{"id":41630,"date":"2026-03-31T20:23:09","date_gmt":"2026-03-31T20:23:09","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/41630\/"},"modified":"2026-03-31T20:23:09","modified_gmt":"2026-03-31T20:23:09","slug":"recenze-neni-to-obvykle-divadlo-ve-starodavne-kuchyni-herci-vari-a-vypraveji","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/41630\/","title":{"rendered":"Recenze: Nen\u00ed to obvykl\u00e9 divadlo. Ve starod\u00e1vn\u00e9 kuchyni herci va\u0159\u00ed a\u00a0vypr\u00e1v\u011bj\u00ed"},"content":{"rendered":"

Z tradovan\u00fdch lidov\u00fdch historek, poh\u00e1dek a\u00a0moryt\u00e1t\u016f, kter\u00e9 v\u00a0kraji Auvergne zaznamenal francouzsk\u00fd spisovatel Henri Pourrat, sc\u00e9n\u00e1\u0159 p\u0159ipravila here\u010dka Lucie Trm\u00edkov\u00e1. V\u00a0re\u017eii Jana Nebesk\u00e9ho se hraje v\u00a0pra\u017esk\u00e9m Rokoku.<\/p>\n

Nen\u00ed to obvykl\u00e9 divadlo. Sp\u00ed\u0161 z\u00e1\u017eitek pospolitosti ve starod\u00e1vn\u00e9 kuchyni. Na jevi\u0161ti stoj\u00ed mohutn\u00fd st\u016fl pln\u00fd n\u00e1dob\u00ed a\u00a0surovin na va\u0159en\u00ed, kolem n\u011bj\u017e posed\u00e1vaj\u00ed \u010dty\u0159i herci: Lucie Trm\u00edkov\u00e1, David Pracha\u0159, Denisa Bare\u0161ov\u00e1 a\u00a0Tom\u00e1\u0161 Havl\u00ednek. N\u011bkdo do m\u00edsy okrajuje jablka, jin\u00fd p\u0159is\u00fdp\u00e1 mouku, dal\u0161\u00ed hn\u011bte t\u011bsto a\u00a0v\u0161ichni p\u0159i tom na st\u0159\u00edda\u010dku vypr\u00e1v\u011bj\u00ed. O\u00a0vesnici, kde si nev\u00e1\u017eili pokojn\u00e9ho sou\u017eit\u00ed s\u00a0hady a\u00a0nalet\u011bli \u010darod\u011bji, o\u00a0far\u00e1\u0159ovi, jemu\u017e se ztratilo pras\u00e1tko, o\u00a0podiv\u00ednovi, kter\u00fd \u017eil v\u00a0chalup\u011b s\u00a0vlky, o\u00a0v\u00edle, co k\u00a0sob\u011b p\u0159ipoutala malou holku a\u00a0tak d\u00e1le.<\/p>\n

Zazn\u00ed dev\u011bt p\u0159\u00edb\u011bh\u016f, od podobenstv\u00ed po anekdotu, v\u00a0nich\u017e se mystick\u00e9 momenty st\u0159\u00eddaj\u00ed s\u00a0komick\u00fdmi i\u00a0hodn\u011b drsn\u00fdmi. Pointy jsou \u010dasto ho\u0159k\u00e9 nebo z\u016fst\u00e1vaj\u00ed otev\u0159en\u00e9, n\u011bkter\u00e9 p\u0159ipomenou zenov\u00e9 k\u00f3any. P\u0159itom by \u010dlov\u011bk tak cht\u011bl \u00fat\u011b\u0161n\u011b sly\u0161et, \u017ee v\u0161echno dob\u0159e dopadlo. Alespo\u0148 nad\u011bje se n\u00e1m nakonec skute\u010dn\u011b dostane.<\/p>\n

Barvit\u00fd jazyk p\u0159ekladu Ji\u0159\u00edho Reynka um\u00ed p\u0159ed o\u010dima stvo\u0159it kamenitou krajinu i\u00a0les \u010dervenaj\u00edc\u00ed se jahodami. N\u011bkolika slovy vystihnout povahu zlod\u011bje, viz\u00e1\u017e lesn\u00edho samot\u00e1\u0159e, bizarn\u00ed detail nebo hr\u016fzu situace, v\u00a0n\u00ed\u017e jde mo\u017en\u00e1 o\u00a0\u017eivot.<\/p>\n

