![](\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/jan-schulmeister.jpeg\")
Foto: Tom\u00e1\u0161 Krist<\/p>\nNad\u011bjn\u00fd virtuos zaujal porotu sv\u00fdm debutov\u00fdm albem, na n\u011bm\u017e interpretuje d\u00edla Modesta Petrovi\u010de Musorgsk\u00e9ho, Alexandra Skrjabina a\u00a0Sergeje Rachmaninova. <\/p>\n
Schulmeister, kter\u00fd se narodil roku 2006, si za nahr\u00e1vku vydanou Supraphonem vyslou\u017eil nominaci na cenu Newcomer. Je jedn\u00edm ze t\u0159\u00ed finalist\u016f ve sv\u00e9 kategorii. Zisk ocen\u011bn\u00ed by pova\u017eoval za z\u0159ejm\u011b nejv\u011bt\u0161\u00ed \u00fasp\u011bch, jak\u00fd si dok\u00e1\u017ee p\u0159edstavit.<\/p>\n
\u201eAlbum jsem nat\u00e1\u010del v\u00a0polovin\u011b minul\u00e9ho roku. Od jeho vyd\u00e1n\u00ed p\u0159ich\u00e1zely postupn\u011b recenze ze sv\u011btov\u00fdch \u010dasopis\u016f a\u00a0byly naprosto pozitivn\u00ed. Jsem \u0161\u0165astn\u00fd, \u017ee se album l\u00edbilo a\u00a0na\u0161lo si sv\u00e9 poslucha\u010de,\u201c \u0159\u00edk\u00e1 student Jan\u00e1\u010dkovy akademie m\u00fazick\u00fdch um\u011bn\u00ed v\u00a0Brn\u011b. <\/p>\n
V\u00fdrazn\u011b na sebe upozornil roku 2023, kdy v\u00a0americk\u00e9m Dallasu z\u00edskal t\u0159et\u00ed cenu v\u00a0sout\u011b\u017ei The Cliburn International Junior Piano Competition.<\/p>\n
Recenze v\u00a0\u0159\u00edjnov\u00e9m \u010d\u00edsle BBC Music Magazine ud\u011blila Schulmeisterovu albu hodnocen\u00ed s\u00a0p\u011bti hv\u011bzdi\u010dkami. \u201e\u010cesk\u00fd pianista Jan Schulmeister, kter\u00e9mu je\u0161t\u011b nebylo 20\u00a0let, m\u00e1 za sebou vynikaj\u00edc\u00ed debut u\u00a0Supraphonu s\u00a0t\u00edmto recit\u00e1lem rusk\u00e9 hudby,\u201c napsal \u010dasopis. Jeho recenzenta zaujala zejm\u00e9na interpretace Musorgsk\u00e9ho Obr\u00e1zk\u016f z\u00a0v\u00fdstavy, Schulmeister ji pr\u00fd ztv\u00e1rnil je\u0161t\u011b jemn\u011bji, ne\u017e b\u00fdv\u00e1 obvykl\u00e9. Hudebn\u00ed inteligenci projevil i\u00a0p\u0159i interpretaci Rachmaninova a\u00a0Skrjabina.<\/p>\n
Jan Schulmeister je \u0161estou generac\u00ed hudebnick\u00e9 rodiny. Jeho p\u0159\u00edbuzn\u00fd byl Franti\u0161ek \u010cern\u00fd, spolu\u017e\u00e1k Anton\u00edna Dvo\u0159\u00e1ka. <\/p>\n
Klasickou hudbu hoch sl\u00fdchal odmali\u010dka. Jeho matka Martina Schulmeisterov\u00e1 je klav\u00edristka a\u00a0pedago\u017eka na krom\u011b\u0159\u00ed\u017esk\u00e9 konzervato\u0159i. Otec hraje na housle ve Wihanov\u011b kvartetu.<\/p>\n
K housl\u00edm si v\u0161ak mlad\u00edk na rozd\u00edl od klav\u00edru cestu nena\u0161el. \u201eVybavuji si fotku, mohly mn\u011b b\u00fdt dva roky, jak stoj\u00edm p\u0159ed v\u00e1no\u010dn\u00edm strome\u010dkem s\u00a0malinkat\u00fdmi \u017elut\u00fdmi housli\u010dkami. Snaha z\u00a0tat\u00ednkovy strany ur\u010dit\u011b byla, ale jsem r\u00e1d, \u017ee jsem se pro housle nerozhodl, proto\u017ee by m\u011b to nebavilo,\u201c vzpom\u00edn\u00e1.<\/p>\n
Od p\u011bti let nav\u0161t\u011bvoval klav\u00edrn\u00ed t\u0159\u00eddu Evy Zonov\u00e9 na krom\u011b\u0159\u00ed\u017esk\u00e9 z\u00e1kladn\u00ed um\u011bleck\u00e9 \u0161kole. \u201e\u00da\u017easn\u00e1 pedago\u017eka i\u00a0\u010dlov\u011bk! V\u00a0t\u00e9 dob\u011b byla m\u00fdm hlavn\u00edm pedagogem. Doma na m\u011b pro zm\u011bnu dohl\u00ed\u017eela maminka. Cvi\u010dila se mnou a\u00a0kontrolovala, abych pracoval, tak jak m\u00e1m. Na konzervato\u0159i, kde u\u010d\u00ed, jsem pak p\u0159e\u0161el do jej\u00ed klav\u00edrn\u00ed t\u0159\u00eddy,\u201c vysv\u011btluje. <\/p>\n
