{"id":61225,"date":"2026-04-20T21:48:11","date_gmt":"2026-04-20T21:48:11","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/61225\/"},"modified":"2026-04-20T21:48:11","modified_gmt":"2026-04-20T21:48:11","slug":"recenze-agrippina-jako-cynicka-i-hrava-revue","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/61225\/","title":{"rendered":"RECENZE: Agrippina jako cynick\u00e1 i\u00a0hrav\u00e1 revue"},"content":{"rendered":"<p class=\"c_bz\">D\u00edlo z\u00a0H\u00e4ndelova italsk\u00e9ho obdob\u00ed opl\u00fdv\u00e1 zp\u011bvnost\u00ed, vtipem i\u00a0pochopen\u00edm pro vesm\u011bs negativn\u00ed postavy. Ostatn\u011b Agrippina se do pov\u011bdom\u00ed zapsala jako nel\u00edtostn\u00e1 kari\u00e9ristka a\u00a0ostatn\u00ed na tom nejsou o\u00a0mnoho l\u00e9pe. P\u0159esto v\u00a0brn\u011bnsk\u00e9 inscenaci bud\u00ed \u00fasm\u011bv a\u00a0sympatie div\u00e1k\u016f.<\/p>\n<p class=\"c_bz\">Z\u00e1sluhu na tom m\u00e1 re\u017eis\u00e9r Martin Glaser, kter\u00fd se sv\u00fdm t\u00fdmem nav\u00e1zal na skladatelovu jemnou nads\u00e1zku, s\u00a0n\u00ed\u017e kresl\u00ed tahanice o\u00a0\u0159\u00edmsk\u00fd tr\u016fn i\u00a0souvisej\u00edc\u00ed milostn\u00e9 pletky. A\u010dkoli re\u017eis\u00e9r d\u011bn\u00ed nijak v\u00fdrazn\u011b neaktualizuje, p\u0159ipom\u00edn\u00e1 cynick\u00e9 pleticha\u0159en\u00ed leccos z\u00a0ubohosti sou\u010dasn\u00e9 politick\u00e9 sc\u00e9ny i\u00a0lidsk\u00fdch slabost\u00ed.<\/p>\n<p><a data-dot=\"atm-link\" target=\"_self\" href=\"https:\/\/www.novinky.cz\/clanek\/kultura-divadlo-chceme-li-hrat-prvni-evropskou-ligu-bez-razantnejsich-zmen-se-neobejdeme-rika-budouci-sef-nd-martin-glaser-40553635\" class=\"c_N\" rel=\"nofollow noopener\"><img fetchpriority=\"high\" height=\"2304\" width=\"4096\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/b7c0.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/><\/a><\/p>\n<p class=\"c_bz\">Sc\u00e9n\u011b v\u00e9vod\u00ed na to\u010dn\u011b um\u00edst\u011bn\u00fd obrovsk\u00fd pal\u00e1c s\u00a0lo\u017enic\u00ed, chodbou i\u00a0dal\u0161\u00edmi z\u00e1kout\u00edmi s\u00a0odkazem na antick\u00e9, barokn\u00ed i\u00a0sou\u010dasn\u00e9 prvky. D\u00edky neust\u00e1l\u00e9mu pohybu sc\u00e9ny i\u00a0postav je v\u0161e v\u00a0dynamick\u00e9m nap\u011bt\u00ed. Jednotliv\u00e9 v\u00fdstupy stav\u00ed Glaser jako \u010d\u00edsla kabaretn\u00ed revue, je\u017e se \u0159et\u011bz\u00ed jako plo\u0161ky pestr\u00e9ho krasohledu do obrazu po\u0161etil\u00e9ho lidsk\u00e9ho hem\u017een\u00ed. <\/p>\n<p><img height=\"1707\"   width=\"2560\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/wojtek-gierlach-vojtech-pelka-doubravka-svobodova-georg-friedrich-handel-agrippina-divadlo-kultura-h.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: NDB &#8211; B\u00e1ra Bachanov\u00e1<\/p>\n<p class=\"c_bz\">C\u00edsa\u0159 Claudius (Wojtek Gierlach, uprost\u0159ed) p\u0159istihl Nerona (Vojt\u011bch Pelka) p\u0159i sv\u00e1d\u011bn\u00ed Poppey (Doubravka Svobodov\u00e1). M\u00e1 o\u00a0ni ov\u0161em z\u00e1jem s\u00e1m.