{"id":50405,"date":"2026-04-09T19:54:16","date_gmt":"2026-04-09T19:54:16","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/50405\/"},"modified":"2026-04-09T19:54:16","modified_gmt":"2026-04-09T19:54:16","slug":"nove-desky-13-2026-od-dermota-kennedyho-pres-arlo-parks-po-corrosion-of-conformity","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/50405\/","title":{"rendered":"Nov\u00e9 desky 13\/2026 – od Dermota Kennedyho p\u0159es Arlo Parks po Corrosion Of Conformity"},"content":{"rendered":"

Po hv\u011bzdn\u00e9m minul\u00e9m t\u00fddnu se tentokr\u00e1t v\u00fdb\u011br nejzvu\u010dn\u011bj\u0161\u00edch jmen lehce z\u00fa\u017eil. Do pop\u0159ed\u00ed tak vystupuj\u00ed Ir Dermot Kennedy, ameri\u010dt\u00ed Kronos Quartet, Angli\u010danka Arlo Parks, Corrosion Of Conformity nebo oce\u0148ovan\u00fd Thundercat. Dopl\u0148uj\u00ed je t\u0159eba Sunn O))), Solitude \u010di \u010dlenov\u00e9 Stryper a Avenged Sevenfold.<\/p>\n

V p\u00e1tek 3. dubna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Dermot Kennedy<\/a> – The Weight Of The Woods
\n\u017e\u00e1nr: pop \/ rock \/ folk<\/p>\n

\"Dermot
\nPrakticky stejn\u00fd \u010das jako v p\u0159\u00edpad\u011b p\u0159edch\u016fdce trvala Dermotu Kennedymu p\u0159\u00edprava t\u0159et\u00ed desky. N\u00e1stupce alba „Sonder“ dostal n\u00e1zev „The Weight Of The Woods“ a p\u0159edznamenal ho singl „Funeral“, na n\u011bj\u017e nav\u00e1zaly dal\u0161\u00ed dva. Celkem na novinku za\u0159adil \u010dtrn\u00e1ct skladeb a na rozd\u00edl od p\u0159edch\u016fdce mu tentokr\u00e1t produk\u010dn\u011b vypom\u00e1hal jedin\u00fd \u010dlov\u011bk, a sice Gabe Simon z formace Kopecky, kter\u00fd se v minulosti pod\u00edlel na nahr\u00e1vk\u00e1ch Noaha Kahana nebo Jamese Baye. Jak dopadla spolupr\u00e1ce s irsk\u00fdm p\u00edsni\u010dk\u00e1\u0159em, zjist\u00edte na jeho YouTube profilu<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Arlo Parks<\/a> – Ambiguous Desire
\n\u017e\u00e1nr: indie pop \/ indie folk \/ r’n’b<\/p>\n

\"Arlo
\nAnglick\u00e1 zp\u011bva\u010dka Ana\u00efs Oluwatoyin Estelle Marinho, kterou zn\u00e1me pod jm\u00e9nem Arlo Parks<\/a>, za sv\u00e9 druh\u00e9 album „My Soft Machine“ na rozd\u00edl od hojn\u011b oce\u0148ovan\u00e9ho debutu nez\u00edskala jedin\u00e9 ocen\u011bn\u00ed a um\u00edstila se pouze v n\u011bkolika v\u00fdro\u010dn\u00edch \u017eeb\u0159\u00ed\u010dc\u00edch. P\u0159esto si uchovala z\u00e1klad producentsk\u00e9ho t\u00fdmu, tedy Bairda Achesona a Simona Martineze. K nim se p\u0159ipojili i Rob Bisel, Paul Epworth<\/a>, Romil Hemnani z formace Brockhampton<\/a>, Buddy Ross nebo Andrew Sarlo. Jak zjist\u00edte na jej\u00edm YouTube profilu<\/a>, v jedn\u00e9 skladb\u011b se k n\u00ed p\u0159ipojil Sampha<\/a>. V\u011bt\u0161inu novinek jist\u011b p\u0159edstav\u00ed i na listopadov\u00e9m koncert\u011b v pra\u017esk\u00e9m prostoru Archa+.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Corrosion Of Conformity<\/a> – Good God \/ Baad Man
\n\u017e\u00e1nr: heavy metal<\/p>\n

