{"id":55074,"date":"2026-04-14T23:03:09","date_gmt":"2026-04-14T23:03:09","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/55074\/"},"modified":"2026-04-14T23:03:09","modified_gmt":"2026-04-14T23:03:09","slug":"soud-o-ukradene-jmeno-indicky-slon-v-africe-a-triky-vychytrale-produkce-na-divaky","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/55074\/","title":{"rendered":"Soud o ukraden\u00e9 jm\u00e9no, indick\u00fd slon v Africe a triky vychytral\u00e9 produkce na div\u00e1ky"},"content":{"rendered":"<p>Ak\u010dn\u00ed italsk\u00e1 komedie \u0160imon a Matou\u0161 dodnes bav\u00ed generace div\u00e1k\u016f, ale jej\u00ed vznik prov\u00e1zely drsn\u00e9 soudn\u00ed spory i rafinovan\u00e9 podvody. Herec Paul L. Smith musel dokonce u soudu bojovat za zachov\u00e1n\u00ed sv\u00e9 vlastn\u00ed identity, kterou se produkce pokusila vymazat. Nat\u00e1\u010den\u00ed v It\u00e1lii m\u00edsto Francie doprov\u00e1zely i kuri\u00f3zn\u00ed omyly, jako byl indick\u00fd slon v africk\u00e9 bu\u0161i. Slavn\u00fd sil\u00e1k nakonec filmov\u00fd sv\u011bt zcela opustil a na\u0161el nov\u00fd domov i jm\u00e9no v Izraeli.<\/p>\n<p>Hudebn\u00ed a re\u017eis\u00e9rsk\u00e9 podvody<\/p>\n<p>Producenti se sna\u017eili za ka\u017edou cenu vytvo\u0159it iluzi, \u017ee div\u00e1ci sleduj\u00ed d\u00edlo sv\u011btov\u00e9ho form\u00e1tu srovnateln\u00e9 s nejv\u011bt\u0161\u00edmi hollywoodsk\u00fdmi trh\u00e1ky t\u00e9 doby. Re\u017eis\u00e9r Giuliano Carnimeo se v titulc\u00edch skryl pod pseudonymem Arthur Pitt, aby v lidech vyvolal fale\u0161n\u00fd dojem spojen\u00ed se slavn\u00fdm Arthurem Pennem. Tato rafinovan\u00e1 hra s div\u00e1ck\u00fdm o\u010dek\u00e1v\u00e1n\u00edm m\u011bla zajistit vy\u0161\u0161\u00ed n\u00e1v\u0161t\u011bvnost v kinech po cel\u00e9m sv\u011bt\u011b. Marketingov\u00e9 odd\u011blen\u00ed nev\u00e1halo pou\u017e\u00edt klamavou reklamu na plak\u00e1tech, kter\u00e9 slibovaly z\u00e1\u017eitek od tv\u016frce, jen\u017e s filmem nem\u011bl ve skute\u010dnosti v\u016fbec nic spole\u010dn\u00e9ho. Cel\u00fd projekt byl od za\u010d\u00e1tku postaven na promy\u0161len\u00e9 strategii parazitov\u00e1n\u00ed na ciz\u00edch \u00fasp\u011b\u0161\u00edch.<\/p>\n<p>Atmosf\u00e9ru dokonal\u00e9ho napodoben\u00ed slavn\u011bj\u0161\u00edch vzor\u016f podtrhla tak\u00e9 hudebn\u00ed slo\u017eka, o kterou se postarali zn\u00e1m\u00ed brat\u0159i De Angelisov\u00e9 vystupuj\u00edc\u00ed pod jm\u00e9nem Oliver Onions. Tito skladatel\u00e9 z\u00e1m\u011brn\u011b vytvo\u0159ili hudebn\u00ed motivy, kter\u00e9 byly t\u00e9m\u011b\u0159 k nerozezn\u00e1n\u00ed od jejich p\u0159edchoz\u00ed tvorby pro origin\u00e1ln\u00ed sn\u00edmky s Budem Spencerem. Hlavn\u00ed hrdinov\u00e9 Paul L. Smith a Antonio Cantafora se dokonce sami chopili mikrofon\u016f a spolu s Dominicem Bartem nazp\u00edvali \u00fast\u0159edn\u00ed p\u00edse\u0148 On My Way. Tento p\u011bveck\u00fd v\u00fdkon m\u011bl upevnit jejich pozici v srdc\u00edch fanou\u0161k\u016f a dodat filmu punc originality. Snaha o maxim\u00e1ln\u00ed vyt\u011b\u017een\u00ed osv\u011bd\u010den\u00e9ho modelu tak prostoupila ka\u017edou vte\u0159inu zvukov\u00e9ho doprovodu.