Americk\u00fd p\u00edsni\u010dk\u00e1\u0159\u00a0Paul\u00a0Simon\u00a0zahraje ve dnech 9. a\u017e 12. dubna na t\u0159ech komorn\u00edch koncertech v pra\u017esk\u00e9m Kongresov\u00e9m centru. Na turn\u00e9 A Quiet Celebration Tour p\u0159edstav\u00ed sv\u00e9 zat\u00edm posledn\u00ed album Seven Psalms z roku 2023 a p\u0159ipomene hity vznikl\u00e9 d\u00edky hudebn\u00ed spolupr\u00e1ci s Artem Garfunkelem.<\/p>\n
Seven Psalms bylo nahr\u00e1no v\u00fdhradn\u011b na akustick\u00e9 n\u00e1stroje.\u00a0Simon\u00a0uvedl, \u017ee poslucha\u010d dotv\u00e1\u0159\u00ed skladbu, a proto se sna\u017eil roz\u0161\u00ed\u0159it tento z\u00e1\u017eitek i na \u017eiv\u00e1 vystoupen\u00ed t\u00edm, \u017ee tuto slo\u017eit\u011b vrstvenou skladbu hraje v komorn\u00edch s\u00e1lech s dokonalou akustikou.<\/p>\n
\u201eKoncert za\u010d\u00edn\u00e1 proveden\u00edm mistrovsk\u00e9ho d\u00edla Seven Psalms. Tato kr\u00e1sn\u00e1 v\u00edce ne\u017e p\u016flhodinov\u00e9 skladba byla ocen\u011bna tiskem po cel\u00e9m sv\u011bt\u011b \u2013 den\u00edk Guardian ji nazval mistrovskou suitou a Times of London pozoruhodn\u00fdm albem. Po kr\u00e1tk\u00e9 p\u0159est\u00e1vce pokra\u010duje koncert mnoha klasick\u00fdmi hity\u00a0Simona\u00a0a n\u011bkolika vz\u00e1cn\u011b, \u010di v\u016fbec nehran\u00fdmi skladbami, kter\u00e9 byly speci\u00e1ln\u011b pro toto turn\u00e9 nov\u011b aran\u017eov\u00e1ny,\u201c sd\u011blil za organiz\u00e1tory Ond\u0159ej Pojzl.<\/p>\n
Ze zn\u00e1m\u00fdch p\u00edsn\u00ed se poslucha\u010di mohou t\u011b\u0161it na Graceland, The Boxer nebo The Sound of Silence.<\/p>\n
V Praze vystoupil dvan\u00e1ctin\u00e1sobn\u00fd dr\u017eitel cen Grammy v roce 1991 na letensk\u00e9m stadionu Sparty a pak znovu v roce 2016, kdy v pra\u017esk\u00e9 O2 zvedl sv\u00fdmi star\u00fdmi hity div\u00e1ky ze seda\u010dek a zah\u00e1jil sv\u00e9 evropsk\u00e9 turn\u00e9. Vystoupen\u00ed v hale upraven\u00e9 s m\u00edsty pouze k sezen\u00ed nav\u0161t\u00edvilo podle po\u0159adatel\u016f p\u0159ibli\u017en\u011b 6500 div\u00e1k\u016f.\u00a0Simon\u00a0za doprovodu des\u00edtky hudebn\u00edk\u016f nab\u00eddl publiku sv\u00e9 s\u00f3lov\u00e9 skladby i hity zn\u00e1m\u00e9 z obdob\u00ed z jeho hran\u00ed s p\u00edsni\u010dk\u00e1\u0159sk\u00fdm kolegou Garfunkelem.<\/p>\n
\u010cty\u0159iaosmdes\u00e1tilet\u00fd newyorsk\u00fd p\u00edsni\u010dk\u00e1\u0159\u00a0Paul\u00a0Simon\u00a0proslul d\u00edky hudebn\u00ed spolupr\u00e1ci s Garfunkelem. V \u0161edes\u00e1t\u00fdch letech tato dvojice dobyla sv\u011bt sv\u00fdmi vok\u00e1ln\u00edmi harmoniemi s b\u00e1snick\u00fdmi texty, kter\u00e9 objevuj\u00ed st\u00e1le nov\u00e9 generace poslucha\u010d\u016f, by\u0165 spolu vystupovali jen n\u011bkolik let. To nejlep\u0161\u00ed ze sebe podle mnoha hudebn\u00edch kritik\u016f vydali na albu Bridge over Troubled Water, hlavn\u011b d\u00edky stejnojmenn\u00e9 tituln\u00ed skladb\u011b ozna\u010dovan\u00e9 za jednu z nejlep\u0161\u00edch p\u00edsn\u00ed v\u0161ech dob. V roce 1970 se oba muzikanti roze\u0161li, p\u0159esto ale spolu pozd\u011bji n\u011bkolikr\u00e1t koncertovali i nahr\u00e1vali.<\/p>\n
Prvn\u00ed s\u00f3lov\u00e9 studiov\u00e9 album po rozchodu dua vydal\u00a0Paul\u00a0Simon\u00a0v roce 1972, jmenovalo se jednodu\u0161e\u00a0Paul\u00a0Simon\u00a0a nazna\u010dilo jist\u00fd posun v jeho pojet\u00ed hudby. Ke kytarov\u00e9mu folku p\u0159ibyly latinsk\u00e9 rytmy a prvky reggae. V polovin\u011b let osmdes\u00e1t\u00fdch ovlivnily jeho tvorbu etnick\u00e9 vlivy; nejd\u0159\u00edve jihoafrick\u00e9 – na slavn\u00e9m albu Graceland (1986), a potom jihoamerick\u00e9 – na desce Rhythm of the Saints (1990).<\/p>\n
Jeden z nejlep\u0161\u00edch sv\u011btov\u00fdch p\u00edsni\u010dk\u00e1\u0159\u016f, kter\u00fd je lev\u00e1k, ale na kytaru hraje prava\u010dkou, se n\u011bkolikr\u00e1t objevil i ve filmu. Zahr\u00e1l si nap\u0159\u00edklad v oscarov\u00e9m sn\u00edmku Woodyho Allena s n\u00e1zvem Annie Hallov\u00e1.<\/p>\n","protected":false},"excerpt":{"rendered":"Americk\u00fd p\u00edsni\u010dk\u00e1\u0159\u00a0Paul\u00a0Simon\u00a0zahraje ve dnech 9. a\u017e 12. dubna na t\u0159ech komorn\u00edch koncertech v pra\u017esk\u00e9m Kongresov\u00e9m centru. Na turn\u00e9…\n","protected":false},"author":2,"featured_media":47992,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[18103,337,11674,18048,98,99,2572,18105,18104,13554,16099],"class_list":{"0":"post-47991","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-art-garfunkel","9":"tag-koncert","10":"tag-kongresove-centrum-praha","11":"tag-paul-simon","12":"tag-prague","13":"tag-praha","14":"tag-praha-9","15":"tag-the-boxer","16":"tag-the-sounds-of-silence","17":"tag-turne","18":"tag-woody-allen"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116363577570269223","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/47991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=47991"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/47991\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/47992"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=47991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=47991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=47991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}