{"id":44348,"date":"2026-04-03T09:08:26","date_gmt":"2026-04-03T09:08:26","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/44348\/"},"modified":"2026-04-03T09:08:26","modified_gmt":"2026-04-03T09:08:26","slug":"kafkovsky-parsifal-pozveda-prazskou-operu-na-evropskou-uroven-aktualne-cz","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/44348\/","title":{"rendered":"Kafkovsk\u00fd Parsifal pozved\u00e1 pra\u017eskou operu na evropskou \u00farove\u0148 \u2013 Aktu\u00e1ln\u011b.cz"},"content":{"rendered":"<p>Sv\u016fj opern\u00ed epitaf <a href=\"https:\/\/magazin.aktualne.cz\/stitky\/richard-wagner\" rel=\"nofollow noopener\" target=\"_blank\">Wagner<\/a> nerad ozna\u010doval jako zp\u011bvohru, ale dal j\u00ed podtitul \u201eslavnostn\u00ed hra zasv\u011bcen\u00ed\u201c. T\u0159i m\u011bs\u00edce p\u0159ed svou smrt\u00ed v n\u00ed zakon\u010dil sv\u00e9 monument\u00e1ln\u00ed hudebn\u00ed, pota\u017emo i filosofick\u00e9 d\u00edlo a nep\u0159\u00e1l si, aby se hr\u00e1la jinde ne\u017e ve festivalov\u00e9m divadle v Bayreuthu, pro n\u011b\u017e byla ur\u010dena.<\/p>\n<p>P\u0159enesen\u00ed opery do jin\u00e9ho prostoru tak klade velk\u00e9 n\u00e1roky zejm\u00e9na na p\u011bvce a vy\u017eaduje citlivou pr\u00e1ci s hudebn\u00edky, Wagnerovo divadlo bylo toti\u017e navr\u017eeno s ohledem na obrovsk\u00e9 obsazen\u00ed orchestru, jeho\u017e \u010dlenov\u00e9 sed\u011bli v orchest\u0159i\u0161ti odstup\u0148ovan\u00e9m na n\u011bkolika \u00farovn\u00edch. Nap\u0159\u00edklad \u017ees\u0165ov\u00e9 n\u00e1stroje, jich\u017e Wagner u\u017e\u00edval v\u00fdrazn\u011b v\u00edc, ne\u017e bylo do t\u00e9 doby b\u011b\u017en\u00e9, tak byly posazeny nejn\u00ed\u017ee a d\u00edky tomu v\u00fdrazn\u00fdm zvukem nep\u0159ehlu\u0161uj\u00ed zp\u011bv.<\/p>\n<p>Dirigent a hudebn\u00edci proto mus\u00ed ve standardn\u00edch divadeln\u00edch domech velmi pe\u010dliv\u011b pracovat s dynamikou, aby se zp\u011bv bez probl\u00e9m\u016f nesl p\u0159es orchestr a neztr\u00e1cel se v jeho monument\u00e1ln\u00edm zvuku, zejm\u00e9na ve vypjat\u00fdch momentech.<\/p>\n<p>Z orchestru vy\u017ed\u00edmali to nejlep\u0161\u00ed<\/p>\n<p>Hudebn\u00edho nastudov\u00e1n\u00ed ve St\u00e1tn\u00ed ope\u0159e se ujal n\u011bmeck\u00fd dirigent Markus Poschner a dok\u00e1zal \u201evy\u017ed\u00edmat\u201c z hr\u00e1\u010d\u016f vskutku to nejlep\u0161\u00ed. Orchestr St\u00e1tn\u00ed opery hr\u00e1l tak dob\u0159e, jako u\u017e dlouho ne. Dok\u00e1zal naj\u00edt balanc mezi dramatick\u00fdmi pas\u00e1\u017eemi ve forte a ztlumit, kdy\u017e bylo pot\u0159eba. Ze \u0159et\u011bzu se m\u00edrn\u011b \u201eutrhl\u201c v posledn\u00edm d\u011bjstv\u00ed, kdy mohl jemn\u011bji vystav\u011bt lyri\u010dt\u011bj\u0161\u00ed pas\u00e1\u017ee, ale jinak p\u0159edvedl \u00factyhodn\u00fd v\u00fdkon a tak\u0159ka p\u011btihodinov\u00e9 d\u00edlo ut\u00e1hl na jedni\u010dku. Lep\u0161\u00ed zvuk mohly m\u00edt zvony prov\u00e1zej\u00edc\u00ed celou operu, kter\u00e9 zn\u011bly sp\u00ed\u0161e jako odb\u00edjej\u00edc\u00ed kyvadlov\u00e9 hodiny.