{"id":40199,"date":"2026-03-30T13:12:11","date_gmt":"2026-03-30T13:12:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/40199\/"},"modified":"2026-03-30T13:12:11","modified_gmt":"2026-03-30T13:12:11","slug":"jarni-vystavy-vladimir-518-jako-malir-stare-reklamni-plakaty-i-fantasmagorie","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/40199\/","title":{"rendered":"Jarn\u00ed v\u00fdstavy: Vladimir 518\u00a0jako mal\u00ed\u0159, star\u00e9 reklamn\u00ed plak\u00e1ty i\u00a0fantasmagorie"},"content":{"rendered":"

Podpo\u0159it sou\u010dasn\u00e9 i\u00a0klasick\u00e9 um\u011bn\u00ed se dlouho nezd\u00e1lo tak nutn\u00e9 jako v\u00a0dne\u0161n\u00ed dob\u011b. Vyrazit m\u016f\u017eete na jednu z\u00a0mnoha v\u00fdstav, kter\u00e9 galerie nap\u0159\u00ed\u010d celou republikou na jaro p\u0159ichystaly. P\u0159ipravili jsme pro v\u00e1s patn\u00e1ct origin\u00e1ln\u00edch, jde ale jen o\u00a0zlomek v\u0161ech, kter\u00e9 m\u016f\u017eete nav\u0161t\u00edvit. <\/p>\n

Hit By NewsCentrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX, PrahaDo 23.\u00a0srpna\u00a02026<\/p>\n

N\u011bkolik desetilet\u00ed sb\u00edr\u00e1 \u0161v\u00fdcarsk\u00fd pr\u00e1vn\u00edk Peter Nobel obrazy, kresby, fotky nebo instalace, kter\u00e9 zobrazuj\u00ed nebo interpretuj\u00ed vztah m\u00e9di\u00ed a\u00a0v\u00fdtvarn\u00e9ho um\u011bn\u00ed – takzvan\u00fd press art. Jm\u00e9na jako Gerhard Richter, Ji\u0159\u00ed Kol\u00e1\u0159, Georges Braque, Man Ray nebo Robert Capa a\u00a0t\u00e9mata jako propaganda, mystifikace nebo kol\u00e1\u017e, coby zbra\u0148 proti totalit\u011b, jsou jen mal\u00fdm l\u00e1kadlem na rozs\u00e1hlou, ale pe\u010dliv\u011b kur\u00e1torovanou p\u0159ehl\u00eddku v\u00a0pra\u017esk\u00e9m DOXu. <\/p>\n

V\u00a0dob\u011b neust\u00e1l\u00e9ho zpochyb\u0148ov\u00e1n\u00ed d\u016fv\u011bry v\u00a0medi\u00e1ln\u00ed interpretaci reality a\u00a0debat o\u00a0zachov\u00e1n\u00ed ve\u0159ejnopr\u00e1vn\u00edch m\u00e9di\u00ed nyn\u00ed pravd\u011bpodobn\u011b nenaraz\u00edte na aktu\u00e1ln\u011bj\u0161\u00ed v\u00fdstavu.<\/p>\n

GA-I-SU-RACentrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX, PrahaDo 7.\u00a0\u010dervna\u00a02026<\/p>\n

DOX si dlouhodob\u011b udr\u017euje velmi kvalitn\u00ed dramaturgii zam\u011b\u0159enou na spole\u010densk\u00e1 a\u00a0politick\u00e1 t\u00e9mata; vedle v\u00fdstavy Hit by New je zde detailn\u00ed p\u0159edstaven\u00ed osobnosti japanologa, p\u0159ekladatele, novin\u00e1\u0159e a\u00a0kaligrafa – samouka Petra Geislera (1949\u20132009). <\/p>\n