\"Corrosion
\nAmerick\u00e1 heavymetalov\u00e1 kapela Corrosion Of Conformity<\/a> dok\u00e1zala b\u011bhem sv\u00e9 kari\u00e9ry proj\u00edt hardcore punkem, crossoverem, sludge metalem i ji\u017eansky na\u010dichl\u00fdm heavy rockem a p\u0159itom nikdy neztratit vlastn\u00ed tv\u00e1\u0159. Od za\u010d\u00e1tku osmdes\u00e1t\u00fdch let si vybudovala kultovn\u00ed status a album „Good God \/ Baad Man“ p\u0159edstavuje jej\u00ed jeden\u00e1ctou studiovou desku. Navazuje na „No Cross No Crown“ z roku 2018 a p\u016fsob\u00ed jako p\u0159esn\u011b ten typ nahr\u00e1vky, kter\u00fd Corrosion Of Conformity um\u011bj\u00ed nejl\u00e9pe: \u0161pinav\u00fd, pomal\u00fd, drsn\u00fd a z\u00e1rove\u0148 p\u0159ekvapiv\u011b chytlav\u00fd. Dvac\u00edtka nov\u00fdch skladeb stoj\u00ed na mohutn\u00fdch riffech, t\u011b\u017ekop\u00e1dn\u00e9m groove a southernmetalov\u00e9 mastnot\u011b. Poslucha\u010di oce\u0148uj\u00ed p\u0159edev\u0161\u00edm autenticitu a vy se o n\u00ed m\u016f\u017eete sami p\u0159esv\u011bd\u010dit poslechem na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Kronos Quartet<\/a> – Glorious Mahalia
\n\u017e\u00e1nr: tradi\u010dn\u00ed gospel \/ komorn\u00ed hudba \/ minimalismus<\/p>\n

\"Kronos
\nJe to u\u017e v\u00edce ne\u017e pades\u00e1t let, co zem\u0159ela legend\u00e1rn\u00ed gospelov\u00e1 zp\u011bva\u010dka Mahalia Jackson<\/a>, kter\u00e1 st\u00e1le pat\u0159\u00ed mezi nejuzn\u00e1van\u011bj\u0161\u00ed osobnosti hudebn\u00ed historie. Dokl\u00e1d\u00e1 to i nov\u00e1 deska Kronos Quartet<\/a> „Glorious Mahalia“, kter\u00e1 jej\u00ed \u017eivot p\u0159ipom\u00edn\u00e1. Album nab\u00edz\u00ed celkem jeden\u00e1ct polo\u017eek, za nimi\u017e se ale skr\u00fdvaj\u00ed pouze t\u0159i skladby – p\u011btid\u00edln\u00e1 tituln\u00ed kompozice Stacy Garrop, „God Shall Wipe All Tears Away“ a p\u011btid\u00edln\u00e1 „Peace Be Till“ Zacharyho James Watkinse. \u010c\u00e1st alba je ke sly\u0161en\u00ed na bandcampu n\u011bkolikan\u00e1sobn\u00fdch dr\u017eitel\u016f Grammy<\/a>.<\/p>\n

Earl Sweatshirt<\/a>, Mike & Surf Gang – Pompeii \/\/ Utility
\n\u017e\u00e1nr: hip hop<\/p>\n

\"Earl
\nRapper z Jihoafrick\u00e9 republiky Earl Sweatshirt<\/a> a jeho americk\u00fd kolega Mike p\u0159edstavuj\u00ed neobvykl\u00fd projekt s n\u00e1zvem „Pompeii \/\/ Utility“. A\u010dkoli by se mohlo zd\u00e1t, \u017ee jde o spole\u010dn\u00e9 album, nen\u00ed tomu tak \u00fapln\u011b doslova. V podstat\u011b se jedn\u00e1 o dv\u011b odd\u011blen\u00e9 nahr\u00e1vky, jejich\u017e spole\u010dn\u00fdm jmenovatelem je produk\u010dn\u00ed t\u00fdm Surf Gang, jeho\u017e \u010dleny jsou Harrison, Evilgiane a Eera. Samoz\u0159ejm\u011b se oba objevuj\u00ed jako host\u00e9 na desk\u00e1ch toho druh\u00e9ho a k nim se p\u0159ipojili je\u0161t\u011b Anysia Kym, Jadasea, Niontay, Lerado Khalil a Na-Kel Smith. Jak funguj\u00ed ob\u011b alba jako celek, zjist\u00edte na YouTube<\/a>.<\/p>\n

Sunn O)))<\/a> – Sunn O)))
\n\u017e\u00e1nr: drone metal<\/p>\n

\"Sunn
\nAmerick\u00e9 duo Sunn O)))<\/a>, zalo\u017een\u00e9 v Seattlu v roce 1998 Stephenem O’Malleym a Gregem Andersonem, u\u017e d\u00e1vno nen\u00ed jen kapelou v klasick\u00e9m slova smyslu. Je sp\u00ed\u0161 zvukov\u00fdm fenom\u00e9nem, ritu\u00e1lem, fyzick\u00fdm jevem. Album nesouc\u00ed prost\u011b n\u00e1zev „Sunn O)))“ p\u016fsob\u00ed jako sebeidentifika\u010dn\u00ed a z\u00e1rove\u0148 sebev\u011bdom\u011b redukovan\u00fd statement – n\u00e1vrat k samotn\u00e9 podstat\u011b jeho existence. Jejich drone metal m\u00edch\u00e1 doom a heavy metal s t\u00e1hl\u00fdmi t\u00f3ny drone music. Nutno ale dodat, \u017ee tato tvorba rozd\u011bluje publikum na dva t\u00e1bory. Pro jedny jde o hlubokou zvukovou zku\u0161enost, pro druh\u00e9 o nekone\u010dn\u00fd t\u00f3n. Jen\u017ee u Sunn O))) to tak bylo v\u017edycky. A pr\u00e1v\u011b t\u00edm si dr\u017e\u00ed status jednoho z nejradik\u00e1ln\u011bj\u0161\u00edch a z\u00e1rove\u0148 nejrespektovan\u011bj\u0161\u00edch projekt\u016f alternativn\u00ed hudby. Uk\u00e1zky najdete na YouTube<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n

