{"id":41433,"date":"2026-03-31T16:06:13","date_gmt":"2026-03-31T16:06:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/41433\/"},"modified":"2026-03-31T16:06:13","modified_gmt":"2026-03-31T16:06:13","slug":"burkicom-tancem-vypravi-o-vyhoreni-a-absurdite-behu-za-dokonalosti","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/41433\/","title":{"rendered":"Burkicom tancem vypr\u00e1v\u00ed o\u00a0vyho\u0159en\u00ed a\u00a0absurdit\u011b b\u011bhu za dokonalost\u00ed"},"content":{"rendered":"

Podtitul inscenace zn\u00ed: Kolik si toho m\u016f\u017eeme nalo\u017eit, abychom se nepoblili? a\u00a0hraje se v\u00a0b\u00fdval\u00e9 industri\u00e1ln\u00ed hale p\u0159ezd\u00edvan\u00e9 Sklen\u011bnka. Obrovsk\u00e1 v\u00fd\u0161ka syrov\u00e9ho prostoru a\u00a0z velk\u00e9 \u010d\u00e1sti prosklen\u00e9 st\u011bny i\u00a0strop d\u00e1vaj\u00ed s\u00a0p\u0159ich\u00e1zej\u00edc\u00edm soumrakem p\u0159edstaven\u00ed je\u0161t\u011b drsn\u011bj\u0161\u00ed rozm\u011br.<\/p>\n

P\u0159edstaven\u00ed p\u0159ipom\u00edn\u00e1 deset let existence souboru a\u00a0jeho autorkou je re\u017eis\u00e9rka, choreografka a\u00a0zakladatelka skupiny Jana Burkiewiczov\u00e1. Vypr\u00e1v\u00ed o\u00a0touze po \u00fasp\u011bchu i\u00a0\u017eivot\u011b v\u00a0odli\u0161nosti a\u00a0t\u0159eba i\u00a0nejistot\u011b.<\/p>\n

\u201eSituaci kolem tlaku na n\u00e1s, jak se ze v\u0161ech stran tla\u010d\u00ed na v\u00fdkon, na to, jak m\u00e1me b\u00fdt mlad\u00ed, dokonal\u00ed, kr\u00e1sn\u00ed, sami sebou a\u00a0z\u00e1rove\u0148 jak m\u00e1me um\u011bt st\u00e1rnout, to vn\u00edm\u00e1m jako velkou absurditu. Tak\u017ee jsem hledala i\u00a0n\u011bjak\u00e9 absurdn\u00ed v\u00fdchodisko pro inscenaci,\u201c \u0159ekla Novink\u00e1m Burkiewiczov\u00e1.<\/p>\n

\u201eA do\u0161li jsme nakonec s\u00a0t\u00fdmem k\u00a0tomu, \u017ee otev\u00edr\u00e1me bizarn\u00ed restauraci n\u011bkde v\u00a0Alabam\u011b,\u201c p\u0159ibl\u00ed\u017eila neobvykl\u00fd r\u00e1mec inscenace. P\u0159edstaven\u00ed posouv\u00e1 tanec do roviny sc\u00e9nick\u00e9 multimedi\u00e1ln\u00ed performance, kter\u00e1 kombinuje prvky motiva\u010dn\u00edch prezentac\u00ed typu TEDx s\u00a0folkl\u00f3rn\u00edmi tradicemi a\u00a0v\u00fdtvarnou instalac\u00ed.<\/p>\n

<\/a><\/p>\n

Performe\u0159i Paul\u00edna \u0160matl\u00e1kov\u00e1 a\u00a0Michal Heriban za\u010d\u00ednaj\u00ed v\u00edcem\u00e9n\u011b \u010dinohern\u00edm v\u00fdstupem s\u00a0v\u00fdukou o\u00a0p\u0159\u00edprav\u011b halu\u0161ek, v\u00a0n\u00ed\u017e z\u00a0b\u011b\u017en\u00e9 \u010dinnosti ud\u011blaj\u00ed \u00fakol hodn\u00fd mistra sv\u011bta. <\/p>\n