V\u00fdstava, uspo\u0159\u00e1dan\u00e1 jako hrav\u00e1 proch\u00e1zka jeho pracovnou, netradi\u010dn\u011b pojat\u00fdmi i\u00a0zar\u00e1movan\u00fdmi kaligrafiemi i\u00a0poetick\u00fdmi fotografiemi, kter\u00e9 po\u0159\u00eddil na jedn\u00e9 ze dvou japonsk\u00fdch n\u00e1v\u0161t\u011bv, je d\u00edlem Geislerov\u00fdch dcer – v\u00fdtvarnice Ester a\u00a0here\u010dky Ani. D\u016fle\u017eitou roli tu hraje i\u00a0japanolog a\u00a0Geisler\u016fv \u017e\u00e1k Petr Hol\u00fd, d\u00edky kter\u00e9mu div\u00e1ci dob\u0159e porozum\u00ed podstat\u011b Geislerova \u201esrdca\u0159sk\u00e9ho\u201c zp\u016fsobu tvorby kaligrafi\u00ed.<\/p>\n

<\/a>Adriena \u0160imotov\u00e1: Rozhran\u00ed Galerie Benedikta Rejta, LounyDo 31.\u00a0kv\u011btna\u00a02026<\/p>\n

T\u0159i v\u00fdstavy – v\u00a0Lounech, Praze a\u00a0Brn\u011b – si postupn\u011b p\u0159ipomenou leto\u0161n\u00ed st\u00e9 v\u00fdro\u010d\u00ed narozen\u00ed v\u00fdtvarnice Adrieny \u0160imotov\u00e9. Za\u010d\u00edn\u00e1 se v\u00a0Lounech v\u00fdstavou Rozhran\u00ed. Modern\u011b p\u0159estav\u011bn\u00e1 budova b\u00fdval\u00e9ho pivovaru si velmi dob\u0159e rozum\u00ed s\u00a0autor\u010din\u00fdmi introvertn\u00edmi velkoform\u00e1tov\u00fdmi pracemi na pap\u00ed\u0159e: \u0160imotov\u00e1 v\u00a0nich pracuje s\u00a0technikou perforace a\u00a0tak\u00e9 frot\u00e1\u017ee, p\u0159i kter\u00e9 se reli\u00e9f p\u0159en\u00e1\u0161\u00ed na p\u0159ilo\u017een\u00fd pap\u00edr pomoc\u00ed tlaku tu\u017eky nebo kresl\u00edc\u00edho uhlu. <\/p>\n

T\u00e9matem Adrieny \u0160imotov\u00e9 byl po cel\u00fd \u017eivot \u010dlov\u011bk a\u00a0jeho m\u00edsto: na sv\u011bt\u011b i\u00a0ve sv\u00e9 vlastn\u00ed du\u0161i. \u201e\u010clov\u011bk vydr\u017e\u00ed v\u00edc, ne\u017e p\u0159edpokl\u00e1dal. Te\u010f \u017eiji naplno a\u00a0unesu \u017eivot jen tehdy, kdy\u017e ho dok\u00e1\u017ei vtisknout do mrtv\u00e9ho materi\u00e1lu,\u201c zapsala si v\u00a080.\u00a0letech do den\u00edku. V\u00a0t\u00e9 dob\u011b na ob\u0159\u00ed archy p\u0159ekreslovala prostor, kter\u00fd ji obj\u00edmal v\u00a0kl\u00e1\u0161te\u0159e v\u00a0Hostinn\u00e9m.<\/p>\n

Vladimir 518: V\u011b\u010dn\u00fd hled\u00e1n\u00ed vody tam, kde ve skute\u010dnosti nen\u00edGalerie Platforma, Praha Do 17.\u00a0dubna\u00a02026<\/p>\n

Vladimir 518 – rapper, zakladatel labelu BiggBoss, teoretik architektury, ale tak\u00e9 mal\u00ed\u0159. Tak se nyn\u00ed p\u0159edstavuje v\u00a0pra\u017esk\u00e9 Galerii Platforma, kde na obrazech i\u00a0prac\u00edch na pap\u00ed\u0159e tematizuje tendenci lid\u00ed up\u00ednat se k\u00a0p\u0159edstav\u00e1m, o\u00a0nich\u017e podv\u011bdom\u011b tu\u0161\u00ed, \u017ee se do reality nikdy nep\u0159eklop\u00ed. <\/p>\n

