{"id":61728,"date":"2026-04-21T11:49:10","date_gmt":"2026-04-21T11:49:10","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/61728\/"},"modified":"2026-04-21T11:49:10","modified_gmt":"2026-04-21T11:49:10","slug":"tame-impala-poprve-v-praze-kolik-laseru-chcete-ano","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/61728\/","title":{"rendered":"Tame Impala poprv\u00e9 v Praze: Kolik laser\u016f chcete? Ano!"},"content":{"rendered":"

Tame Impala odehr\u00e1li ve vyprodan\u00e9 O2 aren\u011b sv\u016fj prvn\u00ed samostatn\u00fd koncert v Praze a p\u0159ivezli show, kter\u00e1 st\u00e1la na detailech, ne na gestech. Precizn\u00ed zvuk, plynul\u00fd set a masivn\u00ed sv\u011bteln\u00e1 produkce dr\u017eely pohromad\u011b bez hluch\u00fdch m\u00edst. V\u00fdsledkem byl ve\u010der, kter\u00fd fungoval jako perfektn\u00ed celek.<\/p>\n

Live: Tame Impala<\/p>\n

m\u00edsto: O2 arena, Praha
datum: 20. dubna 2026
setlist: Apocalyps Dreams, The Moment, Borderline, Loser, Breathe Deeper, Gossip, Elephant, Afterthought, Feels Like We Only Go Backwards, Dracula, No Reply, Ethereal Connection, Not My World, Let It Happen, Nangs, List of People (To Try and Forget About), Alter Ego, Piece of Heaven, Eventually, New Person, Same Old Mistakes, My Old Ways, The Less I Know the Better, End of Summer
Fotogalerie<\/a><\/p>\n

O2 arena je prostor, kde se \u010dasto uk\u00e1\u017ee, kdo m\u00e1 koncert skute\u010dn\u011b pod kontrolou. Nen\u00ed kam se schovat. Bu\u010f se to rozpadne, nebo to dr\u017e\u00ed. Austral\u0161t\u00ed Tame Impala<\/a> si vystoupen\u00ed nastavili podle sebe, bez p\u0159ehnan\u00e9ho tlaku na efekt, ale s d\u016frazem na detaily, kter\u00e9 jejich hudbu definuj\u00ed u\u017e od za\u010d\u00e1tku.<\/p>\n

Hudebn\u011b b\u00fdvaj\u00ed nej\u010dast\u011bji p\u0159irovn\u00e1v\u00e1ni k interpret\u016fm, kte\u0159\u00ed pracuj\u00ed s psychedeli\u00ed, atmosf\u00e9rou a studiov\u00fdm zvukem sp\u00ed\u0161 jako s n\u00e1strojem ne\u017e jen dopl\u0148kem skladeb. Nejbl\u00ed\u017e maj\u00ed k ran\u00fdm Pink Floyd<\/a> a k obdob\u00ed Beatles<\/a> kolem alb „Revolver“ a „Sgt. Pepper\u2019s“ p\u0159edev\u0161\u00edm v tom, jak vrstven\u00edm, efekty a pozvoln\u00fdm v\u00fdvojem p\u00edsn\u00ed vytv\u00e1\u0159ej\u00ed pohlcuj\u00edc\u00ed n\u00e1ladu. Z\u00e1rove\u0148 jsou pevn\u011b zakotven\u00ed v modern\u00edm indie popu, kde se \u010dasto zmi\u0148uje paralela s MGMT<\/a> nebo Unknown Mortal Orchestra<\/a>, hlavn\u011b kv\u016fli kombinaci psychedelie a siln\u00fdch, zapamatovateln\u00fdch melodi\u00ed.<\/p>\n


\n \"Tame<\/a>
\n \u00a9 Kl\u00e1ra Mia Kre\u010dmerov\u00e1 \/ musicserver.czNa nov\u011bj\u0161\u00edch desk\u00e1ch je patrn\u00fd i vliv elektroniky a d\u016fraz na groove, kter\u00fd m\u016f\u017ee p\u0159ipomenout Daft Punk<\/a>, ne \u017e\u00e1nrov\u011b, ale zp\u016fsobem pr\u00e1ce s rytmem a opakov\u00e1n\u00edm. Na rozd\u00edl od v\u011bt\u0161iny srovn\u00e1van\u00fdch kapel ale nepat\u0159\u00ed kolektivn\u00ed projekty, n\u00fdbr\u017e jde o osobn\u00ed autorskou vizi Kevina Parkera, kter\u00fd spojuje analogovou psychedelii minul\u00fdch dek\u00e1d s precizn\u00ed, sou\u010dasnou produkc\u00ed. V\u011bt\u0161inu v\u011bc\u00ed skl\u00e1d\u00e1, nahr\u00e1v\u00e1 i produkuje s\u00e1m. Desky jako „Lonerism“ nebo „Currents“ stoj\u00ed na vrstven\u00ed, drobn\u00fdch zm\u011bn\u00e1ch a p\u0159esn\u00e9 pr\u00e1ci se zvukem.<\/p>\n