Thundercat<\/a> – Distracted
\u017e\u00e1nr: alternativn\u00ed r’n’b \/ electric jazz \/ sou\u010dasn\u00fd jazz \/ funk<\/p>\n

\"Thundercat
\nNa pom\u011brn\u011b dlouh\u00fdch \u0161est let se odml\u010del americk\u00fd hudebn\u00edk a producent Stephen Lee Bruner, kter\u00e9ho zn\u00e1me pod jm\u00e9nem Thundercat<\/a>. Za p\u0159edch\u016fdce „It Is What It Is“ si odnesl Grammy, nen\u00ed tedy p\u0159ekvapen\u00edm, \u017ee vyd\u00e1n\u00ed jeho p\u00e1t\u00e9ho alba „Distracted“ vzbuzuje jist\u00e1 o\u010dek\u00e1v\u00e1n\u00ed. P\u0159in\u00e1\u0161\u00ed patn\u00e1ct p\u00edsni\u010dek, kter\u00e9 produkovali Greg Kurstin<\/a>, Kevin Parker<\/a>, Kenny Beats<\/a> a Flying Lotus<\/a>, jen\u017e je i hostem kolekce. K n\u011bmu se p\u0159ipojili Tame Impala<\/a>, The Lemon Twigs<\/a>, Lil Yachty<\/a>, A$AP Rocky<\/a>, Channel Tres<\/a>, Willow<\/a> a posmrtn\u011b i Mac Miller<\/a>. V\u00fdsledn\u00fd mix alternativn\u00edho r’n’b, sou\u010dasn\u00e9ho jazzu a funku op\u011bt zaujal kritiku natolik, \u017ee dr\u017e\u00ed 81 % na Metacritic. Pro\u010d byste nahr\u00e1vku tedy nem\u011bli minout, zji\u0161\u0165ujte na hudebn\u00edkov\u011b bandcampu<\/a>.<\/p>\n

\"\"\"\"<\/a> <\/p>\n

Good Kid<\/a> – Can We Hang Out Sometime?
\n\u017e\u00e1nr: indie rock<\/p>\n

\"Good
\nGood Kid<\/a>, p\u011btice z Toronta, na nov\u00e9m albu „Can We Hang Out Sometime?“ pokra\u010duje v tom, co um\u00ed nejl\u00e9pe. Serv\u00edruje toti\u017e bleskov\u011b rychl\u00e9, neuv\u011b\u0159iteln\u011b chytlav\u00e9 p\u00edsni\u010dky, kter\u00e9 zn\u011bj\u00ed jako soundtrack k tomu nejlep\u0161\u00edmu letn\u00edmu odpoledni va\u0161eho \u017eivota. N\u00e1zev novinky je v podstat\u011b otev\u0159enou pozv\u00e1nkou do jej\u00edho sv\u011bta, kde se i o \u00fazkosti nebo nejistot\u011b zp\u00edv\u00e1 s \u00fasm\u011bvem a v tempu, kter\u00e9 nenech\u00e1 ani na vte\u0159inu v klidu. Tito Kana\u010fan\u00e9 si udr\u017euj\u00ed typickou tv\u00e1\u0159, kter\u00e1 v sob\u011b m\u00edch\u00e1 vlivy modern\u00edho indie rocku s hravost\u00ed videohern\u00ed estetiky.<\/p>\n

Na novince poslucha\u010di naleznou precizn\u00ed souhru dvou kytar, kter\u00e9 se neust\u00e1le propl\u00e9taj\u00ed v rychl\u00fdch melodi\u00edch, a charakteristick\u00fd hlas Nicka Chomy, kter\u00fd ka\u017ed\u00e9mu p\u0159\u00edb\u011bhu dod\u00e1v\u00e1 pot\u0159ebnou d\u00e1vku sympatick\u00e9ho klukovstv\u00ed. P\u0159esto\u017ee hudba sr\u0161\u00ed energi\u00ed, v textech lze vy\u010d\u00edst i dosp\u011blej\u0161\u00ed post\u0159ehy o p\u0159\u00e1telstv\u00ed a o tom, jak je d\u016fle\u017eit\u00e9 neztratit spojen\u00ed s lidmi, na kter\u00fdch n\u00e1m z\u00e1le\u017e\u00ed. Pokud m\u00e1te r\u00e1di kr\u00e1tk\u00e9 a \u00fadern\u00e9 p\u00edsni\u010dky s n\u00e1padem i sp\u00e1dem, pak nev\u00e1hejte a vstupte na YouTube profil formace<\/a>, kde najdete uk\u00e1zky z nov\u00e9 kolekce.<\/p>\n