Postavy na pl\u00e1tnech – a\u0165 u\u017e je to proutka\u0159 hledaj\u00edc\u00ed pramen, nebo boxer klest\u00edc\u00ed si cestu – jako by \u017eily v\u00a0soukrom\u00e9m chaosu. Jejich snaha o\u00a0pohyb vp\u0159ed i\u00a0oby\u010dejnou konverzaci se sousedem je znepokojuj\u00edc\u00ed, na klidu nep\u0159id\u00e1 ani kontrast pestr\u00fdch, jen zd\u00e1nliv\u011b vesel\u00fdch barev.<\/p>\n

Jindra Vikov\u00e1: Madonna MiaUm\u011bleckopr\u016fmyslov\u00e9 museum, D\u016fm U\u00a0\u010cern\u00e9 Matky Bo\u017e\u00ed, PrahaDo 17.\u00a0kv\u011btna 2026<\/p>\n

Osmdes\u00e1t\u00e9 narozeniny letos slav\u00ed socha\u0159ka, kerami\u010dka, pedago\u017eka a\u00a0ne\u00fanavn\u00e1 objevovatelka nov\u00fdch vztah\u016f mezi realitou a\u00a0v\u00fdtvarn\u00fdm um\u011bn\u00edm, Jindra Vikov\u00e1. Celo\u017eivotn\u011b pracuje s\u00a0t\u00e9matem figury, kterou dok\u00e1\u017ee zredukovat na siluetu, masku i\u00a0na st\u0159\u00eddm\u011b, ale p\u0159esn\u011b vystav\u011bnou s\u00e9rii \u010dar. <\/p>\n

V\u00fdstava v\u00a0Dom\u011b U\u00a0\u010cern\u00e9 Matky Bo\u017e\u00ed se zam\u011b\u0159uje na prom\u011bnliv\u00e9 podoby madony, kterou Vikov\u00e1 ch\u00e1pe jako obraz \u017eeny v\u00a0r\u016fzn\u00fdch \u017eivotn\u00edch etap\u00e1ch. Nechyb\u00ed vtip, nads\u00e1zka a\u00a0drobn\u00e1 provokace. Ostatn\u011b kombinace humoru a\u00a0siln\u00e9 emoce je jednou z\u00a0v\u00fdsad Jindry Vikov\u00e9.<\/p>\n

Foto: archiv Um\u011bleckopr\u016fmyslov\u00e9 muzeum Praha <\/p>\n

Jindra Vikov\u00e1 se sna\u017eila vytvo\u0159it nejr\u016fzn\u011bj\u0161\u00ed podoby madony. <\/p>\n

Terapie venkovemD\u016fm p\u00e1n\u016f z\u00a0Kun\u0161t\u00e1tu, BrnoDo 24.\u00a0kv\u011btna\u00a02026<\/p>\n

Venkov jako m\u00edsto odpo\u010dinku od ka\u017edodenn\u00edho ruchu, ale tak\u00e9 jako m\u00edsto pro \u017eivot, kam se mnoz\u00ed uchyluj\u00ed kv\u016fli nar\u016fstaj\u00edc\u00edm cen\u00e1m n\u00e1jm\u016f ve m\u011bst\u011b. \u010ceho si v\u0161\u00edmaj\u00ed um\u011blci a\u00a0um\u011blkyn\u011b, kte\u0159\u00ed maj\u00ed k\u00a0venkovu vztah? Jak m\u00edsta mimo m\u011bsto vn\u00edmaj\u00ed – a\u00a0neromantizuj\u00ed si je p\u0159\u00edli\u0161? Jednu z\u00a0odpov\u011bd\u00ed nab\u00edz\u00ed galerie v\u00a0Dom\u011b p\u00e1n\u016f z\u00a0Kun\u0161t\u00e1tu, kter\u00e1 se prom\u011bnila ve venkovsk\u00fd otisk. <\/p>\n

