{"id":50546,"date":"2026-04-10T04:19:10","date_gmt":"2026-04-10T04:19:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/50546\/"},"modified":"2026-04-10T04:19:10","modified_gmt":"2026-04-10T04:19:10","slug":"recenze-paul-simon-okouzlil-a-splatil-dluh-ceske-zpevacce-z-roku-1990","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/50546\/","title":{"rendered":"Recenze: Paul Simon okouzlil. A\u00a0splatil dluh \u010desk\u00e9 zp\u011bva\u010dce z\u00a0roku 1990"},"content":{"rendered":"

Paul Simon si je v\u011bdom jist\u00e9 ironie. \u201eV roce 1990\u00a0jsem s\u00a0americkou delegac\u00ed p\u0159ijel do Prahy dohl\u00e9dnout na to, \u017ee va\u0161e volby budou opravdu svobodn\u00e9. Te\u010f bychom my v\u00a0Americe pot\u0159ebovali delegaci z\u00a0\u010ceska,\u201c \u017eertuje \u010dty\u0159iaosmdes\u00e1tilet\u00fd americk\u00fd p\u00edsni\u010dk\u00e1\u0159 tento \u010dtvrtek v\u00a0pra\u017esk\u00e9m Kongresov\u00e9m centru.<\/p>\n

N\u011bkdej\u0161\u00ed polovi\u010dka dua Simon & Garfunkel a\u00a0dr\u017eitel 16\u00a0cen Grammy dob\u0159e v\u00ed, kde se ocitl. \u201eJsem tu po\u010dtvrt\u00e9. Z\u00a0prvn\u00ed n\u00e1v\u0161t\u011bvy Prahy si pamatuji, jak jsme odpoledne sed\u011bli s\u00a0prezidentem V\u00e1clavem Havlem v\u00a0jeho divadle, kdy\u017e se omluvil, \u017ee mus\u00ed j\u00edt pron\u00e9st \u0159e\u010d na n\u00e1m\u011bst\u00ed,\u201c vypr\u00e1v\u00ed. Havel m\u011bl tehdy pozdravit poslucha\u010de koncertu proti rasismu na Starom\u011bstsk\u00e9m n\u00e1m\u011bst\u00ed. \u201eNapadlo ho, jestli nechci j\u00edt s\u00a0n\u00edm. J\u00e1 souhlasil, tak jsme je\u0161t\u011b se dv\u011bma zn\u00e1m\u00fdmi sedli do auta, Havel na n\u00e1m\u011bst\u00ed p\u0159ednesl projev, n\u00e1sledn\u011b davu ozn\u00e1mil, \u017ee jsem tam s\u00a0n\u00edm, vyzval m\u011b, a\u0165 zazp\u00edv\u00e1m, a\u00a0j\u00e1 m\u00e1m z\u00a0toho kr\u00e1snou vzpom\u00ednku na cel\u00fd \u017eivot,\u201c l\u00ed\u010d\u00ed Paul Simon.<\/p>\n

Jeho n\u00e1vrat do \u010ceska je mal\u00fd z\u00e1zrak. P\u0159ed osmi lety ozn\u00e1mil, \u017ee kon\u010d\u00ed s\u00a0koncertov\u00e1n\u00edm. Kdy\u017e pak po prod\u011bl\u00e1n\u00ed nemoci covid-19\u00a0\u010d\u00e1ste\u010dn\u011b ztratil sluch v\u00a0lev\u00e9m uchu, vypadalo to definitivn\u011b. N\u011bkolikalet\u00e1 l\u00e9\u010dba kombinovan\u00e1 s\u00a0volbou akusticky vhodn\u00fdch s\u00e1l\u016f v\u0161ak umo\u017enila, \u017ee Paul Simon nyn\u00ed trojic\u00ed koncert\u016f v\u00a0Praze zahajuje evropsk\u00e9 turn\u00e9. Ve \u010dtvrtek sice za\u010dal s\u00a0dvacetiminutov\u00fdm zpo\u017ed\u011bn\u00edm, p\u0159esto nakonec hr\u00e1l v\u00edce ne\u017e dv\u011b hodiny \u010dist\u00e9ho \u010dasu, vyslou\u017eil si n\u011bkolik potlesk\u016f vestoje a\u00a0musel dvakr\u00e1t p\u0159id\u00e1vat. Dal\u0161\u00ed koncerty na stejn\u00e9m m\u00edst\u011b se konaj\u00ed v\u00a0p\u00e1tek a\u00a0ned\u011bli.<\/p>\n

