webu svatovitskevarhany.com<\/a> do 10. kv\u011btna 2026. P\u0159ihla\u0161ov\u00e1n\u00ed na jednotliv\u00e9 koncerty bude spu\u0161t\u011bno na sv\u00e1tek sv. Jana Nepomuck\u00e9ho 15. kv\u011btna 2026 v\u00a010 hodin. P\u0159ihla\u0161ov\u00e1n\u00ed bude mo\u017en\u00e9 postupn\u011b ve vln\u00e1ch podle v\u00fd\u0161e p\u0159\u00edsp\u011bvku na varhany. O\u00a0tomto procesu budou v\u0161ichni registrovan\u00ed d\u00e1rci p\u0159edem informov\u00e1ni.<\/p>\nPro ve\u0159ejnost bude mo\u017en\u00e9 se registrovat ve velmi omezen\u00e9m po\u010dtu na ob\u011b m\u0161e svat\u00e9, tedy 15.6. 2026 a\u00a022.6.2026<\/p>\n
Podrobn\u00fd program koncert\u016f bude k\u00a0dispozici na webu svatovitskevarhany.com a tak\u00e9 p\u0159i n\u00e1sledn\u00e9 komunikaci.<\/p>\n
Pro ostatn\u00ed z\u00e1jemce o\u00a0nov\u00e9 svatov\u00edtsk\u00e9 varhany doporu\u010dujeme koupit si vstupenky na n\u011bkter\u00fd z\u00a0koncert\u016f 15. ro\u010dn\u00edku festivalu Svatov\u00edtsk\u00e9 varhann\u00ed ve\u010dery, kter\u00fd nov\u00e9 varhany oslav\u00ed nejen sv\u00fdm prodlou\u017een\u00fdm rozsahem, ale tak\u00e9 mimo\u0159\u00e1dn\u00fdm v\u00fdb\u011brem interpret\u016f.<\/p>\n
Po\u0159adatelem je Nada\u010dn\u00ed fond Svatov\u00edtsk\u00e9 varhany, hlavn\u00edm partnerem je Spr\u00e1va Pra\u017esk\u00e9ho hradu<\/p>\n
Partnery jsou Bohemian Heritage Fund. Metropolitn\u00ed kapitula u\u00a0sv. V\u00edta v\u00a0Praze, Skupina \u010cEZ, \u0160koda Auto, Arcibiskupstv\u00ed pra\u017esk\u00e9, Akademie klasick\u00e9 hudby, z. \u00fa. \u2013 po\u0159adatel festivalu Dvo\u0159\u00e1kova Praha, N\u00e1rodn\u00ed festival Smetanova Litomy\u0161l, N\u00e1rodn\u00ed divadlo, Mezin\u00e1rodn\u00ed hudebn\u00ed Pra\u017esk\u00e9 jaro, \u010cesk\u00fd rozhlas, Direct<\/p>\n
Svatov\u00edtsk\u00fd varhann\u00ed okt\u00e1v<\/p>\n
Pond\u011bl\u00ed 15. 6. 2026, 17.00\u00a0 \u2013 Slavnostn\u00ed inaugurace svatov\u00edtsk\u00fdch varhan<\/p>\n
Nejslavnostn\u011bj\u0161\u00edmu okam\u017eiku, kter\u00fd varhany v\u00a0r\u00e1mci m\u0161e svat\u00e9 uvede do \u017eivota bude p\u0159edsedat nov\u00fd pra\u017esk\u00fd arcibiskup mons. Stanislav P\u0159ibyl. Liturgii doprovod\u00ed krom\u011b kr\u00e1sn\u00e9 hudby tak\u00e9 vol\u00e1n\u00ed na varhany a\u00a0jejich postupn\u00e9 probouzen\u00ed. Hudebn\u00ed program propojuje r\u016fzn\u00e9 podoby toho, jak hudba nap\u0159\u00ed\u010d stalet\u00edmi reflektovala duchovn\u00ed t\u00e9mata \u2013 od komorn\u00ed, vnit\u0159n\u011b soust\u0159ed\u011bn\u00e9 v\u00fdpov\u011bdi a\u017e po slavnostn\u00ed a\u00a0monument\u00e1ln\u00ed zvuk velk\u00e9ho orchestru a\u00a0sboru.<\/p>\n
