska ani vkro\u010dit"},"content":{"rendered":"

\t\t\t\t\t26. 3. 2026<\/p>\n

Filmov\u00e1 tvorba pat\u0159\u00ed ke specifick\u00fdm druh\u016fm um\u011bn\u00ed, a to p\u0159esto, \u017ee n\u011bkdy se jako um\u011bleck\u00e1 tvorba v\u016fbec netv\u00e1\u0159\u00ed. Um\u011bn\u00ed je p\u0159itom siln\u011b ovlivn\u011bno prost\u0159ed\u00edm, ve kter\u00e9m vznik\u00e1, ov\u0161em v p\u0159\u00edpad\u011b film\u016f nebo seri\u00e1l\u016f je to zn\u00e1t mnohem siln\u011bji. To ostatn\u011b b\u00fdv\u00e1 d\u016fvodem, pro\u010d n\u011bkter\u00e9 \u010desk\u00e9 filmy tolik rezonuj\u00ed \u010desk\u00fdmi div\u00e1ky, ale v zahrani\u010d\u00ed jim jen m\u00e1lokdo rozum\u00ed.<\/p>\n

Zku\u0161enosti, a\u0165 u\u017e historick\u00e9 nebo sociografick\u00e9, toti\u017e filmov\u00e9 pl\u00e1tno zprost\u0159edkovat nedok\u00e1\u017ee a jakkoli je t\u0159eba Sv\u011br\u00e1k\u016fv Kolja brilantn\u011b zpracovan\u00fdm p\u0159\u00edb\u011bhem mal\u00e9ho chlapce a st\u00e1rnouc\u00edho bonviv\u00e1na, porozum\u011bt vztahu hlavn\u00edch hrdin\u016f \u2013 zvl\u00e1\u0161\u0165 v kontextu doby \u2013 je velmi slo\u017eit\u00fdm \u00fakolem.<\/p>\n

Ostatn\u011b i proto si n\u011bkter\u00e9 \u010desk\u00e9 filmy neodv\u00e1\u017eej\u00ed Oscara, a\u010dkoli u n\u00e1s sb\u00edraj\u00ed jednu cenu za druhou, film Kolja tak musel odbornou porotu p\u0159esv\u011bd\u010dit i po t\u00e9to str\u00e1nce. Proti t\u011bmto skvost\u016fm pak stoj\u00ed \u010desk\u00e9 filmy, kter\u00e9 \u010deskou kulturu ve sv\u011bt\u011b sv\u00fdm zp\u016fsobem dehonestuj\u00ed.<\/p>\n

\u010cesk\u00e9 kultu\u0159e m\u016f\u017ee b\u00fdt t\u011b\u017ek\u00e9 porozum\u011bt<\/p>\n

Co takov\u00e1 filmov\u00e1 trilogie z jiho\u010desk\u00e9 vesnice \u0159ekne t\u0159eba Japonc\u016fm, kte\u0159\u00ed \u017eij\u00ed naprosto jin\u00fdm \u017eivotn\u00edm stylem? Nebo filmy z Kame\u0148\u00e1kova pln\u00e9 stereotypn\u00edch p\u0159edsudk\u016f a prvopl\u00e1nov\u00fdch vtip\u016f? To, co v tuzemsku bav\u00ed cel\u00e9 generace, m\u016f\u017ee cizince uv\u00e9st do rozpak\u016f nebo dokonce do znechucen\u00ed z toho, jak jsou \u010ce\u0161i na pl\u00e1tn\u011b leckdy vyl\u00ed\u010deni.<\/p>\n

A\u010dkoli se doba m\u011bn\u00ed a daleko v\u00edce si zakl\u00e1d\u00e1me na rovnosti mezi lidmi i na tom, abychom si dali pozor na jazyk, jednou nato\u010den\u00e9 d\u00edlo \u017eije d\u00e1l a s postupem \u010dasu se st\u00e1v\u00e1 p\u0159edev\u0161\u00edm sv\u011bdectv\u00edm minulosti ne\u017e odrazem sou\u010dasnosti.<\/p>\n

\"Obl\u00edben\u00e1Obl\u00edben\u00e1 sc\u00e9na z filmu Slunce, seno, jahody. Tohle by cizinci nejsp\u00ed\u0161 tak\u00e9 nepochopili. Zdroj: \u00a9 Filmov\u00e9 studio Barrandov, distr. Voyo, Profimedia<\/p>\n

