Narodil se 21.\u00a0dubna 1938\u00a0ve V\u00edtkovic\u00edch u\u00a0Ostravy. V\u00a0roce 1960\u00a0absolvoval herectv\u00ed a\u00a0re\u017eii na pra\u017esk\u00e9 DAMU a\u00a0stal se \u010dlenem Divadla E. F. Buriana. Na t\u00e9to sc\u00e9n\u011b se v\u00a0\u0161edes\u00e1t\u00fdch letech uplat\u0148oval jako herec, pozd\u011bji jako asistent re\u017eie a\u00a0re\u017eis\u00e9r.<\/p>\n
Od propagandy k\u00a0filmov\u00e9mu skvostu<\/p>\n
Svoji prvn\u00ed filmovou roli z\u00edskal Jan \u0160m\u00edd je\u0161t\u011b jako st\u0159edo\u0161kol\u00e1k. Bylo mu pouh\u00fdch \u0161estn\u00e1ct let, kdy\u017e se v\u00a0roce 1954\u00a0objevil v\u00a0propagandistick\u00e9m filmu Botostroj. Sn\u00edmek m\u011bl za \u00fakol diskreditovat slavn\u00e9ho zl\u00ednsk\u00e9ho podnikatele Ba\u0165u, na n\u011bho\u017e poukazovala postava bezosty\u0161n\u00e9ho podnikatele. D\u011bj byl zasazen\u00fd do fiktivn\u00edho pr\u016fmyslov\u00e9ho m\u011bsta Botostroje v\u00a0dob\u011b velk\u00e9 hospod\u00e1\u0159sk\u00e9 krize v\u00a0roce 1932\u00a0a\u00a0na p\u0159\u00edb\u011bz\u00edch hlavn\u00edch hrdin\u016f demonstroval pravou tv\u00e1\u0159 tohoto m\u00edsta i\u00a0vyko\u0159is\u0165ov\u00e1n\u00ed d\u011bln\u00edk\u016f. Jan \u0160m\u00edd v\u00a0Botostroji ztv\u00e1rnil epizodn\u00ed roli\u010dku hosta v\u00a0kav\u00e1rn\u011b, ale v\u00a0jeho v\u011bku to byl odrazov\u00fd m\u016fstek k\u00a0jin\u00fdm rol\u00edm. Na tu dal\u0161\u00ed si sice musel po\u010dkat, p\u0159i\u0161la a\u017e v\u00a0roce 1959, ale st\u00e1lo to za to. Kdy\u017e re\u017eis\u00e9r Ji\u0159\u00ed Krej\u010d\u00edk chystal film o\u00a0delikventn\u00ed ml\u00e1de\u017ei Probuzen\u00ed, pot\u0159eboval kladn\u00e9ho hrdinu jako protip\u00f3l k\u00a0Jan\u011b Brejchov\u00e9. Jeho volba padla pr\u00e1v\u011b na mladi\u010dk\u00e9ho Jana \u0160m\u00edda. V\u00a0origin\u00e1le se jeho \u010d\u00ed\u0161nick\u00e9mu u\u010dni Tonkovi Janinu postavu na spr\u00e1vnou cestu p\u0159iv\u00e9st nepoda\u0159ilo, film ale nebyl vpu\u0161t\u011bn do kin, dokud se n\u011bkolik sc\u00e9n nep\u0159eto\u010dilo a\u00a0film neskon\u010dil happyendem a\u00a0mravn\u00edm ponau\u010den\u00edm. P\u0159esto si sv\u00e9 div\u00e1ky na\u0161el a\u00a0\u010das od \u010dasu je repr\u00edzov\u00e1n dodnes.<\/p>\n
Jan \u0160m\u00edd se ve filmu osv\u011bd\u010dil natolik, \u017ee mu p\u0159\u00edsn\u00fd re\u017eis\u00e9r Krej\u010d\u00edk o\u00a0rok pozd\u011bji sv\u011b\u0159il dal\u0161\u00ed \u00falohu. A\u00a0dalo by se bez nads\u00e1zky \u0159\u00edci, \u017ee to byla \u00faloha \u017eivotn\u00ed. V\u00a0legend\u00e1rn\u00edm Vy\u0161\u0161\u00edm principu, jednom z\u00a0nejlep\u0161\u00edch film\u016f na\u0161\u00ed kinematografie, se Jan \u0160m\u00edd stal studentem Franti\u0161kem Havelkou, jedn\u00edm z\u00a0trojice maturant\u016f, kte\u0159\u00ed kv\u016fli nevinn\u00e9mu \u017eertu skon\u010d\u00ed ve sp\u00e1rech gestapa a\u00a0z\u00e1hy i\u00a0na popravi\u0161ti. Ze sc\u00e9n p\u0159ed popravou, kdy Jan \u0160m\u00edd coby student Havelka na\u0159\u00edk\u00e1 hr\u016fzou a\u00a0klepe se strachy, jde dodnes mr\u00e1z po z\u00e1dech. Natolik byl herc\u016fv projev sugestivn\u00ed. Film m\u011bl obrovsk\u00fd \u00fasp\u011bch a\u00a0nen\u00ed snad t\u00e9m\u011b\u0159 nikoho, kdo by jej alespo\u0148 jednou v\u00a0\u017eivot\u011b nevid\u011bl. <\/p>\n
Uhran\u010div\u00fd herec sv\u011bt filmu opustil<\/p>\n
