{"id":44007,"date":"2026-04-02T21:08:11","date_gmt":"2026-04-02T21:08:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/44007\/"},"modified":"2026-04-02T21:08:11","modified_gmt":"2026-04-02T21:08:11","slug":"recenze-bude-valka-s-mloky-v-divadle-vzkazuji-lidem-aby-vyklidili-zemi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/44007\/","title":{"rendered":"Recenze: Bude v\u00e1lka s\u00a0mloky. V\u00a0divadle vzkazuj\u00ed lidem, aby vyklidili Zemi"},"content":{"rendered":"

\u201eD\u011bje se to te\u010f!\u201c h\u0159m\u00ed d\u011btsk\u00fd p\u011bveck\u00fd soubor na jevi\u0161ti \u010cinohern\u00edho studia v\u00a0\u00dast\u00ed nad Labem. Skandov\u00e1n\u00ed tohoto a\u00a0podobn\u00fdch hesel doprov\u00e1z\u00ed pulzuj\u00edc\u00ed orchestr\u00e1ln\u00ed hudba, do n\u00ed\u017e se za\u0159ez\u00e1v\u00e1 kv\u00edlen\u00ed vojensk\u00e9 trubky. Zat\u00edmco d\u011bti ve fialov\u00fdch overalech stoj\u00ed pevn\u011b v\u00a0se\u0159azen\u00e9m \u0161iku, dosp\u011bl\u00ed herci jen s\u00a0obt\u00ed\u017eemi odol\u00e1vaj\u00ed v\u011btru a\u00a0kou\u0159i. Sborov\u00e9 zvol\u00e1n\u00ed \u201eBude v\u00e1lka s\u00a0mloky?\u201c nevyzn\u00edv\u00e1 jako ot\u00e1zka, sp\u00ed\u0161e coby posledn\u00ed v\u00fdstraha.<\/p>\n

Stejn\u011b nal\u00e9hav\u011b p\u016fsob\u00ed cel\u00e1 adaptace zn\u00e1m\u00e9 pr\u00f3zy Karla \u010capka, kterou \u00fasteck\u00e9 divadlo nov\u011b uv\u00e1d\u00ed v\u00a0re\u017eii sv\u00e9ho um\u011bleck\u00e9ho \u0161\u00e9fa Michala H\u00e1by. Od vyd\u00e1n\u00ed posledn\u00edho dokon\u010den\u00e9ho rom\u00e1nu slavn\u00e9ho spisovatele letos uplynulo 90\u00a0let, u\u00a0p\u0159\u00edle\u017eitosti v\u00fdro\u010d\u00ed vznik\u00e1 tak\u00e9 filmov\u00e1 adaptace. <\/p>\n

Mnohovrstevnat\u00e1 alegorie b\u00fdv\u00e1 i\u00a0kv\u016fli n\u00e1sledn\u00e9 druh\u00e9 sv\u011btov\u00e9 v\u00e1lce vykl\u00e1d\u00e1na jako varov\u00e1n\u00ed p\u0159ed n\u00e1stupem fa\u0161ismu a\u00a0lidskou lhostejnost\u00ed. Jak ji \u010d\u00edst dnes? \u201eHistorie is repeating,\u201c nab\u00edzej\u00ed ironickou odpov\u011b\u010f v\u00a0\u00dast\u00ed.<\/p>\n

P\u0159\u00edle\u017eitost d\u011bl\u00e1 byznysmena<\/p>\n

\u010cinohern\u00ed studio zpravidla uv\u00e1d\u00ed inscenace ve studiov\u00e9m blackboxu, tedy divadeln\u00edm prostoru, kter\u00fd nem\u00e1 jasn\u011b ohrani\u010den\u00e9 jevi\u0161t\u011b a\u00a0hledi\u0161t\u011b. Tentokr\u00e1t v\u0161ak re\u017eis\u00e9r se sc\u00e9nografkou Luci\u00ed Krausovou zvolili klasick\u00e9 uspo\u0159\u00e1d\u00e1n\u00ed a\u00a0v s\u00e1le postavili fialov\u00fd port\u00e1l s\u00a0oponou.<\/p>\n