M\u0161e D dur \u201eLu\u017eansk\u00e1\u201c\u00a0Anton\u00edna Dvo\u0159\u00e1ka vznikla v\u00a0roce 1887 pro kapli z\u00e1mku v Lu\u017eanech. P\u016fvodn\u011b skromn\u00e9 obsazen\u00ed se odr\u00e1\u017e\u00ed i\u00a0v jej\u00ed hudebn\u00ed \u0159e\u010di \u2013 skladatel zde m\u00edsto velkoleposti nab\u00edz\u00ed prostou, zp\u011bvnou a\u00a0osobn\u00ed v\u00fdpov\u011b\u010f, v\u00a0n\u00ed\u017e se zrcadl\u00ed jeho vztah k\u00a0v\u00ed\u0159e i\u00a0k \u010desk\u00e9 hudebn\u00ed tradici. Kontrast p\u0159in\u00e1\u0161ej\u00ed slavn\u00e9 sbory\u00a0\u201eHallelujah\u201c\u00a0z oratori\u00ed\u00a0Mesi\u00e1\u0161\u00a0a\u00a0Juda Makabejsk\u00fd\u00a0Georga Friedricha H\u00e4ndela. Zat\u00edmco Mesi\u00e1\u0161 (1742) pat\u0159\u00ed k\u00a0nejv\u00fdznamn\u011bj\u0161\u00edm duchovn\u00edm d\u00edl\u016fm v\u016fbec, Juda Makabejsk\u00fd vznikl jako oslava historick\u00e9ho v\u00edt\u011bzstv\u00ed anglick\u00e9ho kr\u00e1le proti Skotsk\u00e9mu povst\u00e1n\u00ed. Monument\u00e1ln\u00ed vrchol programu p\u0159edstavuje z\u00e1v\u011br Symfonie \u010d. 3 c moll \u201eVarhann\u00ed\u201c Camilla Saint-Sa\u00ebnse\u00a0(1886). Spojen\u00ed orchestru s\u00a0varhanami zde vytv\u00e1\u0159\u00ed mimo\u0159\u00e1dn\u011b bohat\u00fd zvuk, kter\u00fd vrchol\u00ed v\u00a0majest\u00e1tn\u00edm a\u00a0strhuj\u00edc\u00edm fin\u00e1le. Program dopl\u0148uje\u00a0Te Deum C dur\u00a0Josepha Haydna, skladba z\u00a0konce 18. stolet\u00ed, kter\u00e1 v\u00a0sob\u011b spojuje slavnostn\u00ed charakter liturgick\u00e9ho textu s\u00a0typickou lehkost\u00ed a\u00a0p\u0159ehlednost\u00ed\u00a0haydnovsk\u00e9ho\u00a0stylu.\u00a0<\/p>\n
Anton\u00edn Dvo\u0159\u00e1k: M\u0161e D dur op. 86 \u201eLu\u017eansk\u00e1\u201c\u00a0 \u00a0<\/p>\n
Georg Friedrich H\u00e4ndel:\u00a0Mesi\u00e1\u0161\u00a0\u2013\u00a0Hallelujah\u00a0 \u00a0<\/p>\n
Georg Friedrich H\u00e4ndel:\u00a0Juda\u00a0Makabejsk\u00fd\u00a0\u2013\u00a0Hallelujah\u00a0 \u00a0<\/p>\n
Camille Saint-Sa\u00ebns: Symfonie \u010d. 3 c moll op. 78 \u201eVarhann\u00ed\u201c\u00a0 \u00a0<\/p>\n
\u00a0Joseph Haydn: Te Deum C dur pro c\u00edsa\u0159ovnu Marii Terezii,\u00a0Hob. XXIIIc:2\u00a0<\/p>\n
\u010cesk\u00e1 filharmonie, Spojen\u00e9 arcidiec\u00e9zn\u00ed chr\u00e1mov\u00e9 sbory, Hudba Hradn\u00ed str\u00e1\u017ee<\/p>\n
Robert Kru\u017e\u00edk, dirigent<\/p>\n
Varhany: Michal Novenko, Pavel \u010cern\u00fd, \u0160t\u011bp\u00e1n Svoboda, Marek \u010ciha\u0159, V\u00e1clav Uhl\u00ed\u0159, Ond\u0159ej Valenta, Vladim\u00edr Roubal<\/p>\n
Kate\u0159ina Kn\u011b\u017e\u00edkov\u00e1, sopr\u00e1n<\/p>\n
V\u00e1clava Krej\u010d\u00ed Houskov\u00e1, mezzosopr\u00e1n<\/p>\n
Adam Plachetka, basbaryton<\/p>\n
\u00dater\u00fd 16. 6. 2026, 19.30 \u2013 Akademie klasick\u00e9 hudby<\/p>\n
