{"id":46846,"date":"2026-04-06T09:40:13","date_gmt":"2026-04-06T09:40:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/46846\/"},"modified":"2026-04-06T09:40:13","modified_gmt":"2026-04-06T09:40:13","slug":"kral-dabingu-frantisek-filipovsky-zazil-ponizeni-v-narodnim-divadle-i-nevhodny-sprym-od-wericha","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/46846\/","title":{"rendered":"Kr\u00e1l dabingu Franti\u0161ek Filipovsk\u00fd za\u017eil pon\u00ed\u017een\u00ed v\u00a0N\u00e1rodn\u00edm divadle i\u00a0nevhodn\u00fd \u0161pr\u00fdm od Wericha"},"content":{"rendered":"

Franti\u0161ek Filipovsk\u00fd dok\u00e1zal Louise de Fun\u00e9se tak bravurn\u011b nadabovat, \u017ee se stal kr\u00e1lem \u010desk\u00e9ho dabingu. Kdy\u017e jej Filipovsk\u00fd daboval poprv\u00e9, netu\u0161il, \u017ee tak v\u00fdrazn\u011b p\u0159isp\u011bje k\u00a0jeho popularit\u011b. Je\u0161t\u011b p\u0159ed t\u00edm jej daboval Bohumil Bezou\u0161ka, ten v\u0161ak byl jednou pracovn\u011b zanepr\u00e1zdn\u011bn, a\u00a0tak n\u011bkoho napadlo, \u017ee by se k\u00a0Fun\u00e9sovi hodil hlas Filipovsk\u00e9ho. Ten se sv\u00e9ho \u00fakolu zhostil bravurn\u011b. Nejen \u017ee se trefil do jeho hlasu, v\u010detn\u011b jeho sm\u00edchu, byl mu podobn\u00fd i\u00a0svou fyziognomi\u00ed a\u00a0temperamentem. <\/p>\n

\u201eMiluju Fun\u00e9s\u016fv humor pln\u00fd p\u0159en\u00e1dhern\u00fdch gag\u016f. Snad maj\u00ed skute\u010dn\u011b pravdu ti, kte\u0159\u00ed napsali, \u017ee v\u00a0m\u00e9m p\u0159emluven\u00ed Fun\u00e9se do\u0161lo k\u00a0jak\u00e9si spont\u00e1nn\u00ed harmonii. Hraji ho, jako kdybych hr\u00e1l sebe. Jeho hrou jsem byl poka\u017ed\u00e9 fascinov\u00e1n. Do podrobnost\u00ed jsem sledoval jeho pohyby, miminku, zp\u016fsob vyjad\u0159ov\u00e1n\u00ed a\u00a0sna\u017eil jsem se co nejv\u011brohodn\u011bji postihnout j\u00edm p\u0159esn\u011b a\u00a0\u00fa\u010dinn\u011b vypointovan\u00e9 situace,\u201c vzpom\u00ednal Filipovsk\u00fd v\u00a0knize Komik se vrac\u00ed. Bohu\u017eel se ti dva nikdy nepotkali. Nicm\u00e9n\u011b francouzsk\u00fd komik pr\u00fd vid\u011bl Filipovsk\u00e9ho pr\u00e1ci a\u00a0byl nad\u0161en. Filipovsk\u00e9ho dabing sv\u00e9 osoby ozna\u010dil za ten nejlep\u0161\u00ed.<\/p>\n

Foto: Marisa Rastellini (Mondadori Publisher), Public domain, via Wikimedia Commons<\/p>\n