Nyn\u00ed je poslucha\u010dem prvn\u00edho ro\u010dn\u00edku JAMU, vyu\u010duj\u00ed ho Alena Vlas\u00e1kov\u00e1 a\u00a0Jan Jirask\u00fd.<\/p>\n
Foto: Tom\u00e1\u0161 Krist<\/p>\n
Kv\u016fli nabit\u00e9mu programu Janu Schulmeisterovi na dal\u0161\u00ed kon\u00ed\u010dky nezb\u00fdv\u00e1 p\u0159\u00edli\u0161 \u010dasu.<\/p>\n
Cvi\u010den\u00ed na klav\u00edr v\u011bnuje \u010dty\u0159i a\u017e p\u011bt hodin denn\u011b. \u201eM\u00e1m r\u00e1d, kdy\u017e m\u016f\u017eu cvi\u010dit po r\u00e1nu. D\u016fle\u017eit\u011bj\u0161\u00ed v\u0161ak je, jak\u00fdm zp\u016fsobem cvi\u010d\u00edte, ne\u017e jak dlouho cvi\u010d\u00edte,\u201c m\u00edn\u00ed. Podle n\u011bj je z\u00e1sadn\u00ed soust\u0159ed\u011bn\u00ed a\u00a0kvalitn\u00ed p\u0159em\u00fd\u0161len\u00ed o\u00a0hudb\u011b. <\/p>\n
Kdy\u017e nehraje, r\u00e1d chod\u00ed na proch\u00e1zky do p\u0159\u00edrody. Kv\u016fli nabit\u00e9mu programu mu v\u0161ak na dal\u0161\u00ed kon\u00ed\u010dky p\u0159\u00edli\u0161 \u010dasu nezb\u00fdv\u00e1.<\/p>\n
Z hudby je mu bl\u00edzk\u00e1 tvorba Johannese Brahmse, r\u00e1d hraje d\u00edla Leo\u0161e Jan\u00e1\u010dka. Ne\u017e za\u010dne skladbu studovat, poslouch\u00e1 pojet\u00ed jin\u00fdch interpret\u016f a\u00a0nech\u00e1v\u00e1 se jimi inspirovat. Jakmile se pust\u00ed do cvi\u010den\u00ed, d\u00e1v\u00e1 prostor vlastn\u00ed interpretaci. Doba p\u0159\u00edpravy se li\u0161\u00ed podle n\u00e1ro\u010dnosti skladby, nap\u0159\u00edklad posledn\u00ed d\u00edlo od Sergeje Rachmaninova p\u0159ipravoval zhruba t\u0159i m\u011bs\u00edce.<\/p>\n
Vysn\u011bnou skladbu nem\u00e1. \u201eKdyby takov\u00e1 byla, u\u017e bych si ji d\u00e1vno zahr\u00e1l. A\u00a0ve sv\u00e9 vysn\u011bn\u00e9 koncertn\u00ed s\u00edni, Zlat\u00e9m s\u00e1le v\u00edde\u0148sk\u00e9ho Musikvereinu, jsem vystupoval letos v\u00a0lednu. Mo\u017en\u00e1 je dal\u0161\u00ed metou zahr\u00e1t si tam je\u0161t\u011b jednou,\u201c \u0159\u00edk\u00e1. Neznamen\u00e1 to v\u0161ak podle n\u011bj, \u017ee by nebylo co zlep\u0161ovat. \u201eHudebn\u00edk nen\u00ed nikdy hotov\u00fd, ale roste cel\u00fd \u017eivot,\u201c soud\u00ed Schulmeister, kter\u00fd se zat\u00edm profiluje jako koncertn\u00ed um\u011blec, nevylu\u010duje v\u0161ak, \u017ee by mohl v\u00a0budoucnu sv\u00e9 um\u011bn\u00ed p\u0159ed\u00e1vat d\u00e1l a\u00a0p\u016fsobit i\u00a0pedagogicky.<\/p>\n","protected":false},"excerpt":{"rendered":"Nad\u011bjn\u00fd virtuos zaujal porotu sv\u00fdm debutov\u00fdm albem, na n\u011bm\u017e interpretuje d\u00edla Modesta Petrovi\u010de Musorgsk\u00e9ho, Alexandra Skrjabina a\u00a0Sergeje Rachmaninova.…\n","protected":false},"author":2,"featured_media":60682,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[14],"tags":[79,6493,21114,1429,21115,6349,80],"class_list":["post-60681","post","type-post","status-publish","format-standard","has-post-thumbnail","category-zabava","tag-entertainment","tag-hudebni-ceny","tag-jan-schulmeister","tag-klasicka-hudba","tag-klavirista","tag-supraphon","tag-zabava"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116437234797349121","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/60681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=60681"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/60681\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/60682"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=60681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=60681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=60681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}