Simon se nepodb\u00edz\u00ed. M\u00edsto aby cel\u00fd ve\u010der zp\u00edval \u201ebest of\u201c jako vrstevn\u00edci Paul McCartney nebo The Rolling Stones, odv\u00e1\u017en\u011b za\u010d\u00edn\u00e1 kompletn\u00edm p\u0159ehr\u00e1n\u00edm sv\u00e9ho nejnov\u011bj\u0161\u00edho projektu, p\u016flhodinov\u00e9 suity Seven Psalms z\u00a0roku 2023.\u00a0Tvo\u0159\u00ed ji sedm p\u00edsn\u00ed uv\u00e1d\u011bn\u00fdch v\u00a0jednom bloku.<\/p>\n

\u201ePosledn\u00ed dobou hodn\u011b mysl\u00edm na velkou migraci,\u201c zp\u00edv\u00e1 tak\u00e9 na za\u010d\u00e1tku pra\u017esk\u00e9ho koncertu Simon. A\u00a0nem\u00e1 na mysli v\u00a0angli\u010dtin\u011b ust\u00e1len\u00e9 spojen\u00ed ozna\u010duj\u00edc\u00ed historick\u00fd p\u0159esun asi milionu a\u00a0p\u016fl \u010dernoch\u016f z\u00a0americk\u00e9ho Jihu, n\u00fdbr\u017e bl\u00ed\u017e\u00edc\u00ed se smrt.<\/p>\n

Foto: Profimedia.cz<\/p>\n

Paul Simon (na fotografii z\u00a0b\u0159ezna) proslul v\u00a0duu Simon & Garfunkel. Z\u00a0jeho tvorby v\u00a0Praze zazp\u00edval p\u00edsn\u011b Homeward Bound, The Boxer a\u00a0The Sound of Silence.<\/p>\n

Komorn\u00ed p\u00e1smo p\u0159em\u00fd\u0161liv\u00fdch p\u00edsn\u00ed, kter\u00e9 se pr\u00fd hudebn\u00edkovi zd\u00e1ly nad r\u00e1nem, spojuj\u00ed \u00favahy o\u00a0jedine\u010dnosti a\u00a0pom\u00edjivosti \u017eivota. Hudebn\u011b stoj\u00ed na zvuku kytar, na n\u011b\u017e v\u00a0Kongresov\u00e9m centru krom\u011b Simona hraj\u00ed Mark Stewart a\u00a0Gyan Riley. Celek p\u0159ipom\u00edn\u00e1 proud v\u011bdom\u00ed: n\u011bkter\u00e9 motivy a\u00a0refr\u00e9ny se vrac\u00ed, dopln\u011bn\u00e9 ostr\u00fdmi p\u0159ed\u011bly a\u00a0abstraktn\u00edmi zvuky z\u00a0neobvykl\u00fdch n\u00e1stroj\u016f.<\/p>\n

V Praze z\u00a0nich vizu\u00e1ln\u011b nejv\u00edc zaujmou takzvan\u00e9 Cloud Chamber Bowls od Harryho Partche, konstrukt\u00e9ra n\u00e1stroj\u016f z\u00a020.\u00a0stolet\u00ed. Jedn\u00e1 se o\u00a0od\u0159\u00edznut\u00e9 vrchn\u00ed \u010d\u00e1sti sklen\u011bn\u00fdch demi\u017eon\u016f. Vis\u00ed na r\u00e1mu ze d\u0159eva a\u00a0\u00fader do nich vyd\u00e1v\u00e1 m\u011bkk\u00fd, zvoniv\u00fd zvuk. <\/p>\n

\u201eV nebi je kr\u00e1sn\u011b \/ Skoro jako doma \/ D\u011bti, p\u0159ipravte se \/ Je \u010das j\u00edt dom\u016f,\u201c uzav\u00edr\u00e1 Simon cyklus, jeho\u017e dva posledn\u00ed songy mu v\u00a0Kongresov\u00e9m centru pom\u00e1h\u00e1 zazp\u00edvat man\u017eelka, hlavn\u00ed tv\u00e1\u0159 alternativn\u00ed kapely Edie Brickell & New Bohemians.<\/p>\n