Louis de Fun\u00e9s<\/p>\n

Filipovsk\u00fd div\u00e1ky nadchl tak\u00e9 namluven\u00edm baby Jagy v\u00a0poh\u00e1dce Mraz\u00edk, \u010di namluven\u00edm chobotni\u010dek v\u00a0komedi\u00edch Chobotnice z\u00a0druh\u00e9ho patra a\u00a0Vesel\u00e9 V\u00e1noce p\u0159ej\u00ed chobotnice. Nadaboval tak\u00e9 \u201eformel\u00e1ka\u201c ve sn\u00edmc\u00edch Lucie, postrach ulice a \u2026zase ta Lucie! Nen\u00ed se co divit, \u017ee na po\u010dest slavn\u00e9ho herce vznikla Cena Franti\u0161ka Filipovsk\u00e9ho, kterou dost\u00e1vaj\u00ed vynikaj\u00edc\u00ed dab\u00e9\u0159i.<\/p>\n

Pam\u011btn\u00edci si jist\u011b vybav\u00ed tak\u00e9 Filipovsk\u00e9ho tv\u00e1\u0159 ze sn\u00edmk\u016f z\u00a030.\u00a0let, kdy z\u00edsk\u00e1val sv\u00e9 prvn\u00ed filmov\u00e9 zku\u0161enosti v\u00a0rol\u00edch podl\u00e9zav\u00fdch student\u016f Krhounka a\u00a0Maz\u00e1nka. Filmov\u00fdch a\u00a0televizn\u00edch p\u0159\u00edle\u017eitost\u00ed se mu dost\u00e1valo zejm\u00e9na po v\u00e1lce. I\u00a0kdy\u017e hr\u00e1val sp\u00ed\u0161e vedlej\u0161\u00ed role, byl velmi v\u00fdrazn\u00fd. K\u00a0jeho nejzn\u00e1m\u011bj\u0161\u00edm rol\u00edm pat\u0159\u00ed inspektor Mr\u00e1zek ze seri\u00e1lu H\u0159\u00ed\u0161n\u00ed lid\u00e9 m\u011bsta pra\u017esk\u00e9ho. Na obrazovk\u00e1ch se objevoval zejm\u00e9na v\u00a0komick\u00fdch rol\u00edch, jako tomu bylo ve filmu Mare\u010dku, podejte mi pero!, kde hr\u00e1l potrhl\u00e9ho chemik\u00e1\u0159e, kter\u00e9mu Tom\u00e1\u0161 Hol\u00fd pod\u00e1 ocucan\u00fd bonb\u00f3n, \u010di v\u00a0roli vodn\u00edka Bert\u00edka ve\u00a0filmu Jak utopit doktora Mr\u00e1\u010dka aneb Konec vodn\u00edk\u016f v\u00a0\u010cech\u00e1ch. K\u00a0jeho posledn\u00edm rol\u00edm pat\u0159ila postava d\u011bdy harmonik\u00e1\u0159e ve filmu Jak b\u00e1sn\u00edk\u016fm chutn\u00e1 \u017eivot a\u00a0postava \u010derta Blekoty v\u00a0seri\u00e1lu Arabela se vrac\u00ed aneb Rumburak kr\u00e1lem \u0159\u00ed\u0161e poh\u00e1dek.<\/p>\n

Filipovsk\u00e9ho osobnost i\u00a0jeho hereckou kari\u00e9ru v\u00fdznamn\u011b ovlivnilo to, do jak\u00e9ho prost\u0159ed\u00ed se roku 1907\u00a0v\u00a0P\u0159elou\u010di narodil. Franti\u0161ek byl \u010dtvrt\u00e9 d\u00edt\u011b, jeho\u017e tat\u00ednkovi bylo v\u00a0t\u00e9 dob\u011b u\u017e dvaa\u0161edes\u00e1t let. Byl v\u00fdborn\u00fd muzikant, vyu\u010doval zp\u011bv, hru na housle, fl\u00e9tnu a\u00a0klav\u00edr, v\u011bnoval se t\u00e9\u017e chr\u00e1mov\u00e9mu sboru. Sv\u00e9ho \u010dasu dokonce konkuroval Franti\u0161ku Kmochovi. Krom\u011b toho tak\u00e9 komponoval. To samoz\u0159ejm\u011b mal\u00e9ho Franti\u0161ka formovalo. M\u011bl um\u011bleck\u00e9 nad\u00e1n\u00ed, hr\u00e1l na r\u016fzn\u00e9 hudebn\u00ed n\u00e1stroje, od \u00fatl\u00e9ho v\u011bku zp\u00edval v\u00a0kostele na k\u016fru. Ur\u010ditou m\u00edru exhibicionizmu zd\u011bdil po tat\u00ednkovi, kter\u00fd v\u00a0n\u011bm p\u011bstoval l\u00e1sku k\u00a0divadlu. U\u017e v\u00a0osmi letech poprv\u00e9 nav\u0161t\u00edvil N\u00e1rodn\u00ed divadlo, d\u011blal tehdy doprovod sv\u00e9 teti\u010dce, d\u00edky kter\u00e9 nas\u00e1val pra\u017esk\u00fd kulturn\u00ed \u017eivot. Tenkr\u00e1t je\u0161t\u011b netu\u0161il, \u017ee jednou s\u00e1m bude st\u00e1t na jevi\u0161ti \u201eZlat\u00e9 kapli\u010dky\u201c.<\/p>\n