Na za\u010d\u00e1tku Jan Plouhar v\u00a0roli potm\u011b\u0161il\u00e9ho kapit\u00e1na Van Tocha p\u0159ich\u00e1z\u00ed za sv\u00fdm n\u011bkdej\u0161\u00edm p\u0159\u00edtelem, nyn\u00ed z\u00e1mo\u017en\u00fdm tov\u00e1rn\u00edkem Bondym v\u00a0pod\u00e1n\u00ed Ond\u0159eje Jir\u00e1\u010dka. Jemu i\u00a0vr\u00e1tn\u00e9mu Povondrovi, kter\u00e9ho hraje Erich Michal Sikora, b\u011bhem n\u011bkolika piv l\u00ed\u010d\u00ed, jak na tichomo\u0159sk\u00e9m ostrov\u011b objevil podivn\u00e9, inteligentn\u00ed tvory podobn\u00e9 mlok\u016fm. Za n\u016f\u017e, kter\u00fd jim usnadnil otev\u00edr\u00e1n\u00ed \u0161kebl\u00ed, mu oboj\u017eiveln\u00edci za\u010dali nosit perly. P\u0159\u00edle\u017eitost d\u011bl\u00e1 nejen zlod\u011bje, ale tak\u00e9 byznysmena.<\/p>\n

Foto: Patrik Boreck\u00fd<\/p>\n

Re\u017eis\u00e9r Michal H\u00e1ba \u010dasto p\u0159etv\u00e1\u0159\u00ed l\u00e1tku do vlastn\u00edho, snadno rozpoznateln\u00e9ho stylu. I\u00a0tentokr\u00e1t p\u0159in\u00e1\u0161\u00ed siln\u00fd autorsk\u00fd v\u00fdklad, z\u00e1rove\u0148 v\u0161ak ve velk\u00e9 m\u00ed\u0159e ponech\u00e1v\u00e1 \u010capk\u016fv poetick\u00fd jazyk, kter\u00fd m\u00eds\u00ed hovorovou \u010de\u0161tinu s\u00a0anglicismy i\u00a0s\u00a0publicistick\u00fdmi a\u00a0odborn\u00fdmi pas\u00e1\u017eemi. V\u00a0kombinaci s\u00a0humorn\u011b lad\u011bn\u00fdm herectv\u00edm to vede k\u00a0tomu, \u017ee se publikum na za\u010d\u00e1tku bav\u00ed. Komedie v\u0161ak postupn\u011b nab\u00fdv\u00e1 v\u00e1\u017en\u011bj\u0161\u00ed kontury, a\u017e ke konci p\u0159ech\u00e1z\u00ed v\u00a0p\u0159\u00edmou agitaci.<\/p>\n

H\u00e1ba ve sv\u00e9 tvorb\u011b \u010dasto nech\u00e1v\u00e1 postavy komentovat d\u011bj, upozor\u0148ovat na kl\u00ed\u010dov\u00e9 motivy \u010di vykl\u00e1dat politickou rovinu. Do V\u00e1lky s\u00a0mloky p\u0159ipsal postavu v\u011bdkyn\u011b, kterou hraje Barbora V\u00e1chov\u00e1. Po \u00favodn\u00ed sc\u00e9n\u011b p\u0159edstupuje p\u0159ed div\u00e1ky s\u00a0dramaturgick\u00fdm prologem. Reflektuje v\u00a0n\u011bm jak samotnou p\u0159edlohu a\u00a0jej\u00ed kontext, tak sou\u010dasn\u00e9 vyzn\u011bn\u00ed. Sv\u016fj v\u00fdstup uzav\u00edr\u00e1 v\u00a0angli\u010dtin\u011b v\u00fdrokem \u201eThe medium is the message\u201c, tedy tez\u00ed teoretika Marshalla McLuhana o\u00a0tom, \u017ee technologick\u00e1 povaha m\u00e9dia, jako je nap\u0159\u00edklad r\u00e1dio \u010di televize, formuje spole\u010dnost v\u00edce ne\u017e samotn\u00fd obsah, kter\u00fd m\u00e9dium p\u0159in\u00e1\u0161\u00ed.<\/p>\n

