{"id":56191,"date":"2026-04-15T23:53:15","date_gmt":"2026-04-15T23:53:15","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/56191\/"},"modified":"2026-04-15T23:53:15","modified_gmt":"2026-04-15T23:53:15","slug":"nove-desky-14-2026-od-holly-humberstone-pres-bring-me-the-horizon-po-snoop-dogga","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/56191\/","title":{"rendered":"Nov\u00e9 desky 14\/2026 – od Holly Humberstone p\u0159es Bring Me The Horizon po Snoop Dogga"},"content":{"rendered":"

Minul\u00fd t\u00fdden nep\u0159inesl mnoho nov\u00fdch velk\u00fdch nahr\u00e1vek, i tak v\u00e1m ale – v do\u010dasn\u00e9m person\u00e1ln\u00edm oslaben\u00ed – p\u0159in\u00e1\u0161\u00edme informace o novink\u00e1ch Holly Humberstone, Bring Me The Horizon, Snoop Dogga, Tenille Townes, Enter Shikari, Immolation, Lord Of The Lost, Metal Church \u010di archivn\u00edm \u017eiv\u00e1ku Mi\u0161\u00edka, Hrub\u00e9ho a H\u00e1lka.<\/p>\n

V p\u00e1tek 10. dubna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Holly Humberstone<\/a> – Cruel World
\n\u017e\u00e1nr: pop \/ indie pop<\/p>\n

\"HollyNa druh\u00e9 desce „Cruel World“ Holly Humberstone<\/a> rozv\u00edj\u00ed v\u0161echno, \u010d\u00edm na sebe upozornila u\u017e na debutu „Paint My Bedroom Black“, jen v o n\u011bco otev\u0159en\u011bj\u0161\u00edm, vzdu\u0161n\u011bj\u0161\u00edm a popov\u011bj\u0161\u00edm balen\u00ed. Britsk\u00e1 p\u00edsni\u010dk\u00e1\u0159ka d\u00e1l stav\u00ed na velmi osobn\u00edm psan\u00ed, v n\u011bm\u017e se potk\u00e1vaj\u00ed k\u0159ehkost, nejistota, zamilovanost i st\u00edny, kter\u00e9 \u010dlov\u011bku lezou do hlavy ve chv\u00edli, kdy by si m\u011bl u\u017e\u00edvat \u0161t\u011bst\u00ed. Novinka proto nep\u016fsob\u00ed jako ok\u00e1zal\u00fd \u017e\u00e1nrov\u00fd obrat, sp\u00ed\u0161 jako logick\u00e9 pokra\u010dov\u00e1n\u00ed – sebev\u011bdom\u011bj\u0161\u00ed, barevn\u011bj\u0161\u00ed a m\u00edsty a\u017e p\u0159ekvapiv\u011b lehk\u00e9, ale po\u0159\u00e1d dost intimn\u00ed na to, aby j\u00ed \u0161lo v\u011b\u0159it ka\u017ed\u00e9 slovo.<\/p>\n

Nahr\u00e1vku p\u0159edznamenaly singly „To Love Somebody“, „Cruel World“ a „Die Happy“, po vyd\u00e1n\u00ed se k nim p\u0159idala i skladba „Beauty Pageant“. Holly v nich um\u00ed spojit den\u00ed\u010dkovou up\u0159\u00edmnost s melodiemi, kter\u00e9 se nezaseknou jen v hlav\u011b, ale i n\u011bkde hloub\u011bji pod k\u016f\u017e\u00ed. Dvan\u00e1ctiskladbov\u00e9 album tak dr\u017e\u00ed pohromad\u011b nejen atmosf\u00e9rou, ale i jasn\u011b \u010diteln\u00fdm autorsk\u00fdm rukopisem, kter\u00fd u\u017e dnes pozn\u00e1 \u010dlov\u011bk po p\u00e1r taktech. Uk\u00e1zky z nov\u00e9 desky najdete na profilu zp\u011bva\u010dky na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Bring Me The Horizon<\/a> – L.i.v.e. In Sao Paulo
\n\u017e\u00e1nr: metalcore \/ alternative metal<\/p>\n