<\/p>\n<p>Ukraden\u00e1 jm\u00e9na a soud<\/p>\n<p>Herec Paul L. Smith se musel tvrd\u011b br\u00e1nit proti nekal\u00fdm praktik\u00e1m americk\u00e9 televizn\u00ed spole\u010dnosti, kter\u00e1 se pokusila zcela vymazat jeho identitu. V titulc\u00edch ho bez jeho souhlasu p\u0159ejmenovali na Boba Spencera a jeho kolega Antonio Cantafora dostal p\u0159id\u011bleno jm\u00e9no Terrence Hall. Tento pokus o parazitov\u00e1n\u00ed na sl\u00e1v\u011b legend\u00e1rn\u00ed dvojice Spencer a Hill skon\u010dil a\u017e u soudu, kde Smith bojoval za sv\u00e9 pr\u00e1vo na skute\u010dn\u00e9 jm\u00e9no. Herec v soudn\u00ed s\u00edni \u00fasp\u011b\u0161n\u011b argumentoval t\u00edm, \u017ee uzn\u00e1n\u00ed jeho prav\u00e9 identity je z\u00e1sadn\u00ed pro jeho dal\u0161\u00ed profesn\u00ed r\u016fst. Rozsudek nakonec potvrdil nep\u0159\u00edpustnost takov\u00e9ho jedn\u00e1n\u00ed a Smith si svou \u010dest i jm\u00e9no uh\u00e1jil.<\/p>\n<p>Geografick\u00e9 a logick\u00e9 nesmysly<\/p>\n<p>Filma\u0159i se p\u0159i vytv\u00e1\u0159en\u00ed iluze francouzsk\u00e9ho p\u0159\u00edstavu Marseille dopustili \u0159ady p\u0159e\u0161lap\u016f, kter\u00e9 pozorn\u00e9mu oku znalce rozhodn\u011b neuniknou. Adresa Rue Bazar 19 uveden\u00e1 p\u0159\u00edmo ve filmu ve skute\u010dnosti na map\u011b Marseille v\u016fbec neexistuje. Ve\u0161ker\u00e9 sc\u00e9ny z t\u00e9to lokace se nat\u00e1\u010dely v kulis\u00e1ch italsk\u00e9ho \u0158\u00edma na adrese Via Baccio Baldini 12. Produkce se spol\u00e9hala na to, \u017ee b\u011b\u017en\u00fd div\u00e1k nepozn\u00e1 rozd\u00edl mezi italskou metropol\u00ed a francouzsk\u00fdm pob\u0159e\u017e\u00edm. Tato geografick\u00e1 mystifikace byla jednou z mnoha drobnost\u00ed, kter\u00e9 m\u011bly u\u0161et\u0159it rozpo\u010det n\u00e1ro\u010dn\u00e9ho nat\u00e1\u010den\u00ed.<\/p>\n<p>Dal\u0161\u00ed nepochopiteln\u00fd moment nastal ve chv\u00edli, kdy se d\u011bj p\u0159esunul na africk\u00fd kontinent za exotick\u00fdmi zv\u00ed\u0159aty. \u0160imon v jedn\u00e9 sc\u00e9n\u011b naraz\u00ed do slona, jen\u017ee pozorn\u00fd div\u00e1k okam\u017eit\u011b rozpozn\u00e1 z\u00e1sadn\u00ed zoologickou chybu. M\u00edsto slona africk\u00e9ho filma\u0159i p\u0159ed kameru postavili slona indick\u00e9ho, kter\u00fd se vyzna\u010duje mnohem men\u0161\u00edmi u\u0161n\u00edmi boltci a odli\u0161n\u00fdm tvarem h\u0159betu. Logika dostala na frak tak\u00e9 v okam\u017eiku, kdy \u0160imon otev\u00edr\u00e1 lo\u017enou plochu n\u00e1kladn\u00edho automobilu zevnit\u0159. Mechanismus zav\u00edr\u00e1n\u00ed korby by mu takov\u00fd pohyb bez ciz\u00ed pomoci zven\u010d\u00ed nikdy neumo\u017enil, co\u017e tv\u016frci v z\u00e1palu akce zcela pominuli.<\/p>\n<p>Z\u00e1hadn\u00e9 chyby v z\u00e1b\u011brech<\/p>\n<p>Fin\u00e1ln\u00ed rva\u010dka v kuchyni p\u0159inesla jeden z nejv\u00edce fascinuj\u00edc\u00edch vizu\u00e1ln\u00edch omyl\u016f v historii ak\u010dn\u00edch komedi\u00ed. Jeden z kaskad\u00e9r\u016f vlet\u00ed do otev\u0159en\u00e9ho ohn\u011b b\u0159ichem nap\u0159ed, co\u017e by m\u011blo logicky v\u00e9st k pop\u00e1len\u00ed p\u0159edn\u00ed \u010d\u00e1sti t\u011bla. V bezprost\u0159edn\u011b n\u00e1sleduj\u00edc\u00edm z\u00e1b\u011bru se v\u0161ak k \u00fadivu v\u0161ech p\u0159\u00edtomn\u00fdch plameny \u0161\u00ed\u0159\u00ed po jeho z\u00e1dech. Tento magick\u00fd p\u0159eskok ohn\u011b dopl\u0148uje tak\u00e9 podivn\u00e9 chov\u00e1n\u00ed postavy br\u00fdlat\u00e9ho kn\u011bze, kter\u00fd trp\u00ed velmi selektivn\u00ed poruchou sluchu. V jedn\u00e9 sc\u00e9n\u011b je prezentov\u00e1n jako t\u011b\u017ece nedosl\u00fdchav\u00fd \u010dlov\u011bk, av\u0161ak o p\u00e1r minut pozd\u011bji sly\u0161\u00ed b\u011b\u017en\u00fd rozhovor bez sebemen\u0161\u00edch pot\u00ed\u017e\u00ed. Celkov\u00fd zmatek v obsazen\u00ed podtrhl Roberto Dell Acqua, kter\u00fd se v jednom d\u00edle objevil jako uprchl\u00fd v\u011bze\u0148 a v dal\u0161\u00edm jako policista.