Do Prahy nyn\u00ed p\u0159ijeli poprv\u00e9 sami za sebe, ne jako jm\u00e9no schovan\u00e9 n\u011bkde v line-upu festivalu. A rovnou do rychle vyprodan\u00e9 haly. Jakmile zhasla sv\u011btla, lidi na m\u00edstech k sezen\u00ed vysko\u010dili do pozoru v podstat\u011b instinktivn\u011b. Ne\u0161lo o ten typ koncertu, kde by v\u0161ichni \u010dekali, a\u017e je k tomu n\u011bkdo z p\u00f3dia vyzve.<\/p>\n

„Apocalypse Dreams“ otev\u0159ela ve\u010der bez velk\u00e9ho n\u00e1stupu, sp\u00ed\u0161 jako kdy\u017e se n\u011bco rozb\u011bhne a u\u017e to nejde zastavit. „The Moment“ na ni nav\u00e1zala tak hladce, \u017ee hranice mezi skladbami skoro mizely. Frontman p\u016fsobil klidn\u011b, t\u00e9m\u011b\u0159 uzav\u0159en\u011b. \u017d\u00e1dn\u00e9 velk\u00e9 \u0159e\u010di, \u017e\u00e1dn\u00e9 povely davu. Jen ob\u010dasn\u00e1 v\u011bta, jinak pln\u00e1 kontrola nad t\u00edm, co se d\u011bje. Nepot\u0159eboval si nikoho z\u00edsk\u00e1vat, ka\u017ed\u00fd t\u00e9 energii propadl okam\u017eit\u011b.<\/p>\n


\n \"Tame<\/a>
\n \u00a9 Kl\u00e1ra Mia Kre\u010dmerov\u00e1 \/ musicserver.czZvuk p\u0159inesl jeden z nejv\u011bt\u0161\u00edch trumf\u016f ve\u010dera. V hale, kde se \u010dasto v\u0161echno sl\u00e9v\u00e1 do jedn\u00e9 koule, byl p\u0159ekvapiv\u011b \u010diteln\u00fd. Basa m\u011bla fyzickou p\u0159\u00edtomnost, ale nep\u0159ehlu\u0161ovala. Bic\u00ed byly p\u0159esn\u00e9, pevn\u00e9, bez zbyte\u010dn\u00e9ho dozvuku. Syntez\u00e1tory se vrstvily, ale nespl\u00fdvaly. Ka\u017ed\u00fd detail \u0161el sly\u0161et. <\/p>\n

A pak sv\u011btla. V jednu chv\u00edli to vypadalo, \u017ee je jich v\u00edc ne\u017e lid\u00ed. B\u00edl\u00e9 paprsky \u0159ezaly prostor v rovn\u00fdch lini\u00edch, \u010derven\u00e9 stroboskopy rozb\u00edjely obraz na sekvence, barevn\u00e9 lasery se skl\u00e1daly do tvar\u016f nad publikem. Ne\u0161lo jen o intenzitu, ale i o na\u010dasov\u00e1n\u00ed. Sv\u011btla reagovala na hudbu p\u0159esn\u011b, ne pouze efektn\u011b.<\/p>\n

„Elephant“ koncert na chv\u00edli vych\u00fdlila – p\u0159inesla v\u00edc kytar, v\u00edc syrovosti, m\u00e9n\u011b uhlazenosti. Ne\u0161lo p\u0159\u00edmo o dramatick\u00fd zlom, ale o p\u0159esn\u011b takovou zm\u011bnu, kter\u00e1 udr\u017e\u00ed pozornost. St\u0159ed ve\u010dera dr\u017eel pohromad\u011b hlavn\u011b d\u00edky tomu, jak jej Parker a spol. vystav\u011bli. „Feels Like We Only Go Backwards“ p\u0159inesla moment, kdy zp\u00edvala cel\u00e1 hala, ale bez nucen\u00e9ho vyhecov\u00e1n\u00ed. „Let It Happen“ pak za\u010dala nen\u00e1padn\u011b a postupn\u011b rostla, vrstva po vrstv\u011b, zvuk po zvuku, sv\u011btlo po sv\u011btle.<\/p>\n

Zcela jinou kapitolu nab\u00eddnul p\u0159esun na vedlej\u0161\u00ed stage. Kamera Parkera nep\u0159etr\u017eit\u011b sledovala a prom\u00edtala ka\u017ed\u00fd jeho krok na hlavn\u00ed obrazovky. Kr\u00e1tk\u00e1 zast\u00e1vka na toalet\u011b, myt\u00ed rukou i \u00faprava v zrcadle p\u016fsobily civiln\u011b a s lehk\u00fdm humorem. Publikum reagovalo pobaven\u011b a s pocitem, \u017ee je sou\u010d\u00e1st\u00ed n\u011b\u010deho ne\u010dekan\u011b osobn\u00edho. <\/p>\n