\"BringBritsk\u00e1 formace vyd\u00e1v\u00e1 rozs\u00e1hl\u00fd \u017eiv\u00fd z\u00e1znam sv\u00e9ho dosud nejv\u011bt\u0161\u00edho samostatn\u00e9ho koncertu. Nahr\u00e1vka zachycuje vystoupen\u00ed v brazilsk\u00e9m Allianz Parque z listopadu 2024 p\u0159ed pades\u00e1ti tis\u00edci fanou\u0161ky a nab\u00edz\u00ed pr\u016f\u0159ez v\u00fdvojem kapely od pr\u016flomov\u00fdch desek „Sempiternal“ a „That’s the Spirit“ a\u017e po aktu\u00e1ln\u00ed s\u00e9rii „Post Human“. Vych\u00e1z\u00ed na 2CD\/DVD i jako dvojvinyl v \u010dir\u00e9m proveden\u00ed. <\/p>\n

Projekt p\u016fvodn\u011b vznikl jako filmov\u00fd z\u00e1\u017eitek pro kina, \u010demu\u017e odpov\u00edd\u00e1 i v\u00fdrazn\u00e1 pr\u00e1ce s atmosf\u00e9rou stadionu, ruchy publika a celkovou monumentalitou show. „L.i.v.e. In Sao Paulo“ tak nefunguje jen jako koncertn\u00ed suven\u00fdr, ale i jako p\u0159ipom\u00ednka, jak daleko se Bring Me The Horizon<\/a> posunuli od klubov\u00fdch za\u010d\u00e1tk\u016f k ob\u0159\u00ed stadionov\u00e9 pod\u00edvan\u00e9. Uk\u00e1zky z \u017eiv\u00e1ku najdete na profilu kapely na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Snoop Dogg<\/a> – 10 Til‘ Midnight
\n\u017e\u00e1nr: hip hop \/ west coast rap \/ g-funk<\/p>\n

\"SnoopSnoop Dogg<\/a> na „10 Til‘ Midnight“ ned\u011bl\u00e1 \u017e\u00e1dnou n\u00e1silnou genera\u010dn\u00ed oto\u010dku a ani ji nepot\u0159ebuje. M\u00edsto honby za trendy rad\u0161i znovu s\u00e1hl po tom, co mu funguje nejl\u00e9pe – po uvoln\u011bn\u00e9m flow, hutn\u00fdch basech a zvuku, kter\u00fd z\u0159eteln\u011b navazuje na klasickou westcoastovou \u0161kolu. V\u00fdsledkem je svi\u017en\u00e1 a v z\u00e1sad\u011b dost p\u0159\u00edmo\u010dar\u00e1 kolekce, na n\u00ed\u017e veter\u00e1n z Long Beach nep\u016fsob\u00ed jako unaven\u00e1 legenda, ale jako interpret, kter\u00fd p\u0159esn\u011b v\u00ed, co chce. Pom\u00e1h\u00e1 tomu i fakt, \u017ee deska ve sv\u00fdch \u010dtrn\u00e1cti skladb\u00e1ch nenab\u00edz\u00ed zbyte\u010dnou vatu.<\/p>\n

Na albu hostuj\u00ed Swizz Beatz<\/a>, Peezy, Trinidad James, Stresmatic nebo October London a u\u017e z n\u00e1zv\u016f „Step“, „OG to BG“, „Pop My Shit“ \u010di „Long Beachin'“ je jasn\u00e9, kam Snoop m\u00ed\u0159\u00ed. „10 Til‘ Midnight“ sice nic z\u00e1sadn\u00edho nep\u0159episuje, ale jako pocta star\u00e9mu dobr\u00e9mu g-funku i dal\u0161\u00edmu \u017eivotu zna\u010dky Death Row funguje v\u00edc ne\u017e slu\u0161n\u011b. Uk\u00e1zky z nov\u00e9 desky najdete na profilu rappera na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Tenille Townes<\/a> – The Acrobat
\n\u017e\u00e1nr: country \/ folk<\/p>\n