Mezi dev\u00edti vystavuj\u00edc\u00edmi um\u011blci a\u00a0um\u011blkyn\u011bmi je i\u00a0v\u00fdtvarn\u00edk a\u00a0pedagog Vladim\u00edr Dr\u00e1pal, kter\u00fd cel\u00fd \u017eivot pro\u017eil ve vsi jm\u00e9nem Tvaro\u017en\u00e1, a\u00a0tak\u00e9 \u010derstv\u00e1 laure\u00e1tka Ceny Jind\u0159icha Chalupeck\u00e9ho Barbora Lungov\u00e1. Jej\u00ed znepokojuj\u00edc\u00ed obrazy, tematizuj\u00edc\u00ed zd\u00e1nliv\u00e9 venkovsk\u00e9 zvyklosti, pat\u0159\u00ed na v\u00fdstav\u011b k\u00a0tomu nejsiln\u011bj\u0161\u00edmu.<\/p>\n

\u00daLUV Nekon\u010d\u00edc\u00ed p\u0159\u00edb\u011bhMoravsk\u00e9 zemsk\u00e9 muzeum, BrnoDo 14.\u00a0\u010dervna\u00a02026<\/p>\n

V\u00fdstava v\u00a0centru Brna zve do sv\u011bta zbo\u017e\u00ed, kter\u00e9 se a\u017e do poloviny 90.\u00a0let prod\u00e1valo v\u00a0obchod\u011b s\u00a0n\u00e1zvem Kr\u00e1sn\u00e1 jizba. \u00dast\u0159ed\u00ed lidov\u00e9 um\u011bleck\u00e9 v\u00fdroby (\u00daLUV), od jeho\u017e zalo\u017een\u00ed uplynulo loni osmdes\u00e1t let, se staralo o\u00a0odbyt oble\u010den\u00ed, hra\u010dek, n\u00e1bytku a\u00a0dal\u0161\u00edch p\u0159edm\u011bt\u016f do dom\u00e1cnosti, kter\u00e9 vznikaly v\u00a0mal\u00fdch d\u00edln\u00e1ch nap\u0159\u00ed\u010d republikou.<\/p>\n

\u0158ada z\u00a0nich je nad\u010dasov\u00fdch a\u00a0\u00fato\u010di\u0161t\u011b na\u0161la na chat\u00e1ch a\u00a0chalup\u00e1ch. Taky jste doma m\u011bli prost\u00edr\u00e1n\u00ed z\u00a0orobince, d\u0159ev\u011bn\u00e9 hra\u010dky nebo prout\u011bn\u00fd ko\u0161 na pr\u00e1dlo s\u00a0pt\u00e1\u010dkem v\u00a0logu? A\u00a0taky to v\u0161echno skon\u010dilo na chat\u011b? Autorky p\u0159ehl\u00eddky ocen\u00ed, kdy\u017e se jim ozvete a\u00a0p\u0159edm\u011bt do v\u00fdstavy zap\u016fj\u010d\u00edte.<\/p>\n

Transylvanian Painting TodayTelegraph Gallery, Olomouc Do 11.\u00a0\u010dervna 2026<\/p>\n

Druh\u00e9 nejv\u011bt\u0161\u00ed rumunsk\u00e9 m\u011bsto Klu\u017e se na p\u00e1r m\u011bs\u00edc\u016f p\u0159est\u011bhovalo do han\u00e1ck\u00e9 metropole. Telegraph Gallery p\u0159edstavuje \u010desk\u00e9mu publiku fenom\u00e9n takzvan\u00e9 klu\u017esk\u00e9 \u0161koly – skupiny rumunsk\u00fdch figurativn\u00edch mal\u00ed\u0159\u016f a\u00a0mal\u00ed\u0159ek, kte\u0159\u00ed se na mezin\u00e1rodn\u00ed sc\u00e9n\u011b objevili na po\u010d\u00e1tku 21.\u00a0stolet\u00ed a\u00a0jejich\u017e d\u00edla se dnes ve sv\u011bt\u011b dra\u017e\u00ed za vysok\u00e9 \u010d\u00e1stky. <\/p>\n

Slovo transylvanian v\u00a0n\u00e1zvu v\u00fdstavy odkazuje k\u00a0oblasti, v\u00a0n\u00ed\u017e se m\u011bsto Klu\u017e nach\u00e1z\u00ed a\u00a0kter\u00e1 je dodnes v\u00a0\u010desk\u00e9m prost\u0159ed\u00ed zn\u00e1m\u00e1 sp\u00ed\u0161 jen jako poh\u00e1dkov\u00fd domov hrab\u011bte Dr\u00e1kuly.<\/p>\n