<\/a><\/p>\n

V prvn\u00ed \u010d\u00e1sti ve\u010dera m\u00e1 Paul Simon oblek a\u00a0sed\u00ed op\u0159en\u00fd na vysok\u00e9 barov\u00e9 \u017eidli. Po kr\u00e1tk\u00e9 pauze se vrac\u00ed u\u017e neform\u00e1ln\u011b od\u011bn\u00fd s\u00a0k\u0161iltovkou na hlav\u011b, ve sv\u011btl\u00fdch d\u017e\u00ednech, zelen\u00e9m tri\u010dku a\u00a0\u010derven\u00e9 ko\u0161ili, na\u010de\u017e s\u00a0kytarou vestoje za\u010d\u00edn\u00e1 zp\u00edvat Graceland. Tituln\u00ed skladba slavn\u00e9ho alba nato\u010den\u00e9ho roku 1986\u00a0v\u00a0Ji\u017en\u00ed Africe kombinuje zvuk tamn\u00edch n\u00e1stroj\u016f s\u00a0prvky country i\u00a0rockabilly. Vypr\u00e1v\u00ed o\u00a0Simonov\u011b skute\u010dn\u00e9 cest\u011b do s\u00eddla zp\u011bv\u00e1ka Elvise Presleyho, kter\u00e1 v\u0161ak slou\u017e\u00ed coby metafora pro hled\u00e1n\u00ed \u0161t\u011bst\u00ed, sp\u00e1sy a\u00a0zahojen\u00ed ran z\u00a0rozchodu.<\/p>\n

Pr\u00e1v\u011b s\u00a0albem Graceland pronikly do Simonovy hudby polyrytmy a\u00a0zvoniv\u00e9 africk\u00e9 kytary. Tak\u00e9 tento \u010dtvrtek v\u00a0Praze ho doprov\u00e1z\u00ed jihoafrick\u00fd baskytarista Bakithi Kumalo, \u201eposledn\u00ed \u017eij\u00edc\u00ed \u010dlen kapely z\u00a0projektu Graceland\u201c, jak ho frontman p\u0159edstavuje. Ji\u017e zesnul\u00e9ho kytaristu Vincenta Nguiniho nahradil Biodun Kuti z\u00a0Nig\u00e9rie, kter\u00fd je na p\u00f3diu v\u011bt\u0161inu ve\u010dera. Spole\u010dn\u011b s\u00a0Markem Stewartem, Gyanem Rileyem a\u00a0Simonem dr\u017e\u00edc\u00edm akustickou kytaru tak v\u00a0n\u011bkter\u00fdch chv\u00edl\u00edch zn\u011bj\u00ed hned \u010dty\u0159i tyto n\u00e1stroje.<\/p>\n

P\u0159esto nejde o\u00a0\u017e\u00e1dn\u00fd rock. Paul Simon moment\u00e1ln\u011b stmelil ve\u0161ker\u00fd reperto\u00e1r do relativn\u011b komorn\u00edho aran\u017em\u00e1, v\u00a0n\u011bm\u017e n\u011bkter\u00fdm p\u00edsn\u00edm prop\u016fj\u010dil voln\u011bj\u0161\u00ed tempa a\u00a0vytvo\u0159il spoustu prostoru pro muzikanty. Ti mu \u010d\u00e1ste\u010dn\u011b pom\u00e1haj\u00ed vyv\u00e1\u017eit po osmdes\u00e1tce p\u0159ece jenom k\u0159eh\u010d\u00ed, v\u00a0n\u011bkter\u00fdch poloh\u00e1ch u\u017e hodn\u011b\u00a0tenk\u00fd hlas. Z\u00e1rove\u0148 ale takto vynik\u00e1 hudebn\u00ed talent, kter\u00fd \u0161pi\u010dkov\u00ed interpeti mimo\u0159\u00e1dn\u011b citliv\u011b uplat\u0148uj\u00ed cel\u00fd ve\u010der\u00a0\u2013 nap\u0159\u00edklad v\u00a0\u00fachvatn\u011b prokomponovan\u00e9 Something So Right, ji\u017e kapela p\u0159ed t\u00fddnem zahr\u00e1la v\u00a0talkshow Stephena Colberta.<\/p>\n

