{"id":44975,"date":"2026-04-04T04:45:12","date_gmt":"2026-04-04T04:45:12","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/44975\/"},"modified":"2026-04-04T04:45:12","modified_gmt":"2026-04-04T04:45:12","slug":"jesus-christ-superstar-rockova-opera-je-nejvetsi-velikonocni-dilo-moderni-kultury","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/44975\/","title":{"rendered":"Jesus Christ Superstar. Rockov\u00e1 opera je nejv\u011bt\u0161\u00ed velikono\u010dn\u00ed d\u00edlo modern\u00ed kultury"},"content":{"rendered":"

Velikono\u010dn\u00ed sv\u00e1tky jsou \u010dasem, kdy si lid\u00e9 po cel\u00e9m sv\u011bt\u011b p\u0159ipom\u00ednaj\u00ed p\u0159\u00edb\u011bh Je\u017e\u00ed\u0161e Nazaretsk\u00e9ho, jeho zradu, odsouzen\u00ed a\u00a0smrt. Tento prastar\u00fd p\u0159\u00edb\u011bh v\u00a0pr\u016fb\u011bhu stalet\u00ed inspiroval mnoho um\u011bleck\u00fdch d\u011bl, ale m\u00e1lokter\u00e9 z\u00a0nich vyvolalo takov\u00fd rozruch a\u00a0zanechalo tak v\u00fdraznou stopu jako rockov\u00e1 opera Jesus Christ Superstar.<\/p>\n

Auto\u0159i, skladatel Andrew Lloyd Webber a\u00a0libretista Tim Rice, se rozhodli vypr\u00e1v\u011bt biblick\u00e9 ud\u00e1losti posledn\u00edho t\u00fddne Je\u017e\u00ed\u0161ova \u017eivota nov\u00fdm zp\u016fsobem, kter\u00fd by oslovil i\u00a0lidi mimo c\u00edrkev. M\u00edsto tradi\u010dn\u00edho n\u00e1bo\u017eensk\u00e9ho pojet\u00ed se zam\u011b\u0159ili na lidskou str\u00e1nku postav a\u00a0jejich vz\u00e1jemn\u00e9 vztahy. Hlavn\u00edm vyprav\u011b\u010dem se stal Jid\u00e1\u0161 I\u0161kariotsk\u00fd, kter\u00e9ho auto\u0159i nevid\u011bli jako \u010dernob\u00edl\u00e9ho zr\u00e1dce, ale jako v\u011brn\u00e9ho p\u0159\u00edtele pln\u00e9ho obav z\u00a0toho, \u017ee se hnut\u00ed vymyk\u00e1 kontrole a\u00a0vyvol\u00e1 tvrd\u00fd z\u00e1sah \u0159\u00edmsk\u00e9 moci.<\/p>\n

My\u0161lenka na toto d\u00edlo se rodila postupn\u011b. Tim Rice se nechal inspirovat ot\u00e1zkou Boba Dylana, zda Jid\u00e1\u0161 nem\u011bl na sv\u00e9 stran\u011b Boha. Ten ji polo\u017eil v\u00a0p\u00edsni With God on Our Side (S Bohem na na\u0161\u00ed stran\u011b), kter\u00e1 vy\u0161la na jeho albu The Times They Are A-Changin‘ v\u00a0roce 1964.<\/p>\n

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Druh\u00fdm impulsem byl reklamn\u00ed plak\u00e1t zp\u011bv\u00e1ka Toma Jonese, kde st\u00e1l v\u00a0b\u00edl\u00e9m oble\u010den\u00ed pod n\u00e1pisem \u201eSuperstar\u201c. Spojen\u00edm t\u011bchto dvou n\u00e1pad\u016f vznikla v\u00a0roce 1969\u00a0tituln\u00ed p\u00edse\u0148 a\u00a0po jej\u00edm \u00fasp\u011bchu napsali auto\u0159i zbytek skladeb. Proto\u017ee v\u0161ak t\u00e9ma vyvol\u00e1valo obavy a\u00a0nikdo necht\u011bl financovat n\u00e1kladn\u00e9 divadeln\u00ed p\u0159edstaven\u00ed, zvolili auto\u0159i fintu. Cel\u00e9 d\u00edlo nejprve nahr\u00e1li a\u00a0vydali jako gramofonov\u00e9 dvojalbum.<\/p>\n