Michael Sweet<\/a> – The Master Plan
\n\u017e\u00e1nr: k\u0159es\u0165ansk\u00fd rock \/ heavy metal<\/p>\n

\"Michael
\nFrontman legend\u00e1rn\u00edch Stryper<\/a>, zp\u011bv\u00e1k Michael Sweet, ani na sv\u00e9 s\u00f3lov\u00e9 dr\u00e1ze nepolevuje a serv\u00edruje nahr\u00e1vku, kter\u00e1 je p\u0159esn\u011b takov\u00e1, jakou ji fanou\u0161ci cht\u011bj\u00ed. Novinka „The Master Plan“ je hlasit\u00e1, melodick\u00e1 a pln\u00e1 nefal\u0161ovan\u00e9ho optimismu. Michael zde op\u011bt potvrzuje roli jednoho z nejpracovit\u011bj\u0161\u00edch mu\u017e\u016f v rockov\u00e9m byznysu. Deska nep\u016fsob\u00ed jako pouh\u00fd vedlej\u0161\u00ed projekt, ale jako promy\u0161len\u00e9 d\u00edlo, kde se klasick\u00fd heavy metal potk\u00e1v\u00e1 s modern\u00edm zvukem a texty, kter\u00e9 se neboj\u00ed mluvit o vy\u0161\u0161\u00edch hodnot\u00e1ch a nad\u011bji v komplikovan\u00e9m sv\u011bt\u011b.<\/p>\n

Sweet\u016fv hlas p\u016fsob\u00ed dojmem, \u017ee je v t\u00e9 nejlep\u0161\u00ed form\u011b. St\u00e1le s lehkost\u00ed dosahuje neuv\u011b\u0159iteln\u00fdch v\u00fd\u0161ek a kytarov\u00e1 s\u00f3la, kter\u00e1 si z velk\u00e9 \u010d\u00e1sti nahr\u00e1l s\u00e1m, maj\u00ed p\u0159esn\u011b tu dravost a technickou preciznost, na kterou jsou u n\u011bj poslucha\u010di zvykl\u00ed. Cel\u00e1 nahr\u00e1vka m\u00e1 tah na branku a je z n\u00ed c\u00edtit obrovsk\u00e1 radost z tvorby. Ne\u010dekejte \u017e\u00e1dn\u00e9 slo\u017eit\u00e9 experimenty. Kolekce s\u00e1z\u00ed na poctiv\u00e9 rockov\u00e9 \u0159emeslo, siln\u00e9 refr\u00e9ny a produkci, kter\u00e1 d\u00e1v\u00e1 vyniknout ka\u017ed\u00e9mu detailu. Fanou\u0161ci precizn\u00edch riff\u016f a bleskov\u00fdch s\u00f3l si zde p\u0159ijdou na sv\u00e9, nakonec posu\u010fte sami poslechem uk\u00e1zek um\u00edst\u011bn\u00fdch na YouTube profilu interpreta<\/a>.<\/p>\n

Zachary Baker<\/a> – Dark Horse
\n\u017e\u00e1nr: rock<\/p>\n

\"Zachary
\nOdvaha vystoupit ze st\u00ednu stadionov\u00fdch gigant\u016f a uk\u00e1zat svou pravou, syrovou tv\u00e1\u0159 tvo\u0159\u00ed z\u00e1klad debutov\u00e9ho s\u00f3lov\u00e9ho alba „Dark Horse“. Zachary Baker<\/a>, mu\u017e, kter\u00e9ho sv\u011bt zn\u00e1 p\u0159edev\u0161\u00edm jako neochv\u011bjnou oporu Avenged Sevenfold<\/a> pod jm\u00e9nem Zacky Vengeance<\/a>, se na t\u00e9to nahr\u00e1vce vrac\u00ed ke sv\u00fdm nejhlub\u0161\u00edm ko\u0159en\u016fm. Kolekce nen\u00ed pokusem o napodoben\u00ed metalov\u00e9 velkoleposti jeho domovsk\u00e9 kapely. Jde o up\u0159\u00edmn\u00fd, m\u00edsty a\u017e drsn\u00fd pohled do du\u0161e muzikanta, kter\u00fd vyrostl na punku, rockabilly a estetice star\u00fdch horor\u016f. Cel\u00e9 album p\u016fsob\u00ed neuv\u011b\u0159iteln\u011b osobn\u011b a bezprost\u0159edn\u011b, jako by jej Zachary nahr\u00e1val ve sv\u00e9 gar\u00e1\u017ei jen pro p\u00e1r nejbli\u017e\u0161\u00edch p\u0159\u00e1tel, bez tlaku na hitpar\u00e1dov\u00fd \u00fasp\u011bch.<\/p>\n