Porevolu\u010dn\u00ed l\u00e9ta na pl\u00e1tn\u011b<\/p>\n

Takov\u00fdm p\u0159\u00edpadem m\u016f\u017ee b\u00fdt i film z roku 1997, kter\u00fd se vrac\u00ed do doby po p\u00e1du komunismu. Do Prahy ut\u00edk\u00e1 patn\u00e1ctilet\u00fd Marek, kter\u00fd u\u017e d\u00e1l nesnese sou\u017eit\u00ed se sv\u00fdm p\u0159\u00edsn\u00fdm otcem. V Praze se ho ujme zku\u0161en\u00fd pr\u016f\u0161vih\u00e1\u0159 a Marek s jeho pomoc\u00ed pronikne do taj\u016f sv\u011bta podsv\u011bt\u00ed. To je siln\u00e9 t\u00e9ma samo o sob\u011b, ov\u0161em vezm\u011bme v \u00favahu, \u017ee film vznikal p\u0159ed t\u0159iceti lety, v dob\u011b, kdy se o z\u00e1visl\u00fdch sm\u00fd\u0161lelo zcela jinak.<\/p>\n

Psychologick\u00e9 drama<\/p>\n

Sn\u00edmek pat\u0159\u00ed mezi psychologick\u00e9, jeho c\u00edlem tedy nen\u00ed dehonestovat skupinu obyvatel, kterou bychom tehdej\u0161\u00ed optikou nazvali men\u0161inou. Za c\u00edl si klade p\u0159ibl\u00ed\u017eit my\u0161lenkov\u00e9 pochody hlavn\u00edho hrdiny, v podstat\u011b st\u00e1le d\u00edt\u011bte, kter\u00e9 nepoch\u00e1z\u00ed z prost\u0159ed\u00ed, ve kter\u00e9m by m\u011bl na r\u016f\u017e\u00edch ustl\u00e1no, a jeho\u017e d\u011btsk\u00e9 naivity a v\u00edry v dobro sv\u011bta zneu\u017eij\u00ed dosp\u011bl\u00ed. Film je nav\u00edc m\u00edsty velmi syrov\u00fd s prvky dokument\u00e1rn\u00edho stylu, a to na nezasv\u011bcen\u00e9ho div\u00e1ka m\u016f\u017ee p\u016fsobit dojmem, \u017ee film p\u0159edkl\u00e1d\u00e1 skute\u010dnost, nikoli pouhou fikci.<\/p>\n

V\u00fdchodn\u00ed zem\u011b pln\u00e1 n\u00e1strah<\/p>\n

Film Mandragora polsk\u00e9ho re\u017eis\u00e9ra Wiktora Grodeckiho pracuje s herci, neherci i lidmi ze skute\u010dn\u00e9ho prost\u0159ed\u00ed. Tahle autenticita mu m\u00edsty dod\u00e1v\u00e1 velmi nep\u0159\u00edjemn\u00fd n\u00e1dech filmu mapuj\u00edc\u00edm drogovou z\u00e1vislost a zneu\u017e\u00edv\u00e1n\u00ed mladistv\u00fdch na \u00fazem\u00ed \u010cesk\u00e9 republiky.<\/p>\n

Zvl\u00e1\u0161\u0165 v kontextu divok\u00fdch devades\u00e1tek \u0161lo o velmi odv\u00e1\u017en\u00fd projekt, kter\u00fd p\u0159etvo\u0159il porevolu\u010dn\u00ed \u010cesko v divokou v\u00fdchodn\u00ed zemi. Ostatn\u011b na toto pojet\u00ed poukazovali kritici ji\u017e v dob\u011b uveden\u00ed filmu, podle nich toti\u017e Mandragora mohla po\u0161kodit pov\u011bst \u010cesk\u00e9 republiky pr\u00e1v\u011b t\u00edm, \u017ee ukazuje extr\u00e9mn\u00ed okraje reality, kter\u00e9 cizinci mohou pova\u017eovat za b\u011b\u017en\u00fd stav.<\/p>\n

Div\u00e1ky nenech\u00e1v\u00e1 chladn\u00fdmi ani po letech<\/p>\n

Dokl\u00e1daj\u00ed to i hodnocen\u00ed div\u00e1k\u016f na webu \u010cSFD, kde film z\u00edskal 68 %. Z reakc\u00ed je z\u0159ejm\u00e9, \u017ee ani po letech od uveden\u00ed filmu se spole\u010dnost nedok\u00e1\u017ee shodnout, zda se k Mandrago\u0159e postavit jako k um\u011bn\u00ed nebo jako k realit\u011b.<\/p>\n