<\/p>\n<p>Do hlavn\u00ed role Parsifala, jeho\u017e p\u0159\u00edb\u011bh vych\u00e1z\u00ed ze st\u0159edov\u011bk\u00e9ho eposu Wolframa von Eschenbacha o\u00a0ryt\u00ed\u0159\u00edch svat\u00e9ho gr\u00e1lu, anga\u017eovalo N\u00e1rodn\u00ed divadlo americk\u00e9ho tenoristu Matthewa Newlina, kter\u00fd part zvl\u00e1dl v\u00fdborn\u011b. Herecky i hlasov\u011b velmi uv\u011b\u0159iteln\u011b vykreslil zejm\u00e9na prom\u011bnu hlavn\u00edho hrdiny od naivn\u00edho chlapce v py\u017eamu p\u0159es poku\u0161en\u00ed sv\u00e1d\u011bj\u00edc\u00ed z prav\u00e9 cesty a\u017e po moudr\u00e9ho, osv\u00edcen\u00e9ho u\u010dence a zachr\u00e1nce, kter\u00fd se s\u00e1m ujme \u00fa\u0159adu str\u00e1\u017ece svat\u00e9ho gr\u00e1lu.<\/p>\n<p>Tomu zdatn\u011b sekundovala mezzosopranistka Ester Pavl\u016f, kter\u00e1 p\u0159edvedla snad nejp\u016fsobiv\u011bj\u0161\u00ed v\u00fdkon ze v\u0161ech. P\u011bvkyn\u011b, je\u017e v minulosti ztv\u00e1rnila na na\u0161\u00ed prvn\u00ed opern\u00ed sc\u00e9n\u011b nap\u0159\u00edklad Carmen nebo Ciz\u00ed kn\u011b\u017enu v Rusalce, se ujala postavy mystick\u00e9 \u017eeny Kundry, je\u017e je st\u00edh\u00e1na proklet\u00edm v\u011b\u010dn\u00e9ho \u017eivota a neschopnost\u00ed plakat. Pot\u00e1c\u00ed se tak mezi touhou po vykoupen\u00ed, ale z\u00e1rove\u0148 je n\u00e1strojem msty hlavn\u00edho \u201ez\u00e1por\u00e1ka\u201c. U\u017e v minulosti svedla dosavadn\u00edho kr\u00e1le a str\u00e1\u017ece gr\u00e1lu Amfortase, kter\u00fd kv\u016fli tomu p\u0159i\u0161el o vz\u00e1cnou relikvii a odnesl si smrt\u00edc\u00ed zran\u011bn\u00ed. A o tot\u00e9\u017e se pokou\u0161\u00ed u Parsifala.<\/p>\n<p>A\u010dkoli prvn\u00ed d\u011bjstv\u00ed, kde se hodn\u011b b\u011bhalo kolem pomysln\u00e9ho v\u00e1lce symbolizuj\u00edc\u00edho gr\u00e1l, bylo pom\u011brn\u011b statick\u00e9 a sneslo by v\u00edc akce, n\u00e1pad re\u017eis\u00e9ra Andrease Homokiho, \u017ee gr\u00e1l samotn\u00fd skr\u00fdv\u00e1 v\u011bd\u011bn\u00ed a moudrost symbolizovanou ob\u0159\u00ed knihovnou, str\u00e1\u017eenou ryt\u00ed\u0159i v podob\u011b jak\u00fdchsi kafkovsk\u00fdch \u00fa\u0159edn\u00edk\u016f a knihovn\u00edk\u016f, byl neot\u0159el\u00fd a origin\u00e1ln\u00ed a obecn\u011b bylo jeho pojet\u00ed tak slo\u017eit\u00e9 l\u00e1tky, prodchnut\u00e9 k\u0159es\u0165ansk\u00fdmi mystick\u00fdmi symboly, velmi poveden\u00e9.<\/p>\n<p>N\u00e1ro\u010dn\u00e9 role Gurnemanze, kter\u00fd exceloval v prvn\u00edm a t\u0159et\u00edm d\u011bjstv\u00ed, se ujal finsk\u00fd basista\u00a0Timo Riihonen. V roli ran\u011bn\u00e9ho kr\u00e1le Amfortase vystoupil Ji\u0159\u00ed H\u00e1jek, kter\u00e9mu ov\u0161em hlasov\u011b p\u0159\u00edli\u0161 nesedla. Jeho opern\u00edmu otci Titurelovi by sice slu\u0161ela v\u011bt\u0161\u00ed pr\u016fraznost a s\u00edla v hlase, ale Ivo Hrachovec byl v roli um\u00edraj\u00edc\u00edho starce tak p\u0159esv\u011bd\u010div\u00fd, \u017ee to lze vn\u00edmat jako v\u00fdrazov\u00fd prvek.