Na desce hraj\u00ed hlavn\u00ed roli p\u0159\u00edmo\u010dar\u00e9 kytarov\u00e9 riffy a texty, kter\u00e9 se neboj\u00ed sentimentu ani \u010dern\u00e9ho humoru. Jde o nahr\u00e1vku \u010dern\u00e9ho kon\u011b, kter\u00fd se rozhodl b\u011b\u017eet sv\u016fj vlastn\u00ed z\u00e1vod, ani\u017e by se ohl\u00ed\u017eel na o\u010dek\u00e1v\u00e1n\u00ed dav\u016f. Nen\u00ed zde nouze o \u017e\u00e1nrov\u00e9, ne\u010dekan\u00e9 kotrmelce a kytarista zde poprv\u00e9 naplno odhaluje sv\u016fj autorsk\u00fd rukopis v cel\u00e9 jeho \u0161\u00ed\u0159i. Dokazuje, \u017ee i za maskou rockov\u00e9 hv\u011bzdy se st\u00e1le skr\u00fdv\u00e1 kluk, kter\u00fd prost\u011b miluje zvuk \u0161pinav\u00e9 kytary a up\u0159\u00edmnou melodii. O tom, \u017ee i metalov\u00fd hudebn\u00edk dok\u00e1\u017ee p\u0159\u00edjemn\u011b zjemnit, se m\u016f\u017eete p\u0159esv\u011bd\u010dit z uk\u00e1zek na jeho YouTube profilu<\/a>.<\/p>\n

Charley Crockett<\/a> – Age Of The Ram
\n\u017e\u00e1nr: country<\/p>\n

\"Charley
\nAmerick\u00fd countryov\u00fd zp\u011bv\u00e1k Charley Crockett<\/a> albem „Age Of The Ram“ uzav\u00edr\u00e1 t\u0159et\u00ed a posledn\u00ed \u010d\u00e1st trilogie „Sagebrush Trilogy“, kterou vloni v b\u0159eznu zapo\u010dalo „Lonesome Drifter“ a v srpnu pokra\u010dovalo „Dollar a Day“. Jen p\u0159ipomeneme, \u017ee sleduje p\u0159\u00edb\u011bh fiktivn\u00ed postavy Billyho McClanea, kter\u00e1 se poprv\u00e9 objevila v roce 1963 v p\u00edsni Martyho Robbinse „Old Red“. Trilogii ukon\u010duje dvac\u00edtka p\u00edsni\u010dek, kter\u00e9 produkoval Shooter Jennings<\/a> a k jejich\u017e nahr\u00e1n\u00ed m\u011bl k dispozici svou doprovodnou kapelu The Blue Drifters. Jak zn\u00ed, zjist\u00edte na jeho YouTube<\/a>.<\/p>\n

Green Carnation<\/a> – A Dark Poem, Part II: Sanguis
\n\u017e\u00e1nr: doom metal \/ progresivn\u00ed metal<\/p>\n

\"Green
\nNor\u0161t\u00ed Green Carnation<\/a> si \u0161li v\u017edy svou vlastn\u00ed cestou. Od doom\/deathmetalov\u00fdch ko\u0159en\u016f p\u0159es progresivn\u00ed rock a\u017e po t\u00e9m\u011b\u0159 filmovou emocionalitu si vybudovali zcela specifick\u00e9 m\u00edsto na sc\u00e9n\u011b. Nov\u00fdm albem „A Dark Poem, Part II: Sanguis“ se \u0159ad\u00ed do ranku atmosf\u00e9rick\u00e9ho progresivn\u00edho doom metalu. Jde o jejich sedm\u00e9 studiov\u00e9 album a z\u00e1rove\u0148 p\u0159\u00edm\u00e9 pokra\u010dov\u00e1n\u00ed p\u0159edchoz\u00ed \u010d\u00e1sti konceptu. Navazuje na comebackovou desku „Leaves of Yesteryear“ z roku 2020, vydanou po dlouh\u00e9 patn\u00e1ctilet\u00e9 pauze, a d\u00e1le rozv\u00edj\u00ed ambici\u00f3zn\u00ed, liter\u00e1rn\u011b pojat\u00fd r\u00e1mec. U\u017e podle n\u00e1zvu je patrn\u00e9, \u017ee jde o kolekci, kter\u00e1 jde hloub\u011bji do t\u011blesnosti, bolesti, pam\u011bti a emocion\u00e1ln\u00edho d\u011bdictv\u00ed. Uk\u00e1zky n\u011bkter\u00fdch ze \u0161esti nov\u00fdch p\u00edsn\u00ed najdete na YouTube<\/a>.<\/p>\n