\"\"\"\"<\/a> <\/p>\n

Na men\u0161\u00edm p\u00f3diu uprost\u0159ed lid\u00ed se atmosf\u00e9ra radik\u00e1ln\u011b zm\u011bnila. Prostor p\u0159ipom\u00ednal sp\u00ed\u0161 ob\u00fdv\u00e1k ne\u017e koncertn\u00ed halu. Barevn\u011b problik\u00e1vaj\u00edc\u00ed lampy, klidn\u011bj\u0161\u00ed tempo a minimalismus dramaturgie vytvo\u0159ily t\u00e9m\u011b\u0159 intimn\u00ed moment. Kevin se mezi skladbami pohyboval voln\u011b, chv\u00edli zp\u00edval vle\u017ee, chv\u00edli vestoje, zap\u00e1lil si cigaretu a p\u016fsobil, jako by zapomn\u011bl na tis\u00edce o\u010d\u00ed kolem sebe. Zvuk se pro\u010distil a detaily vystoupily do pop\u0159ed\u00ed. Tento blok ve\u010der v\u00fdrazn\u011b zpomalil a z\u00e1rove\u0148 mu dodal rovnov\u00e1hu.<\/p>\n

Druh\u00e1 polovina koncertu se zvedala postupn\u011b, ne skokem, ale vrstven\u00edm. „Eventually“ a „New Person, Same Old Mistakes“ stav\u011bly na opakov\u00e1n\u00ed, kter\u00e9 se pomalu zahu\u0161\u0165ovalo. Lasery se vracely, sv\u011btla houstla a halu znovu pohltil rytmus.<\/p>\n


\n \"Tame<\/a>
\n \u00a9 Kl\u00e1ra Mia Kre\u010dmerov\u00e1 \/ musicserver.czEmotivn\u00ed moment p\u0159i\u0161el kr\u00e1tce p\u0159ed z\u00e1v\u011brem, kdy si zp\u011bv\u00e1k na p\u00f3dium p\u0159ivedl svou malou dceru s ch\u016fvou. Ply\u0161ov\u00fd Krte\u010dek v jej\u00ed ruce vyvolal spont\u00e1nn\u00ed reakce publika. Pokus vysv\u011btlit jeho v\u00fdznam skon\u010dil jednoduch\u00fdm „krtko“, co\u017e pobavilo celou arenu. Rod\u00e1k ze Sydney s \u00fasm\u011bvem dodal, \u017ee doma tahle postavi\u010dka nesm\u00ed chyb\u011bt, zvl\u00e1\u0161\u0165 kdy\u017e m\u00e1 ch\u016fvu z t\u011bchto kon\u010din.<\/p>\n

P\u0159\u00eddavek nep\u0159inesl p\u0159ekvapen\u00ed, ale splnil p\u0159esn\u011b to, co m\u011bl. „The Less I Know the Better“ spustila nejsiln\u011bj\u0161\u00ed reakci ve\u010dera a publikum si naplno uv\u011bdomilo, \u017ee se bl\u00ed\u017e\u00ed konec. Energie \u0161la naplno nahoru a posledn\u00ed minuty pat\u0159ily tanci a euforii.<\/p>\n

Tame Impala<\/a> v O2 aren\u011b nepostavili ve\u010der na jednom v\u00fdjime\u010dn\u00e9m momentu. S\u00edla koncertu byla v jeho konzistenci. V tom, \u017ee zvuk, sv\u011btla i dramaturgie fungovaly jako jeden celek. Nic nep\u016fsobilo p\u0159ehnan\u011b a nic nechyb\u011blo. I p\u0159es vizu\u00e1ln\u00ed intenzitu a velk\u00e9 mno\u017estv\u00ed laser\u016f z\u016fstal v\u00fdsledn\u00fd dojem vyv\u00e1\u017een\u00fd. Psychedelick\u00fd, ale p\u0159esn\u011b kontrolovan\u00fd. \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Tame Impala odehr\u00e1li ve vyprodan\u00e9 O2 aren\u011b sv\u016fj prvn\u00ed samostatn\u00fd koncert v Praze a p\u0159ivezli show, kter\u00e1 st\u00e1la…\n","protected":false},"author":2,"featured_media":61729,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[8086,8087,8085,98,99,195],"class_list":{"0":"post-61728","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-cs","9":"tag-dvd","10":"tag-musicserver","11":"tag-prague","12":"tag-praha","13":"tag-recenze"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116442547180542482","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/61728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=61728"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/61728\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/61729"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=61728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=61728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=61728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}