<\/p>\n<p class=\"c_bz\">Svou roli tu m\u00e1 i\u00a0n\u00e1padit\u00e9 sv\u00edcen\u00ed, hrav\u00e9 dov\u00e1d\u011bn\u00ed v\u00a0zahradn\u00edm labyrintu a\u00a0v neposledn\u00ed \u0159ad\u011b i\u00a0tane\u010dn\u00ed vlo\u017eky, je\u017e ov\u0161em ob\u010das sklouz\u00e1vaj\u00ed jen k\u00a0popisn\u00e9 ilustraci. Jako celek ale p\u016fsob\u00ed brn\u011bnsk\u00e1 Agrippina velmi \u017eiv\u011b a\u00a0jej\u00ed \u010dty\u0159i hodiny (se dv\u011bma pauzami) rozhodn\u011b neunav\u00ed, sp\u00ed\u0161 nabij\u00ed energi\u00ed.<\/p>\n<p class=\"c_bz\">Z\u00e1sluhu na tom m\u00e1 do zna\u010dn\u00e9 m\u00edry dirigent V\u00e1clav Luks, jeho\u017e Collegium 1704\u00a0hraje nezkr\u00e1cenou operu s\u00a0velk\u00fdm zaujet\u00edm, muzikalitou a\u00a0naka\u017elivou radost\u00ed. Orchestr h\u00fd\u0159\u00ed barvami a\u00a0zvukov\u00fdmi odst\u00edny od lahodn\u00fdch smy\u010dc\u016f a\u00a0dech\u016f a\u017e po d\u016fmysln\u00e9 perkuse, kde svou roli m\u00e1 i\u00a0sku\u010d\u00edc\u00ed v\u011btrostroj. Tvo\u0159\u00ed z\u00e1rove\u0148 pevn\u00fd celek s\u00a0v\u00fdborn\u011b zvolen\u00fdm s\u00f3listick\u00fdm obsazen\u00edm.<\/p>\n<p class=\"c_bz\">Pavla Vykopalov\u00e1 obda\u0159uje Agrippinu nejen kr\u00e1sn\u00fdm hlasem, ale i\u00a0z\u00e1blesky \u017eensk\u00e9 chtivosti, sv\u016fdnosti \u010di opi\u010d\u00ed mate\u0159sk\u00e9 l\u00e1sky k\u00a0Neronovi. P\u016fsobiv\u00e1 je jej\u00ed teskn\u00e1 \u00e1rie ve druh\u00e9m d\u011bjstv\u00ed, dod\u00e1vaj\u00edc\u00ed postav\u011b na tragick\u00e9 lidskosti.<\/p>\n<p><img height=\"1707\"   width=\"2560\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/tadeas-hoza-monika-jagerova-georg-friedrich-handel-agrippina-divadlo-kultura-hra.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: NDB &#8211; B\u00e1ra Bachanov\u00e1<\/p>\n<p class=\"c_bz\">Postavy H\u00e4ndelovy Agrippiny maj\u00ed dr\u00e1\u017edivou genderovou nejednozna\u010dnost podpo\u0159enou fantaskn\u00edmi kost\u00fdmy. Zleva Tade\u00e1\u0161 Hoza (Pallante) a\u00a0Monika J\u00e4gerov\u00e1 (Narciso)<\/p>\n<p class=\"c_bz\">Vynikaj\u00edc\u00ed je Nero Vojt\u011bcha Pelky, nesnesiteln\u00fd i\u00a0okouzluj\u00edc\u00ed fracek, jeho\u017e nezkrotnost mlad\u00fd kontratenorista prom\u00edt\u00e1 do suver\u00e9nn\u011b zn\u011bj\u00edc\u00edch koloratur i\u00a0temperamentn\u00edho pohybu. Lyri\u010dt\u011bj\u0161\u00ed Ottone sv\u011bd\u010d\u00ed m\u011bkk\u00e9mu tmav\u0161\u00edmu kontratenoru Constantina Zimmermanna, jen\u017e tvo\u0159\u00ed kr\u00e1snou dvojici s\u00a0Poppeou Doubravky Novotn\u00e9. <\/p>\n<p><img height=\"1707\"   width=\"2560\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/pavla-vykopalova-vojtech-pelka-georg-friedrich-handel-agrippina-divadlo-kultura-hra.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: NDB &#8211; B\u00e1ra Bachanov\u00e1<\/p>\n<p class=\"c_bz\">Agrippina (Pavla Vykopalov\u00e1) je matkou nevycv\u00e1lan\u00e9ho teenagera Nerona (Vojt\u011bch Pelka), kter\u00e9ho chce dosadit na \u0159\u00edmsk\u00fd tr\u016fn.<\/p>\n<p class=\"c_bz\">Tu na ned\u011bln\u00ed repr\u00edze postihla hlasov\u00e1 indispozice, tak\u017ee part za ni precizn\u011b odzp\u00edvala narychlo povolan\u00e1 Vanessa Waldhart z\u00a0orchest\u0159i\u0161t\u011b, zat\u00edmco Novotn\u00e1 ztv\u00e1rnila postavu herecky. V\u00fdsledn\u00fd dojem byl naprosto plnohodnotn\u00fd. Pochvalu zaslou\u017e\u00ed ale cel\u00e9 obsazen\u00ed za p\u011bveck\u00e9, hereck\u00e9 i\u00a0pohybov\u00e9 v\u00fdkony.