Hudebn\u00ed materi\u00e1l obsahoval i\u00a0Webberovy n\u00e1pady z\u00a0d\u0159\u00edv\u011bj\u0161ka, nap\u0159\u00edklad p\u00edse\u0148 kr\u00e1le Heroda byla p\u016fvodn\u011b naps\u00e1na jako n\u00e1vrh do evropsk\u00e9 p\u00eds\u0148ov\u00e9 sout\u011b\u017ee. Pro nahr\u00e1vku dvojalba dali dohromady zaj\u00edmavou sestavu. Roli Je\u017e\u00ed\u0161e nazp\u00edval Ian Gillan, tehdej\u0161\u00ed zp\u011bv\u00e1k skupiny Deep Purple. Deska zaznamenala velk\u00fd \u00fasp\u011bch, zejm\u00e9na ve Spojen\u00fdch st\u00e1tech, kde se stala velmi prod\u00e1van\u00fdm albem roku.<\/p>\n

Tento \u00fasp\u011bch kone\u010dn\u011b otev\u0159el dve\u0159e do divadel. Prvn\u00ed jevi\u0161tn\u00ed podoba m\u011bla premi\u00e9ru na Broadwayi v\u00a0roce 1971.\u00a0Je\u0161t\u011b p\u0159ed zah\u00e1jen\u00edm zkou\u0161ek oslovili auto\u0159i zku\u0161en\u00e9ho divadeln\u00edho tv\u016frce Hala Prince, kter\u00fd jim poslal dlouh\u00fd seznam n\u00e1vrh\u016f na \u00fapravy. Lloyd Webber a\u00a0Rice se v\u0161ak necht\u011bli nikomu pod\u0159izovat, a\u00a0proto n\u00e1vrhy odm\u00edtli a\u00a0dokon\u010dili d\u00edlo podle sv\u00fdch vlastn\u00edch p\u0159edstav.<\/p>\n

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Re\u017eie se ujal Tom O’Horgan, kter\u00fd vsadil na velmi zvl\u00e1\u0161tn\u00ed a\u00a0p\u0159ekvapiv\u00e9 n\u00e1pady. Je\u017e\u00ed\u0161 se na sc\u00e9n\u011b poprv\u00e9 objevil tak, \u017ee se vyno\u0159il z\u00a0ob\u0159\u00edho st\u0159\u00edbrn\u00e9ho poh\u00e1ru, kr\u00e1l Herodes vystupoval jako v\u00fdst\u0159edn\u00ed postava na vysok\u00fdch podpatc\u00edch a\u00a0Jid\u00e1\u0161 se po sv\u00e9 smrti vracel na houpaj\u00edc\u00ed se hrazd\u011b.<\/p>\n

Skladatel Andrew Lloyd Webber byl z\u00a0t\u00e9to podoby ne\u0161\u0165astn\u00fd a\u00a0otev\u0159en\u011b ji kritizoval, proto\u017ee podle n\u011bj divok\u00e1 pod\u00edvan\u00e1 zcela zast\u00ednila hudbu a\u00a0text. P\u0159esto si div\u00e1ci cestu do divadla na\u0161li a\u00a0p\u0159edstaven\u00ed pomohlo p\u0159it\u00e1hnout do hledi\u0161\u0165 mlad\u00e9 publikum.<\/p>\n

O dva roky pozd\u011bji, v\u00a0roce 1973, vznikla zn\u00e1m\u00e1 filmov\u00e1 verze re\u017eis\u00e9ra Normana Jewisona. Ten se tak\u00e9 rozhodl pro origin\u00e1ln\u00ed p\u0159\u00edstup, by\u0165 jin\u00fdm zp\u016fsobem. Nat\u00e1\u010del p\u0159\u00edmo v\u00a0Izraeli, uprost\u0159ed skute\u010dn\u00e9 pou\u0161t\u011b a\u00a0starov\u011bk\u00fdch z\u0159\u00edcenin. Film za\u010d\u00edn\u00e1 t\u00edm, \u017ee do pou\u0161t\u011b p\u0159ij\u00ed\u017ed\u00ed autobus pln\u00fd mlad\u00fdch lid\u00ed. Ti z\u00a0n\u011bj vylo\u017e\u00ed kost\u00fdmy, rekvizity a\u00a0d\u0159ev\u011bn\u00fd k\u0159\u00ed\u017e a\u00a0za\u010dnou hr\u00e1t p\u0159\u00edb\u011bh o\u00a0Je\u017e\u00ed\u0161ovi.<\/p>\n

