{"id":42650,"date":"2026-04-01T19:32:09","date_gmt":"2026-04-01T19:32:09","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/42650\/"},"modified":"2026-04-01T19:32:09","modified_gmt":"2026-04-01T19:32:09","slug":"metro-dobry-den-tahle-schelingerova-verze-black-sabbath-vubec-nemela-vzniknout","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/42650\/","title":{"rendered":"Metro, dobr\u00fd den. Tahle Schelingerova verze Black Sabbath v\u016fbec nem\u011bla vzniknout"},"content":{"rendered":"

V obdob\u00ed normalizace v\u00a0sedmdes\u00e1t\u00fdch letech se praxe p\u0159eb\u00edr\u00e1n\u00ed zahrani\u010dn\u00edch p\u00edsn\u00ed stala jednou z\u00a0m\u00e1la mo\u017enost\u00ed, jak k\u00a0dom\u00e1c\u00edmu publiku leg\u00e1ln\u011b dostat zvuk sv\u011btov\u00e9 rockov\u00e9 sc\u00e9ny. P\u00edse\u0148 Metro, dobr\u00fd den, kterou nazp\u00edval Ji\u0159\u00ed Schelinger s\u00a0doprovodem Skupiny Franti\u0161ka Ringo \u010cecha, je p\u0159esn\u011b tento p\u0159\u00edpad. Jde o\u00a0p\u0159\u00edmou verzi skladby A\u00a0National Acrobat od britsk\u00e9 legendy Black Sabbath.<\/p>\n

Origin\u00e1l vy\u0161el v\u00a0roce 1973\u00a0na proslul\u00e9m albu Sabbath Bloody Sabbath. Nahr\u00e1v\u00e1n\u00ed p\u0159edch\u00e1zelo t\u011b\u017ek\u00e9 obdob\u00ed, kdy byli hudebn\u00edci z\u00a0Black Sabbath unaven\u00ed st\u00e1l\u00fdm koncertov\u00e1n\u00edm spojen\u00fdm s\u00a0divok\u00fdm \u017eivotn\u00edm stylem a\u00a0kytarista Tony Iommi trp\u011bl tv\u016fr\u010d\u00edm blokem. Z\u00e1chranu p\u0159ineslo rozhodnut\u00ed vr\u00e1tit se z\u00a0Los Angeles, kde tehdy pob\u00fdvali, zp\u011bt do rodn\u00e9 Velk\u00e9 Brit\u00e1nie a\u00a0pronajmout si starobyl\u00e9 s\u00eddlo Clearwell Castle.<\/p>\n

Prost\u0159ed\u00ed hradu, zejm\u00e9na jeho temn\u00e1 sklepen\u00ed, m\u011blo na hudebn\u00edky, kte\u0159\u00ed r\u00e1di koketovali s\u00a0mystikou v\u0161eho druhu, velk\u00fd vliv. Zkou\u0161en\u00ed v\u00a0podzemn\u00edch prostor\u00e1ch bylo stra\u0161ideln\u00e9, ale probouzelo v\u00a0nich tvo\u0159ivost. Ponur\u00e9 prost\u0159ed\u00ed dopl\u0148ovaly historky o\u00a0stra\u0161idlech a\u00a0\u010dlenov\u00e9 kapely se ze strachu i\u00a0z nudy neust\u00e1le vz\u00e1jemn\u011b stra\u0161ili. Pr\u00e1v\u011b zde Iommi p\u0159ekonal sv\u016fj blok a\u00a0slo\u017eil kytarov\u00e9 motivy, k\u00a0nim\u017e p\u0159idal z\u00e1kladn\u00ed n\u00e1pad baskytarista Geezer Butler.<\/p>\n

\"\"<\/a><\/p>\n

Butler byl hlavn\u00edm texta\u0159em kapely a\u00a0text t\u00e9to p\u00edsn\u011b pat\u0159\u00ed podle dne\u0161n\u00ed kritiky k\u00a0jeho nejlep\u0161\u00edm v\u00fdkon\u016fm. Zat\u00edmco dobov\u00ed recenzenti kapele podsouvali lacinou fascinaci temnotou, Butlerovy texty byly origin\u00e1ln\u00edm zp\u016fsobem p\u0159em\u00fd\u0161liv\u00e9. Butler pozd\u011bji potvrdil, \u017ee text psal pod vlivem \u00favah o\u00a0z\u00e1had\u00e1ch po\u010det\u00ed a\u00a0o tom, jak\u00e1 spermie zv\u00edt\u011bz\u00ed.<\/p>\n