Ne\u017e se Franti\u0161ek dostal k\u00a0\u201eopravdov\u00e9mu\u201c divadlu, n\u011bjakou dobu trvalo. Studoval na gymn\u00e1ziu, n\u00e1sledn\u011b absolvoval na p\u0159\u00e1n\u00ed sv\u00e9 maminky v\u00a0Chrudimi abiturientsk\u00fd kurz p\u0159i obchodn\u00ed akademii. B\u011bhem sv\u00fdch studi\u00edch p\u0159i\u010dichl k\u00a0ochotnick\u00e9mu divadlu, co\u017e v\u00a0n\u011bm za\u017eehlo touhu st\u00e1t se hercem. K\u00a0jeho snu byla zpo\u010d\u00e1tku maminka skeptick\u00e1. P\u0159\u00e1la si, aby m\u011bl jej\u00ed syn vystudovanou vysokou \u0161kolu.<\/p>\n

A tak se se svou maminkou p\u0159esunul do Prahy, kde studoval d\u011bjiny um\u011bn\u00ed a\u00a0estetiky na Filozofick\u00e9 fakult\u011b Univerzity Karlovy a\u00a0mohl vdechovat atmosf\u00e9ru velkom\u011bsta. Sou\u010dasn\u011b s\u00a0t\u00edm se sna\u017eil naj\u00edt uplatn\u011bn\u00ed jako herec na r\u016fzn\u00fdch pra\u017esk\u00fdch sc\u00e9n\u00e1ch a\u00a0z\u00e1rove\u0148 si p\u0159ivyd\u011bl\u00e1val u\u00a0zn\u00e1m\u00e9ho sv\u00fdch plze\u0148sk\u00fdch p\u0159\u00edbuzn\u00fdch. Zprvu vyu\u017eil sv\u00e9 obchodn\u011b akademick\u00e9 vzd\u011bl\u00e1n\u00ed a\u00a0pracoval v\u00a0\u00fa\u010dt\u00e1rn\u011b, pot\u00e9 byl dispe\u010derem taxik\u00e1\u0159\u016f, n\u00e1sledn\u011b nasadil modrou uniformu a\u00a0d\u011blal pr\u016fvodce v\u00a0transportech polsk\u00fdch pracovn\u00edk\u016f, kte\u0159\u00ed m\u011bli nam\u00ed\u0159eno do Francie. Vag\u00f3ny byly pln\u00e9 lid\u00ed, kte\u0159\u00ed ut\u00edkali za lep\u0161\u00ed budoucnost\u00ed. <\/p>\n