Tot\u00e9\u017e se d\u00e1 \u0159\u00edct o\u00a0herc\u00edch. Vyu\u017e\u00edvaj\u00ed minimalistick\u00fdch prost\u0159edk\u016f, hlasu, gesta, dr\u017een\u00ed t\u011bla, \u00fasm\u011b\u0161ku, ale p\u0159esn\u011b a\u00a0sugestivn\u011b. N\u011bkdy sta\u010d\u00ed z\u00e1voj rozpu\u0161t\u011bn\u00fdch vlas\u016f a\u00a0zv\u00ed\u0159ec\u00ed sk\u0159ek, j\u00edm\u017e se d\u00edvka dorozum\u00edv\u00e1 s\u00a0divokou lesn\u00ed \u017e\u00ednkou, kter\u00e1 si ji coby d\u00edt\u011b odvedla do kamenn\u00e9 v\u011b\u017ee, a\u00a0b\u011bh\u00e1 mr\u00e1z po z\u00e1dech.<\/p>\n

Foto: Martin \u0160pelda<\/p>\n

\u010clov\u011bk by cht\u011bl sly\u0161et, \u017ee v\u0161echno dob\u0159e dopadlo. Na fotografii jsou Denisa Bare\u0161ov\u00e1 a\u00a0Lucie Trm\u00edkov\u00e1 (v pop\u0159ed\u00ed).<\/p>\n

Herci kolem stolu jsou p\u0159edev\u0161\u00edm srozum\u011bn\u00fdm spole\u010denstv\u00edm a\u00a0ten pocit bl\u00edzkosti i\u00a0tvo\u0159iv\u00e9 intimity, v\u00a0n\u011bm\u017e v\u0161edn\u00ed a\u00a0ban\u00e1ln\u00ed p\u0159er\u016fst\u00e1 do mystick\u00e9ho a\u00a0naopak, p\u0159en\u00e1\u0161ej\u00ed do hledi\u0161t\u011b. Lehce n\u00e1s vtahuj\u00ed do neoby\u010dejn\u00fdch p\u0159\u00edb\u011bh\u016f, kter\u00e9 vypr\u00e1v\u011bj\u00ed i\u00a0komentuj\u00ed, prom\u011b\u0148uj\u00ed se v\u00a0jejich protagonisty a\u00a0zase se vracej\u00ed k\u00a0va\u0159en\u00ed. \u010casem z\u00a0trouby zavon\u00ed \u0161tr\u00fadl a\u00a0ze spor\u00e1ku j\u00eddlo, co\u017e podmaniv\u00e9 atmosf\u00e9\u0159e starosv\u011btsk\u00e9 kuchyn\u011b velmi sv\u011bd\u010d\u00ed.<\/p>\n

Imagin\u00e1rn\u00ed prostor, do n\u011bho\u017e n\u00e1s p\u0159edstaven\u00ed zve, siln\u011b p\u0159ipom\u00edn\u00e1 \u010dasy, kdy vypr\u00e1v\u011bn\u00ed je\u0161t\u011b bylo sou\u010d\u00e1st\u00ed ka\u017edodenn\u00edho \u017eivota a\u00a0napl\u0148ovalo p\u0159irozenou lidskou pot\u0159ebu po sd\u00edlen\u00ed\u00a0\u2013 strachu, sm\u00edchu i\u00a0radosti z\u00a0p\u0159edstavivosti.<\/p>\n

Mezi Vyso\u010dinou a\u00a0Auvergne<\/p>\n

V tvorb\u011b spolku Jedl inscenace navazuje na star\u0161\u00ed divadeln\u00ed pr\u00e1ce tria Nebesk\u00fd, Trm\u00edkov\u00e1, Pracha\u0159, je\u017e vych\u00e1zely z\u00a0d\u011bl katolick\u00e9ho spisovatele a\u00a0esejisty Jana \u010cepa nebo b\u00e1sn\u00edka i\u00a0v\u00fdtvarn\u00edka Bohuslava Reynka. Oba auto\u0159i byli pevn\u011b srostl\u00ed s\u00a0venkovem a\u00a0p\u016fdou, podobn\u011b jako Henri Pourrat, jen\u017e \u017eil v\u00a0letech 1887\u00a0a\u017e 1959.\u00a0Inspiraci \u010derpal z\u00a0tradic chud\u00e9 sope\u010dn\u00e9 krajiny Auvergne a\u00a0\u017eivota jej\u00edch obyvatel.<\/p>\n

