{"id":55426,"date":"2026-04-15T09:10:14","date_gmt":"2026-04-15T09:10:14","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/55426\/"},"modified":"2026-04-15T09:10:14","modified_gmt":"2026-04-15T09:10:14","slug":"kurandova-a-rybka-jsou-propojeni-nejen-umelecky-ale-i-duchovne-a-lidsky","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/55426\/","title":{"rendered":"Kurandov\u00e1 a\u00a0Rybka jsou propojeni nejen um\u011blecky, ale i\u00a0duchovn\u011b a\u00a0lidsky"},"content":{"rendered":"

Jejich estetickou, duchovn\u00ed i\u00a0um\u011bleckou koexistenci, vyj\u00e1d\u0159enou prezentac\u00ed vytvo\u0159en\u00fdch d\u011bl, je mo\u017en\u00e9 v\u00a0galerii Musea Kampa vid\u011bt do 17.\u00a0kv\u011btna.<\/p>\n

Podstatou tvorby obou tv\u016frc\u016f je \u00faporn\u00e9 hled\u00e1n\u00ed nov\u00fdch estetick\u00fdch v\u00fdraz\u016f, neobvykl\u00fdch tvar\u016f i\u00a0pracovn\u00edch postup\u016f. A\u0165 u\u017e se jedn\u00e1 o\u00a0vyu\u017eit\u00ed v\u00a0oblasti netradi\u010dn\u00edch materi\u00e1l\u016f, jako je nap\u0159\u00edklad plexisklo \u010di sololit (Kurandov\u00e1), nebo prob\u00e1d\u00e1v\u00e1n\u00ed mo\u017enost\u00ed v\u00a0oblasti elektrografie (Rybka).<\/p>\n

To, \u017ee mluv\u00edme o\u00a0vizu\u00e1ln\u00edch experimentech, neznamen\u00e1, \u017ee n\u00e1v\u0161t\u011bvn\u00edk na v\u00fdstav\u011b neuvid\u00ed \u201eobvykl\u00e9\u201c um\u011bn\u00ed, konkr\u00e9tn\u011b mal\u00ed\u0159stv\u00ed. Zastupuj\u00ed ho dva oleje na pl\u00e1tn\u011b, shodou okolnost\u00ed sed\u00edc\u00ed \u017eensk\u00e9 akty. <\/p>\n

<\/a><\/p>\n

Kurandov\u00e1 na sv\u00e9m obraze B\u011bla (1963) implantuje do \u0161edomodr\u00fdch t\u00f3n\u016f i\u00a0dal\u0161\u00ed barvy (mimo jin\u00e9 modrou \u010di \u017elutou), kter\u00e9 k\u0159ivk\u00e1m \u017eensk\u00e9ho t\u011bla d\u00e1vaj\u00ed v\u011bt\u0161\u00ed plasticitu. Zat\u00edmco Rybk\u016fv Akt Fernandy (1961) pracuje s\u00a0v\u00edce m\u00e9n\u011b \u0161ed\u00fdmi barvami, kter\u00e9 posouvaj\u00ed v\u00fdraz a\u017e k\u00a0melancholick\u00e9mu vyzn\u011bn\u00ed. A\u00a0jemn\u011b nazelenal\u00e9 t\u011blo vypad\u00e1, jako by se ztr\u00e1celo v\u00a0jemn\u011b potemn\u011bl\u00e9m \u0161erosvitu.<\/p>\n

Co se t\u00fd\u010de \u00faspornosti barev, tak tu najdeme na v\u00fdstav\u011b v\u00a0mnoha form\u00e1ch. Nejmarkantn\u011bj\u0161\u00ed to je v\u00a0p\u0159\u00edpad\u011b Rybkov\u00fdch elektrografi\u00ed. \u010cern\u00e1 a\u00a0b\u00edl\u00e1, to jsou dv\u011b krajnosti, se kter\u00fdmi um\u00ed pracovat. R\u016fzn\u011b se propl\u00e9taj\u00edc\u00ed linie na pap\u00ed\u0159e m\u00edrn\u011b p\u0159ipom\u00ednaj\u00ed Boudn\u00edkovo hleda\u010dstv\u00ed magie kovov\u00fdch otisk\u016f.<\/p>\n