\u201eM\u011bl jsem zdravotnick\u00fd pr\u016fkaz a\u00a0o\u0161et\u0159oval jsem rozma\u010dkan\u00e9 prsty, ruce, t\u011b\u017ek\u00e9 zlomeniny. Jednou jsme tahali ze st\u0159echy jenom torzo jednoho z\u00a0t\u011bch chud\u00e1k\u016f. Nedostal povolen\u00ed pro vstup, ale cht\u011bl ut\u00e9ct, a\u00a0tak vylezl na st\u0159echu vlaku. Asi ned\u00e1val pozor, nebo u\u017e byl vys\u00edlen\u00fd, a\u00a0jeden z\u00a0viadukt\u016f u\u00a0Olomouce mu usekl hlavu\u2026 ale ve smrteln\u00e9 k\u0159e\u010di se udr\u017eel na st\u0159e\u0161e vag\u00f3nu,\u201c vzpom\u00ednal na hr\u016fzn\u00e9 z\u00e1\u017eitky ze 30.\u00a0let. \u201ePolsk\u00e9 ministerstvo soci\u00e1ln\u00ed p\u00e9\u010de pos\u00edlalo ob\u010das do transport\u016f sv\u00e9 kontrolory. B\u00fdval to n\u011bjak\u00fd ministersk\u00fd \u00fa\u0159edn\u00edk v\u00a0rukavi\u010dk\u00e1ch, b\u00edl\u00e9m l\u00edme\u010dku a\u00a0s nosem nahoru. M\u011bl podat zpr\u00e1vu, jak se s\u00a0lidmi v\u00a0transportech zach\u00e1z\u00ed. Av\u0161ak na vlastn\u00ed o\u010di jsem byl n\u011bkolikr\u00e1t sv\u011bdkem, \u017ee tenhle napom\u00e1dovanej, vyfint\u011bnej pan\u00e1k\u00a0\u2013 odpus\u0165te, \u017ee ho tak naz\u00fdv\u00e1m\u00a0\u2013 se t\u011bch sv\u00fdch krajan\u016f \u0161t\u00edtil. Ani se mnou mezi n\u011b ne\u0161el. Pan \u0161lechtic a\u00a0bl\u00e1to. Tyhle v\u011bci se m\u011b stra\u0161liv\u011b dot\u00fdkaly,\u201c popsal v\u00a0knize Komik se vrac\u00ed.<\/p>\n

Kv\u016fli hospod\u00e1\u0159sk\u00e9 krizi se po\u010det transport\u016f omezil, nakonec p\u0159estaly jezdit \u00fapln\u011b. Filipovsk\u00fd v\u0161ak o\u00a0pr\u00e1ci nep\u0159i\u0161el. I\u00a0nad\u00e1le d\u00edky zn\u00e1m\u00e9mu rodiny mohl pracovat v\u00a0kancel\u00e1\u0159i, kde \u0159e\u0161il \u00fa\u010detnictv\u00ed. Ka\u017edou volnou chv\u00edli v\u011bnoval tomu, aby vyhledal spole\u010dnost lid\u00ed, kte\u0159\u00ed m\u011bli bl\u00edzko k\u00a0divadlu. D\u00edky p\u0159\u00edbuzn\u00e9mu se sezn\u00e1mil s\u00a0E. F. Burianem, kter\u00fd ho p\u0159ijal do sv\u00e9ho Voicebandu. T\u00edm za\u010dal jeho pra\u017esk\u00fd divadeln\u00ed \u017eivot. Pot\u00e9, co Burian odjel do Brna, naskytla se mu p\u0159\u00edle\u017eitost \u00fa\u010dinkovat v\u00a0Intimn\u00edm divadle. Jen\u017ee pr\u00e1ce ub\u00fdvalo. D\u00edky hospod\u00e1\u0159sk\u00e9 krizi lid\u00e9 obraceli ka\u017edou korunu, \u017eebr\u00e1ci post\u00e1vali snad na ka\u017ed\u00e9m frekventovan\u011bj\u0161\u00edm rohu. <\/p>\n