Pourratovo d\u00edlo do \u010de\u0161tiny jako prvn\u00ed ve 30.\u00a0letech minul\u00e9ho stolet\u00ed p\u0159evedl pr\u00e1v\u011b Jan \u010cep. O\u00a060\u00a0let pozd\u011bji ho n\u00e1sledoval Ji\u0159\u00ed Reynek, jeho\u017e jazykov\u011b bohat\u00fd a\u00a0poetick\u00fd p\u0159eklad zn\u00ed z\u00a0jevi\u0161t\u011b Rokoka. Ten znal tyto poh\u00e1dky a\u00a0pov\u011bsti z\u00a0Auvergne v\u00a0origin\u00e1le u\u017e coby chlapec z\u00a0mat\u010dina \u010dten\u00ed, nebo\u0165 jeho rodi\u010de Suzanne Renaud a\u00a0Bohuslava Reynka pojily s\u00a0autorem p\u0159\u00e1telsk\u00e9 vztahy.<\/p>\n

Novinka tvarem p\u0159ipomene sc\u00e9nickou kompozici Dvoj\u00ed domov \/ z\u00a0\u010cepa, uvedenou v\u00a0divadeln\u00edm prostoru NoD zhruba p\u0159ed deseti lety. Tehdy u\u00a0stolu pomysln\u00e9 sv\u011btnice sed\u011bli Trm\u00edkov\u00e1 s\u00a0Pracha\u0159em a\u00a0o generaci star\u0161\u00ed Alois \u0160vehl\u00edk, ustrojeni stejn\u011b jako nyn\u00ed herci v\u00a0Rokoku do archetyp\u00e1ln\u00ed venkovsk\u00e9 \u010dern\u00e9 a\u00a0b\u00edl\u00e9. Na stole byly va\u0159en\u00e9 brambory na loupa\u010dku, kter\u00e9 posl\u00e9ze jako hmota vytvo\u0159ily na obli\u010deji masku, podobn\u011b jako \u201ebal\u00edky\u201c sl\u00e1my vedle stolu.<\/p>\n

Foto: Martin \u0160pelda<\/p>\n

V jedn\u00e9 \u010d\u00e1sti inscenace si herci nasazuj\u00ed masky. Na fotografii jsou Tom\u00e1\u0161 Havl\u00ednek, Lucie Trm\u00edkov\u00e1 a\u00a0Denisa Bare\u0161ov\u00e1.<\/p>\n

Masky\u00a0\u2013 stylizovan\u00e9 \u201etv\u00e1\u0159e\u201c vl\u010dk\u016f\u00a0\u2013 nebo krajkou vy\u0161\u00edvan\u00e9 kukly evokuj\u00edc\u00ed \u010depce se objevuj\u00ed tak\u00e9 v\u00a0nyn\u011bj\u0161\u00ed inscenaci a\u00a0posunuj\u00ed vypr\u00e1v\u011bn\u00ed a\u017e n\u011bkam ke starod\u00e1vn\u00fdm ritu\u00e1l\u016fm. Kdy\u017e si je herci nasad\u00ed a\u00a0nechaj\u00ed p\u0159\u00edb\u011bhy v\u00a0tichu dozn\u00edt, m\u016f\u017eeme poc\u00edtit jejich magick\u00e9 p\u016fsoben\u00ed.<\/p>\n

Obraz jako te\u010dka<\/p>\n

Dvoj\u00ed domov \/ z\u00a0\u010cepa byl rovn\u011b\u017e jedn\u00edm z\u00a0prvn\u00edch projekt\u016f, v\u00a0nich\u017e re\u017eis\u00e9r Nebesk\u00fd nechal na sc\u00e9n\u011b vedle improvizuj\u00edc\u00edho hudebn\u00edka, tehdy to byl skladatel Martin Dohnal, tvo\u0159it \u201ev p\u0159\u00edm\u00e9m p\u0159enosu\u201c na t\u00e9ma inscenace v\u00fdtvarn\u00edka. B\u011bhem p\u0159edstaven\u00ed maloval Igor Korpaczewski na horizontu symbolick\u00fd obraz\u00a0\u2013 figury mu\u017ee a\u00a0\u017eeny v\u00a0obiln\u00e9m poli rozd\u011blovala cesta vedouc\u00ed k\u00a0obzoru, kter\u00e9ho se dot\u00fdkalo blankytn\u011b modr\u00e9 nebe.<\/p>\n