On\u00edm \u201en\u00e1rodn\u00edm akrobatem\u201c z\u00a0titulu p\u00edsn\u011b je v\u00a0jeho p\u0159irovn\u00e1n\u00ed lidsk\u00e1 spermie bojuj\u00edc\u00ed v\u00a0z\u00e1vod\u011b o\u00a0vznik \u017eivota. Text je naps\u00e1n z\u00a0pohledu bytosti, kter\u00e1 se nakonec nenarod\u00ed, proto\u017ee k\u00a0jej\u00edmu po\u010det\u00ed nikdy nedojde. Skladba v\u0161ak p\u0159ech\u00e1z\u00ed ve v\u00fdzvu pro \u017eij\u00edc\u00ed lidi, aby si v\u00e1\u017eili daru \u017eivota. P\u0159es sv\u00e9 jist\u00e9 kvality, a\u00a0nakonec i\u00a0chytlav\u00fd z\u00e1kladn\u00ed kytarov\u00fd riff, se p\u00edse\u0148 stala na koncertech Black Sabbath raritou a\u00a0odehr\u00e1li ji jen v\u00a0n\u011bkolika m\u00e1lo p\u0159\u00edpadech.<\/p>\n

V \u010ceskoslovensku byla rockov\u00e1 kultura v\u00a0prvn\u00ed polovin\u011b sedmdes\u00e1t\u00fdch let pod tvrd\u00fdm tlakem cenzury a\u00a0skupiny hraj\u00edc\u00ed tvrdou hudbu byly vn\u00edm\u00e1ny jako \u0161i\u0159itel\u00e9 nevhodn\u00e9ho z\u00e1padn\u00edho \u017eivotn\u00edho stylu. Je t\u0159eba uznat, \u017ee kl\u00ed\u010dovou postavou, kter\u00e1 dok\u00e1zala tvrd\u00fd rock v\u00a0\u010ceskoslovensku leg\u00e1ln\u011b udr\u017eet, byl Franti\u0161ek Ringo \u010cech. Jako kapeln\u00edk a\u00a0texta\u0159 v\u011bd\u011bl, co si re\u017eim \u017e\u00e1d\u00e1, jak\u00e9 kompromisy je nutn\u00e9 ud\u011blat, a\u00a0um\u011bl komunikovat s\u00a0\u00fa\u0159ady.<\/p>\n

\"\"<\/a><\/p>\n

\u010cech vsadil na talent Ji\u0159\u00edho Schelingera, kter\u00fd m\u011bl ide\u00e1ln\u00ed chraplav\u00fd hlas pro rockov\u00fd projev a\u00a0z\u00e1rove\u0148 mu zjevn\u011b p\u0159\u00edli\u0161 nevadilo – aspo\u0148 do ur\u010dit\u00e9 doby – d\u011blat kompromisy, zp\u00edvat texty, kter\u00e9 m\u011bly do n\u011bjak\u00e9 kvality \u010dasto hodn\u011b daleko, zp\u00edvat vedle rocku i\u00a0ryz\u00ed pop a\u00a0nap\u0159\u00edklad i\u00a0\u00fa\u010dinkovat v\u00a0poklesl\u00fdch televizn\u00edch estr\u00e1d\u00e1ch a\u00a0filmech.<\/p>\n

Cesta k\u00a0vyd\u00e1v\u00e1n\u00ed nahr\u00e1vek tehdy vedla, jak Ringo \u010cech zjistil, p\u0159es cosi, co lze nazvat kryc\u00edmi texty. Pokud cht\u011bla kapela nahr\u00e1t skladbu s\u00a0v\u00fdrazn\u00fdm kytarov\u00fdm motivem, bylo nemysliteln\u00e9 pou\u017e\u00edt p\u016fvodn\u00ed text, v\u00a0tomto p\u0159\u00edpad\u011b o\u00a0nenarozen\u00fdch d\u011btech a\u00a0spermi\u00edch. Cenzura by okam\u017eit\u011b zam\u00edtla celou p\u00edse\u0148. \u010cech proto hudebn\u00ed podklad spojil s\u00a0t\u00e9matem, kter\u00e9 bylo tehdy velmi oslavov\u00e1no jako \u00fasp\u011bch budov\u00e1n\u00ed\u00a0\u2013 s\u00a0otev\u0159en\u00edm pra\u017esk\u00e9ho metra v\u00a0roce 1974.<\/p>\n