\"TenilleTenille Townes<\/a> na albu „The Acrobat“ z\u0159eteln\u011b ubrala hudebn\u00edch okras a nechala mluvit hlavn\u011b p\u00edsn\u011b. Po pln\u011bj\u0161\u00edch nahr\u00e1vk\u00e1ch minul\u00fdch let p\u0159ich\u00e1z\u00ed s deskou, kter\u00e1 stoj\u00ed na k\u0159ehkosti, tichu a velmi osobn\u00edm psan\u00ed. Kanadsk\u00e1 autorka se tentokr\u00e1t zav\u0159ela sama se sebou i se sv\u00fdmi d\u00e9mony a m\u00edsto velk\u00fdch gest nab\u00eddla civiln\u00ed, a\u017e obna\u017eenou v\u00fdpov\u011b\u010f o zm\u011bn\u00e1ch, ztr\u00e1t\u00e1ch, nejistot\u011b i hled\u00e1n\u00ed pevn\u011bj\u0161\u00ed p\u016fdy pod nohama. Pr\u00e1v\u011b v t\u00e9 st\u0159\u00eddmosti ale kolekce nach\u00e1z\u00ed nach\u00e1z\u00ed s\u00edlu – nep\u016fsob\u00ed chud\u011b, sp\u00ed\u0161 soust\u0159ed\u011bn\u011b, vyzr\u00e1leji a up\u0159\u00edmn\u011bji ne\u017e leccos z jej\u00ed star\u0161\u00ed tvorby.<\/p>\n

Townes nahr\u00e1vku sama napsala, nahr\u00e1la, produkovala i sm\u00edchala a podle dostupn\u00fdch informac\u00ed na n\u00ed obstarala tak\u00e9 v\u0161echny n\u00e1stroje. Album uvedl singl „Enabling“, kter\u00fd u\u017e nazna\u010dil, \u017ee tentokr\u00e1t p\u016fjde o m\u00e9n\u011b uhlazenou a o to syrov\u011bj\u0161\u00ed kapitolu. Vedle n\u011bj zaujme i tituln\u00ed skladba s Lori McKennou, zat\u00edmco v p\u00edsni „Grey Like Emmylou“ hostuje trio I’m With Her<\/a>. Uk\u00e1zky z nov\u00e9 desky najdete na profilu zp\u011bva\u010dky na YouTube<\/a>.<\/p>\n

Vladim\u00edr Mi\u0161\u00edk<\/a>, Jan Hrub\u00fd<\/a>, Rudolf H\u00e1lek<\/a> – Sladk\u00e9 je \u017e\u00edt. Koncert Brno Alterna 21.12.2001
\n\u017e\u00e1nr: folk-rock \/ acoustic rock<\/p>\n

\"Vladim\u00edr„Sladk\u00e9 je \u017e\u00edt“ nep\u0159in\u00e1\u0161\u00ed \u017e\u00e1dnou archivn\u00ed kuriozitu pro p\u00e1r zasv\u011bcen\u00fdch, ale velmi \u017eiv\u00fd z\u00e1znam jedn\u00e9 z m\u00e9n\u011b obvykl\u00fdch koncertn\u00edch podob Vladim\u00edra Mi\u0161\u00edka<\/a>. Nahr\u00e1vka vznikla u\u017e v roce 2001 v brn\u011bnsk\u00e9m klubu Alterna, ven se ale dost\u00e1v\u00e1 a\u017e te\u010f – a pr\u00e1v\u011b v tom tkv\u00ed jej\u00ed s\u00edla. Nezn\u00ed jako zapr\u00e1\u0161en\u00fd relikt, sp\u00ed\u0161 jako p\u0159ipom\u00ednka, jak p\u0159irozen\u011b um\u011bl Mi\u0161\u00edk i v komorn\u011bj\u0161\u00edm obsazen\u00ed spojit k\u0159ehkost, nadhled a nen\u00e1padnou autoritu. Vedle n\u011bj tu stoj\u00ed houslista Jan Hrub\u00fd<\/a> a akordeonista Rudolf H\u00e1lek<\/a> a dohromady vytv\u00e1\u0159ej\u00ed sestavu, kter\u00e1 zn\u00e1m\u00fdm p\u00edsn\u00edm d\u00e1v\u00e1 jin\u00fd tah i barvu, ne\u017e na jakou jsme u Mi\u0161\u00edkov\u00fdch koncertn\u00edch nahr\u00e1vek zvykl\u00ed.<\/p>\n