Simon celou dobu pohyby rukou ud\u00edl\u00ed spoluhr\u00e1\u010d\u016fm pokyny jako dirigent. Oproti pra\u017esk\u00fdm koncert\u016fm z\u00a0let 1991\u00a0a\u00a02016\u00a0mezi p\u00edsn\u011bmi d\u00e9le mluv\u00ed. P\u0159edstavuje t\u0159eba m\u00e9n\u011b zn\u00e1mou skladbu o\u00a0n\u00e1sil\u00ed The Late Great Johnny Ace. Inspiroval ji p\u0159\u00edb\u011bh zp\u011bv\u00e1ka, kter\u00fd se roku 1954\u00a0z\u0159ejm\u011b ne\u0161\u0165astnou n\u00e1hodou zast\u0159elil ve v\u011bku 25\u00a0let. Simon jeho osud propojil s\u00a0pozd\u011bj\u0161\u00edmi ob\u011b\u0165mi atent\u00e1t\u016f, prezidentem Johnem F. Kennedym a\u00a0hudebn\u00edkem Johnem Lennonem. Fotografie v\u0161ech t\u0159\u00ed ke konci p\u00edsn\u011b z\u00e1\u0159\u00ed na jinak z\u0159\u00eddka pou\u017e\u00edvan\u00e9 obrazovce v\u00a0zadn\u00ed \u010d\u00e1sti jevi\u0161t\u011b.<\/p>\n

The Late Great Johnny Ace kon\u010d\u00ed minutovou codou zkomponovanou autorem minimalistick\u00e9 hudby Philipem Glassem. V\u00a0Praze ji v\u011brn\u011b reprodukuje Simon\u016fv klav\u00edrista Mick Rossi, kter\u00fd pr\u00e1v\u011b s\u00a0Philip Glass Ensemblem d\u0159\u00edve koncertoval v\u00a0Ostrav\u011b.<\/p>\n

Na obrazovce se objevuje tak\u00e9 fotografie, je\u017e inspirovala song Rene and Georgette Magritte With Their Dog After the War. \u201eJednou jsem listoval knihou o\u00a0velk\u00e9m surrealistick\u00e9m mal\u00ed\u0159i z\u00a0poloviny stolet\u00ed Magrittovi. Byl tam sn\u00edmek, jak p\u00f3zuje s\u00a0man\u017eelkou a\u00a0dr\u017e\u00ed jejich psa. Popisek zn\u011bl: Ren\u00e9 a\u00a0Georgette Magrittovi se sv\u00fdm psem po v\u00e1lce. A\u00a0j\u00e1 na to: no to bude hit,\u201c uv\u00e1d\u00ed v\u00a0Praze skladbu, ve kter\u00e9 se bl\u00fdskne trojice komorn\u00edch hr\u00e1\u010d\u016f: fl\u00e9tnistka Nancy Stagnitta, violista Caleb Burhans a\u00a0violoncellista Eugene Friesen.<\/p>\n

V\u0161ichni zanechali v\u00fdraznou stopu ve sv\u011bt\u011b klasick\u00e9, soudob\u00e9 nebo experiment\u00e1ln\u00ed hudby. Stejn\u011b jako kytarist\u00e9 Mark Stewart z\u00a0uskupen\u00ed Bang on a\u00a0Can All-Stars nebo vystudovan\u00fd konzervatorista Gyan Riley, \u010cech\u016fm zn\u00e1m\u00fd spoluprac\u00ed s\u00a0Ivou Bittovou. Kr\u00e1sn\u00fdm s\u00f3lem na akustickou kytaru Riley ve \u010dtvrtek vygraduje t\u0159eba skladbu Homeward Bound.<\/p>\n

<\/a><\/p>\n

P\u00edse\u0148 The Cool, Cool River napsan\u00e1 pot\u00e9, co Simonov\u011b otci koncem 80.\u00a0let l\u00e9ka\u0159i diagnostikovali rakovinu, zaujme lich\u00fdm rytmem a\u00a0divokou z\u00e1v\u011bre\u010dnou improvizac\u00ed klav\u00edristy Micka Rossiho, jen\u017e jinak hraje na kl\u00e1vesy Fender Rhodes nebo pom\u00e1h\u00e1 s\u00a0perkusemi.<\/p>\n