\u010cechova slova jsou oslavou technick\u00e9ho pokroku v\u00a0re\u017eii socialismu a\u00a0mluv\u010d\u00ed vyjad\u0159uje vd\u011bk za to, \u017ee se m\u011bstu ulevilo od nekone\u010dn\u00fdch proud\u016f aut a\u00a0tramvaj\u00ed. Objevuj\u00ed se zde zm\u00ednky o\u00a0d\u011bln\u00edc\u00edch m\u00ed\u0159\u00edc\u00edch do tov\u00e1ren, l\u00e9ka\u0159\u00edch do nemocnic a\u00a0davech student\u016f. P\u00edse\u0148 kon\u010d\u00ed konstatov\u00e1n\u00edm, \u017ee metro je d\u0159\u00ed\u010d a\u00a0l\u00e9k pro t\u011blo i\u00a0srdce. Nahr\u00e1v\u00e1n\u00ed prob\u011bhlo na podzim roku 1974\u00a0a\u00a0hudebn\u00edci se sna\u017eili zvukem a\u00a0energi\u00ed p\u0159ibl\u00ed\u017eit origin\u00e1lu s\u00a0co nejv\u011bt\u0161\u00ed v\u011brnost\u00ed. P\u00edse\u0148 byla za\u0159azena na Schelingerovo album Nem\u00e1m hlas jako zvon z\u00a0roku 1975.<\/p>\n

Z dne\u0161n\u00edho pohledu lze mnoh\u00e9 pochopit a\u00a0rozhodn\u011b v\u00a0mnoha p\u0159\u00edpadech \u201ezp\u011btn\u00e9 kritiky\u201c plat\u00ed \u00faslov\u00ed, \u017ee \u201epo bitv\u011b je ka\u017ed\u00fd gener\u00e1l\u201c. Ale i\u00a0s p\u0159ihl\u00e9dnut\u00edm k\u00a0okolnostem, kter\u00e9 k\u00a0dob\u011b vzniku p\u00edsn\u011b Metro, dobr\u00fd den dnes m\u00e1me, je pot\u0159eba bez r\u016f\u017eov\u00fdch br\u00fdl\u00ed jasn\u011b \u0159\u00edct, \u017ee u\u00a0tohoto textu Franti\u0161ek Ringo \u010cech nenapsal jen hloup\u00fd nicne\u0159\u00edkaj\u00edc\u00ed text, n\u00fdbr\u017e stvo\u0159il vlastn\u011b novodobou budovatelskou p\u00edse\u0148, kter\u00e1 vlastn\u011b od t\u011bch, typick\u00fdch pro pades\u00e1t\u00e1 l\u00e9ta, li\u0161\u00ed jen t\u00e9matem, modern\u00edm jazykem a\u00a0samoz\u0159ejm\u011b zvukem. Vyzn\u011bn\u00ed je ale vlastn\u011b toto\u017en\u00e9.<\/p>\n

\u010cech se Schelingerem tady o\u00a0m\u00edle p\u0159ekro\u010dili hranici. Nejen hudebn\u00ed kritici, ale i\u00a0velk\u00e1 \u010d\u00e1st rockov\u00e9ho publika se \u010dasto vysm\u00edv\u00e1 kapel\u00e1m jako Katapult nebo Olympic, \u017ee se sna\u017eily slo\u017eitou dobou probruslit a\u0165 u\u017e hloup\u00fdmi texty (co\u017e plat\u00ed zejm\u00e9na pro Katapult) nebo jin\u00fdmi kompromisy s\u00a0re\u017eimem. Ji\u0159\u00ed Schelinger je m\u00e1lem vn\u00edm\u00e1n jako jak\u00fdsi polob\u016fh hard rocku, o\u00a0kter\u00e9m se jaksi nediskutuje. Ale pr\u00e1v\u011b p\u00edse\u0148 Metro, dobr\u00fd den je p\u0159\u00edkladem, kdy je pot\u0159eba se nad jeho tvorbou alespo\u0148 zamyslet, kdy\u017e u\u017e ne ji p\u0159\u00edmo p\u0159ehodnotit.<\/p>\n

