{"id":45268,"date":"2026-04-04T10:16:10","date_gmt":"2026-04-04T10:16:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/45268\/"},"modified":"2026-04-04T10:16:10","modified_gmt":"2026-04-04T10:16:10","slug":"kaligraficky-pankac-i-otec-sester-geislerovych-vystava-ga-i-su-ra-ukazuje-svet-japanologa-petra-geislera","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/45268\/","title":{"rendered":"Kaligrafick\u00fd pank\u00e1\u010d i\u00a0otec sester Geislerov\u00fdch. V\u00fdstava GA-I-SU-RA ukazuje sv\u011bt japanologa Petra Geislera"},"content":{"rendered":"

\u201eT\u00e1ta byl nakombinov\u00e1n z\u00a0mnoha protich\u016fdn\u00fdch prvk\u016f. M\u011bl talent na tolik v\u011bc\u00ed a\u00a0z\u00e1rove\u0148 tomu nep\u0159ikl\u00e1dal \u017e\u00e1dn\u00fd v\u011bt\u0161\u00ed v\u00fdznam. Um\u011bl v\u0161echno, pro co se rozhodl\u00a0\u2013 od jazyk\u016f p\u0159es hru na hudebn\u00ed n\u00e1stroje a\u00a0\u0159ezb\u00e1\u0159stv\u00ed a\u017e po um\u011bn\u00ed kaligrafie\u00a0\u2013 a\u00a0p\u0159esto asi v\u00a0ni\u010dem netou\u017eil prorazit. Byl kr\u00e1sn\u00fd a\u00a0m\u011bl kolem sebe spoustu d\u011bt\u00ed i\u00a0l\u00e1sky, ale ani to ho nezastavilo p\u0159ed sebedestrukc\u00ed,\u201c uvedla jedna z\u00a0Geislerov\u00fdch dcer, here\u010dka Anna.<\/p>\n

Hlavn\u00ed kur\u00e1torkou a\u00a0inici\u00e1torkou v\u00fdstavy je ov\u0161em v\u00fdtvarnice a\u00a0here\u010dka Ester Geislerov\u00e1. L\u00e9ta projekt p\u0159ipravovala a\u00a0shroma\u017e\u010fovala materi\u00e1ly nejen z\u00a0rodinn\u00e9ho archivu. K\u00a0sestr\u00e1m Geislerov\u00fdm se p\u0159ipojil tak\u00e9 japanolog, teatrolog a\u00a0\u017e\u00e1k Petra Geislera Petr Hol\u00fd.<\/p>\n

<\/a><\/p>\n

\u201eKl\u00ed\u010dem k\u00a0v\u00fdstav\u011b GA-I-SU-RA je neutuchaj\u00edc\u00ed chu\u0165 p\u0159edstavit Petra Geislera jako origin\u00e1ln\u00edho um\u011blce, ale z\u00e1rove\u0148 p\u0159ibl\u00ed\u017eit div\u00e1kovi i\u00a0cel\u00fd jeho \u017eivot,\u201c uvedla Ester Geislerov\u00e1. <\/p>\n

\u201eS Petrem Hol\u00fdm jsme posledn\u00ed t\u0159i roky materi\u00e1l obohacovali a\u00a0objevovali nov\u00e9 \u00fahly pohledu na otcovo d\u00edlo. Ur\u010ditou dobu trvalo i\u00a0rozlu\u0161tit a\u00a0p\u0159elo\u017eit to, \u010demu s\u00e1m t\u00e1ta s\u00a0nads\u00e1zkou \u0159\u00edkal \u201aklikyh\u00e1ky\u2018. Dosp\u011bli jsme k\u00a0tomu, \u017ee Petr Geisler si na nic nehr\u00e1l, neb\u00e1l se experimentovat s\u00a0materi\u00e1ly a\u00a0byl tak trochu kaligrafick\u00fd pank\u00e1\u010d,\u201c doplnila.<\/p>\n

Foto: Jan Slav\u00edk – DOX<\/p>\n

V centru DOX aktu\u00e1ln\u011b prob\u00edh\u00e1 rozs\u00e1hl\u00e1 v\u00fdstava, kter\u00e1 p\u0159ipom\u00edn\u00e1 japanologa Petra Geislera.<\/p>\n