<\/a>Jind\u0159ich \u0160treit 80: Z\u00a0m\u011bsta ven! Muzeum um\u011bn\u00ed OlomoucOd 21.\u00a0kv\u011btna\u00a0do 6.\u00a0z\u00e1\u0159\u00ed\u00a02026<\/p>\n

P\u0159esn\u011b dva kilometry od Telegraph Gallery sm\u011brem do centra se nach\u00e1z\u00ed Muzeum um\u011bn\u00ed Olomouc, je\u017e na p\u0159elom kv\u011btna a\u00a0\u010dervna p\u0159ipravilo vernis\u00e1\u017e v\u00fdstavy dokument\u00e1rn\u00edho fotografa Jind\u0159icha \u0160treita. Ten sv\u016fj \u017eivot spojil s\u00a0nedalek\u00fdm hradem Sovinec, kter\u00fd se i\u00a0d\u00edky n\u011bmu stal d\u016fle\u017eit\u00fdm m\u00edstem neofici\u00e1ln\u00ed \u010deskoslovensk\u00e9 kultury. <\/p>\n

\u0160treitovi bude 5.\u00a0z\u00e1\u0159\u00ed 80\u00a0let a\u00a0olomouck\u00e1 v\u00fdstava toto v\u00fdro\u010d\u00ed oslav\u00ed p\u0159ehl\u00eddkou nep\u0159\u00edli\u0161 zn\u00e1m\u00fdch fotek venkovsk\u00e9ho \u017eivota z\u00a080.\u00a0let i\u00a0odkazy na autorovu kur\u00e1torskou pr\u00e1ci.<\/p>\n

\u010cesk\u00e9 um\u011bn\u00ed 20.\u00a0stolet\u00ed a\u00a0jeho \u0161katulkyGalerie modern\u00edho um\u011bn\u00ed v\u00a0Hradci Kr\u00e1lov\u00e9St\u00e1l\u00e1 expozice do roku 2030<\/p>\n

\u201eBez \u0161katulek nelze historii um\u011bn\u00ed vypr\u00e1v\u011bt. Nevyhneme se jim, ale m\u016f\u017eeme je pou\u017e\u00edvat obez\u0159etn\u011b, s\u00a0v\u011bdom\u00edm jejich s\u00edly i\u00a0limit\u016f. Poj\u010fme se na n\u011b pod\u00edvat zbl\u00edzka,\u201c l\u00e1kaj\u00ed kur\u00e1to\u0159i Tom\u00e1\u0161 Kolich a\u00a0Petra P\u0159\u00edkazsk\u00e1 na novou st\u00e1lou expozici. Jej\u00edm c\u00edlem je na zn\u00e1m\u00fdch i\u00a0m\u00e9n\u011b zn\u00e1m\u00fdch d\u00edlech popsat z\u00e1konitosti i\u00a0z\u00e1ludnosti um\u011bleck\u00fdch etap uplynul\u00e9ho stolet\u00ed. V\u00fdstava tak m\u016f\u017ee stejn\u011b dob\u0159e slou\u017eit i\u00a0jako pom\u016fcka pro \u0161koln\u00ed v\u00fduku.<\/p>\n