<\/p>\n<p>Nov\u00e1 identita v Izraeli<\/p>\n<p>Hlavn\u00ed hv\u011bzda Paul L. Smith se n\u011bkolik let po skon\u010den\u00ed nat\u00e1\u010den\u00ed rozhodla pro radik\u00e1ln\u00ed \u017eivotn\u00ed zm\u011bnu, kter\u00e1 p\u0159ekvapila cel\u00fd filmov\u00fd sv\u011bt. Herec se natrvalo p\u0159est\u011bhoval do Izraele a rozhodl se definitivn\u011b zp\u0159et\u0159ahat vazby se svou minulost\u00ed. P\u0159ijal tamn\u00ed ob\u010danstv\u00ed a nechal si \u00fa\u0159edn\u011b zm\u011bnit sv\u00e9 jm\u00e9no na Adam Eden. Tento krok znamenal symbolickou te\u010dku za jeho kari\u00e9rou v Evrop\u011b a Americe, kde byl neust\u00e1le srovn\u00e1v\u00e1n se sv\u00fdm slavn\u011bj\u0161\u00edm vzorem Budem Spencerem.<\/p>\n<p>Dal\u0161\u00ed filmov\u00e9 a seri\u00e1lov\u00e9 zaj\u00edmavosti si m\u016f\u017eete p\u0159e\u010d\u00edst <a href=\"https:\/\/www.vtelce.cz\/zajimavosti\/\" target=\"_blank\" rel=\"noopener follow noreferrer nofollow\" data-wpel-link=\"internal\">ZDE.<\/a><\/p>\n<p>Sn\u00edmek \u0160imon a Matou\u0161 m\u016f\u017eete zhl\u00e9dnout v pond\u011bl\u00ed 13. dubna na stanici TV Seznam od 20:10.<\/p>\n<p>Zdroj informac\u00ed: autorsk\u00e9 zpracov\u00e1n\u00ed redakce <a href=\"https:\/\/www.vtelce.cz\/kontakty\/\" target=\"_blank\" rel=\"noopener noreferrer follow nofollow\" data-wpel-link=\"internal\">Vtelce.cz<\/a> na z\u00e1klad\u011b ve\u0159ejn\u011b dostupn\u00fdch informac\u00ed z m\u00e9di\u00ed (<a href=\"https:\/\/www.csfd.cz\/film\/41738-simon-a-matous\/prehled\/\" target=\"_blank\" rel=\"noopener follow noreferrer nofollow\" data-wpel-link=\"exclude\">csfd<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0073854\/\" target=\"_blank\" rel=\"nofollow noopener external noreferrer\" data-wpel-link=\"external\">imdb<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"Ak\u010dn\u00ed italsk\u00e1 komedie \u0160imon a Matou\u0161 dodnes bav\u00ed generace div\u00e1k\u016f, ale jej\u00ed vznik prov\u00e1zely drsn\u00e9 soudn\u00ed spory i&hellip;\n","protected":false},"author":2,"featured_media":55075,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[19688,19689,79,2633,11571,13350,638,19690,19691,10231,19692,2267,11243,80,437],"class_list":{"0":"post-55074","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-antonio-cantafora","9":"tag-bud-spencer","10":"tag-entertainment","11":"tag-filmova-hudba","12":"tag-filmove-chyby","13":"tag-herci-herecky","14":"tag-izrael","15":"tag-paul-l-smith","16":"tag-simon-a-matous","17":"tag-soudni-spor","18":"tag-terence-hill","19":"tag-tip-na-film","20":"tag-tv-seznam","21":"tag-zabava","22":"tag-zajimavosti"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116405561184446543","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/55074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=55074"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/55074\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/55075"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=55074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=55074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=55074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}