N\u011bkdy v\u00a0t\u00e9 dob\u011b sebral odvahu a\u00a0vypravil se do N\u00e1rodn\u00edho divadla za tehdej\u0161\u00edm \u0161\u00e9fem \u010dinohry Hugem Hilarem, aby se jej optal, zda by jej nep\u0159ijal jako el\u00e9va. \u201ePane, vy chcete hr\u00e1t divadlo? V\u017edy\u0165 jste malej a\u00a0o\u0161klivej. A\u00a0j\u00e1 pot\u0159ebuju\u2026,\u201c sd\u011blil mu Hilar. \u201eNev\u00edm, co \u0159\u00edkal d\u00e1l, P\u0159evl\u00e1dl pocit pon\u00ed\u017een\u00ed. Vypadl jsem z\u00a0jeho kancel\u00e1\u0159e a\u00a0snad ne\u0159ekl ani sbohem. Ten p\u00e1n m\u011b \u00fapln\u011b zdrtil,\u201c vzpom\u00ednal na okam\u017eik, kdy si \u0159\u00edkal, \u017ee mu divadlo nejsp\u00ed\u0161 nen\u00ed souzeno.<\/p>\n

\"\"<\/a><\/p>\n

Pomohl v\u0161ak osud. Pot\u00e9, co se z\u00a0nep\u0159\u00edjemn\u00e9ho z\u00e1\u017eitku oklepal, \u0161el zkusit \u0161t\u011bst\u00ed do sm\u00edchovsk\u00e9 Ar\u00e9ny, kde se hr\u00e1ly operety. Shodou okolnost\u00ed pot\u0159ebovali nahradit jednoho herce, kter\u00fd ode\u0161el, tud\u00ed\u017e dostal p\u0159\u00edle\u017eitost uk\u00e1zat, co v\u00a0n\u011bm je. Mohl kone\u010dn\u011b uplatnit sv\u016fj hudebn\u00ed a\u00a0komedi\u00e1ln\u00ed talent. Vyzkou\u0161el si i\u00a0re\u017e\u00edrov\u00e1n\u00ed.<\/p>\n

Nicm\u00e9n\u011b jeho prvn\u00ed opravdov\u00e9 anga\u017em\u00e1 se smlouvou a\u00a0dobrou g\u00e1\u017e\u00ed ho teprve \u010dekalo. D\u00edky zn\u00e1m\u00e9mu z\u00a0Voicebandu se na n\u011bj p\u0159i\u0161el pod\u00edvat Jind\u0159ich Honzl z\u00a0Osvobozen\u00e9ho divadla a\u00a0nab\u00eddl mu pr\u00e1ci. Dostal se tak do spole\u010dnosti moudr\u00fdch komik\u016f Ji\u0159\u00edho Voskovce a\u00a0Jana Wericha, kte\u0159\u00ed se pro n\u011bj stali vzorem. Jeho p\u0159\u00edchod do divadla brali jako v\u00edtanou p\u0159\u00edle\u017eitost k\u00a0mo\u017en\u00e9 improvizaci na jeho \u00fa\u010det. Nerv\u00f3zn\u00ed Filipovsk\u00fd v\u0161ak n\u00e1ro\u010dn\u00e9 za\u010d\u00e1tky ust\u00e1l a\u00a0stal se po dobu \u0161esti let oporou divadla, ve kter\u00e9m tou\u017eil hr\u00e1t nejeden \u010desk\u00fd herec.<\/p>\n

Foto: See page for author, Public domain, via Wikimedia Commons<\/p>\n

Jan Werich a\u00a0Ji\u0159\u00ed Voskovec p\u0159i st\u00e9 repr\u00edze hry Rub a\u00a0l\u00edc <\/p>\n