Song Under African Skies p\u016fvodn\u011b Paul Simon zp\u00edval s\u00a0hostuj\u00edc\u00ed Lindou Ronstadt. Ve \u010dtvrtek ho op\u011bt p\u011bje s\u00a0man\u017eelkou Edie Brickell, kter\u00e1 pak v\u00a0z\u00e1v\u011bru hrav\u011b p\u0159ib\u00edh\u00e1 zahv\u00edzdat je\u0161t\u011b melodii z\u00a0Me and Julio Down by the Schoolyard, hitu, jen\u017e pod bezstarostnou vzpom\u00ednkou na kamar\u00e1dy z\u00a0d\u011btsk\u00e9ho h\u0159i\u0161t\u011b skr\u00fdv\u00e1 enigmatick\u00fd text pln\u00fd voln\u00fdch asociac\u00ed.<\/p>\n

V takov\u00fdch okam\u017eic\u00edch se na p\u00f3diu pohybuje 13\u00a0lid\u00ed. Nejzn\u00e1m\u011bj\u0161\u00ed je z\u00a0nich u\u017e roky buben\u00edk Steve Gadd, velk\u00e1 hv\u011bzda jazzu,\u00a0fusion i\u00a0rocku. V\u00a0komorn\u00ed sestav\u011b, doprov\u00e1zen perkusisty, hraje tento \u010dtvrtek \u010dast\u011bji ne\u017e d\u0159\u00edv metli\u010dkami. Nevynech\u00e1 ale sv\u016fj slavn\u00fd groove v\u00a0p\u00edsni 50\u00a0Ways to Leave Your Lover, p\u0159ed kterou mu Simon blahop\u0159eje ke \u010dtvrte\u010dn\u00edm 81.\u00a0narozenin\u00e1m.<\/p>\n

Pro \u010desk\u00e9 poslucha\u010de p\u0159ich\u00e1z\u00ed nejzaj\u00edmav\u011bj\u0161\u00ed moment po genera\u010dn\u00edm songu Rewrite, ve kter\u00e9m se um\u011blec stylizuje do veter\u00e1na americk\u00e9 v\u00e1lky ve Vietnamu tou\u017e\u00edc\u00edho p\u0159epsat sv\u016fj smutn\u00fd osud. \u201eNedopov\u011bd\u011bl jsem v\u00e1m, jak jsme s\u00a0prezidentem v\u00a0roce 1990\u00a0st\u00e1li na tom n\u00e1m\u011bst\u00ed a\u00a0on m\u011b poprosil, abych zazp\u00edval,\u201c \u0159\u00edk\u00e1, zat\u00edmco projekce za jeho z\u00e1dy ukazuje dobovou fotografii.<\/p>\n

\u201eNem\u011bl jsem s\u00a0sebou kytaru, tak jsem si jednu p\u016fj\u010dil od jist\u00e9 d\u00e1my. Nev\u011bd\u011bl jsem, \u017ee se jmenuje Dagmar Vo\u0148kov\u00e1. Pr\u00fd jsem j\u00ed z\u00a0t\u00e9 kytary sebral capo. Proto\u017ee pan\u00ed Vo\u0148kov\u00e1 je dnes mezi n\u00e1mi, r\u00e1d bych to po t\u011bch letech napravil,\u201c oznamuje Ameri\u010dan a\u00a0rozhl\u00ed\u017e\u00ed se, na\u010de\u017e \u010desk\u00e1 p\u00edsni\u010dk\u00e1\u0159ka skute\u010dn\u011b vst\u00e1v\u00e1 ze sedadla a\u00a0p\u0159ich\u00e1z\u00ed a\u017e na kraj p\u00f3dia. Paul Simon pod\u0159epne a\u00a0kapodastr, slou\u017e\u00edc\u00ed k\u00a0p\u0159im\u00e1\u010dknut\u00ed strun a\u00a0zv\u00fd\u0161en\u00ed lad\u011bn\u00ed n\u00e1stroje, j\u00ed vrac\u00ed.<\/p>\n

