{"id":56806,"date":"2026-04-16T14:31:13","date_gmt":"2026-04-16T14:31:13","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/56806\/"},"modified":"2026-04-16T14:31:13","modified_gmt":"2026-04-16T14:31:13","slug":"jihoafricky-umelec-s-hlubokou-znalosti-ceske-kultury-ma-vystavu-v-kunsthalle-slozil-poctu-kafkovi","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/56806\/","title":{"rendered":"Jihoafrick\u00fd um\u011blec s\u00a0hlubokou znalost\u00ed \u010desk\u00e9 kultury m\u00e1 v\u00fdstavu v\u00a0Kunsthalle. Slo\u017eil poctu Kafkovi"},"content":{"rendered":"

Kentridgeova v\u00fdstava se jmenuje The Battle Between YES and NO a\u00a0jej\u00ed n\u00e1zev vych\u00e1z\u00ed ze s\u00e9rie ran\u00fdch grafik a\u00a0animac\u00ed, v\u00a0nich\u017e um\u011blec spojuje anglick\u00e1 slova \u201eYes\u201c a\u00a0\u201eNo\u201c a\u00a0vytv\u00e1\u0159\u00ed tak slovo \u201eNoise\u201c (hluk). Podle kur\u00e1torky v\u00fdstavy Christelle Havranek to vystihuje podstatu jeho tvorby: odhalov\u00e1n\u00ed nesouladu a\u00a0udr\u017eov\u00e1n\u00ed nap\u011bt\u00ed mezi v\u00fdznamem a\u00a0absurditou.<\/p>\n

William Kentridge vyr\u016fstal v\u00a0jihoafrick\u00e9m Johannesburgu v\u00a0obdob\u00ed apartheidu, a\u00a0to v\u00a0rodin\u011b oddan\u00e9 my\u0161lenk\u00e1m soci\u00e1ln\u00ed spravedlnosti. Tyto zku\u0161enosti formovaly jeho um\u011bleckou praxi, kter\u00e1 odr\u00e1\u017e\u00ed soci\u00e1ln\u00ed a\u00a0historick\u00e9 nap\u011bt\u00ed Jihoafrick\u00e9 republiky a\u00a0z\u00e1rove\u0148 se dot\u00fdk\u00e1 \u0161ir\u0161\u00edch ot\u00e1zek moci, pam\u011bti, odpov\u011bdnosti a\u00a0k\u0159ehkosti nad\u011bje.<\/p>\n

V\u00edce ne\u017e \u010dty\u0159i desetilet\u00ed pracuje Kentridge nap\u0159\u00ed\u010d m\u00e9dii kresby, grafiky, sochy, performance, filmu a\u00a0opery a\u00a0rozv\u00edj\u00ed osobit\u00fd vizu\u00e1ln\u00ed jazyk zalo\u017een\u00fd na imaginaci, mnohozna\u010dnosti a\u00a0hravosti. Ten te\u010f mohou poznat i\u00a0n\u00e1v\u0161t\u011bvn\u00edci rozs\u00e1hl\u00e9 pra\u017esk\u00e9 v\u00fdstavy, jej\u00edho\u017e zah\u00e1jen\u00ed se autor osobn\u011b z\u00fa\u010dastnil.<\/p>\n

Foto: Kunsthalle Praha<\/p>\n

Uk\u00e1zka z\u00a0d\u00edla Williama Kentridge<\/p>\n

Sedmdes\u00e1tilet\u00fd um\u011blec na \u00fatern\u00ed (14.\u00a04.\u00a02006 – pozn. red.) tiskov\u00e9 konferenci vzpom\u00ednal na to, jak mu v\u00a0roce 1968\u00a0bylo 13\u00a0let. \u201eI v\u00a0Ji\u017en\u00ed Africe jsem vn\u00edmal studentsk\u00e9 bou\u0159e v\u00a0Evrop\u011b. A\u00a0i k\u00a0n\u00e1m pronikla jm\u00e9na jako Palach nebo Dub\u010dek,\u201c \u0159ekl a\u00a0dodal, \u017ee ho tehdy mrzelo, \u017ee nen\u00ed star\u0161\u00ed, proto\u017ee by se pr\u00fd mohl do sv\u011btov\u00e9ho d\u011bn\u00ed zapojit.<\/p>\n

<\/a>\u010cesk\u00e9 vlivy<\/p>\n

Jeho pozn\u00e1v\u00e1n\u00ed \u010desk\u00e9 kultury za\u010dalo, kdy\u017e mu bylo 18\u00a0let. \u201eSezn\u00e1mil jsem se jm\u00e9ny jako Ji\u0159\u00ed Trnka nebo Jan \u0160vankmajer a\u00a0zjistil jsem, \u017ee animovan\u00fd film m\u016f\u017ee vypadat jinak ne\u017e hollywoodsk\u00e1 produkce,\u201c uvedl ke sv\u00e9 inspiraci, kter\u00e1 je z\u00a0jeho pr\u00e1ce patrn\u00e1.<\/p>\n