Re\u017eis\u00e9r do filmu vlo\u017eil z\u00e1m\u011brn\u00e9 \u010dasov\u00e9 nesrovnalosti. \u0158\u00edm\u0161t\u00ed voj\u00e1ci v\u00a0n\u011bm nos\u00ed modern\u00ed zbran\u011b, nad pou\u0161t\u00ed p\u0159el\u00e9t\u00e1vaj\u00ed st\u00edha\u010dky a\u00a0Jid\u00e1\u0161e v\u00a0jedn\u00e9 sc\u00e9n\u011b pron\u00e1sleduj\u00ed tanky. Tyto modern\u00ed prvky m\u011bly symbolizovat Jid\u00e1\u0161ovy vnit\u0159n\u00ed obavy a\u00a0t\u00ed\u017eivou atmosf\u00e9ru bl\u00ed\u017e\u00edc\u00ed se katastrofy. Propojen\u00ed apo\u0161tol\u016f do podoby jak\u00e9si komunity hippies p\u016fsobilo p\u0159irozen\u011b a\u00a0odr\u00e1\u017eelo dobovou touhu po m\u00edru.<\/p>\n

Z pohledu tradi\u010dn\u00edho velikono\u010dn\u00edho p\u0159\u00edb\u011bhu d\u00edlo od za\u010d\u00e1tku nar\u00e1\u017eelo na odpor c\u00edrkevn\u00edch kruh\u016f. Je\u017e\u00ed\u0161 je zde vykreslen jako \u010dlov\u011bk pln\u00fd pochybnost\u00ed, strachu a\u00a0\u00fanavy. V\u00a0zahrad\u011b getsemansk\u00e9 s\u00a0Bohem otev\u0159en\u011b polemizuje a\u00a0\u017e\u00e1d\u00e1 vysv\u011btlen\u00ed, pro\u010d mus\u00ed zem\u0159\u00edt.<\/p>\n

V\u00fdrazn\u00fdm odklonem od tradice je v\u0161ak konec p\u0159\u00edb\u011bhu. Klasick\u00e9 Velikonoce vrchol\u00ed zmrtv\u00fdchvst\u00e1n\u00edm, ale tento muzik\u00e1l kon\u010d\u00ed uk\u0159i\u017eov\u00e1n\u00edm a\u00a0tichem nad hrobem. Auto\u0159i nechali konec otev\u0159en\u00fd a\u00a0Je\u017e\u00ed\u0161ovo bo\u017estv\u00ed z\u016fst\u00e1v\u00e1 zahaleno otazn\u00edkem. P\u0159esto pr\u00e1v\u011b tato lidskost a\u00a0absence dogmat umo\u017enila, aby p\u0159\u00edb\u011bh pochopili a\u00a0pro\u017eili i\u00a0lid\u00e9 bez n\u00e1bo\u017eensk\u00e9ho vyzn\u00e1n\u00ed.<\/p>\n

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Pro \u010deskou kulturu m\u00e1 toto d\u00edlo mimo\u0159\u00e1dn\u00fd v\u00fdznam d\u00edky p\u0159edstaven\u00ed z\u00a0devades\u00e1t\u00fdch let. Po p\u00e1du minul\u00e9ho re\u017eimu panoval v\u00a0zemi velk\u00fd hlad po sv\u011btov\u00e9 kultu\u0159e. V\u00a0roce 1994\u00a0se p\u00e1r tv\u016frc\u016f rozhodlo uv\u00e9st d\u00edlo v\u00a0Praze. Jako m\u00edsto pro p\u0159edstaven\u00ed vybrali budovu b\u00fdval\u00e9ho panoramatick\u00e9ho kina na V\u00fdstavi\u0161ti, kter\u00e1 byla p\u0159estav\u011bna na divadlo Spir\u00e1la.<\/p>\n

Tento prostor byl velmi neobvykl\u00fd a\u00a0p\u016fsobiv\u00fd. Div\u00e1ci sed\u011bli v\u00a0kruhu a\u00a0ke sv\u00fdm sedadl\u016fm p\u0159ich\u00e1zeli po navz\u00e1jem se propleten\u00fdch ramp\u00e1ch. Neexistovala zde \u017e\u00e1dn\u00e1 bari\u00e9ra mezi hledi\u0161t\u011bm a\u00a0jevi\u0161t\u011bm. Herci se pohybovali v\u00a0podstat\u011b p\u0159\u00edmo mezi lidmi, co\u017e dod\u00e1valo cel\u00e9mu z\u00e1\u017eitku velkou s\u00edlu a\u00a0bezprost\u0159ednost.<\/p>\n