<\/p>\n<p class=\"c_bz\">Agrippina je z\u00e1\u017eitek, kter\u00fd znovu stvrzuje evropsk\u00e9 renom\u00e9 brn\u011bnsk\u00e9 opery a\u00a0za n\u00edm\u017e rozhodn\u011b stoj\u00ed za to se do Brna vypravit. P\u0159\u00edle\u017eitost se nab\u00edz\u00ed je\u0161t\u011b 10., 30.\u00a0a\u00a031.\u00a0kv\u011btna.<\/p>\n<p><img height=\"1707\"   width=\"2560\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/georg-friedrich-handel-agrippina-divadlo-kultura-hra.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/>Foto: NDB &#8211; B\u00e1ra Bachanov\u00e1<\/p>\n<p class=\"c_bz\">Pro Pavlu Vykopalovou je Agrippina po Alcin\u011b dal\u0161\u00ed \u017eivotn\u00ed h\u00e4ndelovskou rol\u00ed.<\/p>\n<p>Georg Friedrich H\u00e4ndel: AgrippinaHudebn\u00ed nastudov\u00e1n\u00ed, dirigent: V\u00e1clav Luks. Re\u017eie: Martin Glaser. Sc\u00e9na: Petr V\u00edtek. Kost\u00fdmy: Martin Chocholou\u0161ek. Sv\u011btlen\u00fd design:  Martin \u0160petl\u00edk. Choreografie: Martin Pacek. Hraj\u00ed: Pavla Vykopalov\u00e1 (Agrippina), Vojt\u011bch Pelka (Nero), Tde\u00e1\u0161 Hoza (Pallante), Monika J\u00e4gerov\u00e1 (Narciso); David Nykl (Lesbo), Constantin Zimmermann (0ttone), Doubravka Novotn\u00e1 \/ Vanessa Waldhart (Poppea), Wojtek Gierlach (Claudius)Premi\u00e9ra:  11. dubna 2026, Jan\u00e1\u010dkovo divadlo (N\u00e1rodn\u00ed divadlo Brno), BrnoHodnocen\u00ed: 90 %<a data-dot=\"atm-link\" target=\"_self\" href=\"https:\/\/www.novinky.cz\/clanek\/kultura-divadlo-recenze-parsifal-v-kafkovskem-baleni-40570199\" class=\"c_N\" rel=\"nofollow noopener\"><img height=\"2304\" width=\"4096\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/richard-wagner-parsifal.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/><\/a><a data-dot=\"atm-link\" target=\"_self\" href=\"https:\/\/www.novinky.cz\/clanek\/kultura-divadlo-prvni-brnenskou-agrippinu-a-jeji-intriky-doprovodi-barokni-orchestr-40571697\" class=\"c_N\" rel=\"nofollow noopener\"><img height=\"2304\" width=\"4096\" src=\"https:\/\/www.europesays.com\/cz\/wp-content\/uploads\/2026\/04\/agrippina.jpeg\" loading=\"eager\" decoding=\"sync\" class=\"c_t c_r\"\/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"D\u00edlo z\u00a0H\u00e4ndelova italsk\u00e9ho obdob\u00ed opl\u00fdv\u00e1 zp\u011bvnost\u00ed, vtipem i\u00a0pochopen\u00edm pro vesm\u011bs negativn\u00ed postavy. Ostatn\u011b Agrippina se do pov\u011bdom\u00ed zapsala&hellip;\n","protected":false},"author":2,"featured_media":61226,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[2847,79,4877,1448,16103,21211,80],"class_list":{"0":"post-61225","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-divadla","9":"tag-entertainment","10":"tag-hry","11":"tag-kultura","12":"tag-narodni-divadlo-brno","13":"tag-opera-agrippina","14":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116439240077216408","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/61225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=61225"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/61225\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/61226"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=61225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=61225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=61225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}