Jako str\u016fjce dojemn\u00e9ho okam\u017eiku nen\u00ed t\u011b\u017ek\u00e9 identifikovat producenta a\u00a0skladatele Petra Ostrouchova, kter\u00fd vyd\u00e1v\u00e1 desky Vo\u0148kov\u00e9 a\u00a0p\u0159ed lety na album Vladim\u00edra Mi\u0161\u00edka anga\u017eoval Simonova perkusistu Jameyho Haddada. U\u017e tuto st\u0159edu ve\u010der Ostrouchov vzal \u010d\u00e1st Simonovy kapely do pra\u017esk\u00e9ho klubu Jazz Dock. \u201eOdvypr\u00e1v\u011bl jsem Jameymu tu historku z\u00a0roku 1990\u00a0a\u00a0poslal fotku. Jamey to zavolal Paulovi a\u00a0ten pozval D\u00e1\u0161u, \u017ee j\u00ed kapodastr vr\u00e1t\u00ed. N\u00e1pad byl Paul\u016fv,\u201c objas\u0148uje Ostrouchov pro Seznam Zpr\u00e1vy.<\/p>\n

Paul Simon samoz\u0159ejm\u011b v\u00a0Praze nem\u016f\u017ee zazp\u00edvat v\u0161e. Chyb\u00ed p\u00edsn\u011b You Can Call Me Al, Diamonds on the Soles of Her Shoes nebo Mrs Robinson. P\u0159esto je to ne\u010dekan\u011b kr\u00e1sn\u00fd pr\u016f\u0159ez jednou mimo\u0159\u00e1dnou kari\u00e9rou a\u00a0z\u00e1rove\u0148 skute\u010dn\u011b tich\u00e1 oslava, jak zn\u00ed n\u00e1zev turn\u00e9 A\u00a0Quiet Celebration. I\u00a0p\u0159\u00eddavky jako The Boxer osobit\u00fdm aran\u017em\u00e1 koresponduj\u00ed s\u00a0komorn\u00ed n\u00e1ladou z\u00a0prvn\u00ed \u010d\u00e1sti ve\u010dera.<\/p>\n

Paul Simon se k\u00a0n\u00ed oklikou vrac\u00ed, kdy\u017e po dvou a\u00a0\u010dtvrt hodin\u00e1ch p\u0159edstupuje p\u0159ed publikum s\u00e1m s\u00a0akustickou kytarou a\u00a0na z\u00e1v\u011br zp\u00edv\u00e1 vestoje The Sound of Silence, nejv\u011bt\u0161\u00ed hit dua Simon & Garfunkel. Nejen\u017ee mu nekol\u00eds\u00e1 hlas, ale je\u0161t\u011b se pevnou rukou skv\u011ble doprov\u00e1z\u00ed a\u00a0hraje i\u00a0roz\u0161\u00ed\u0159en\u00e9 intro.<\/p>\n

Ze sv\u011btozn\u00e1m\u00fdch p\u00edsni\u010dk\u00e1\u0159\u016f v\u00a0tak pozdn\u00edm obdob\u00ed ud\u011blal srovnateln\u011b siln\u00fd dojem v\u00a0Praze naposledy Leonard Cohen. T\u011b\u017eko se divit n\u011bkomu, kdo v\u00a0p\u00e1tek nebo v\u00a0ned\u011bli p\u016fjde na Paula Simona znovu.<\/p>\n

Koncert: Paul Simon<\/p>\n

9.\u00a0dubna 2026, Kongresov\u00e9 centrum, Praha<\/p>\n","protected":false},"excerpt":{"rendered":"Paul Simon si je v\u011bdom jist\u00e9 ironie. \u201eV roce 1990\u00a0jsem s\u00a0americkou delegac\u00ed p\u0159ijel do Prahy dohl\u00e9dnout na to,…\n","protected":false},"author":2,"featured_media":50547,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[79,84,10350,88,18048,6204,86,1334,80],"class_list":{"0":"post-50546","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-hudba","10":"tag-kongresove-centrum-praha-kcp","11":"tag-live-nation","12":"tag-paul-simon","13":"tag-pisnickari","14":"tag-popova-hudba-pop-music","15":"tag-recenze-koncertu","16":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116378492155312541","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/50546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=50546"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/50546\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/50547"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=50546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=50546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=50546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}