Akademie klasick\u00e9 hudby, po\u0159adatel Mezin\u00e1rodn\u00edho hudebn\u00edho festivalu Dvo\u0159\u00e1kova Praha, se v\u00fdznamn\u011b pod\u00edlela na n\u011bkolika benefi\u010dn\u00edch koncertech pro svatov\u00edtsk\u00e9 varhany. Na prvn\u00edm koncert\u011b nazvan\u00e9m \u201ePocta svatov\u00edtsk\u00fdm varhan\u00e1m\u201c p\u0159ipadne \u010dest rozezvu\u010det nov\u00e9 svatov\u00edtsk\u00e9 varhany v\u00a0plnosti jejich zvukov\u00e9 kr\u00e1sy loty\u0161sk\u00e9 varhanici Ivet\u011b Apkalne. Program rozv\u00edj\u00ed paraleln\u011b historick\u00fd oblouk katedr\u00e1ly i\u00a0varhan jako n\u00e1stroje: od ikonick\u00e9 barokn\u00ed Bachovy Tok\u00e1ty a\u00a0fugy d moll p\u0159es romantickou Lisztovu Fantazii a\u00a0fugu na t\u00e9ma B-A-C-H, v n\u00ed\u017e se autor obrac\u00ed k\u00a0Bachovu odkazu, a\u017e po slavn\u00e9 varhann\u00ed s\u00f3lo z\u00a0Jan\u00e1\u010dkovy Glagolsk\u00e9 m\u0161e, nesouc\u00ed siln\u00fd \u010desk\u00fd akcent a\u00a0duchovn\u00ed nal\u00e9havost. Proveden\u00ed Dvo\u0159\u00e1kovy \u010cesk\u00e9 suity je pak pomysln\u00fdm d\u00edkem tis\u00edc\u016fm d\u00e1rc\u016f, kte\u0159\u00ed se zaslou\u017eili o\u00a0vznik nov\u00e9ho kulturn\u00edho symbolu bytostn\u011b spjat\u00e9ho s\u00a0duchovn\u00ed pam\u011bt\u00ed \u010desk\u00e9ho n\u00e1roda, zt\u011blesn\u011bn\u00e9ho spojen\u00edm nov\u00fdch varhan s\u00a0katedr\u00e1lou sv. V\u00edta. Oblouk ve\u010dera pak uzav\u0159e Poulenc\u016fv Koncert pro varhany, smy\u010dce a\u00a0tymp\u00e1ny, vrcholn\u00e9 d\u00edlo sv\u011btov\u00e9 varhann\u00ed literatury 20. stolet\u00ed.<\/p>\n
Tomuto v\u00fdjime\u010dn\u00e9mu okam\u017eiku dod\u00e1v\u00e1 Iveta Apkalna i\u00a0mimo\u0159\u00e1dnou mezin\u00e1rodn\u00ed v\u00e1hu. Po vystoupen\u00ed s\u00a0Berl\u00ednsk\u00fdmi filharmoniky pod taktovkou Claudia Abbada se za\u0159adila mezi nejv\u00fdrazn\u011bj\u0161\u00ed osobnosti sv\u00e9ho oboru, od roku 2017 p\u016fsob\u00ed jako titul\u00e1rn\u00ed varhanice Labsk\u00e9 filharmonie v\u00a0Hamburku a v roce 2005 se stala prvn\u00ed varhanic\u00ed, kter\u00e1 z\u00edskala cenu ECHO Klassik.<\/p>\n
Ferenc Liszt: Fantazie a\u00a0fuga na t\u00e9ma B-A-C-H<\/p>\n
Johann Sebastian Bach: Tok\u00e1ta a fuga d-moll, BWV 565<\/p>\n
Leo\u0161 Jan\u00e1\u010dek: Postludium z\u00a0Glagolsk\u00e9 m\u0161e<\/p>\n
Anton\u00edn Dvo\u0159\u00e1k: \u010cesk\u00e1 suita, op. 39<\/p>\n
Francis Poulenc: Koncert pro varhany, smy\u010dce a\u00a0tymp\u00e1ny g moll<\/p>\n
St\u0159eda 17. 6. 2026, 19.30 \u2013 N\u00e1rodn\u00ed festival Smetanova Litomy\u0161l<\/p>\n