<\/p>\n<p>Newlin a Pavl\u016f ovl\u00e1dli druh\u00e9 d\u011bjstv\u00ed<\/p>\n<p>P\u016fsobiv\u00fd byl i \u00favod druh\u00e9ho d\u011bjstv\u00ed, kde hlavn\u00ed \u201epadouch\u201c Klingsor v pod\u00e1n\u00ed Martina B\u00e1rty svol\u00e1v\u00e1 Kundry a sv\u00e9 Kv\u011btinov\u00e9 \u017eeny, kter\u00e9 maj\u00ed zastavit Parsifala za pomoci sv\u00fdch vnad. Vysoko polo\u017een\u00fd v\u00fdstup zvl\u00e1dly v\u0161echny dob\u0159e, by\u0165 byl zvuk m\u00edsty trochu ostr\u00fd. Jejich \u201ekr\u00e1lovstv\u00ed\u201c \u010d\u00edtaj\u00edc\u00ed vyz\u00fdvav\u00e9 kost\u00fdmy a sv\u00edt\u00edc\u00ed koloto\u010d m\u00ed\u0159ilo jak na Parsifalovo vnit\u0159n\u00ed d\u00edt\u011b, tak na jeho mu\u017eskou str\u00e1nku. A nutno vyzdvihnout i B\u00e1rt\u016fv zp\u011bv, kter\u00fd byl v\u00fdborn\u011b vep\u0159edu posazen\u00fd a nesl se s kr\u00e1snou rezonanc\u00ed.<\/p>\n<p>Zbytek d\u011bjstv\u00ed ale naprosto ovl\u00e1dla dvojice Newlin\u2013Pavl\u016f, kter\u00e1 vytvo\u0159ila takov\u00e9 nap\u011bt\u00ed mezi ob\u011bma postavami, \u017ee se ani rozs\u00e1hl\u00fd duet, v n\u011bm\u017e Kundry sv\u00e1d\u00ed Parsifala, zat\u00edmco on se sna\u017e\u00ed dost\u00e1t povinnosti, nezd\u00e1l v\u016fbec dlouh\u00fd, a i kdy\u017e se cel\u00fd odehr\u00e1val v jednoduch\u00fdch kulis\u00e1ch \u010d\u00edtaj\u00edc\u00edch pouze postel, byl zcela strhuj\u00edc\u00ed. Nechyb\u011blo mu erotick\u00e9 pnut\u00ed, dramati\u010dnost ani vnit\u0159n\u00ed rozervanost obou postav, kter\u00e9 skon\u010d\u00ed u spole\u010dn\u00e9ho polibku, jen\u017e ob\u011bma otv\u00edr\u00e1 o\u010di. Rozhodnou se nezopakovat chybu Amfortase a pokra\u010dovat v trnit\u00e9 cest\u011b za sp\u00e1sou.<\/p>\n<p>V\u00fdborn\u00e9 v\u00fdkony p\u0159edvedli v podstat\u011b v\u0161ichni s\u00f3list\u00e9 a velkou m\u011brou k vysok\u00e9 \u00farovni inscenace p\u0159isp\u011bly i v\u0161echny sbory. Sbor St\u00e1tn\u00ed opery a N\u00e1rodn\u00edho divadla a zejm\u00e9na jeho mu\u017esk\u00e1 \u010d\u00e1st si pod veden\u00edm Zuzany Kadl\u010d\u00edkov\u00e9 skv\u011ble poradil i s dramatick\u00fdmi \u010d\u00e1stmi, kontrastn\u00ed protip\u00f3l k n\u011bmu naopak tvo\u0159il K\u00fchn\u016fv d\u011btsk\u00fd sbor p\u0159edstavuj\u00edc\u00ed and\u011bly, kter\u00fd, zp\u00edvaje \u201esh\u016fry\u201c z jedn\u00e9 z l\u00f3\u017e\u00ed, dodal mystick\u00fdm moment\u016fm skute\u010dn\u011b povznesenou atmosf\u00e9ru.