\u201eCel\u00fd ten c\u00edl je takov\u00fd, \u017ee i\u00a0va\u0159en\u00ed halu\u0161ek nebo cokoli, kdy\u017e se tomu v\u011bnuje p\u0159ehnan\u00e9 \u00fasil\u00ed a\u00a0d\u00e1 se tomu ta obrovsk\u00e1 d\u016fle\u017eitost, tak je to moc. Je dobr\u00e9 si ve v\u0161em naj\u00edt n\u011bjakou lehkost. Aspo\u0148 my se o\u00a0to sna\u017e\u00edme. Sna\u017e\u00edme se uk\u00e1zat tu absurditu, kterou v\u00a0tom vid\u00edme,\u201c \u0159ekla autorka.<\/p>\n

Choreografie a\u00a0v\u00fdtvarn\u00e1 podoba p\u0159edstaven\u00ed jsou z\u010d\u00e1sti inspirov\u00e1ny lidov\u00fdmi tanci, kter\u00e9 Jana Burkiewiczov\u00e1 transformuje do modern\u00edho pohybov\u00e9ho jazyka. Vedle pohybov\u00e9 slo\u017eky pracuje v\u00fdrazn\u011bji ne\u017e kdy jindy s\u00a0textem a\u00a0sc\u00e9nick\u00fdmi vizu\u00e1ln\u00edmi postupy. <\/p>\n

Dva sloven\u0161t\u00ed tane\u010dn\u00edci, kte\u0159\u00ed jsou protagonisty p\u0159edstaven\u00ed, p\u016fsob\u00ed po cel\u00e9 Evrop\u011b. Michal Heriban je dr\u017eitelem Ceny Th\u00e1lie. Sc\u00e9nografem a\u00a0v\u00fdtvarn\u00edkem kost\u00fdm\u016f je Marek Cpin. Autorem hudby je Ji\u0159\u00ed Konvalinka z\u00a0formace Mutanti hledaj v\u00fdchodisko. <\/p>\n

Foto: Petr Hlou\u0161ek, Pr\u00e1vo<\/p>\n

Jana Burkiewiczov\u00e1 objevila prefesion\u00e1ln\u00ed tanec pom\u011brn\u011b pozd\u011b, d\u00edky n\u00e1hod\u011b.<\/p>\n

Soubor sou\u010dasn\u00e9ho tance a\u00a0fyzick\u00e9ho divadla Burkicom pat\u0159\u00ed mezi p\u0159edn\u00ed \u010desk\u00e9 tane\u010dn\u00ed soubory. Za deset let sv\u00e9 existence nastudoval osm inscenac\u00ed, kter\u00e9 mohli v\u00eddat div\u00e1ci nejen v\u00a0\u010cesku, ale pravideln\u011b tak\u00e9 na Slovensku, v\u00a0N\u011bmecku, Polsku, Chorvatsku, It\u00e1lii, D\u00e1nsku, \u0160pan\u011blsku nebo Ji\u017en\u00ed Koreji. <\/p>\n

V Hongkongu bylo p\u0159edstaven\u00ed souboru nazvan\u00e9 Ostrov! za\u0159azeno na Performing Arts Expo mezi 14\u00a0nejlep\u0161\u00edch inscenac\u00ed sou\u010dasn\u00e9ho tance. Soubor m\u00e1 n\u011bkolik nominac\u00ed na Ceny divadeln\u00ed kritiky, Ceny divadeln\u00edch novin i\u00a0Ceny Th\u00e1lie. Burkicom po\u0159\u00e1d\u00e1 tak\u00e9 festival Bread & Dance Prague.<\/p>\n

Foto: Vojt\u011bch Brtnick\u00fd<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Podtitul inscenace zn\u00ed: Kolik si toho m\u016f\u017eeme nalo\u017eit, abychom se nepoblili? a\u00a0hraje se v\u00a0b\u00fdval\u00e9 industri\u00e1ln\u00ed hale p\u0159ezd\u00edvan\u00e9 Sklen\u011bnka.…\n","protected":false},"author":2,"featured_media":41434,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[16361,2847,79,99,2274,80],"class_list":{"0":"post-41433","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-burkicom","9":"tag-divadla","10":"tag-entertainment","11":"tag-praha","12":"tag-tanec","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116324649377754182","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/41433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=41433"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/41433\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/41434"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=41433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=41433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=41433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}