Geisler podle n\u00ed \u017eil mezi dv\u011bma sv\u011bty\u00a0\u2013 japonsk\u00fdm p\u00edsmem a\u00a0\u010deskou realitou, textem a\u00a0obrazem, \u017eurnalistikou a\u00a0v\u00fdtvarn\u00fdm um\u011bn\u00edm. Mo\u017en\u00e1 i\u00a0vzhledem k\u00a0dobov\u00e9mu kontextu byl v\u00a0Japonsku jen dvakr\u00e1t za \u017eivot, v\u00a0letech 1987\u00a0a\u00a02000.\u00a0Do japonsk\u00e9ho listu Yomiuri Shimbun ale po t\u0159i desetilet\u00ed jako jedin\u00fd cizinec psal vlastn\u00ed sloupek. Ostatn\u011b v\u00fdstava ukazuje origin\u00e1ly t\u011bchto \u010dl\u00e1nk\u016f. Napsal je pr\u00fd tak dobrou japon\u0161tinou, \u017ee texty p\u0159ed vyd\u00e1n\u00edm nepot\u0159ebovaly jazykovou korekturu.<\/p>\n

Jako kaligraf byl autodidakt, sv\u00e1 d\u00edla tvo\u0159il nejen tradi\u010dn\u00ed tu\u0161\u00ed, ale experimentoval s\u00a0r\u016fzn\u00fdmi barvami, v\u010detn\u011b sprej\u016f, emailu nebo st\u0159\u00edb\u0159enky na roury od kamen.<\/p>\n

Kdo byl Petr Geisler (1949\u20132009)\u010cesk\u00fd japanolog, novin\u00e1\u0159, pedagog, p\u0159ekladatel a\u00a0kaligraf autodidakt. V letech 1967\u20131973\u00a0studoval na Univerzit\u011b Karlov\u011b v\u00a0Praze anglistiku a japanistiku.Od roku 1974\u00a0pracoval jako dopisuj\u00edc\u00ed asistent pro japonsk\u00fd den\u00edk Yomiuri Shimbun, od roku 1984\u00a0pak jako zahrani\u010dn\u00ed redaktor. V 80.\u00a0a\u00a090.\u00a0letech 20.\u00a0stolet\u00ed p\u0159elo\u017eil do \u010de\u0161tiny \u0159adu v\u00fdznamn\u00fdch d\u011bl starojaponsk\u00e9 poezie. Jeho p\u0159eklady jsou zejm\u00e9na v\u00a0antologi\u00edch Z\u00e1pisky z\u00a0voln\u00fdch chvil (1984) a\u00a0Bled\u00fd m\u011bs\u00edc k\u00a0r\u00e1nu: milostn\u00e1 poezie star\u00e9ho Japonska (1994).Coby autodidakt se v\u011bnoval japonsk\u00e9 kaligrafii a\u00a0sv\u00e1 d\u00edla, kter\u00e1 byla pro osobit\u00fd styl a\u00a0um\u011bleckou kvalitu oce\u0148ov\u00e1na i\u00a0japonsk\u00fdmi znalci kaligrafie, \u010dasto opat\u0159oval vlastnoru\u010dn\u011b vyroben\u00fdmi nebo dotvo\u0159en\u00fdmi r\u00e1my. Jeho v\u00fdtvarn\u00e9 d\u00edlo bylo p\u0159edstaveno na samostatn\u00fdch v\u00fdstav\u00e1ch v\u00a0\u010cesku a\u00a0na Slovensku; jeho pr\u00e1ce se nach\u00e1zej\u00ed tak\u00e9 ve sb\u00edrce N\u00e1rodn\u00ed galerie Praha. Sv\u00fdmi kaligrafiemi doprovodil n\u011bkolik publikac\u00ed, nap\u0159\u00edklad P\u00e1r much a\u00a0j\u00e1: mal\u00fd v\u00fdb\u011br z\u00a0japonsk\u00fdch haiku (1996), Zlat\u00fd pavilon (1998) nebo Cesta srdce (2008).Foto: Jan Slav\u00edk – DOX<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\u201eT\u00e1ta byl nakombinov\u00e1n z\u00a0mnoha protich\u016fdn\u00fdch prvk\u016f. M\u011bl talent na tolik v\u011bc\u00ed a\u00a0z\u00e1rove\u0148 tomu nep\u0159ikl\u00e1dal \u017e\u00e1dn\u00fd v\u011bt\u0161\u00ed v\u00fdznam. Um\u011bl…\n","protected":false},"author":2,"featured_media":45269,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[9277,79,1681,12112,17381,1450,80],"class_list":{"0":"post-45268","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-dox","9":"tag-entertainment","10":"tag-galerie","11":"tag-japanologove","12":"tag-kaligrafie","13":"tag-vytvarne-umeni","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116345922089271844","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/45268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=45268"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/45268\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/45269"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=45268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=45268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=45268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}