Koncept zn\u00e1m\u00fd z p\u0159edn\u00edch evropsk\u00fdch metropol\u00ed se nyn\u00ed poprv\u00e9 p\u0159edstavuje tak\u00e9 v Praze. V\u00fdstava je otev\u0159ena do 28. dubna.<\/p>\n
P\u0159edstavena jsou d\u00edla vznikl\u00e1 nap\u0159\u00ed\u010d n\u011bkolika stalet\u00edmi, a to od v\u00fdznamn\u00fdch maleb a\u017e po mimo\u0159\u00e1dn\u00e9 historick\u00e9 a technick\u00e9 artefakty, kter\u00e9 roz\u0161i\u0159uj\u00ed tradi\u010dn\u00ed pojet\u00ed sb\u011bratelstv\u00ed. Kur\u00e1torsky koncipovan\u00e1 v\u00fdstava svou kvalitou a v\u00fdznamem prezentovan\u00fdch expon\u00e1t\u016f odpov\u00edd\u00e1 expozici muzejn\u00edho charakteru.<\/p>\n
\u00a0\u201eMasterpieces Prague propojuje sv\u011bt um\u011bn\u00ed, sb\u011bratelstv\u00ed, presti\u017ee a investic. Z\u00e1rove\u0148 otev\u00edr\u00e1 n\u00e1v\u0161t\u011bvn\u00edk\u016fm mo\u017enost setkat se s mimo\u0159\u00e1dn\u00fdmi artefakty, kter\u00e9 jsou ukryty v soukrom\u00fdch sb\u00edrk\u00e1ch,\u201c \u0159\u00edk\u00e1\u00a0Pavel Urban, kur\u00e1tor v\u00fdstavy a spolumajitel\u00a0Galerie Urban & Vysoudil. Podle n\u011bj akce z\u00e1rove\u0148 p\u0159in\u00e1\u0161\u00ed v\u00fdjime\u010dnou p\u0159\u00edle\u017eitost vn\u00edmat dialog mezi historick\u00fdmi um\u011bleck\u00fdmi d\u00edly a sou\u010dasnou tvorbou.<\/p>\n
Chittussi, Slav\u00ed\u010dek \u010di Pi\u0161t\u011bk na jednom m\u00edst\u011b<\/p>\n
Vystavena jsou mimo\u0159\u00e1dn\u00e1 d\u00edla 18. a 19. stolet\u00ed, jejich\u017e auto\u0159i n\u00e1le\u017eeli k okruhu dvorn\u00edch mal\u00ed\u0159\u016f c\u00edsa\u0159sk\u00fdch a kr\u00e1lovsk\u00fdch rodin. Zastoupeni jsou nap\u0159\u00edklad Friedrich von Amerling, Thomas Fearnley \u010di Josef Carl Berthold P\u00fcttner. Obdob\u00ed 19. stolet\u00ed tak\u00e9 p\u0159ipom\u00ednaj\u00ed v\u00fdznamn\u00e1 d\u00edla od Augusta Bed\u0159icha Piepenhagena, Alberta Riegera, Anton\u00edna Chittussiho \u010di Marie Luisy Kirschner.<\/p>\n
Prvn\u00ed polovinu 20. stolet\u00ed reprezentuj\u00ed mj. ikonick\u00e1 Zlat\u00e1 uli\u010dka Anton\u00edna Slav\u00ed\u010dka spolu se vz\u00e1cnou olejomalbou Jana Zrzav\u00e9ho, Jo\u017ei Uprky, Franti\u0161ka Kav\u00e1na, Alfr\u00e9da Justitze, Otakara Nejedl\u00e9ho, Old\u0159icha Bla\u017e\u00ed\u010dka \u010di V\u00e1clava Radimsk\u00e9ho. Druh\u00e1 polovina 20. stolet\u00ed je zastoupena jm\u00e9ny jako Radoslav Kratina, Theodor Pi\u0161t\u011bk, Jitka Kol\u00ednsk\u00e1, Josef Istler a Eva Kmentov\u00e1.<\/p>\n
Linii sou\u010dasn\u00e9ho um\u011bn\u00ed pak dopl\u0148uje tvorba V\u00e1clava J\u00edry, Pavla Rou\u010dky, Kristiana Kodeta, Radom\u00edra Leszczynsk\u00e9ho a dal\u0161\u00edch autor\u016f. Zvl\u00e1\u0161tn\u00ed pozornost je v\u011bnov\u00e1na i n\u011bkolika znovuobjeven\u00fdm d\u00edl\u016fm. Mezi nimi vynik\u00e1 nap\u0159\u00edklad obraz Kamila Lhot\u00e1ka, \u010dlena legend\u00e1rn\u00ed Skupiny 42. \u201eD\u00edlo, kter\u00e9 je evidov\u00e1no v soupisu autorovy tvorby, bylo dosud uchov\u00e1v\u00e1no v soukrom\u00e9 sb\u00edrce a ve\u0159ejnost ho bude moci spat\u0159it poprv\u00e9 po n\u011bkolika desetilet\u00edch,\u201c dod\u00e1v\u00e1 Pavel Urban.<\/p>\n