Voskovcovo a\u00a0Werichovo komedi\u00e1ln\u00ed um\u011bn\u00ed se pro Filipovsk\u00e9ho stalo bibl\u00ed. L\u00edbilo se mu, jak chyt\u0159e provokuj\u00ed, vtipn\u011b upozor\u0148uj\u00ed a\u00a0moud\u0159e varuj\u00ed. Dovedli pohotov\u011b a\u00a0vtipn\u011b reagovat na ka\u017edou ud\u00e1lost na politick\u00e9 sc\u00e9n\u011b, byli mist\u0159i improvizace. Filipovsk\u00fd vn\u00edmal Wericha jako intelektu\u00e1la pon\u011bkud drsn\u011bj\u0161\u00edho typu. Nepoznal upov\u00eddan\u011bj\u0161\u00edho \u010dlov\u011bka. Jedin\u00fd Voskovec dok\u00e1zal zastavit jeho p\u0159\u00edval slov. Tu a\u00a0tam si d\u011blal \u0161pr\u00fdmy, co\u017e na vlastn\u00ed k\u016f\u017ei poc\u00edtil i\u00a0Filipovsk\u00fd kdy\u017e si d\u011blal \u0159idi\u010dsk\u00e9 opr\u00e1vn\u011bn\u00ed. <\/p>\n

\u201eP\u0159edepsan\u00e1 zkou\u0161ka se v\u00a0t\u00e9 dob\u011b skl\u00e1dala ve srovn\u00e1n\u00ed s\u00a0dne\u0161kem velice snadno. Sta\u010dilo, abych uk\u00e1zal examin\u00e1torovi, \u017ee auto um\u00edm nastartovat, rozjet se, chv\u00edli s\u00a0n\u00edm popoj\u00ed\u017ed\u011bt po ulici a\u00a0zastavit. Mn\u011b ji tenkr\u00e1t ov\u0161em zkomplikoval Jan Werich, kter\u00fd se shodou okolnost\u00ed objevil ve chv\u00edli, kdy jsme se zku\u0161ebn\u00edm komisa\u0159em nasedali do auta. Okam\u017eit\u011b si p\u0159isedl a\u00a0nepat\u0159i\u010dn\u011b cel\u00fd pr\u016fb\u011bh zkou\u0161ky komentoval. Byl jsem nerv\u00f3zn\u00ed, komisa\u0159 rozpa\u010dit\u00fd a\u00a0Werich z\u00a0toho m\u011bl srandu. Nicm\u00e9n\u011b opr\u00e1vn\u011bn\u00ed jsem dostal,\u201c vzpom\u00ednal. Jan Werich byl p\u0159\u00edtomen tak\u00e9 na jeho svatb\u011b v\u00a0roce 1937.\u00a0Kdy\u017e si bral svou \u017eivotn\u00ed l\u00e1sku Hildu, byli jim Voskovec s\u00a0Werichem za sv\u011bdky. Z\u00a0jejich velk\u00e9 l\u00e1sky vze\u0161la dcera Pavl\u00edna a\u00a0o 4\u00a0roky pozd\u011bji syn Jan.<\/p>\n

\"\"<\/a><\/p>\n

Po nucen\u00e9m ukon\u010den\u00ed \u010dinnosti Osvobozen\u00e9ho divadla p\u016fsobil jednu sezonu na jevi\u0161ti sm\u00edchovsk\u00e9ho \u0160vandova divadla, dal\u0161\u00ed dv\u011b pro\u017eil v\u00a0\u017ei\u017ekovsk\u00e9m Modern\u00edm divadle. N\u00e1sledn\u011b hr\u00e1l v\u00a0divadle Uranie, odkud p\u0159e\u0161el do vysn\u011bn\u00e9ho N\u00e1rodn\u00edho divadla, kde p\u016fsobil a\u017e do roku 1992.<\/p>\n

Do\u010dkal se n\u011bkolika ocen\u011bn\u00ed. V\u00a0roce 1958\u00a0obdr\u017eel titul Zaslou\u017eil\u00fd um\u011blec, o\u00a010\u00a0let pozd\u011bji jej veden\u00ed N\u00e1rodn\u00edho divadla jmenovalo sv\u00fdm zaslou\u017eil\u00fdm \u010dlenem. Na p\u016fd\u011b N\u00e1rodn\u00edho divadla exceloval svou rol\u00ed Harpagona v\u00a0Moli\u00e9rov\u011b h\u0159e Lakomec. \u010c\u00edm byl star\u0161\u00ed, t\u00edm vyzr\u00e1lej\u0161\u00edm hercem byl. Jak prohl\u00e1sil: \u201eJsem z\u00a0muzikantsk\u00e9 rodiny, a\u00a0tak dob\u0159e v\u00edm, \u017ee s\u00a0n\u011bkter\u00fdmi herci je to stejn\u00e9 jako s\u00a0houslemi\u00a0\u2013 \u010d\u00edm jsou star\u0161\u00ed, t\u00edm maj\u00ed lep\u0161\u00ed zvuk.\u201c<\/p>\n