Petr V\u00e1lek: NadivokoGASK, Kutn\u00e1 HoraDo 23.\u00a0srpna\u00a02026<\/p>\n

Petr V\u00e1lek letos slav\u00ed 50.\u00a0narozeniny a\u00a0\u017eije v\u00a0mal\u00e9 obci v\u00a0Jesen\u00edk\u00e1ch, kde vyr\u00e1b\u00ed roztodivn\u00e9, ru\u010dn\u011b malovan\u00e9 hudebn\u00ed n\u00e1stroje. Celo\u017eivotn\u011b experimentuje s\u00a0obrazem i\u00a0se zvuky a\u00a0leccos z\u00a0jeho tvorby m\u00e1, jak p\u0159ipom\u00edn\u00e1 kur\u00e1torka Veronika Mare\u0161ov\u00e1, fantasmagorick\u00fd n\u00e1dech. D\u016fkazem toho je i\u00a0jeho aktu\u00e1ln\u00ed v\u00fdstava v\u00a0kutnohorsk\u00e9m GASKu, kter\u00e1 pracuje s\u00a0fiktivn\u00ed pam\u011bt\u00ed Sudet, fale\u0161n\u00fdm folklorem, hororov\u011b-punkovou estetikou a\u00a0um\u011blou inteligenc\u00ed. Nejv\u00edc ze v\u0161eho je ale vzpom\u00ednkou na d\u011btstv\u00ed i\u00a0p\u0159ipom\u00ednkou chaosu sou\u010dasn\u00e9 reality.<\/p>\n

Foto: archiv GASK<\/p>\n

Petr V\u00e1lek p\u0159edstavuje na v\u00fdstav\u011b chaos dne\u0161n\u00ed doby. <\/p>\n

Jan Smetana ve sb\u00edrk\u00e1ch GAVU ChebGAVU, Cheb Do 21.\u00a0\u010dervna\u00a02026<\/p>\n

Kamil Lhot\u00e1k nebo Ji\u0159\u00ed Kol\u00e1\u0159 jsou mo\u017en\u00e1 nejslavn\u011bj\u0161\u00edmi jm\u00e9ny spojen\u00fdmi se Skupinou 42.\u00a0Pat\u0159il do n\u00ed ale i\u00a0mal\u00ed\u0159 Jan Smetana, jeho\u017e obrazy m\u00e1 ve sv\u00e9 sb\u00edrce chebsk\u00e1 GAVU. Z\u00a0obdob\u00ed Skupiny 42\u00a0poch\u00e1z\u00ed nejstar\u0161\u00ed d\u00edla inspirovan\u00e1 Smetanovou n\u00e1v\u0161t\u011bvou Pa\u0159\u00ed\u017ee, na v\u00fdstav\u011b ale vis\u00ed i\u00a0jeho tvorba z\u00a0pov\u00e1le\u010dn\u00e9ho \u00faniku do sf\u00e9ry krajinomalby anebo pozdn\u00ed kompozice inspirovan\u00e9 motivem zahrady. V\u00a0nich se p\u0159ibl\u00ed\u017eil\u00a0abstrakci.<\/p>\n

V\u011bra Nov\u00e1kov\u00e1 & Pavel Br\u00e1zda: Obrazy, slova, kosatceGalerie LiberecOd 18.\u00a0dubna\u00a0do 15.\u00a0\u010dervence\u00a02026<\/p>\n

V\u011bra Nov\u00e1kov\u00e1 a\u00a0Pavel Br\u00e1zda pat\u0159\u00ed k\u00a0v\u00fdznamn\u00fdm v\u00fdtvarn\u00edk\u016fm, oba byli solit\u00e9\u0159i, p\u0159esto partne\u0159i a\u00a0souputn\u00edci. Jak se tyto osobnosti v\u00a0um\u011bleck\u00e9m sv\u011bt\u011b ovliv\u0148ovaly a\u00a0v \u010dem naopak razily vlastn\u00ed cestu? Jakou roli v\u00a0jejich tvorb\u011b hr\u00e1lo t\u00e9ma k\u0159es\u0165anstv\u00ed, jak se stav\u011bly k\u00a0ilustrov\u00e1n\u00ed knih? A\u00a0pro\u010d byl Pavel Br\u00e1zda fanou\u0161kem mno\u017een\u00ed a\u00a0variov\u00e1n\u00ed jednoho n\u00e1padu? Na v\u0161echny ot\u00e1zky odpov\u00ed v\u00fdstava, kterou pro Liberec p\u0159ipravila kur\u00e1torka Vendula Fremlov\u00e1.<\/p>\n

Spekt\u00e1kl: Z\u00e1bavn\u00ed plak\u00e1t 1890\u20131938Z\u00e1pado\u010desk\u00e1 galerie v\u00a0Plzni, Masn\u00e9 kr\u00e1myOd 6.\u00a0kv\u011btna\u00a0do 13.\u00a0z\u00e1\u0159\u00ed\u00a02026<\/p>\n