Unik\u00e1tn\u00ed astronomick\u00e9 hodiny z\u00a0d\u00edlny \u010cecha<\/p>\n
Vedle mal\u00ed\u0159sk\u00fdch d\u011bl v\u00fdstava nab\u00edz\u00ed tak\u00e9 exkluzivn\u00ed staro\u017eitnosti a v\u00fdjime\u010dn\u00e9 artefakty, kter\u00e9 roz\u0161i\u0159uj\u00ed tradi\u010dn\u00ed pojet\u00ed sb\u011bratelstv\u00ed. \u201eV nab\u00eddce se objevuj\u00ed i nev\u00eddan\u00e9 sv\u011btov\u00e9 unik\u00e1ty z\u00a0oblasti hodin\u00e1\u0159stv\u00ed. K nejcenn\u011bj\u0161\u00edm expon\u00e1t\u016fm budou pat\u0159it francouzsk\u00e9 kr\u00e1lovsk\u00e9 hodiny Le Roy A Paris a c\u00edsa\u0159sk\u00e9 astronomick\u00e9 hodiny z d\u00edlny v\u00fdznamn\u00e9ho \u010desk\u00e9ho mechanika a hodin\u00e1\u0159e Franti\u0161ka \u0158eb\u00ed\u010dka. Oba tyto exempl\u00e1\u0159e p\u0159edstavuj\u00ed absolutn\u00ed vrchol sv\u011btov\u00e9ho hodin\u00e1\u0159sk\u00e9ho um\u011bn\u00ed a n\u00e1le\u017e\u00ed k nejv\u00fdznamn\u011bj\u0161\u00edm hodin\u00e1\u0159sk\u00fdm d\u00edl\u016fm sv\u00e9ho druhu na sv\u011bt\u011b,\u201c up\u0159es\u0148uje galerista.<\/p>\n
Masterpieces Prague navazuje na tradici presti\u017en\u00edch evropsk\u00fdch prodejn\u00edch salon\u016f a usiluje o to, aby se Praha stala p\u0159irozenou sou\u010d\u00e1st\u00ed mezin\u00e1rodn\u00ed mapy sb\u011bratelsk\u00fdch ud\u00e1lost\u00ed. Z\u00e1rove\u0148 potvrzuje rostouc\u00ed dynamiku \u010desk\u00e9ho trhu s um\u011bn\u00edm a jeho schopnost nab\u00eddnout d\u00edla srovnateln\u00e1 s nab\u00eddkou p\u0159edn\u00edch evropsk\u00fdch galeri\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"Koncept zn\u00e1m\u00fd z p\u0159edn\u00edch evropsk\u00fdch metropol\u00ed se nyn\u00ed poprv\u00e9 p\u0159edstavuje tak\u00e9 v Praze. V\u00fdstava je otev\u0159ena do 28.…\n","protected":false},"author":2,"featured_media":53842,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[43,42,41,40,15106,1678,19380,6511],"class_list":{"0":"post-53841","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-cesko","8":"tag-ceska-republika","9":"tag-cesko","10":"tag-czech-republic","11":"tag-czechia","12":"tag-hodiny","13":"tag-obraz","14":"tag-starozitnost","15":"tag-vystava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116398392913453579","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/53841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=53841"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/53841\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/53842"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=53841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=53841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=53841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}