Na LP se ve\u0161lo dvan\u00e1ct skladeb, CD verze p\u0159id\u00e1v\u00e1 je\u0161t\u011b p\u011bt bonus\u016f. Vedle mi\u0161\u00edkovsk\u00fdch jistot jako „Obelisk“, „St\u0159\u00edhali dohola mal\u00e9ho chlape\u010dka“ nebo „Variace na renesan\u010dn\u00ed t\u00e9ma“ tu zazn\u00ed i kusy spojen\u00e9 s Janem Hrub\u00fdm a okruhem Kukul\u00ednu, tak\u017ee celek nep\u016fsob\u00ed jako mechanick\u00fd pr\u016f\u0159ez, ale jako skute\u010dn\u00e9 setk\u00e1n\u00ed t\u0159\u00ed v\u00fdrazn\u00fdch muzikantsk\u00fdch osobnost\u00ed. O to cenn\u011bj\u0161\u00ed tenhle \u017eiv\u00e1k je – zachycuje chv\u00edli, kter\u00e1 se u\u017e ned\u00e1 zopakovat, a p\u0159itom po\u0159\u00e1d d\u00fdch\u00e1 naprostou samoz\u0159ejmost\u00ed. Uk\u00e1zky z desky najdete na profilu zp\u011bv\u00e1ka na YouTube<\/a>.<\/p>\n

Tip t\u00fddne<\/p>\n


\nEnter Shikari<\/a> – Lose Your Self

\n\u017e\u00e1nr: post-hardcore \/ electronic rock \/ alternative rock<\/p>\n

\"EnterEnter Shikari<\/a> na ne\u010dekan\u011b vydan\u00e9 osm\u00e9 studiovce „Lose Your Self“ znovu potvrzuj\u00ed, \u017ee ani po letech nehodlaj\u00ed hr\u00e1t na jistotu. Po \u00fasp\u011bchu p\u0159edchoz\u00ed nahr\u00e1vky „A Kiss For The Whole World“ tentokr\u00e1t nep\u0159i\u0161li s dlouhou kampan\u00ed ani pe\u010dliv\u011b d\u00e1vkovan\u00fdmi ochutn\u00e1vkami, ale poslali ven cel\u00e9 album nar\u00e1z – jako jeden kompaktn\u00ed celek, kter\u00fd m\u00e1 fungovat od za\u010d\u00e1tku do konce. A d\u00e1v\u00e1 to smysl. Dvan\u00e1ctiskladbov\u00e1 kolekce p\u016fsob\u00ed jako souvisl\u00e1 j\u00edzda, v n\u00ed\u017e se jejich tradi\u010dn\u00ed sm\u011bs tvrd\u00fdch kytar, elektroniky, nervn\u00ed energie a Reynoldsovy nal\u00e9havosti zase jednou potk\u00e1v\u00e1 v dost vyhrocen\u00e9, m\u00edsty a\u017e temn\u00e9 podob\u011b.<\/p>\n

Z n\u00e1zv\u016f jako „Find Out The Hard Way…“, „Dead In The Water“, „Demons“ nebo trojd\u00edln\u00e9ho fin\u00e1le „Spaceship Earth“ je nav\u00edc z\u0159ejm\u00e9, \u017ee formace neslevila ani ze sv\u00e9 chuti poslucha\u010de zneklid\u0148ovat. „Lose Your Self“ nep\u016fsob\u00ed jako deska, kter\u00e1 by se sna\u017eila zal\u00edbit za ka\u017edou cenu. Sp\u00ed\u0161 s\u00e1z\u00ed na tah, atmosf\u00e9ru a dojem, \u017ee kapela v\u00ed p\u0159esn\u011b, kdy p\u0159itla\u010dit a kdy nechat chaos jen pomalu bublat pod povrchem. Uk\u00e1zky z n\u00ed najdete na profilu kapely na YouTube<\/a>.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Immolation<\/a> – Descent
\n\u017e\u00e1nr: death metal
\n\"ImmolationSestup do hlubin, kde se chaos m\u011bn\u00ed v dokonale uspo\u0159\u00e1danou energii, tvo\u0159\u00ed p\u00e1te\u0159 nov\u00e9ho alba „Descent“ americk\u00e9 deathmetalov\u00e9 \u010dtve\u0159ice Immolation<\/a>. Ta je jednou z nejst\u00e1lej\u0161\u00edch st\u00e1lic extr\u00e9mn\u00ed sc\u00e9ny a na sv\u00e9 novince dokazuje, \u017ee k vytvo\u0159en\u00ed mraziv\u00e9 atmosf\u00e9ry nepot\u0159ebuje lacin\u00e9 triky, ale p\u0159edev\u0161\u00edm prvot\u0159\u00eddn\u00ed muzikantstv\u00ed a jasnou vizi. Cel\u00e9 album p\u016fsob\u00ed jako mohutn\u00fd, pomalu se val\u00edc\u00ed proud, kter\u00fd v\u00e1s pohlt\u00ed svou intenzitou, ale z\u00e1rove\u0148 p\u0159ekvap\u00ed svou \u010ditelnost\u00ed a preciznost\u00ed. <\/p>\n