Tento obraz se na konci stal jakousi te\u010dkou za melancholick\u00fdmi \u00favahami autora o\u00a0\u010dase, cest\u011b \u017eivotem, hled\u00e1n\u00ed sama sebe a\u00a0domova. Za pocitem, \u017ee \u010dlov\u011bk \u201eje na zemi poutn\u00edkem\u201c. <\/p>\n

V novince maluje za z\u00e1dy herc\u016f na ob\u0159\u00ed pl\u00e1tno op\u011bt Korpaczewski, tentokr\u00e1t ale sp\u00ed\u0161 atmosf\u00e9ru a\u00a0du\u0161i malebn\u00e9 krajiny Auvergne, staven\u00ed choul\u00edc\u00ed se pod kopcem. A\u00a0nech\u00e1v\u00e1 obraz\u00a0\u2013 aspo\u0148 na repr\u00edze, kterou vid\u011bla autorka tohoto textu\u00a0\u2013 p\u0159\u00edjemn\u011b nedokon\u010den\u00fd, nedosloven\u00fd.<\/p>\n

Za klav\u00edrem tentokr\u00e1t sed\u00ed skladatel a\u00a0multiinstrumentalista Jan \u0160ikl, po ruce m\u00e1 r\u016fzn\u00e9 n\u00e1stroje, v\u010detn\u011b \u201ebic\u00edch\u201c z\u00a0porcel\u00e1nov\u00fdch hrnk\u016f. Hudebn\u00ed a\u00a0zvukov\u00fd pl\u00e1n inscenace n\u00e1s ob\u010das p\u0159enese kamsi do podv\u011bdom\u00ed, k\u00a0pud\u016fm na\u0161ich zv\u00ed\u0159ec\u00edch p\u0159edk\u016f nebo extatick\u00fdm \u0161amansk\u00fdm rytm\u016fm.<\/p>\n

Z\u00e1\u017eitek z\u00a0Tohle se stalo! trochu kaz\u00ed jedin\u00e9: Kabaretn\u011b vy\u0161tukovan\u00fd kuk\u00e1tkov\u00fd s\u00e1l Rokoka, jeho\u017e charakter se s\u00a0charismatickou inscenac\u00ed dosti m\u00edj\u00ed. Spolek Jedl byl za 15\u00a0let sv\u00e9 existence nucen vyst\u0159\u00eddat n\u011bkolik prostor, kde byl hostem\u00a0\u2013 NoD, Divadlo X10\u00a0nebo Studio \u0160vandova divadla. Soubor doslova ov\u011bn\u010den\u00fd cenami by si mo\u017en\u00e1 po letech u\u017e kone\u010dn\u011b zaslou\u017eil b\u00fdt n\u011bkde opravdu doma.<\/p>\n

Inscenace: Jedl\u00a0\u2013 Tohle se stalo!<\/p>\n

Auto\u0159i: Henri Pourrat a\u00a0Lucie Trm\u00edkov\u00e1<\/p>\n

Hraj\u00ed: David Pracha\u0159, Lucie Trm\u00edkov\u00e1, Denisa Bare\u0161ov\u00e1 a\u00a0Tom\u00e1\u0161 Havl\u00ednek<\/p>\n

Divadlo Rokoko, Praha, premi\u00e9ra 7.\u00a0\u00fanora, nejbli\u017e\u0161\u00ed repr\u00edzy 20.\u00a0a\u00a027.\u00a0dubna.<\/p>\n","protected":false},"excerpt":{"rendered":"Z tradovan\u00fdch lidov\u00fdch historek, poh\u00e1dek a\u00a0moryt\u00e1t\u016f, kter\u00e9 v\u00a0kraji Auvergne zaznamenal francouzsk\u00fd spisovatel Henri Pourrat, sc\u00e9n\u00e1\u0159 p\u0159ipravila here\u010dka Lucie…\n","protected":false},"author":2,"featured_media":41631,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[426,1172,2095,16410,16413,79,16411,16412,80],"class_list":{"0":"post-41630","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-david-prachar","9":"tag-divadelni-predstaveni","10":"tag-divadelni-recenze","11":"tag-divadelni-spolek-jedl","12":"tag-divadlo-rokoko","13":"tag-entertainment","14":"tag-jan-nebesky","15":"tag-lucie-trmikova","16":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116325659707774881","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/41630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=41630"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/41630\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/41631"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=41630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=41630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=41630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}