Text do \u010de\u0161tiny p\u0159eb\u00e1snil Michael Prost\u011bjovsk\u00fd, kter\u00e9mu se poda\u0159ilo vytvo\u0159it r\u00fdmy, je\u017e zn\u011bly p\u0159irozen\u011b a\u00a0p\u0159itom neztr\u00e1cely nic z\u00a0nal\u00e9havosti origin\u00e1lu. Schvalov\u00e1n\u00ed text\u016f ze strany zahrani\u010dn\u00edch majitel\u016f pr\u00e1v bylo v\u00a0tomto p\u0159\u00edpad\u011b sp\u00ed\u0161e form\u00e1ln\u00ed, proto\u017ee sledovali hlavn\u011b to, zda herci spr\u00e1vn\u011b vyjad\u0159uj\u00ed emoce a\u00a0div\u00e1ci reaguj\u00ed na spr\u00e1vn\u00fdch m\u00edstech.<\/p>\n

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Do hlavn\u00edch rol\u00ed tv\u016frci neobsadili klasick\u00e9 divadeln\u00ed zp\u011bv\u00e1ky, ale tehdej\u0161\u00ed v\u00fdrazn\u00e9 osobnosti \u010desk\u00e9 rockov\u00e9 sc\u00e9ny. Je\u017e\u00ed\u0161e ztv\u00e1rnil Kamil St\u0159ihavka, jeho\u017e hlas ve vypjat\u00fdch momentech poslucha\u010de dok\u00e1zal uchv\u00e1tit. Jid\u00e1\u0161e hr\u00e1l Dan B\u00e1rta, kter\u00fd postav\u011b dodal dravost a\u00a0vnit\u0159n\u00ed neklid, a\u00a0Marii Magdalenu B\u00e1ra Basikov\u00e1. Tato trojice vytvo\u0159ila obsazen\u00ed, kter\u00e9 i\u00a0zahrani\u010dn\u00ed fanou\u0161ci dodnes ozna\u010duj\u00ed za jedno z\u00a0nejpoveden\u011bj\u0161\u00edch na sv\u011bt\u011b.<\/p>\n

\u00dasp\u011bch byl zna\u010dn\u00fd. Muzik\u00e1l se v\u00a0divadle Spir\u00e1la hr\u00e1l nep\u0159etr\u017eit\u011b \u010dty\u0159i roky a\u00a0dos\u00e1hl 1288\u00a0repr\u00edz, kter\u00e9 vid\u011blo p\u0159es 850\u00a0tis\u00edc div\u00e1k\u016f. Mezi n\u00e1v\u0161t\u011bvn\u00edky byl i\u00a0prezident V\u00e1clav Havel. Slavnou \u00e9ru divadla Spir\u00e1la bohu\u017eel ukon\u010dily ni\u010div\u00e9 povodn\u011b v\u00a0roce 2002.<\/p>\n

Budova pak dlouh\u00e1 l\u00e9ta ch\u00e1trala a\u00a0hrozilo j\u00ed zbour\u00e1n\u00ed. Po velk\u00e9 rekonstrukci v\u0161ak byla v\u00a0roce 2024\u00a0znovu otev\u0159ena. V\u00a0prosinci t\u00e9ho\u017e roku se pak u\u00a0p\u0159\u00edle\u017eitosti t\u0159ic\u00e1t\u00e9ho v\u00fdro\u010d\u00ed od premi\u00e9ry konal koncert v\u00a0pra\u017esk\u00e9 O2\u00a0aren\u011b, kde se p\u016fvodn\u00ed hv\u011bzdy znovu se\u0161ly na jednom p\u00f3diu.<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Jesus_Christ_Superstar_(album)<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Andrew_Lloyd_Webber<\/p>\n

https:\/\/www.ebsco.com\/research-starters\/literature-and-writing\/jesus-christ-superstar-establishes-rock-opera<\/p>\n

https:\/\/www.moorparkcollege.edu\/departments\/academic\/theatre-arts\/auditions-and-rehearsals\/jesus-christ-superstar-dramaturgical<\/p>\n

https:\/\/en.wikipedia.org\/wiki\/Jesus_Christ_Superstar<\/p>\n

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Favorite Film Series: Jesus Christ Superstar (Jewison, 1973)<\/a><\/p><\/blockquote>\n