Kdyby Jan \u0160m\u00edd nenato\u010dil nic jin\u00e9ho, tato jedna jedin\u00e1 role mu zajistila trval\u00e9 m\u00edsto v\u00a0d\u011bjin\u00e1ch \u010deskoslovensk\u00e9ho filmu. Otev\u0159ela mu ale tak\u00e9 dve\u0159e k\u00a0dal\u0161\u00edm zaj\u00edmav\u00fdm p\u0159\u00edle\u017eitostem. Je\u0161t\u011b v\u00a0t\u00e9m\u017ee roce se objevil i\u00a0v Kr\u0161kov\u011b psychologick\u00e9m dramatu Osen\u00ed. Film pojedn\u00e1val o\u00a0lehkomysln\u00e9m vesnick\u00e9m mlad\u00edkovi Lojzovi Zacpalovi, kter\u00fd prov\u00e1d\u00ed jednu klukovinu za druhou, okolnosti ho ale p\u0159im\u011bj\u00ed k\u00a0zodpov\u011bdnosti. Hlavn\u00ed roli Kr\u0161ka sv\u011b\u0159il V\u00edtu Olmerovi, Jan \u0160m\u00edd si zahr\u00e1l jeho soka v\u00a0l\u00e1sce, povrchn\u00edho studenta Stanina Proch\u00e1zku.<\/p>\n
Z pozd\u011bj\u0161\u00edch film\u016f, na nich\u017e se Jan \u0160m\u00edd pod\u00edlel, lze p\u0159ipomenout Transport z\u00a0r\u00e1je, o\u00a0p\u0159esunu \u017eid\u016f do koncentra\u010dn\u00edch t\u00e1bor\u016f, nebo d\u011btsk\u00fd film Ku\u0159ata na cest\u00e1ch. V\u00fdraznou roli pak Jan \u0160m\u00edd ztv\u00e1rnil v\u00a0krimifilmu Vra\u017eda v\u00a0hotelu Excelsior. Pr\u00e1v\u011b on byl on\u00edm exotick\u00fdm persk\u00fdm princem a\u00a0diplomatem jm\u00e9nem Mohamed Rasul Zade, kter\u00fd se stal na n\u011bjakou dobu podez\u0159el\u00fdm z\u00a0vra\u017edy. Film p\u0159i\u0161el do kin v\u00a0\u0159\u00edjnu roku 1971\u00a0a\u00a0pak se cosi stalo. \u00dachvatn\u00fd charaktern\u00ed herec Jan \u0160m\u00edd ze sv\u011bta filmov\u00fdch kamer n\u00e1hle zmizel. Zda za t\u00edm st\u00e1la nastupuj\u00edc\u00ed normalizace, nebo byl d\u016fvod jin\u00fd, se nikde neuv\u00e1d\u00ed. V\u00ed se jen to, \u017ee Jan \u0160m\u00edd vystudoval na Filozofick\u00e9 fakult\u011b Karlovy univerzity psychologii a\u00a0v\u00a0roce 1974\u00a0ode\u0161el z\u00a0divadla E. F. Buriana a\u00a0za\u010dal pracovat v\u00a0televizi. V\u00a0roce 1983\u00a0se v\u00fdjime\u010dn\u011b objevil v\u00a0jedn\u00e9 z\u00a0vedlej\u0161\u00edch rol\u00ed v\u00a0televizn\u00ed komedii nato\u010den\u00e9 podle liter\u00e1rn\u00ed p\u0159edlohy Jaroslava Ha\u0161ka \u0160\u0165astn\u00fd domov. Znovu se pak vr\u00e1til na obrazovky a\u017e v\u00a0roce 1992\u00a0v\u00a0televizn\u00edm filmu Kr\u00e1lovsk\u00fd \u017eivot otroka. Od t\u00e9 doby se ji\u017e nikdy v\u00edce p\u0159ed kameru nepostavil a\u00a0o jeho sou\u010dasn\u00e9m \u017eivot\u011b nen\u00ed nic zn\u00e1mo.<\/p>\n","protected":false},"excerpt":{"rendered":"Narodil se 21.\u00a0dubna 1938\u00a0ve V\u00edtkovic\u00edch u\u00a0Ostravy. V\u00a0roce 1960\u00a0absolvoval herectv\u00ed a\u00a0re\u017eii na pra\u017esk\u00e9 DAMU a\u00a0stal se \u010dlenem Divadla E.…\n","protected":false},"author":2,"featured_media":38348,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8018,79,1093,441,1448,650,1073,80,437],"class_list":{"0":"post-38347","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-ceska-historie","9":"tag-entertainment","10":"tag-filmy","11":"tag-historie","12":"tag-kultura","13":"tag-lide","14":"tag-pribeh","15":"tag-zabava","16":"tag-zajimavosti"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116307111662379028","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/38347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=38347"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/38347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/38348"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=38347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=38347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=38347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}