I po t\u00e9m\u011b\u0159 \u010dty\u0159iceti letech sv\u00e9 existence si kapela zachov\u00e1v\u00e1 schopnost zn\u00edt neuv\u011b\u0159iteln\u011b \u010derstv\u011b a nebezpe\u010dn\u011b, p\u0159i\u010dem\u017e nov\u00e1 kolekce je jasn\u00fdm d\u016fkazem toho, \u017ee tv\u016fr\u010d\u00ed studna muzikant\u016f je st\u00e1le pln\u00e1 temn\u00e9 inspirace, v n\u00ed\u017e hraj\u00ed hlavn\u00ed roli unik\u00e1tn\u00ed kytarov\u00e9 linky Roberta Vigny, kter\u00e9 se propl\u00e9taj\u00ed prostorem v ne\u010dekan\u00fdch \u00fahlech, a nezam\u011bniteln\u00fd, hlubok\u00fd hlas Rosse Dolana, kter\u00fd nahr\u00e1vce dod\u00e1v\u00e1 na majest\u00e1tnosti. Hudba se nikam bezhlav\u011b ne\u017eene, s\u00e1z\u00ed sp\u00ed\u0161e na drtiv\u00fd rytmus, promy\u0161len\u00e9 struktury a pocit nap\u011bt\u00ed, kter\u00fd by se dal kr\u00e1jet. Uk\u00e1zky z novinky naleznete na YouTube profilu formace<\/a>.<\/p>\n

Lord Of The Lost<\/a> – Opvs Noir Vol. 3
\n\u017e\u00e1nr: gotick\u00fd metal \/ gotick\u00fd rock \/ industrial metal
\n\"LordVelkolep\u00e9 zavr\u0161en\u00ed cesty, kter\u00e1 za\u010dala v nejhlub\u0161\u00edch st\u00ednech, aby nakonec na\u0161la sv\u011btlo v sebep\u0159ijet\u00ed, p\u0159edstavuje nov\u00e9 album „Opvs Noir Vol. 3“. \u0160estice z Hamburku Lord Of The Lost<\/a> v \u010dele s charismatick\u00fdm Chrisem Harmsem t\u00edmto d\u00edlem uzav\u00edr\u00e1 svou trilogii a potvrzuje, \u017ee \u010dern\u00e1 barva nemus\u00ed b\u00fdt jen symbolem smutku, ale i \u0161\u0165astn\u00fdm m\u00edstem pro v\u0161echny, kte\u0159\u00ed se neboj\u00ed b\u00fdt sami sebou. Cel\u00e1 nahr\u00e1vka p\u016fsob\u00ed jako triumf\u00e1ln\u00ed fin\u00e1le, kde se d\u0159\u00edv\u011bj\u0161\u00ed melancholie a industrialn\u00ed chlad postupn\u011b m\u011bn\u00ed v h\u0159ejivou energii a v\u00edru v lidskost. Je to album pln\u00e9 kontrast\u016f. Je drsn\u00e9 i jemn\u00e9, provokativn\u00ed i konej\u0161iv\u00e9.<\/p>\n