Koncert je v\u011bnov\u00e1n v\u00fdjime\u010dn\u00e9 osobnosti Petra Ebena a\u00a0jeho hlubok\u00e9mu vztahu k duchovn\u00ed tradici i\u00a0gregori\u00e1nsk\u00e9mu chor\u00e1lu. Tvorba Petr Eben pat\u0159\u00ed k\u00a0nejv\u00fdznamn\u011bj\u0161\u00edm projev\u016fm \u010desk\u00e9 varhann\u00ed a\u00a0duchovn\u00ed hudby 20. stolet\u00ed \u2013 s\u00a0mimo\u0159\u00e1dnou citlivost\u00ed navazuje na historick\u00e9 inspirace a\u00a0p\u0159etv\u00e1\u0159\u00ed je v\u00a0osobit\u00fd, sou\u010dasn\u00fd hudebn\u00ed jazyk. Propojen\u00ed Ebenovy varhann\u00ed tvorby s\u00a0gregori\u00e1nsk\u00fdm chor\u00e1lem v pod\u00e1n\u00ed Scholy vytv\u00e1\u0159\u00ed jedine\u010dn\u00fd dramaturgick\u00fd oblouk: chor\u00e1l zde nen\u00ed jen historick\u00fdm v\u00fdchodiskem, ale \u017eiv\u00fdm pramenem inspirace, kter\u00fd v\u00a0Ebenov\u011b hudb\u011b znovu o\u017e\u00edv\u00e1 a\u00a0z\u00edsk\u00e1v\u00e1 novou hloubku. Tento koncert tak p\u0159edstavuje dialog mezi minulost\u00ed a\u00a0sou\u010dasnost\u00ed, mezi tradic\u00ed a\u00a0osobn\u00edm hudebn\u00edm vyj\u00e1d\u0159en\u00edm \u2013 dialog, kter\u00fd je z\u00e1rove\u0148 intimn\u00ed i\u00a0nad\u010dasov\u00fd.<\/p>\n
Gregori\u00e1nsk\u00fd chor\u00e1l \u2013 Zp\u011bvy pra\u017esk\u00e9 katedr\u00e1ly v\u00a0dob\u011b Karla IV.<\/p>\n
Petr Eben: Suita liturgica (IV. Nanebevstoupen\u00ed P\u00e1n\u011b)<\/p>\n
Petr Eben: Mutationes pro varhany \u00a0<\/p>\n
Petr Eben: Missa Adventus et Quadragesimae<\/p>\n
Schola Gregoriana Pragensis, um\u011bleck\u00fd vedouc\u00ed: David Eben<\/p>\n
\u010ctvrtek 18. 6. 2026, 19.30 \u2013 Mezin\u00e1rodn\u00ed hudebn\u00ed festival Pra\u017esk\u00e9 jaro<\/p>\n
Pra\u017esk\u00e9 jaro p\u0159edstav\u00ed ve varhann\u00edm recit\u00e1lu laure\u00e1ta Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9 jaro 2013, titul\u00e1rn\u00edho varhan\u00edka kostela Saint-Sulpice v\u00a0Pa\u0159\u00ed\u017ei a\u00a0aktu\u00e1ln\u011b jednoho z\u00a0nejlep\u0161\u00edch varhan\u00edk\u016f sv\u011bta Karola Mossakowsk\u00e9ho. Neb\u00fdvalou kr\u00e1su zvuku a\u00a0bohat\u00e9 barevn\u00e9 i technick\u00e9 mo\u017enosti svatov\u00edtsk\u00fdch varhan uk\u00e1\u017ee v\u00a0programu spojuj\u00edc\u00edm robustn\u00ed polyfonn\u00ed hudbu Maxe Regera, snov\u00e9 hudebn\u00ed obrazy francouzsk\u00e9ho skladatele a\u00a0v\u00e1le\u010dn\u00e9ho hrdiny Jehana Alaina, neklidn\u00e9 Moto ostinato z\u00a0Ned\u011bln\u00ed hudby sv\u011btov\u011b proslul\u00e9ho \u010desk\u00e9ho klasika Petra Ebena a\u00a0Symfonii \u010d. 5 Charlese-Maire Widora, ve kter\u00e9 francouzsk\u00fd autor dok\u00e1zal, \u017ee sv\u00fdmi zvukov\u00fdmi a\u00a0barevn\u00fdmi mo\u017enostmi se varhany, jim\u017e se po z\u00e1sluze \u0159\u00edk\u00e1 kr\u00e1lovsk\u00fd n\u00e1stroj, bohat\u011b vyrovnaj\u00ed symfonick\u00e9mu orchestru.<\/p>\n
Max Reger: Introdukce a\u00a0Passacaglia d moll<\/p>\n
Jehan Alain: Deuxi\u00e8me Fantaisie<\/p>\n
Charles-Marie Widor: Symfonie \u010d. 5<\/p>\n
Karol Mossakowski, varhany<\/p>\n