Poznal pr\u00fd tak\u00e9 d\u00edlo Milana Kundery, Franze Kafky \u010di Jaroslava Ha\u0161ka. \u201eDal\u0161\u00ed postava, se kterou jsem se sezn\u00e1mil, byl voj\u00e1k \u0160vejk. Kdy\u017e se zkombinuje komick\u00e9 absurdno \u0160vejka a\u00a0tragick\u00e9 absurdno Kafky, m\u00e1te dobr\u00fd arzen\u00e1l na to, jak popsat sv\u011bt,\u201c charakterizoval \u010deskou kulturu.<\/p>\n

Foto: Vojt\u011bch Ve\u0161krna<\/p>\n

Pohled do v\u00fdstavy Williama Kentridge v\u00a0Kunsthalle Praha<\/p>\n

Uvedl je\u0161t\u011b, \u017ee pokud jde o\u00a0koncepci v\u00fdstavy, inspiroval se prost\u0159ed\u00edm ateli\u00e9ru, ve kter\u00e9m obecn\u011b b\u00fdv\u00e1 p\u0159ebytek impuls\u016f. Podle kur\u00e1torky je v\u00fdstava p\u0159ipravena jako prostorov\u00e1 kol\u00e1\u017e, nem\u00e1 striktn\u011b chronologick\u00e9 \u0159azen\u00ed. <\/p>\n

Neb\u00fdvale rozmanit\u00e1 tvorba<\/p>\n

Ran\u00e9 animovan\u00e9 filmy ze s\u00e9rie Kresby pro projekci, kter\u00e9 evokuj\u00ed dobu p\u0159echodu Jihoafrick\u00e9 republiky od apartheidu k\u00a0demokracii, se zde prezentuj\u00ed vedle divadeln\u011b pojat\u00fdch instalac\u00ed, jako je kinetick\u00fd model P\u0159\u00edmo do jej\u00ed n\u00e1ru\u010de nebo p\u011btikan\u00e1lov\u00e1 videoinstalace \u00d3, sentiment\u00e1ln\u00ed stroj, inspirovan\u00e9 m\u00e9n\u011b zn\u00e1mou epizodou ze \u017eivota Lva Trock\u00e9ho.<\/p>\n

Z\u00e1sadn\u00edm momentem pra\u017esk\u00e9 prezentace um\u011blce je pak Dopis pro Felice vytvo\u0159en\u00fd speci\u00e1ln\u011b pro tuto v\u00fdstavu. Instalace vych\u00e1z\u00ed z\u00a0fragment\u016f p\u0159ibli\u017en\u011b dvaceti Kafkov\u00fdch text\u016f, rom\u00e1n\u016f, den\u00edk\u016f a\u00a0dopisu adresovan\u00e9ho jeho snoubence Felice Bauerov\u00e9.<\/p>\n

Foto: Vojt\u011bch Ve\u0161krna<\/p>\n

Uk\u00e1zka z\u00a0d\u00edla Williama Kentridge Dopis pro Felice<\/p>\n

Tyto \u00faryvky jsou rozst\u0159\u00edhan\u00e9,\u00a0p\u0159eskupen\u00e9 a\u00a0zpracovan\u00e9 do n\u011bm\u00e9ho filmu, v\u00a0n\u011bm\u017e Kentridge vystupuje v\u00a0masce Kafky. D\u00edlo vyu\u017e\u00edv\u00e1 principu takzvan\u00e9ho Pepperova ducha, tedy iluzorn\u00ed techniky z\u00a019.\u00a0stolet\u00ed, a\u00a0propojuje archivn\u00ed obrazy, zvuk, objekty, performanci a\u00a0projekci. <\/p>\n

Technika pojmenovan\u00e1 po anglick\u00e9m v\u011bdci Johnu Henrym Pepperovi se pou\u017e\u00edvala a\u00a0pou\u017e\u00edv\u00e1 dodnes v\u00a0divadle, kin\u011b \u010di na koncertech. Obraz objektu schovan\u00e9ho p\u0159ed zraky div\u00e1k\u016f v\u00a0z\u00e1kulis\u00ed \u010di pod p\u00f3diem se prom\u00edt\u00e1 tak, \u017ee se zd\u00e1, \u017ee je p\u0159ed publikem. <\/p>\n

\u201eOd ran\u00fdch film\u016f po ned\u00e1vno vytvo\u0159en\u00e9 opery sleduje Kentridge tut\u00e9\u017e linii: uv\u00e1d\u00ed do dialogu r\u016fzn\u00e9 discipl\u00edny, kultury a\u00a0historick\u00e9 epochy a\u00a0odhaluje komplexitu pam\u011bti i\u00a0my\u0161len\u00ed. Pra\u017esk\u00e1 v\u00fdstava je smyslov\u00e1 a\u00a0imerzivn\u00ed,\u201c uvedla kur\u00e1torka Christelle Havranek.<\/p>\n

P\u0159ehl\u00eddka ukazuje jak velkou rozmanitost tvorby tohoto um\u011blce, tak kontinuitu jeho p\u0159\u00edstupu v\u00a0\u010dase. Kentridge se v\u011bnuje koloni\u00e1ln\u00edm d\u011bjin\u00e1m, nucen\u00fdm migrac\u00edm i\u00a0selh\u00e1n\u00edm utopi\u00ed dvac\u00e1t\u00e9ho stolet\u00ed. <\/p>\n

Foto: Kunsthalle Praha<\/p>\n

Uk\u00e1zka z\u00a0d\u00edla Williama Kentridge<\/p>\n

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