Solitude<\/a> – The Sound Of Absent Life
\n\u017e\u00e1nr: doom metal<\/p>\n

\"Solitude
\nFinskou kapelu Solitude<\/a> m\u016f\u017eeme s klidem ozna\u010dit za supergroup. Jej\u00ed sestavu toti\u017e tvo\u0159\u00ed veter\u00e1ni finsk\u00e9 metalov\u00e9 sc\u00e9ny. Novinka se py\u0161n\u00ed n\u00e1zvem „The Sound Of Absent Life“ a nat\u00e1\u010den\u00ed prob\u00edhalo na analogov\u00e9 p\u00e1sky ve studiu Finnvox, aby zvuk z\u016fstal syrov\u00fd a autentick\u00fd. Na albu spolupracovala zvu\u010dn\u00e1 jm\u00e9na finsk\u00e9 sc\u00e9ny – mix m\u011bl na starosti Hiili Hiilesmaa (HIM<\/a>, Amorphis<\/a>), mastering Mika Jussila (Nightwish<\/a>, Mot\u00f6rhead<\/a>) – a vzniklo celkem deset skladeb. Osazenstvo kapely odm\u00edt\u00e1 modern\u00ed digit\u00e1ln\u00ed dokonalost, rad\u0161i s\u00e1z\u00ed na up\u0159\u00edmnost, nedokonalost a poctiv\u00fd epick\u00fd doom. Jestli se mu to povedlo, posu\u010fte sami a poslechn\u011bte si uk\u00e1zky na YouTube<\/a>.<\/p>\n


\n
\nOmah Lay – Clarity Of Mind

\n\u010cty\u0159i roky po debutu „Boy Alone“ navazuje nigerijsk\u00fd zp\u011bv\u00e1k druh\u00fdm albem, pro n\u011b\u017e nachystal dvan\u00e1ctku skladeb op\u011bt na pomez\u00ed afrobeatu, afro fusion a alternativn\u00edho r’n’b. Hlavn\u00edm producentem byl Tempoe. (YouTube<\/a>)
\n
\n
\n
\nLuke Grimes – Redbird

\nAmerick\u00fd herec a countryov\u00fd hudebn\u00edk navazuje na dva roky star\u00fd eponymn\u00ed debut druhou deskou s des\u00edtkou skladeb, kter\u00e9 produkoval Dave Cobb<\/a>. (YouTube<\/a>)
\n
\n
\n
\nBruce Hornsby<\/a> – Indigo Park

\nAmerick\u00fd hudebn\u00edk a klav\u00edrista, dr\u017eitel t\u0159\u00ed Grammy, kter\u00fd v minulosti spolupracoval s \u0159adou sv\u011btov\u00fdch hv\u011bzd, pro nov\u00e9 album nahr\u00e1l celkem deset skladeb, v nich\u017e p\u0159iv\u00edtal n\u011bkolik hv\u011bzdn\u00fdch host\u016f jako Bonnie Raitt<\/a>, Ezra Koenig<\/a>, Blake Mills<\/a> a Bob Weir<\/a>. (bandcamp<\/a>)
\n
\n
\n
\nMaria Taylor<\/a> – Story\u2019s End

\nAmerick\u00e1 p\u00edsni\u010dk\u00e1\u0159ka a polovina dua Azure Ray<\/a>, kter\u00e1 spolupracovala s \u0159adou slavn\u011bj\u0161\u00edch koleg\u016f jako Bright Eyes<\/a>, Phoebe Bridgers<\/a>, Moby<\/a>, Michael Stipe<\/a> nebo Joshua Radin<\/a>, se po sedmi letech vrac\u00ed k s\u00f3lov\u00e9 kari\u00e9\u0159e albem, jeho\u017e producentem se stal Ben Brodin. (bandcamp<\/a>)
\n
\n
\n
\nSam Barber – Broken View

\nPo roce a p\u016fl navazuje na debut „Restless Mind“ americk\u00fd countryov\u00fd zp\u011bv\u00e1k z Missouri. T\u0159in\u00e1ct p\u00edsn\u00ed mu pom\u00e1hal produkovat Joe Becker, kter\u00fd nahr\u00e1val s hudebn\u00edky jako Eddie Van Halen<\/a>, Steve Morse<\/a>, Richie Sambora<\/a> nebo Marty Friedman<\/a>. (YouTube<\/a>)
\n
\n
\n
\nJon Hopkins<\/a>, Biggi Hilmars<\/a> – Wilding (soundtrack)

\nBritsk\u00fd dokument zaob\u00edraj\u00edc\u00ed se n\u00e1vratem zv\u00ed\u0159at do divo\u010diny vznikl u\u017e v roce 2023, nicm\u00e9n\u011b nyn\u00ed k n\u011bmu vych\u00e1z\u00ed soundtrack, jeho\u017e autory jsou anglick\u00fd elektronik Jon Hopkins<\/a> a Biggi Hilmars<\/a>. Na albu hudbu rozd\u011blili do t\u0159in\u00e1cti skladeb. (YouTube<\/a>)
\n
\n
\n
\nGregory Hutchinson – Kind Of Now – The Pulse Of Miles Davis<\/a>

\nAmerick\u00fd jazzov\u00fd hudebn\u00edk se rozhodl vzd\u00e1t hold jednomu z nejslavn\u011bj\u0161\u00edch jazzman\u016f. Ke spolupr\u00e1ci p\u0159emluvil takov\u00e1 esa, jako jsou kontrabasista Joe Sanders, klav\u00edrista Gerald Clayton<\/a>, saxofonista Ron Blake, trumpetista Ambrose Akinmusire<\/a> a kytarist\u00e9 Jakob Bro a Emmanuel Michael. (YouTube<\/a>)
\n
\n
\n
\nPaul Cauthen – Book Of Paul