T\u00e9ma m\u00e9di\u00ed se objevuje u\u017e v\u00a0\u010capkov\u011b textu, zm\u00ednka v\u00a0\u00fasteck\u00e9 inscenaci v\u0161ak vyzn\u00edv\u00e1 sp\u00ed\u0161e jako efektn\u00ed intelektu\u00e1ln\u00ed nar\u00e1\u017eka ne\u017e rozvinut\u00e1 \u00favaha. P\u0159i vst\u0159\u00edcn\u011bj\u0161\u00edm \u010dten\u00ed ji snad lze vzt\u00e1hnout k\u00a0rozvoji um\u011bl\u00e9 inteligence, s\u00a0jej\u00ed\u017e pomoc\u00ed byla vytvo\u0159ena animovan\u00e1 videa hraj\u00edc\u00ed na p\u0159edsunut\u00e9 televizi. Na nich se mlo\u010d\u00ed populace groteskn\u011b vyv\u00edj\u00ed. D\u016fsledek tohoto v\u00fdvoje zat\u00edm nelze pln\u011b dohl\u00e9dnout, podobn\u011b jako to, co zp\u016fsobila \u00fast\u0159edn\u00ed mu\u017esk\u00e1 trojice.<\/p>\n

<\/a><\/p>\n

V H\u00e1bov\u00fdch posledn\u00edch inscenac\u00edch p\u016fsobila m\u00edsty a\u017e urputn\u00e1 snaha propojit d\u011bj s\u00a0kritickou teori\u00ed ru\u0161iv\u011b, div\u00e1k se mohl ztr\u00e1cet v\u00a0p\u0159em\u00ed\u0159e kontextu a\u00a0neust\u00e1l\u00fdch koment\u00e1\u0159\u016f. V\u00a0novince sice z\u016fst\u00e1vaj\u00ed, nejsou v\u0161ak tak dominantn\u00ed a\u00a0da\u0159\u00ed se je p\u0159irozen\u011bji vetknout do inscenace. P\u0159esv\u011bd\u010div\u011b to ukazuje Jir\u00e1\u010dk\u016fv satirick\u00fd monolog. Pohybov\u011b nadan\u00fd herec se pokou\u0161\u00ed p\u0159emluvit publikum k\u00a0investov\u00e1n\u00ed do spole\u010dnosti, kter\u00e1 se od p\u016fvodn\u00edho v\u00fdm\u011bnn\u00e9ho obchodu s\u00a0mloky p\u0159esouv\u00e1 k\u00a0jejich prodeji coby levn\u00e9 pracovn\u00ed s\u00edly.<\/p>\n

Mlok jako symbol<\/p>\n

Karel \u010capek \u010d\u00e1st rom\u00e1nu pojal jako sb\u00edrku novinov\u00fdch v\u00fdst\u0159i\u017ek\u016f vr\u00e1tn\u00e9ho Povondry. S\u00a0odkazem na avantgardn\u00edho re\u017eis\u00e9ra Emila Franti\u0161ka Buriana vol\u00ed H\u00e1ba pro jej\u00ed ztv\u00e1rn\u011bn\u00ed formu jevi\u0161tn\u00ed mont\u00e1\u017ee. Text p\u0159ipom\u00ednaj\u00edc\u00ed libreto si rozeb\u00edraj\u00ed jednotliv\u00e9 postavy a\u00a0d\u011btsk\u00fd p\u011bveck\u00fd sbor, dosud skryt\u00fd za oponou. V\u0161e doprov\u00e1z\u00ed kvapn\u00e1 hudba Jind\u0159icha \u010c\u00ed\u017eka, precizn\u011b prov\u00e1zan\u00e1 nejen se zp\u011bvem, ale tak\u00e9 s\u00a0choreografi\u00ed, slovem a\u00a0light designem. N\u011bkolik des\u00edtek minut trvaj\u00edc\u00ed sekvence se d\u00edky tomu st\u00e1v\u00e1 vrcholem nejen t\u00e9to inscenace, ale mo\u017en\u00e1 re\u017eis\u00e9rovy dosavadn\u00ed tvorby.<\/p>\n