<\/p>\n<p>Za\u010d\u00e1tek t\u0159et\u00edho d\u011bjstv\u00ed op\u011bt m\u00edrn\u011b bojoval se stati\u010dnost\u00ed. Parsifal p\u0159ich\u00e1z\u00ed po letech zkou\u0161ek ve vojensk\u00e9 zbroji, co\u017e v sou\u010dasn\u00e9 mezin\u00e1rodn\u00ed situaci evokuje mnoho aktu\u00e1ln\u00edch konotac\u00ed. Wagnerovo d\u00edlo p\u0159in\u00e1\u0161\u00ed v dne\u0161n\u00ed dob\u011b st\u00e1le aktu\u00e1ln\u00ed podobenstv\u00ed o lidsk\u00e9m poku\u0161en\u00ed, ale i kritiku v\u016fdc\u016f, kte\u0159\u00ed vedou zni\u010duj\u00edc\u00ed konflikty ve jm\u00e9nu sv\u00fdch sobeck\u00fdch z\u00e1jm\u016f. Odpov\u011bd\u00ed na n\u011b m\u016f\u017ee b\u00fdt pouze moudrost, pozn\u00e1n\u00ed sebe sama, soucit a odpu\u0161t\u011bn\u00ed.<\/p>\n<p>Parsifalovo setk\u00e1n\u00ed s Kundry, kter\u00e1 jej zprvu nepozn\u00e1v\u00e1, evokuje setk\u00e1n\u00ed Je\u017e\u00ed\u0161e s M\u00e1\u0159\u00ed Magdalenou v Getsemansk\u00e9 zahrad\u011b. Parsifal p\u0159in\u00e1\u0161\u00ed zp\u011bt ztracen\u00e9 Kop\u00ed osudu, Kundry odpu\u0161t\u011bn\u00ed a vykoupen\u00ed v podob\u011b k\u0159tu a l\u00e9\u010d\u00ed Amfortase, aby n\u00e1sledn\u011b s\u00e1m p\u0159evzal jeho \u00fa\u0159ad. St\u00e1v\u00e1 se kr\u00e1lem, kter\u00fd neprosazuje sv\u00e9 vlastn\u00ed ambice, ale je p\u0159ipraven slou\u017eit ve jm\u00e9nu dobra.<\/p>\n<p>Nov\u00e1 inscenace Parsifala povzn\u00e1\u0161\u00ed Prahu mezi skute\u010dn\u011b kvalitn\u00ed evropsk\u00e9 opern\u00ed sc\u00e9ny, je po v\u0161ech str\u00e1nk\u00e1ch promy\u0161len\u00e1, velmi kvalitn\u011b obsazen\u00e1 a hudebn\u011b dota\u017een\u00e1 do detailu. By\u0165 otazn\u00edky vyvol\u00e1v\u00e1 interpreta\u010dn\u00ed pojet\u00ed z\u00e1v\u011bru, kde um\u00edraj\u00ed ryt\u00ed\u0159i gr\u00e1lu, zat\u00edmco v\u011b\u010dn\u011b \u017eij\u00edc\u00ed Kundry (kter\u00e1 tolik tou\u017eila po smrti a Wagner j\u00ed v libretu toto vykoupen\u00ed dop\u0159\u00e1l) z\u016fst\u00e1v\u00e1 st\u00e1t na sc\u00e9n\u011b. Ale to u\u017e je na div\u00e1kovi a jeho v\u00fdkladu.<\/p>\n","protected":false},"excerpt":{"rendered":"Sv\u016fj opern\u00ed epitaf Wagner nerad ozna\u010doval jako zp\u011bvohru, ale dal j\u00ed podtitul \u201eslavnostn\u00ed hra zasv\u011bcen\u00ed\u201c. T\u0159i m\u011bs\u00edce p\u0159ed&hellip;\n","protected":false},"author":2,"featured_media":44349,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[84,1429,1253,1435,98,99,3990,195,17178,17179],"class_list":{"0":"post-44348","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-hudba","9":"tag-klasicka-hudba","10":"tag-narodni-divadlo","11":"tag-opera","12":"tag-prague","13":"tag-praha","14":"tag-premiera","15":"tag-recenze","16":"tag-richard-wagner","17":"tag-vazna-hudba"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116339992616554600","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/44348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=44348"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/44348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/44349"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=44348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=44348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=44348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}