\nAmerick\u00fd hudebn\u00edk, jeho\u017e kari\u00e9ra je spojen\u00e1 s duem Sons Of Fathers, u\u017e n\u011bkolik let funguje i s\u00f3lo. Aktu\u00e1ln\u00ed novinka nab\u00eddne t\u0159in\u00e1ct p\u00edsni\u010dek v\u010detn\u011b dvou, v nich\u017e se k n\u011bmu p\u0159ipojili Jake Worthington a Delaney Ramsdell. (YouTube<\/a>)
\n
\n
\n
\nElizabeth & The Catapult – Responsible Friend

\nAmerick\u00e1 pop-rockov\u00e1 formace, jej\u00ed\u017e hlavn\u00ed p\u0159edstavitelkou je Elizabeth Ziman, se vrac\u00ed po p\u011bti letech s novou deskou, pro ni\u017e nahr\u00e1la jeden\u00e1ct p\u00edsni\u010dek. (bandcamp<\/a>)
\n
\n
\n
\nGrade 2<\/a> – Talk About It

\nBritsk\u00e9 trio z ostrova Wight se v nov\u00e9m materi\u00e1lu vrac\u00ed k osv\u011bd\u010den\u00e9mu spojen\u00ed klasick\u00e9ho Oi! a melodick\u00e9ho punk-rocku. Nahr\u00e1vka potvrzuje autorsk\u00fd rukopis kapely, kter\u00fd stoj\u00ed na \u00fadern\u00fdch kytarov\u00fdch riffech a energick\u00e9 rytmice. Oproti d\u0159\u00edv\u011bj\u0161\u00ed tvorb\u011b je zde patrn\u00fd posun k o n\u011bco \u010dist\u0161\u00ed produkci a d\u016frazu na sborov\u00e9 refr\u00e9ny, kter\u00e9 odkazuj\u00ed na tradici britsk\u00e9 punkov\u00e9 \u0161koly konce sedmdes\u00e1t\u00fdch let. (YouTube<\/a>)
\n
\n
\n
\nJoe Pernice<\/a> – Sunny, I Was Wrong

\nAmerick\u00fd p\u00edsni\u010dk\u00e1\u0159, zn\u00e1m\u00fd jako zakladatel formac\u00ed The Pernice Brothers<\/a> \u010di Scud Mountain Boys<\/a>, p\u0159edstavuje na nov\u00e9 s\u00f3lov\u00e9 desce n\u00e1vrat k p\u0159\u00edmo\u010dar\u00e9mu indie popu. Na nahr\u00e1vce potvrzuje schopnost ps\u00e1t nad\u010dasov\u00e9 p\u00edsn\u011b, v nich\u017e se melancholick\u00e9 polohy potk\u00e1vaj\u00ed s vybrou\u0161enou popovou estetikou bez nadbyte\u010dn\u00fdch studiov\u00fdch efekt\u016f. (YouTube<\/a>)
\n
\n
\n
\nJoseph Arthur<\/a> – You\u2019re Not A Ghost Anymore: Faith

\nMultitalentovan\u00fd p\u00edsni\u010dk\u00e1\u0159 a um\u011blec vyd\u00e1v\u00e1 novinku, je\u017e tvo\u0159\u00ed sou\u010d\u00e1st jeho aktu\u00e1ln\u00edho, tematicky prov\u00e1zan\u00e9ho tv\u016fr\u010d\u00edho cyklu. Nahr\u00e1vka se dr\u017e\u00ed autorova tradi\u010dn\u00edho syrov\u00e9ho rukopisu na pomez\u00ed alternativn\u00edho rocku a nez\u00e1visl\u00e9ho folku. Dominantn\u00edm prvkem z\u016fst\u00e1v\u00e1 akustick\u00e1 kytara v kombinaci s Arthurov\u00fdm charakteristick\u00fdm nal\u00e9hav\u00fdm vok\u00e1lem, p\u0159i\u010dem\u017e celkov\u00e1 produkce podtrhuje intimn\u00ed a autentick\u00fd charakter skladeb. (YouTube<\/a>)
\n
\n
\n
\nEdge Of Sanity – Elegy – Chapter II

\nKompilace mapuj\u00edc\u00ed historii \u0161v\u00e9dsk\u00e9 deathmetalov\u00e9 kapely, kter\u00e1 pat\u0159ila k nejvlivn\u011bj\u0161\u00edm jm\u00e9n\u016fm skandin\u00e1vsk\u00e9ho extr\u00e9mn\u00edho metalu devades\u00e1t\u00fdch let. (YouTube<\/a>)
\n
\n
\n
\nNervosa<\/a> – Slave Machine

\n\u0160est\u00e1 studiovka brazilsk\u00e9 thrashmetalov\u00e9 formace. (YouTube<\/a>)
\n
\n
\n
\nPS Goner – There’s An Atm Inside