Kapela se neboj\u00ed p\u0159ekra\u010dovat hranice \u017e\u00e1nr\u016f. Najdete zde bleskov\u00e9 industri\u00e1ln\u00ed duety, jako je „I Hate People“ s Wednesday 13<\/a>, i monument\u00e1ln\u00ed orchestr\u00e1ln\u00ed pas\u00e1\u017ee, kter\u00e9 p\u0159ipom\u00ednaj\u00ed filmovou hudbu. Harms zde ve skladb\u011b „My Funeral“ s humorem i v\u00e1\u017enost\u00ed prohla\u0161uje, \u017ee na jeho poh\u0159bu by host\u00e9 m\u011bli nosit r\u016f\u017eovou, \u010d\u00edm\u017e d\u00e1v\u00e1 jasn\u011b najevo, \u017ee oslava \u017eivota je d\u016fle\u017eit\u011bj\u0161\u00ed ne\u017e truchlen\u00ed nad koncem. Deska je pln\u00e1 zaj\u00edmav\u00fdch host\u016f, kte\u0159\u00ed dod\u00e1vaj\u00ed nahr\u00e1vce barvitost a dokazuj\u00ed, jak siln\u00e1 a soudr\u017en\u00e1 je sou\u010dasn\u00e1 rockov\u00e1 a metalov\u00e1 sc\u00e9na. Pokud si chcete poslechnout, jak zn\u00ed z\u00e1\u0159iv\u011b temn\u00e9 fin\u00e1le, pak nav\u0161tivte jejich
\nYouTube profil<\/a>, kde naleznete uk\u00e1zky.<\/p>\n

Metal Church<\/a> – Dead To Rights
\n\u017e\u00e1nr: thrash metal \/ heavy metal
\n\"MetalNekompromisn\u00ed v\u011brnost ko\u0159en\u016fm a s\u00edla, kter\u00e1 se nenech\u00e1 zlomit \u010dasem ani ranami osudu, definuj\u00ed nov\u00e9 album „Dead To Rights“ legend\u00e1rn\u00ed formace ze z\u00e1padn\u00edho pob\u0159e\u017e\u00ed USA. Metal Church<\/a> na sv\u00e9 novince jasn\u011b vzkazuj\u00ed, \u017ee klasick\u00fd heavy metal v jejich pod\u00e1n\u00ed nen\u00ed \u017e\u00e1dn\u00fdm nostalgick\u00fdm p\u0159e\u017eitkem, ale \u017eiv\u00fdm a drav\u00fdm organismem. Kurdt Vanderhoof<\/a> jako hlavn\u00ed architekt zvuku op\u011bt vystav\u011bl hradbu z riff\u016f, kter\u00e9 maj\u00ed v\u00e1hu oceli, a cel\u00e1 nahr\u00e1vka p\u016fsob\u00ed neuv\u011b\u0159iteln\u011b semknut\u011b. <\/p>\n

Na novince naplno z\u00e1\u0159\u00ed vokalista Marc Lopes<\/a>, kter\u00fd definitivn\u011b stvrdil svou pozici v kapele. Jeho projev v sob\u011b poj\u00ed dravost thrashov\u00fdch za\u010d\u00e1tk\u016f s melodi\u010dnost\u00ed, kter\u00e1 k formaci neodmysliteln\u011b pat\u0159\u00ed. Skladby se st\u0159\u00eddaj\u00ed v rychl\u00fdch, \u00fadern\u00fdch tempech i houpav\u00fdch, epick\u00fdch pas\u00e1\u017e\u00edch, p\u0159i\u010dem\u017e ka\u017ed\u00e1 z nich m\u00e1 v sob\u011b onen specifick\u00fd temn\u00fd n\u00e1dech, kter\u00fd kapelu odli\u0161uje od ostatn\u00edch souputn\u00edk\u016f. Uk\u00e1zky na v\u00e1s \u010dekaj\u00ed na
\nYouTube kan\u00e1le vydavatelstv\u00ed<\/a>.<\/p>\n