V z\u00e1m\u011brn\u00e9 p\u0159ekotnosti a\u00a0zmatku se div\u00e1ci dozv\u00eddaj\u00ed o\u00a0apokalypse, kter\u00e1 se na lidstvo val\u00ed. Trojice mu\u017esk\u00fdch herc\u016f s\u00a0Nata\u0161ou G\u00e1\u010dovou v\u00a0roli dal\u0161\u00ed, tentokr\u00e1t zkorumpovan\u00e9 v\u011bdkyn\u011b chrl\u00ed \u00fatr\u017eky alarmuj\u00edc\u00edch zpr\u00e1v ze sv\u011bta, zat\u00edmco Barbora V\u00e1chov\u00e1 beznad\u011bjn\u011b bije na poplach. D\u011btsk\u00fd sbor hled\u00ed p\u0159\u00edmo do publika a\u00a0sve\u0159ep\u011b opakuje hesla, mezi nimi\u017e v\u00a0ironick\u00e9 nar\u00e1\u017ece zazn\u00edvaj\u00ed sou\u010dasn\u00e1 dogmata o\u00a0bezb\u0159eh\u00e9m ekonomick\u00e9m r\u016fstu \u010di nutnosti uzav\u0159\u00edt hranice.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Marie Machov\u00e1 jako mlok Chief Salamander a\u00a0Barbora V\u00e1chov\u00e1 v\u00a0roli v\u011bdkyn\u011b.<\/p>\n

Nastal\u00fd rozruch p\u0159eru\u0161\u00ed a\u017e here\u010dka Marie Machov\u00e1, oble\u010den\u00e1 ve v\u00fdrazn\u011b \u010derven\u00e9 kombin\u00e9ze. Zn\u00e1m\u00e1 tv\u00e1\u0159 \u00fasteck\u00e9ho souboru se v\u00a0pr\u016fb\u011bhu inscenace objevuje p\u0159ed div\u00e1ky jak s\u00a0maskou modrofialov\u00e9ho obli\u010deje Karla \u010capka, tak v\u00a0roli samotn\u00fdch mlok\u016f. Nyn\u00ed se uj\u00edm\u00e1 slova jako jejich v\u016fdce Chief Salamander. A\u017e nep\u0159\u00edjemn\u011b rozvern\u011b p\u0159edkl\u00e1d\u00e1 vystra\u0161en\u00fdm protagonist\u016fm jednostrannou obchodn\u00ed nab\u00eddku: Lidstvo m\u00e1 vyklidit pevniny a\u00a0p\u0159est\u011bhovat se do hor.<\/p>\n

V rom\u00e1nu mloci symbolizovali nejr\u016fzn\u011bj\u0161\u00ed dobov\u00e9 i\u00a0obecn\u011bj\u0161\u00ed fenom\u00e9ny, od zd\u00e1nliv\u011b nevinn\u00e9ho p\u0159\u00edrodn\u00edho spole\u010denstv\u00ed p\u0159es p\u0159ehl\u00ed\u017eenou d\u011blnickou t\u0159\u00eddu a\u017e po masov\u011b \u0159\u00edzenou modern\u00ed spole\u010dnost. Re\u017eis\u00e9r H\u00e1ba s\u00a0dramaturgy Liborem Brzobohat\u00fdm a\u00a0Veronikou Linkou tyto v\u00fdznamy zpracov\u00e1vaj\u00ed r\u016fzn\u011b, nejv\u00fdrazn\u011bji v\u0161ak akcentuj\u00ed dv\u011b interpretace: environment\u00e1ln\u00ed krizi a\u00a0fa\u0161ismus.<\/p>\n