P\u00e1tek 19. 6. 2026, 19.30 \u2013 Symfonick\u00fd orchestr \u010cesk\u00e9ho rozhlasu<\/p>\n
SO\u010cR se p\u0159edstav\u00ed se sv\u00fdm nov\u00fdm \u0161\u00e9fdirigentem Eliasem Grandym, kter\u00fd sestavil program na m\u00edru svatov\u00edtsk\u00fdch varhan. Zazn\u00ed monument\u00e1ln\u00ed varhann\u00ed symfonie Camilla Saint-Sa\u00ebnse dopln\u011bn\u00e1 v\u00fdb\u011brem Dvo\u0159\u00e1kov\u00fdch biblick\u00fd p\u00edsn\u00ed. Koncert uvede v\u00edt\u011bzn\u00e1 nov\u00e1 skladba sout\u011b\u017ee pro svatov\u00edtsk\u00e9 varhany, kterou uspo\u0159\u00e1dalo Vydavatelstv\u00ed \u010cesk\u00e9ho rozhlasu a\u00a0\u010cRo Vltava. V\u00edt\u011bze vyberou poslucha\u010di \u010cRo Vltava v\u00a0hlasov\u00e1n\u00ed od 2. do 17.6.2026. Koncert v\u00a0\u017eiv\u00e9m p\u0159enosu p\u0159in\u00e1\u0161\u00ed \u010cesk\u00fd rozhlas Vltava.<\/p>\n
skladba pro varhany solo \u2013 v\u00edt\u011bz sout\u011b\u017ee \u010cRo<\/p>\n
Anton\u00edn Dvo\u0159\u00e1k: Biblick\u00e9 p\u00edsn\u011b, op. 99, v\u00fdb\u011br<\/p>\n
Camille Saint-Sa\u00ebns: Symfonie \u010d. 3 c moll \u201eVarhann\u00ed\u201c<\/p>\n
Symfonick\u00fd orchestr \u010cesk\u00e9ho rozhlasu<\/p>\n
Pavel Svoboda, Pavel \u010cern\u00fd, varhany<\/p>\n
Sobota 20. 6. 2026, 19.30 \u2013 Opera N\u00e1rodn\u00edho divadla<\/p>\n
Opera N\u00e1rodn\u00edho divadla uvede pro varhany monument\u00e1ln\u00ed Glagolskou m\u0161i Leo\u0161e Jan\u00e1\u010dka, kde maj\u00ed varhany velk\u00fd prostor, a\u00a0koncertem tak soubor nav\u00e1\u017ee na benefi\u010dn\u00ed koncert v\u00a0katedr\u00e1le v\u00a0roce 2019.<\/p>\n
Leo\u0161 Jan\u00e1\u010dek: Glagolsk\u00e1 m\u0161e<\/p>\n
Constantin Trinks, dirigent<\/p>\n
Franti\u0161ek Zahradn\u00ed\u010dek, bas<\/p>\n
Luk\u00e1\u0161 Kozub\u00edk, sbormistr<\/p>\n
Orchestr N\u00e1rodn\u00edho divadla<\/p>\n
Ned\u011ble 21. 6. 2026, 20.00 \u2013 galakoncert pro nov\u00e9 svatov\u00edtsk\u00e9 varhany<\/p>\n
Galakoncert pro varhany zavr\u0161\u00ed t\u00fddenn\u00ed hudebn\u00ed oslavy nov\u00e9ho n\u00e1stroje v\u00a0televizn\u00edm p\u0159enosu. N\u00e1rod uvid\u00ed obr\u00e1zky ze stavby, varhany v\u00edce zbl\u00edzka, bude p\u0159\u00edle\u017eitost vzpomenout siln\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 za vznikem n\u00e1stroje st\u00e1ly, stejn\u011b jako n\u00e1rodn\u00ed sb\u00edrku a\u00a0symbolicky tak pod\u011bkovat i\u00a0t\u011bm, kte\u0159\u00ed nem\u011bli mo\u017enost se do katedr\u00e1ly dostavit osobn\u011b.<\/p>\n
Na koncert\u011b vystoup\u00ed na\u0161i nejlep\u0161\u00ed s\u00f3list\u00e9, d\u011btsk\u00fd sbor a\u00a0interpreti, kte\u0159\u00ed pro varhany ji\u017e hr\u00e1li v\u00a0r\u00e1mci jednotliv\u00fdch benefi\u010dn\u00edch koncert\u016f, aby se tak pomysln\u00fd kruh uzav\u0159el a\u00a0ti, co byli u projektu od po\u010d\u00e1tku se tak\u00e9 p\u0159ipojili k\u00a0jeho oslav\u011b.<\/p>\n