Kur\u00e1torka Lucie Vl\u010dkov\u00e1 ned\u00e1vno pro pra\u017esk\u00e9 Um\u011bleckopr\u016fmyslov\u00e9 museum p\u0159ipravila vynikaj\u00edc\u00ed v\u00fdstavu francouzsk\u00e9ho reklamn\u00edho plak\u00e1tu. Te\u010f svou erudici p\u0159esouv\u00e1 do Plzn\u011b, kde n\u00e1v\u0161t\u011bvn\u00edky \u010dek\u00e1 velk\u00e1 p\u0159ehl\u00eddka plak\u00e1t\u016f l\u00e1kaj\u00edc\u00edch na divadeln\u00ed p\u0159edstaven\u00ed, kabarety, tane\u010dn\u00ed karnevaly, sportovn\u00ed utk\u00e1n\u00ed i\u00a0kouzelnick\u00e9 show. <\/p>\n

K\u0159iklav\u00e9 barvy, efektn\u00ed p\u00f3zy a\u00a0um\u011blci, jako Alfons Mucha, Lud\u011bk Marold, Vil\u00e9m Rotter nebo Jules Ch\u00e9ret, p\u0159ibli\u017euj\u00ed specifick\u00fd typ reklamn\u00edho m\u00e9dia v\u00a0jeho stylov\u00fdch i\u00a0funk\u010dn\u00edch prom\u011bn\u00e1ch.<\/p>\n

Bien\u00e1le UMPRUM: Generace ZN\u00e1rodn\u00ed galerie, Veletr\u017en\u00ed pal\u00e1c, PrahaDo 28.\u00a0\u010dervna 2026<\/p>\n

Na co mysl\u00ed, \u010d\u00edm \u017eije a\u00a0co ve sv\u00e9 pr\u00e1ci tematizuje generace Z, tedy mlad\u00ed lid\u00e9 narozen\u00ed mezi roky 1994\u00a0a\u00a02004? Na v\u00fdstav\u011b prac\u00ed student\u016f a\u00a0studentek pra\u017esk\u00e9 UMPRUM, Vysok\u00e9 \u0161koly um\u011bleckopr\u016fmyslov\u00e9, kter\u00e1 se v\u011bnuje u\u017eit\u00e9mu um\u011bn\u00ed, n\u00e1v\u0161t\u011bvn\u00edci uvid\u00ed m\u00f3du, animovan\u00fd film, urbanistick\u00e9 studie i\u00a0videoart. Spojuje je nap\u0159\u00edklad pot\u0159eba bezpe\u010dn\u00e9ho prostoru pro \u017eivot a\u00a0st\u00edr\u00e1n\u00ed hranic fyzick\u00e9ho a\u00a0digit\u00e1ln\u00edho. Ide\u00e1ln\u00ed p\u0159\u00edle\u017eitost zjistit, kolik talentovan\u00fdch mlad\u00fdch lid\u00ed v\u00a0\u010cesk\u00e9 republice vyr\u016fst\u00e1.<\/p>\n

Foto: DOX\/ Tom\u00e1\u0161 Cindr<\/p>\n","protected":false},"excerpt":{"rendered":"Podpo\u0159it sou\u010dasn\u00e9 i\u00a0klasick\u00e9 um\u011bn\u00ed se dlouho nezd\u00e1lo tak nutn\u00e9 jako v\u00a0dne\u0161n\u00ed dob\u011b. Vyrazit m\u016f\u017eete na jednu z\u00a0mnoha v\u00fdstav,…\n","protected":false},"author":2,"featured_media":40200,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[9277,79,12417,1682,16058,91,80],"class_list":{"0":"post-40199","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dox","9":"tag-entertainment","10":"tag-gask","11":"tag-umeni","12":"tag-vladimir-broz-vladimir-518","13":"tag-vystavy","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116318302607442784","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/40199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=40199"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/40199\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/40200"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=40199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=40199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=40199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}