\nSv\u016fj s\u00f3lov\u00fd debut vyd\u00e1v\u00e1 \u010dlen formace Homeshake Peter Sagar. Nachystal si pro n\u00e1s osm skladeb. (bandcamp<\/a>)
\n <\/p>\n

41 – Area 41
\nA Place To Bury Strangers<\/a> – Rare And Deadly

\nAlberto Turco – Julian Von Speyer : St. Francis Of Assisi & St. Anthony Of Padua, Rhymed Offices
\nAmbroise Aubrun, Jocelyn Aubrun, Steven Vanhauwaert – Bohuslav Martin\u016f : Chamber Music 1937
\nBilly Fuller – Fragments
\nBon Iver<\/a> – Volumes: One \u201cSelections From Music Concerts 2019-2023 Bon Iver 6 Piece Band\u201d
\nCarlo Mazzone – Louis Vierne : 24 Pi\u00e9ces En Style Libre Op. 31
\nC\u00e9lia Oneto Bensaid – Philip Glass<\/a> : Echoes
\nCommitment (Feat. Members Of Soul Glo) – Fear Of
\nDeary – Birding
\nFrancesco Palmieri – Sans Dire

\nGiuseppe Andalora – Dmitri Shostakovich : Piano Concertos, Fantastic Dances, Prelude & Fugue
\nHakon Austb\u00f6 – Edvard Grieg : Complete Piano Works
\nHerv\u00e9 Niquet – Georges Bizet : Carmen
\nHiding Places – The Secret To Good Living
\nCharles Joseph Smith – Collected Works And War Of The Martian Ghosts
\nJacques Zoon – Coenen \/ Wilms \/ Verhey : Flute Concertos From The Netherlands
\nJean-Guihen Queyras \/ Alexandre Tharaud<\/a> – 30 Ans De Duo
\nLucie B\u00edl\u00e1<\/a> – Albov\u00e1 kolekce 1986-2026 (17CD Box)
\nPhiline Sonny – Virgin Lake
\nPoison Ruin – Hymns From The Hills
\nRobber Robber – Two Wheels Move The Soul
\nTiffany Day – Halo
\nWendy Eisenberg – Wendy Eisenberg
\nZedned – Where The Hell Is New York City?<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nA Place To Bury Strangers<\/a> – Rare And Deadly
\nAlkaline Trio<\/a> – Crimson
\nAlkaline Trio<\/a> – Good Mourning
\nArlo Parks<\/a> – Ambiguous Desire
\nBelphegor<\/a> – Pestapokalypse Vi
\nBilly Fuller – Fragments
\nBruce Hornsby<\/a> – Indigo Park
\nCommitment (Feat. Members Of Soul Glo) – Fear Of
\nCorrosion Of Conformity<\/a> – Good God \/ Baad Man
\nDeary – Birding
\nEdge Of Sanity – Cryptic
\nEdge Of Sanity – Elegy – Chapter II
\nGood Kid<\/a> – Can We Hang Out Sometime?
\nGrade 2<\/a> – Talk About It
\nGregory Hutchinson – Kind Of Now – The Pulse Of Miles Davis<\/a>
\nHiding Places – The Secret To Good Living
\nJoe Pernice<\/a> – Sunny, I Was Wrong
\nKronos Quartet<\/a> – Glorious Mahalia
\nMacabre<\/a> – Gloom
\nMichael Sweet <\/a>– The Master Plan
\nMilo\u0161 Dodo Dole\u017eal<\/a> & Vitacit<\/a> – 1975-1991 Revisited Part Iii. (Feat. Horyna, Roth, Ad\u00e1mek)
\nRobber Robber – Two Wheels Move The Soul
\nSam Barber – Broken View
\nSolitude<\/a> – The Sound Of Absent Life
\nSunn O)))<\/a> – Sunn O)))<\/a>
\nThundercat<\/a> – Distracted
\nWendy Eisenberg – Wendy Eisenberg<\/p>\n

EP:
\nCommon Holly<\/a> – Good, Like It Should Be<\/p>\n

Reedice:
\nAlkaline Trio<\/a> – Crimson
\nAlkaline Trio<\/a> – Good Mourning
\nBelphegor<\/a> – Pestapokalypse VI
\nEdge Of Sanity – Cryptic
\nMacabre<\/a> – Gloom
\nMilo\u0161 Dodo Dole\u017eal<\/a> & Vitacit<\/a> – 1975-1991 Revisited Part III. (Feat. Horyna, Roth, Ad\u00e1mek)
\nPhil Collins<\/a> – The Singles
\nSilent Running – Deep \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Po hv\u011bzdn\u00e9m minul\u00e9m t\u00fddnu se tentokr\u00e1t v\u00fdb\u011br nejzvu\u010dn\u011bj\u0161\u00edch jmen lehce z\u00fa\u017eil. Do pop\u0159ed\u00ed tak vystupuj\u00ed Ir Dermot Kennedy,…\n","protected":false},"author":2,"featured_media":50406,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-50405","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116376506557025436","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/50405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=50405"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/50405\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/50406"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=50405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=50405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=50405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}