\n
\n
\nJack Savoretti<\/a> – We Will Always Be The Way We Were

\nJack Savoretti<\/a> se po italsk\u00e9 odbo\u010dce „Miss Italia“ vrac\u00ed na „We Will Always Be The Way We Were“ k anglicky zp\u00edvan\u00e9mu p\u00edsni\u010dk\u00e1\u0159sk\u00e9mu popu. T\u0159in\u00e1ctiskladbov\u00e1 novinka stav\u00ed na jeho osv\u011bd\u010den\u00e9 kombinaci civiln\u00edho hlasu, uhlazen\u00fdch melodi\u00ed a lehce nostalgick\u00e9 atmosf\u00e9ry, p\u0159i\u010dem\u017e ji p\u0159edznamenaly singly „We Will Always Be The Way We Were“, „Do It For Love“ a „Only Gonna Cry For You“. (YouTube<\/a>)
\n
\n
\nVomitory<\/a> – In Death Throes

\n\u0160v\u00e9dsk\u00e1 deathmetalov\u00e1 st\u00e1lice vyd\u00e1v\u00e1 sv\u00e9 des\u00e1t\u00e9 studiov\u00e9 album. Novinka n\u00e1sleduje t\u0159i roky po comebackov\u00e9m po\u010dinu „All Heads Are Gonna Roll“ (2023) a v diskografii kapely p\u0159edstavuje dal\u0161\u00ed posun k je\u0161t\u011b vy\u0161\u0161\u00ed intenzit\u011b zvuku. Nahr\u00e1vka se dr\u017e\u00ed osv\u011bd\u010den\u00e9ho \u017e\u00e1nrov\u00e9ho z\u00e1kladu v podob\u011b rychl\u00fdch blastbeat\u016f a hrub\u00e9ho vok\u00e1lu Erika Rundqvista, p\u0159i\u010dem\u017e do autorsk\u00e9ho procesu se tentokr\u00e1t v\u00fdrazn\u011bji zapojil i nov\u00fd kytarista Christian Fredriksson<\/a>.
\n(YouTube<\/a>)
\n
\n
\n
\n The Sweet<\/a> – Reincarnation

\nPod n\u00e1zvem „Reincarnation“ vych\u00e1z\u00ed soubor nahr\u00e1vek, kter\u00e9 britsk\u00e1 formace The Sweet<\/a> v \u010dele s Andym Scottem a Mickem Tuckerem po\u0159\u00eddila na sklonku osmdes\u00e1t\u00fdch let. Album dokumentuje zvukovou transformaci kapely z glamrockov\u00fdch ikon sedmdes\u00e1t\u00fdch let v modern\u00ed hardrockov\u00e9 t\u011bleso, pln\u011b p\u0159izp\u016fsoben\u00e9 tehdej\u0161\u00edmu produk\u010dn\u00edmu standardu. Obsah kolekce tvo\u0159\u00ed kombinace nov\u011b zpracovan\u00fdch verz\u00ed klasick\u00fdch hit\u016f a p\u016fvodn\u00edch skladeb, kter\u00e9 vznikly kolem roku 1989.
\n(YouTube<\/a>)
\n
\n
\n
\n Melvins<\/a> And Napalm Death<\/a> – Savage Imperial Death March

\nReedice spole\u010dn\u00e9ho materi\u00e1lu dvou kl\u00ed\u010dov\u00fdch formac\u00ed extr\u00e9mn\u00ed sc\u00e9ny, Melvins<\/a> a Napalm Death<\/a>, vrac\u00ed do ob\u011bhu nahr\u00e1vku, kter\u00e1 p\u016fvodn\u011b vznikla jako limitovan\u00fd split k jejich spole\u010dn\u00e9mu turn\u00e9. Aktu\u00e1ln\u00ed verze je roz\u0161\u00ed\u0159ena o dv\u011b dosud nezve\u0159ejn\u011bn\u00e9 skladby, kter\u00e9 dopl\u0148uj\u00ed p\u016fvodn\u00ed setlist slo\u017een\u00fd ze spoluprac\u00ed a vz\u00e1jemn\u00fdch coververz\u00ed. Zvukov\u011b album p\u0159edstavuje st\u0159et mezi experiment\u00e1ln\u00edm sludgem a nekompromisn\u00edm grindcorem.
\n(YouTube<\/a>) <\/p>\n