Past paralel<\/p>\n

V sou\u010dasn\u00e9m vzestupu krajn\u011b pravicov\u00fdch hnut\u00ed a\u00a0autorit\u00e1\u0159\u016f tv\u016frci spat\u0159uj\u00ed paralelu k\u00a0obdob\u00ed p\u0159ed necel\u00fdmi sto lety. Podobn\u011b \u010dtou spojen\u00ed n\u011bkter\u00fdch bohat\u00fdch podnikatel\u016f s\u00a0n\u00e1rodn\u011b konzervativn\u00edmi proudy. V\u00a0divadeln\u00edm programu auto\u0159i upozor\u0148uj\u00ed, \u017ee tento jev lze pozorovat nejen ve Spojen\u00fdch st\u00e1tech na bl\u00edzkosti Donalda Trumpa a\u00a0Elona Muska, ale \u017ee k\u00a0takzvan\u00e9 trumpizaci doch\u00e1z\u00ed tak\u00e9 v\u00a0\u010cesku.<\/p>\n

Z\u016fst\u00e1v\u00e1 samoz\u0159ejm\u011b ot\u00e1zkou, nakolik je historick\u00e1 paralela p\u0159esn\u00e1. Snaha p\u0159ipodobnit sou\u010dasnost k\u00a0meziv\u00e1le\u010dn\u00e9mu fa\u0161ismu zde slou\u017e\u00ed mimo jin\u00e9 k \u201evyp\u016fj\u010den\u00ed si patosu boje minulosti\u201c, jak v\u00a0programu d\u00e1le p\u00ed\u0161e politolog Ond\u0159ej Sla\u010d\u00e1lek. Zd\u016fraz\u0148ov\u00e1n\u00edm teze, \u017ee historie se opakuje, cht\u011bj\u00ed divadeln\u00edci div\u00e1ka zneklidnit a\u00a0vyburcovat. Podobn\u011b pracuj\u00ed s\u00a0odkazy na Frankfurtskou \u0161kolu sdru\u017euj\u00edc\u00ed sociology a\u00a0filozofy, kte\u0159\u00ed po druh\u00e9 sv\u011btov\u00e9 v\u00e1lce zkoumali nap\u0159\u00edklad p\u0159\u00ed\u010diny nacismu.<\/p>\n

\u201eJsou fa\u0161isty lid\u00e9, kte\u0159\u00ed mloky mu\u010d\u00ed a\u00a0vyko\u0159is\u0165uj\u00ed a\u017e v\u00a0industri\u00e1ln\u00edch rozm\u011brech, nebo je fa\u0161istickou vznikaj\u00edc\u00ed mlo\u010d\u00ed civilizace, kter\u00e1 nechala stranou v\u011bci jako kultura a\u00a0um\u011bn\u00ed?\u201c citovala p\u0159ed premi\u00e9rou agentura \u010cTK re\u017eis\u00e9ra H\u00e1bu. Podle n\u011bj V\u00e1lka s\u00a0mloky nevaruje pouze p\u0159ed fa\u0161ismem a\u00a0stoupaj\u00edc\u00edmi hladinami oce\u00e1n\u016f, ale popisuje tak\u00e9 ztr\u00e1tu citlivosti v\u016f\u010di jin\u00fdm bytostem nebo hrozb\u00e1m.<\/p>\n