\u201eJestli si n\u011bkdo mysl\u00ed, \u017ee je to jen \u00fa\u010delov\u00e9 zviditeln\u011bn\u00ed, \u017ee tato doba u\u017e je pry\u010d a my \u017eijeme v dokonal\u00e9 spole\u010dnosti, tak mu blahop\u0159eju,\u201c domn\u00edv\u00e1 se nap\u0159\u00edklad jeden z komentuj\u00edc\u00edch. \u201eM\u00e1m docela r\u00e1d nejr\u016fzn\u011bj\u0161\u00ed sn\u00edmky, ale tohle byl v\u00e1\u017en\u011b docela solidn\u00ed humus. M\u016fj kamar\u00e1d z Ameriky odm\u00edtl n\u00e1v\u0161t\u011bvu \u010ceska po zhl\u00e9dnut\u00ed tohoto sn\u00edmku,\u201c p\u00ed\u0161e jin\u00fd.<\/p>\n

\"Devades\u00e1tkov\u00fdDevades\u00e1tkov\u00fd film bude rozporupln\u00e9 reakce i mezi \u010desk\u00fdmi div\u00e1ky. Zdroj: Shutterstock<\/p>\n

Kde kon\u010d\u00ed fantazie a za\u010d\u00edn\u00e1 realita<\/p>\n

Podobn\u00e9 sn\u00edmky, a\u0165 u\u017e jde o Mandragoru nebo filmy, kter\u00e9 v dobr\u00e9m \u00famyslu zachycuj\u00ed sv\u00e9r\u00e1zn\u00fd \u010desk\u00fd humor<\/a> jako sou\u010d\u00e1st na\u0161eho folkl\u00f3ru, tak otev\u00edraj\u00ed ot\u00e1zku, kde vlastn\u011b le\u017e\u00ed hranice mezi zobrazen\u00edm reality a jej\u00edm zkreslen\u00edm.<\/p>\n

Film m\u00e1 obrovskou moc upozornit na spole\u010densk\u00e9 probl\u00e9my, o kter\u00fdch se nemluv\u00ed, a z\u00e1rove\u0148 dok\u00e1\u017ee vytvo\u0159it stereotypy, kter\u00e9 se pak jen t\u011b\u017eko vyvracej\u00ed. O to siln\u011bj\u0161\u00ed je vliv \u010desk\u00fdch film\u016f na zahrani\u010dn\u00edho div\u00e1ka, kter\u00fd s \u010deskou kinematografi\u00ed zpravidla nem\u00e1 nijak rozs\u00e1hlou zku\u0161enost.<\/p>\n

Filmy jsou odrazem n\u00e1s v\u0161ech<\/p>\n

Na stranu druhou je p\u0159\u00edli\u0161 jednoduch\u00e9 ozna\u010dit takov\u00e9 sn\u00edmky na ostudu. Kdy\u017e je toti\u017e film kontroverzn\u00ed, pln\u00ed \u010dasto jednu d\u016fle\u017eitou funkci, a sice nut\u00ed spole\u010dnost d\u00edvat se sama na sebe v cel\u00e9 sv\u00e9 surovosti. Mandragora tak s odstupem \u010dasu nen\u00ed jenom sv\u011bdectv\u00edm o temn\u00fdch devades\u00e1t\u00fdch letech, ale i o n\u00e1s samotn\u00fdch, o tom, jak jsme se u\u010dili fungovat v nov\u00e9m sv\u011bt\u011b, ve kter\u00e9m \u0159ada probl\u00e9m\u016f z\u016fstala skryt\u00fdch.<\/p>\n

N\u011bkter\u00e9 sn\u00edmky jsou pochopiteln\u00e9 jen \u201edoma\u201c<\/p>\n

\u010cesk\u00e1 kinematografie se v\u0161ak ni\u010d\u00edm neli\u0161\u00ed od t\u00e9 sv\u011btov\u00e9, minim\u00e1ln\u011b ne v ot\u00e1zce toho, \u017ee osciluje mezi dv\u011bma p\u00f3ly. Na jedn\u00e9 stran\u011b stoj\u00ed srozumiteln\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 dok\u00e1\u017eou oslovit publikum nap\u0159\u00ed\u010d kulturami. Na stran\u011b druh\u00e9 jsou pak v\u00fdpov\u011bdi doby, kter\u00e9 z\u016fst\u00e1vaj\u00ed bez znalost\u00ed kontextu nepochopeny. <\/p>\n

Zdroje: \u010cSFD, Blesk, Kinobox<\/p>\n","protected":false},"excerpt":{"rendered":"26. 3. 2026 Filmov\u00e1 tvorba pat\u0159\u00ed ke specifick\u00fdm druh\u016fm um\u011bn\u00ed, a to p\u0159esto, \u017ee n\u011bkdy se jako um\u011bleck\u00e1…\n","protected":false},"author":2,"featured_media":36961,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[1309,79,15204,15205,195,80],"class_list":["post-36960","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-cesky-film","tag-entertainment","tag-kontroverzni-film","tag-mandragora","tag-recenze","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116299593335352194","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/36960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=36960"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/36960\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/36961"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=36960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=36960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=36960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}