\u010cesk\u00fd n\u00e1rodn\u00ed symfonick\u00fd orchestr<\/p>\n
Pavel \u0160porcl a\u00a0iPalpiti<\/p>\n
Spojen\u00fd sbor ZU\u0160 Nada\u010dn\u00edho fondu Magdaleny Ko\u017een\u00e9<\/p>\n
Pond\u011bl\u00ed 22. 6. 2026, 18.00 \u2013 Te Deum<\/p>\n
D\u011bkovn\u00e1 m\u0161e svat\u00e1, jej\u00edm\u017e hlavn\u00edm celebrantem bude mons. Zden\u011bk Wasserbauer, pomocn\u00fd pra\u017esk\u00fd biskup a\u00a0tak\u00e9 probo\u0161t Metropolitn\u00ed kapituly u\u00a0sv. V\u00edta, bude slou\u017eena za ty, kte\u0159\u00ed na varhany p\u0159isp\u011bli, nebo se o\u00a0n\u011b jinak zaslou\u017eili, v\u010detn\u011b t\u011bch, kte\u0159\u00ed se u\u017e jejich dokon\u010den\u00ed nedo\u017eili.<\/p>\n
V\u00a0pr\u016fb\u011bhu m\u0161e zazn\u00ed oba varhann\u00ed n\u00e1stroje, kter\u00fdmi svatov\u00edtsk\u00e1 katedr\u00e1la u\u017e nov\u011b disponuje.<\/p>\n","protected":false},"excerpt":{"rendered":"V\u00a0\u010dervnu roku 2026 z\u00edsk\u00e1 po 12 letech katedr\u00e1la sv. V\u00edta, V\u00e1clava a\u00a0Vojt\u011bcha v\u00a0Praze kone\u010dn\u011b nov\u00e9 varhany a\u00a0tento n\u00e1rodn\u00ed…\n","protected":false},"author":2,"featured_media":57195,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[1937,1936,1924,1926,1935,1931,1933,1930,1929,98,99,1934,20319,1928,1927,1925,1932],"class_list":{"0":"post-57194","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-charitativni-cinnost","9":"tag-cirkev","10":"tag-cirkevni-zpravodajstvi","11":"tag-dieceze","12":"tag-katolicka-cirkev","13":"tag-katolicka-media","14":"tag-krestanska-literatura","15":"tag-krestanska-media","16":"tag-papez","17":"tag-prague","18":"tag-praha","19":"tag-recenze-krestanske-literatury","20":"tag-svatovitsky-varhanni-oktav","21":"tag-vatikan","22":"tag-vatikanske-zpravodajstvi","23":"tag-zpravodajstvi-z-diecezi","24":"tag-zpravy-cbk"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116416607468568076","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/57194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=57194"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/57194\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/57195"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=57194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=57194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=57194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"image:Image](\"https:\/\/www.cirkev.cz\/public\/media\/files\/86\/source\/orig\/85177_69946_1_varhany-luciehornikova.jpg\" "\\"86\/source\/orig\/85177_69946_1_varhany-luciehornikova.jpg\\"")
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