{"id":63739,"date":"2026-04-23T08:53:20","date_gmt":"2026-04-23T08:53:20","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/63739\/"},"modified":"2026-04-23T08:53:20","modified_gmt":"2026-04-23T08:53:20","slug":"nove-desky-15-2026-od-jessie-ware-pres-nine-inch-nails-boys-noize-po-tomoru","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/63739\/","title":{"rendered":"Nov\u00e9 desky 15\/2026 – od Jessie Ware p\u0159es Nine Inch Nails & Boys Noize po Tomoru"},"content":{"rendered":"

S \u0161\u00e9fem Nov\u00fdch desek na dovolen\u00e9 jsme pro jednou vypustili sekci V kr\u00e1tkosti, i tak v\u00e1m ale nab\u00edz\u00edme informace o novink\u00e1ch Jessie Ware, Tomory, spole\u010dn\u00e9 nahr\u00e1vce Nine Inch Nails a Boyz Noize, Zayna, Skindred, Vanessy Cartlton, M.I.A. \u010di dom\u00e1c\u00edch Midnight Swimmers a Terezy Richtrov\u00e9. Nechyb\u00ed ani pr\u016flet skrz Record Store Day.<\/p>\n

V p\u00e1tek 17. dubna vy\u0161ly tyto nov\u00e9 tituly:<\/p>\n

Jessie Ware<\/a> – Superbloom
\n\u017e\u00e1nr: disco \/ pop \/ soul<\/p>\n

\"JessieJessie Ware<\/a> na „Superbloom“ d\u00e1l rozkv\u00e9t\u00e1 v tane\u010dn\u00ed poloze, kter\u00e1 j\u00ed v posledn\u00edch letech sedla skoro dokonale. \u0160est\u00e1 studiovka navazuje na „That! Feels Good!“, ale nep\u016fsob\u00ed jako jej\u00ed prost\u00e9 pokra\u010dov\u00e1n\u00ed. Sp\u00ed\u0161 jako jej\u00ed uhlazen\u011bj\u0161\u00ed, vyzr\u00e1lej\u0161\u00ed a m\u00edsty i osobn\u011bj\u0161\u00ed verze. Po\u0159\u00e1d tu najdeme disco tah, bly\u0161tiv\u00fd popov\u00fd povrch i smyslnost, kter\u00e1 se s jej\u00edm hlasem poj\u00ed \u010d\u00edm d\u00e1l p\u0159irozen\u011bji, jen tentokr\u00e1t se do toho v\u00edc propisuje i t\u00e9ma skute\u010dn\u00e9 bl\u00edzkosti, vztah\u016f a rodinn\u00e9ho z\u00e1zem\u00ed.<\/p>\n

Na desce je nav\u00edc sly\u0161et, \u017ee Ware nevsadila v\u0161echno jen na vlastn\u00ed charisma, ale znovu si pe\u010dliv\u011b poskl\u00e1dala siln\u00e9 autorsko-produk\u010dn\u00ed z\u00e1zem\u00ed. V r\u016fzn\u00fdch rol\u00edch se kolem n\u00ed objevuj\u00ed James Ford, Karma Kid, Barney Lister, Stuart Price<\/a>, Jon Shave i Jack Pe\u00f1ate<\/a>, tedy lid\u00e9, kte\u0159\u00ed jej\u00ed novou tane\u010dn\u00ed kapitolu pom\u00e1hali tvarovat u\u017e d\u0159\u00edv. Singly „I Could Get Used to This“, „Ride“ a „Automatic“ proto nep\u016fsob\u00ed jako nahodil\u00e9 v\u00fdst\u0159ely, ale jako sou\u010d\u00e1st promy\u0161len\u00e9ho celku. A kdy\u017e se v „Automatic“ mihne i receitace od Colmana Dominga, jen to potvrzuje, \u017ee zp\u011bva\u010dka po\u0159\u00e1d v\u00ed, jak svou elegantn\u00ed popovou hru ozvl\u00e1\u0161tnit. Uk\u00e1zky z desky najdete na jej\u00edm YouTube kan\u00e1lu<\/a>, t\u011b\u0161it se m\u016f\u017eete i na 12. listopadu 2026, kdy vystoup\u00ed v pra\u017esk\u00e9m klubu SaSaZu.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Nine Inch Nails<\/a> & Boys Noize<\/a> – Nine Inch Noize
\n\u017e\u00e1nr: elektronika
\n\"Nine
\nProjekt „Nine Inch Noize“ p\u0159edstavuje spojen\u00ed dvou v\u00fdrazn\u00fdch hudebn\u00edch sv\u011bt\u016f – industri\u00e1ln\u00ed temnoty Nine Inch Nails<\/a> a klubov\u00e9 elektroniky Boys Noize<\/a>. Album „Nine Inch Noize“ nen\u00ed klasickou \u0159adovou deskou NIN, ale kolaborativn\u00edm projektem, kter\u00fd vznikl z jejich spole\u010dn\u00fdch koncert\u016f a p\u0159edchoz\u00ed pr\u00e1ce na filmov\u00fdch soundtrac\u00edch („Challengers“, „Tron: Ares“). Deska, kter\u00e1 vy\u0161la na podporu jejich spole\u010dn\u00e9ho vystoupen\u00ed na festivalu Coachella, je takov\u00fd zvl\u00e1\u0161tn\u00ed hybrid – na pomez\u00ed live alba, remixov\u00e9 kolekce a studiov\u00e9 nahr\u00e1vky. <\/p>\n