\"\"<\/a><\/p>\n

Skladba A\u00a0National Acrobat se postupem \u010dasu stala sou\u010d\u00e1st\u00ed sv\u011btov\u00e9ho rockov\u00e9ho d\u011bdictv\u00ed. K\u00a0nejzn\u00e1m\u011bj\u0161\u00edm \u00faprav\u00e1m pat\u0159\u00ed verze od americk\u00e9 skupiny Metallica, kter\u00e1 ji za\u0159adila na sv\u00e9 album coververz\u00ed Garage Inc. v\u00a0roce 1998.\u00a0Mezi bizarn\u00ed verze pat\u0159\u00ed nahr\u00e1vka ve fin\u0161tin\u011b od kapely Sapattivuosi, hraj\u00edc\u00ed tvorbu Black Sabbath s\u00a0texty ve sv\u00e9m rodn\u00e9m jazyce.<\/p>\n

Jsou dolo\u017eeny tak\u00e9 indick\u00e9 verze skladby, kter\u00e9 vyu\u017e\u00edvaj\u00ed tradi\u010dn\u00ed indick\u00e9 n\u00e1stroje jako sit\u00e1r a\u00a0p\u0159en\u00e1\u0161ej\u00ed kytarov\u00fd motiv do jin\u00e9ho hudebn\u00edho sv\u011bta. Existuje tak\u00e9 pseudost\u0159edov\u011bk\u00e1 verze skladby, nahran\u00e1 v\u00fdhradn\u011b na repliky dobov\u00fdch historick\u00fdch n\u00e1stroj\u016f s\u00a0textem p\u0159elo\u017een\u00fdm do latiny. Vedle t\u011bchto rarit existuj\u00ed i\u00a0verze v\u00a0podob\u011b ukol\u00e9bavek pro d\u011bti nebo \u00fapravy pro smy\u010dcov\u00e9 kvartety. Dlu\u017eno dodat, \u017ee \u017e\u00e1dn\u00e1 z\u00a0nich nehlad\u00ed \u017e\u00e1dnou totalitn\u00ed moc po srsti s\u00a0takovou intenzitou jako \u010cechovo a\u00a0Schelingerovo Metro, dobr\u00fd den\u2026<\/p>\n

Dal\u0161\u00ed \u010dl\u00e1nky o\u00a0\u010desk\u00fdch verz\u00edch zahrani\u010dn\u00edch hit\u016f (v\u00fdb\u011br):<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Black_Sabbath<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Sabbath_Bloody_Sabbath<\/p>\n

https:\/\/blacksabbath.fandom.com\/wiki\/A_National_Acrobat<\/p>\n

https:\/\/www.pastemagazine.com\/music\/black-sabbath\/a-love-letter-to-sabbath-bloody-sabbath<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/List_of_cover_versions_of_Black_Sabbath_songs<\/p>\n

https:\/\/www.karaoketexty.cz\/texty-pisni\/schelinger-jiri\/metro-dobry-den-26444<\/p>\n

https:\/\/english.radio.cz\/ozzy-osbournes-czech-legacy-hit-covers-sitcom-glory-and-wild-nights-8857749<\/p>\n

https:\/\/musicserver.cz\/clanek\/52669\/i-zpivam-ptakum-a-zvlast-holubum-i-jiri-schelinger-by-se-dozil-sedesati-peti-let\/?nomobile=1<\/p>\n

https:\/\/www.whosampled.com\/Black-Sabbath\/A-National-Acrobat\/<\/p>\n","protected":false},"excerpt":{"rendered":"V obdob\u00ed normalizace v\u00a0sedmdes\u00e1t\u00fdch letech se praxe p\u0159eb\u00edr\u00e1n\u00ed zahrani\u010dn\u00edch p\u00edsn\u00ed stala jednou z\u00a0m\u00e1la mo\u017enost\u00ed, jak k\u00a0dom\u00e1c\u00edmu publiku leg\u00e1ln\u011b…\n","protected":false},"author":2,"featured_media":42651,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[4049,3690,1074,79,16718,84,650,4046,6800,8820,174,86,1073,4343,649,80],"class_list":{"0":"post-42650","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-black-sabbath","9":"tag-cenzura","10":"tag-ceska-hudba","11":"tag-entertainment","12":"tag-frantisek-ringo-cech","13":"tag-hudba","14":"tag-lide","15":"tag-metal","16":"tag-metro","17":"tag-normalizace","18":"tag-politika","19":"tag-popova-hudba-pop-music","20":"tag-pribeh","21":"tag-rock","22":"tag-spolecnost","23":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116331121501822017","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/42650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=42650"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/42650\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/42651"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=42650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=42650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=42650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}