Archspire<\/a> – Too Fast To Die
\nAs Everything Unfolds<\/a> – Did You Ask To Be Set Free?
\nBachman Turner Overdrive – Rock ‚N Roll Nights
\nBilmuri<\/a> – Kinda Hard
\nBroadside – Nowhere, At Last
\nBrown Horse – Total Dive
\nBuddy – Simmie Sims Iii
\nCraig Wedren<\/a> – The Dream Dreaming Deluxe
\nElla Langley – Dandelion
\nEllise – Bedroom Confessional

\nEmmanuelle Bertrand – Franz Schubert : String Quintet \/ Arpeggione Sonata \/ Lieder For Cello & Piano
\nEsya (Ay\u015fe Hassan Of Savages<\/a>) – Chasing Desire
\nFantastic Cat – Cat Out Of Hell
\nGracie And Rachel – If We Could, Would We
\nGretel – Squish
\nHannah Lew – Hannah Lew
\nIguana Death Cult – Guns Out
\nIllia Ovcharenko – Bortkiewicz \/ Ravel \/ Prokofiev : Manu Sinistra
\nJoe Jackson<\/a> – Hope And Fury
\nJonas Kaufmann<\/a> – Magische T\u00f6ne
\nLaufey<\/a> – Matter Of Time: The Final Hour
\nLevels – This Will Make You Feel Again
\nLime Garden<\/a> – Maybe Not Tonight
\nMelanie Baker – Somebody Help Me, I\u2019m Being Spontaneous!
\nMy New Band Believe – My New Band Believe
\nRae Spoon – Assigned Country Singer At Birth
\nRachel Lime – Stories
\nRick Glam – Vampire After Dark
\nR\u016fzn\u00ed – The Romantic Piano Concerto (1991 – 2007 Edition)
\nSemyon Bychkov<\/a> – Gustav Mahler : Symphonies 1
\nSerial Killers (Xzibit<\/a>, B-Real<\/a>, And Demrick<\/a>) – The Thing Of Ours
\nSimon Rattle<\/a>, \u010cesk\u00e1 Filharmonie – Anton\u00edn Dvo\u0159\u00e1k : Slovansk\u00e9 Tance
\nSquarepusher<\/a> – Kammerkonzert
\nThe Band<\/a> – High On The Hog (30Th Anniversary Edition)
\nThe Covasettes – Honeymoon Forever
\nThe Itch – It\u2019s The Hope That Kills You
\nThe Maine<\/a> – Joy Next Door
\nTouch\u00e9 Amor\u00e9<\/a> – Stage Four (10th Anniversary Edition)
\nVomitory<\/a> – In Death Throes
\nWebb Chapel – Vernon Manner
\nWesley Joseph – Forever Ends Someday
\nWu Lyf<\/a> – A Wave That Will Never Break<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nAs Everything Unfolds<\/a> – Did You Ask To Be Set Free?
\nBring Me The Horizon<\/a> – L.i.v.e. In Sao Paulo
\nImmolation<\/a> – Descent
\nJoe Jackson<\/a> – Hope And Fury
\nMetal Church<\/a> – Dead To Rights
\nMonster Magnet<\/a> – Dopes To Infinity
\nMonster Magnet<\/a> – God Says No
\nMonster Magnet<\/a> – Powetrip
\nMonster Magnet<\/a> – Superjudge
\nSweet – Reincarnation
\nThe Band<\/a> – High On The Hog (30Th Anniversary Edition)
\nVomitory<\/a> – In Death Throes<\/p>\n

EP:
\nMei Semones – Kurage
\nPunchbag – I Am Obsessed
\nTigercub<\/a> – Nets To Catch The Wind \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Minul\u00fd t\u00fdden nep\u0159inesl mnoho nov\u00fdch velk\u00fdch nahr\u00e1vek, i tak v\u00e1m ale – v do\u010dasn\u00e9m person\u00e1ln\u00edm oslaben\u00ed – p\u0159in\u00e1\u0161\u00edme…\n","protected":false},"author":2,"featured_media":56192,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-56191","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116411420149466324","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/56191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=56191"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/56191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/56192"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=56191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=56191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=56191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}