V\u011bt\u0161ina materi\u00e1lu vych\u00e1z\u00ed z ikonick\u00fdch skladeb Nine Inch Nails, kter\u00e9 jsou zde p\u0159etvo\u0159eny do nov\u00e9, v\u00fdrazn\u011b elektronick\u00e9 podoby. Nejde ale o klasick\u00e9 remixy v klubov\u00e9m smyslu, sp\u00ed\u0161 o radik\u00e1ln\u00ed reinterpretace, kter\u00e9 \u010dasto m\u011bn\u00ed rytmus, strukturu i atmosf\u00e9ru p\u016fvodn\u00edch skladeb. Dosavadn\u00ed ohlasy na projekt jsou velmi pozitivn\u00ed. Poslucha\u010di oce\u0148uj\u00ed zejm\u00e9na odvahu posunout ikonick\u00fd katalog NIN do nov\u00e9ho kontextu a vytvo\u0159it n\u011bco, co nen\u00ed ani nostalgie a ani standardn\u00ed remixov\u00e1 kolekce. Jestli se d\u00edlo povedlo, posu\u010fte sami a poslechn\u011bte si uk\u00e1zky na YouTube<\/a>.
\n\"\"\"\"<\/a><\/p>\n

Tomora<\/a> – Come Closer
\n\u017e\u00e1nr: elektronika \/ dance-pop \/ art pop<\/p>\n

\"TOMORATomora<\/a>, tedy spole\u010dn\u00fd projekt Aurory a Toma Rowlandse z The Chemical Brothers<\/a>, se hl\u00e1s\u00ed s debutem „Come Closer“. Na jedn\u00e9 stran\u011b stoj\u00ed jeho zku\u0161enost s velkou elektronickou architekturou, na druh\u00e9 jej\u00ed zvl\u00e1\u0161tn\u00ed, \u00e9terick\u00fd a citov\u011b neposedn\u00fd rukopis. V\u00fdsledkem nen\u00ed steriln\u00ed superskupina pro efekt, ale album, kter\u00e9 si buduje vlastn\u00ed sv\u011bt – chv\u00edli raveov\u00fd, chv\u00edli zasn\u011bn\u00fd, chv\u00edli skoro mimozemsk\u00fd. P\u0159itom po\u0159\u00e1d dr\u017e\u00ed pohromad\u011b a nesklouz\u00e1v\u00e1 k pouh\u00e9 kol\u00e1\u017ei zn\u00e1m\u00fdch styl\u016f.<\/p>\n

Zaj\u00edmav\u00e9 je i to, \u017ee „Come Closer“ stoj\u00ed hlavn\u011b na samotn\u00e9 dvojici, ne na p\u0159ehl\u00eddce host\u016f, kte\u0159\u00ed by m\u011bli cel\u00fd projekt dodate\u010dn\u011b ozvl\u00e1\u0161tnit. Rowlands a Aurora<\/a> desku podle ofici\u00e1ln\u00edch materi\u00e1l\u016f napsali i produkovali spole\u010dn\u011b a z rozhovor\u016f je patrn\u00e9, \u017ee ne\u0161lo o jednor\u00e1zov\u00fd studiov\u00fd flirt, ale o spolupr\u00e1ci, kter\u00e1 zr\u00e1la del\u0161\u00ed dobu – od prvn\u00edho vz\u00e1jemn\u00e9ho napojen\u00ed po spole\u010dnou pr\u00e1ci mezi Lond\u00fdnem a Norskem. I proto p\u016fsob\u00ed album sev\u0159en\u011bji, ne\u017e by se od tak v\u00fdrazn\u00e9ho spojen\u00ed dalo \u010dekat. M\u00edsto p\u0159ehl\u00eddky eg nab\u00edz\u00ed skute\u010dn\u00fd dialog dvou odli\u0161n\u00fdch hudebn\u00edch povah, kter\u00e9 se p\u0159ekvapiv\u011b dob\u0159e dopl\u0148uj\u00ed. Uk\u00e1zky najdete na YouTube profilu dvojice<\/a> a v \u010dervenci si je budeme moci u\u017e\u00edt i \u017eiv\u011b na festivalu Colours of Ostrava.
\n\"\"\"\"<\/a><\/p>\n