Minimalistickou barevnost vyu\u017e\u00edv\u00e1 i\u00a0Jaroslava Kurandov\u00e1. Akryl na pl\u00e1tn\u011b Janu Palachovi (1989) chce pozorovatele oslovit skrytou symbolikou, a\u00a0ne prvopl\u00e1novou danost\u00ed. Hlavn\u00edm t\u00e9matem je ub\u00edhaj\u00edc\u00ed prostor do nekone\u010dn\u00e9ho horizontu. <\/p>\n

Jako kdyby \u0161el \u010dlov\u011bk \u00fazk\u00fdm betonov\u00fdm koridorem do nezn\u00e1ma a\u00a0nev\u011bd\u011bl, co ho na konci \u010dek\u00e1. Palach \u0159ekl, \u017ee \u010dlov\u011bk m\u016f\u017ee bojovat se zlem, na kter\u00e9 pr\u00e1v\u011b sta\u010d\u00ed. A\u00a0pr\u00e1v\u011b takov\u00fd dojem si m\u016f\u017eeme odn\u00e9st, kdy\u017e sledujeme zm\u00edn\u011bn\u00e9 d\u00edlo. St\u00edsn\u011bn\u00fd koridor n\u00e1s tla\u010d\u00ed n\u011bkam d\u00e1l a\u00a0vlevo naho\u0159e sv\u00edt\u00ed \u017elut\u00e1 skvrna. Je to sv\u011bt\u00e9lko nad\u011bje, anebo \u017eiv\u00e1 pochode\u0148?<\/p>\n

Do\u010dk\u00e1me se ale i\u00a0vesel\u00fdch barev. Rybkovo vid\u011bn\u00ed dokonalosti modr\u00e9ho kruhu na \u017elut\u00e9m podklad\u011b nebo oran\u017eov\u00e1, \u0161ed\u00e1 a\u00a0\u010derven\u00e1 linie zalomen\u00e1 na modr\u00e9 plo\u0161e ukazuj\u00ed zase oba um\u011blce odli\u0161n\u011b. Vystaven\u00e9 obrazy p\u016fsob\u00ed tak trochu jako kulisy z\u00a0n\u011bjak\u00e9ho animovan\u00e9ho filmu. Tento dojem podporuje je\u0161t\u011b mnohobarevn\u00fd prostorov\u00fd objekt, kter\u00fd vypad\u00e1 jako duo pop artov\u00fdch menhir\u016f. Pr\u00e1v\u011b tady je patrn\u00e9, jak z\u00e1kladn\u00ed geometrick\u00e9 tvary zasazen\u00e9 do trojrozm\u011brn\u00e9ho prostoru mohou vytvo\u0159it fantaskn\u00ed paraleln\u00ed sv\u011bt.<\/p>\n

Ona v\u00fd\u0161e uveden\u00e1 sp\u0159\u00edzn\u011bnost vyh\u0159ezne naplno, a\u017e kdy\u017e si n\u00e1v\u0161t\u011bvn\u00edk v\u00a0klidu projde celou v\u00fdstavu. A\u00a0pochop\u00ed, \u017ee oba v\u00fdtvarn\u00edci na sebe vlastn\u011b dokonale navazuj\u00ed, vz\u00e1jemn\u011b se rozv\u00edjej\u00ed a\u00a0v\u017edy do\u0159eknou to, co ten druh\u00fd jen nazna\u010d\u00ed.<\/p>\n

Foto: Jan \u0160\u00edda, Novinky<\/a><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Jejich estetickou, duchovn\u00ed i\u00a0um\u011bleckou koexistenci, vyj\u00e1d\u0159enou prezentac\u00ed vytvo\u0159en\u00fdch d\u011bl, je mo\u017en\u00e9 v\u00a0galerii Musea Kampa vid\u011bt do 17.\u00a0kv\u011btna. Podstatou…\n","protected":false},"author":2,"featured_media":55427,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[79,1681,19764,1448,1677,1678,1682,91,80,19763],"class_list":{"0":"post-55426","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-entertainment","9":"tag-galerie","10":"tag-jaroslava-kurandova","11":"tag-kultura","12":"tag-museum-kampa","13":"tag-obraz","14":"tag-umeni","15":"tag-vystavy","16":"tag-zabava","17":"tag-zdenek-rybka"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116407947953699000","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/55426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=55426"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/55426\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/55427"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=55426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=55426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=55426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}