Foto: Tilman2007, CC BY-SA 4.0, via Wikimedia Commons<\/p>\n

N\u00e1rodn\u00ed divadlo, Praha<\/p>\n

A\u017e do vysok\u00e9ho v\u011bku byl velmi aktivn\u00ed. Ne\u010dinnost a\u00a0lelkov\u00e1n\u00ed mu byly ciz\u00ed. Jeho hereckou kari\u00e9ru ukon\u010dily a\u017e zdravotn\u00ed probl\u00e9my. Po mozkov\u00e9 mrtvici p\u0159estal \u00fapln\u011b mluvit, se svou milovanou Hildou si v\u0161ak rozum\u011bl i\u00a0beze slov. Zem\u0159el 26.\u00a0\u0159\u00edjna 1993\u00a0ve v\u011bku 86\u00a0let.<\/p>\n

DIVI\u0160OV\u00c1, Jana. Franti\u0161ek Filipovsk\u00fd: velk\u00fd herec mal\u00fdch rol\u00ed. Praha: BVD, 2010.\u00a0ISBN 9788087090347.<\/p>\n

TVRZN\u00cdK, Ji\u0159\u00ed. Komik se vrac\u00ed: ze vzpom\u00ednek Franti\u0161ka Filipovsk\u00e9ho. V\u00a0Praze: XYZ, 2007.\u00a0ISBN 9788073880286.<\/p>\n","protected":false},"excerpt":{"rendered":"Franti\u0161ek Filipovsk\u00fd dok\u00e1zal Louise de Fun\u00e9se tak bravurn\u011b nadabovat, \u017ee se stal kr\u00e1lem \u010desk\u00e9ho dabingu. Kdy\u017e jej Filipovsk\u00fd…\n","protected":false},"author":2,"featured_media":46847,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[4466,6893,2775,17787,2163,2847,79,378,17785,1539,9771,8821,17788,3621,430,17791,650,17786,17792,1253,910,89,4900,16584,1064,99,7963,2362,2780,3779,651,2421,649,1776,9436,17790,1692,80,437,17789],"class_list":{"0":"post-46846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-arabela","9":"tag-ceske-komedie","10":"tag-cesky-herec","11":"tag-cetnici","12":"tag-dabing","13":"tag-divadla","14":"tag-entertainment","15":"tag-francie","16":"tag-frantisek-filipovsky","17":"tag-herectvi","18":"tag-humor","19":"tag-jan-werich","20":"tag-jiri-voskovec","21":"tag-kariera","22":"tag-komedie","23":"tag-lakomec","24":"tag-lide","25":"tag-louis-de-funes","26":"tag-mrazik","27":"tag-narodni-divadlo","28":"tag-pavlina-filipovska","29":"tag-pohadky","30":"tag-polaci","31":"tag-ponizovani","32":"tag-prace","33":"tag-praha","34":"tag-pruvodce","35":"tag-reditele","36":"tag-retro","37":"tag-ridicsky-prukaz","38":"tag-rodina","39":"tag-role","40":"tag-spolecnost","41":"tag-svatba","42":"tag-transport","43":"tag-velka-hospodarska-krize","44":"tag-vlaky","45":"tag-zabava","46":"tag-zajimavosti","47":"tag-zert"},"share_on_mastodon":{"url":"","error":"Validation failed: Text character limit of 500 exceeded"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/46846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=46846"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/46846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/46847"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=46846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=46846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=46846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}