<\/a><\/p>\n

Inscenace hled\u00e1 ve star\u0161\u00edch teori\u00edch oporu pro v\u00fdklad sou\u010dasnosti, kter\u00e1 je v\u0161ak v\u00a0mnoh\u00e9m odli\u0161n\u00e1 a\u00a0zaslou\u017eila by popsat dne\u0161n\u00edm jazykem. Odpov\u011b\u010f na vzestup krajn\u00ed pravice se mo\u017en\u00e1 neskr\u00fdv\u00e1 jen v\u00a0podobnostech s\u00a0minulost\u00ed, ale tak\u00e9 v\u00a0rozd\u00edlech, kter\u00e9 uplynul\u00e9 stolet\u00ed p\u0159ineslo.<\/p>\n

V\u00e1lka s\u00a0mloky m\u011bla m\u00edt premi\u00e9ru u\u017e lo\u0148sk\u00e9 l\u00e9to, byla v\u0161ak odlo\u017eena. Nakonec p\u016fsob\u00ed promy\u0161len\u011bji a\u00a0sev\u0159en\u011bji ne\u017e n\u011bkter\u00e9 ned\u00e1vn\u00e9 projekty re\u017eis\u00e9ra H\u00e1by, na nich\u017e byly patrn\u00e9 zn\u00e1mky rutiny a\u00a0snahy \u0159\u00edct v\u00edce, ne\u017e je nutn\u00e9. Hektick\u00e9 sv\u011btov\u00e9 d\u011bn\u00ed v\u00a0kombinaci s\u00a0tak\u0159ka ro\u010dn\u00edm odstupem zost\u0159ilo vyzn\u011bn\u00ed toho, co se na jevi\u0161ti odehr\u00e1v\u00e1. Z\u00e1v\u011bre\u010dn\u00fd sborov\u00fd zp\u011bv antifa\u0161istick\u00e9 p\u00edsn\u011b Bella Ciao nep\u016fsob\u00ed jen bojovn\u011b, ale tak\u00e9 znepokojiv\u011b: jako varov\u00e1n\u00ed p\u0159ed nevyhnuteln\u00fdm st\u0159etem.<\/p>\n

Inscenace: Karel \u010capek\u00a0\u2013 V\u00e1lka s\u00a0mloky<\/p>\n

Adaptace a\u00a0re\u017eie: Michal H\u00e1ba<\/p>\n

Hraj\u00ed: Jan Plouhar, Ond\u0159ej Jir\u00e1\u010dek, Erich Michal Sikora, Nata\u0161a G\u00e1\u010dov\u00e1, Barbora V\u00e1chov\u00e1, Marie Machov\u00e1 v\u00a0alternaci s\u00a0Lucianou Tom\u00e1\u0161ovou a\u00a0soubory \u00dasteck\u00e9 Bambini a\u00a0p\u011bveck\u00fd sbor Z\u0160 St\u0159\u00edbrnick\u00e1.<\/p>\n

\u010cinohern\u00ed studio \u00dast\u00ed nad Labem, premi\u00e9ra 20.\u00a0b\u0159ezna, nejbli\u017e\u0161\u00ed repr\u00edzy 2.\u00a0a\u00a022.\u00a0dubna.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201eD\u011bje se to te\u010f!\u201c h\u0159m\u00ed d\u011btsk\u00fd p\u011bveck\u00fd soubor na jevi\u0161ti \u010cinohern\u00edho studia v\u00a0\u00dast\u00ed nad Labem. Skandov\u00e1n\u00ed tohoto a\u00a0podobn\u00fdch…\n","protected":false},"author":2,"featured_media":44008,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[17093,1172,2095,79,10136,17094,17092,10137,80],"class_list":["post-44007","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-cinoherni-studio-usti-nad-labem","tag-divadelni-predstaveni","tag-divadelni-recenze","tag-entertainment","tag-karel-capek","tag-marie-machova","tag-michal-haba","tag-valka-s-mloky","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116337161303374326","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/44007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=44007"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/44007\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/44008"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=44007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=44007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=44007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}