Zayn<\/a> – Konnakol
\n\u017e\u00e1nr: pop \/ r’n’b<\/p>\n

\"ZaynZayn<\/a> na „Konnakol“ nenab\u00edz\u00ed \u017e\u00e1dn\u00fd lacin\u00fd restart, sp\u00ed\u0161 dal\u0161\u00ed pokus posunout svou s\u00f3lovou dr\u00e1hu do osobn\u011bj\u0161\u00ed a pevn\u011bj\u0161\u00ed podoby. P\u00e1t\u00e1 deska se op\u00edr\u00e1 o jeho jihoasijsk\u00e9 ko\u0159eny a u\u017e samotn\u00fd titul odkazuje k vok\u00e1ln\u00edmu rytmick\u00e9mu um\u011bn\u00ed z ji\u017en\u00ed Indie. Na v\u00fdsledku je to sly\u0161et hlavn\u011b v detailech – v pr\u00e1ci s hlasem, v rytmice i v n\u00e1lad\u011b, kter\u00e1 se nesna\u017e\u00ed b\u00fdt prvopl\u00e1nov\u011b hitov\u00e1 za ka\u017edou cenu.<\/p>\n

D\u016fle\u017eit\u00e9 je i to, k\u00fdm se obklopil. K albu se vr\u00e1til producent Malay, tedy jeden z kl\u00ed\u010dov\u00fdch lid\u00ed jeho debutu „Mind of Mine“, dal\u0161\u00ed autorsk\u00fd vklad p\u0159idal tak\u00e9 Mikky Ekko<\/a>. „Konnakol“ tak nep\u016fsob\u00ed jako nahodil\u00fd sled skladeb, ale jako promy\u0161len\u011bj\u0161\u00ed celek, v n\u011bm\u017e se Zayn znovu sna\u017e\u00ed spojit sou\u010dasn\u00e9 r’n’b, popovou uhlazenost a kulturn\u00ed inspirace, kter\u00e9 d\u0159\u00edv pou\u017e\u00edval sp\u00ed\u0161 v n\u00e1znac\u00edch. Celou desku najdete na jeho YouTube profilu<\/a>.<\/p>\n

Skindred<\/a> – You Got This
\n\u017e\u00e1nr: alternativn\u00ed metal
\n\"Skindred
\nVel\u0161sk\u00e1 kapela Skindred<\/a> p\u0159in\u00e1\u0161\u00ed na sv\u00e9 dev\u00e1t\u00e9 studiovce svou unik\u00e1tn\u00ed sm\u011bsici metalu, reggae, punku a elektroniky. Album „You Got This“ tak navazuje na velmi \u00fasp\u011b\u0161nou kolekci „Smile“ z roku 2023. Novinka p\u016fsob\u00ed jako p\u0159irozen\u00e9 pokra\u010dov\u00e1n\u00ed pozitivn\u00ed energie, kterou formace v posledn\u00edch letech \u0161\u00ed\u0159\u00ed. U\u017e samotn\u00fd n\u00e1zev funguje jako motiva\u010dn\u00ed mantra – deska je pln\u00e1 povzbudiv\u00fdch moment\u016f, ale z\u00e1rove\u0148 reflektuje i tlak modern\u00ed doby, vyho\u0159en\u00ed a pot\u0159ebu znovu naj\u00edt rovnov\u00e1hu. <\/p>\n

Muzikanti op\u011bt serv\u00edruj\u00ed sv\u016fj mix tvrd\u00fdch kytar, tane\u010dn\u00edch rytm\u016f a reggae vliv\u016f, kter\u00e9 dohromady vytv\u00e1\u0159ej\u00ed okam\u017eit\u011b rozpoznateln\u00fd zvuk. Podle dosavadn\u00edch ohlas\u016f je nad slunce jasn\u00e9, \u017ee Skindred neztratili hravost ani schopnost ps\u00e1t skladby, kter\u00e9 funguj\u00ed na p\u00f3diu i mimo n\u011bj. Pr\u00e1v\u011b na p\u00f3diu se novince bude da\u0159it p\u0159\u00edmo excelentn\u011b – je to koncertn\u00ed materi\u00e1l od prvn\u00ed do posledn\u00ed skladby. Uk\u00e1zky najdete na YouTube<\/a>. <\/p>\n

Tip t\u00fddne<\/p>\n


\nTereza Richtrov\u00e1<\/a> – M\u00edsta\/Krajiny

\n\u017e\u00e1nr: folk \/ singer-songwriter \/ alternativa<\/p>\n

\"TerezaTereza Richtrov\u00e1<\/a> na debutu „M\u00edsta\/Krajiny“ skl\u00e1d\u00e1 cosi mezi osobn\u00edm den\u00edkem, mapou a tich\u00fdm vyzn\u00e1n\u00edm. P\u00edsn\u011b vyr\u016fstaj\u00ed z m\u00edst, kde \u017eila, z lid\u00ed, kter\u00e9 cestou potkala, i z pocitu, \u017ee \u010dlov\u011bk \u010dasto hled\u00e1 domov z\u00e1rove\u0148 v krajin\u011b i s\u00e1m v sob\u011b. V\u00fdsledkem je nahr\u00e1vka, kter\u00e1 se neboj\u00ed k\u0159ehkosti, ale nez\u016fst\u00e1v\u00e1 jen u intimn\u00edho \u0161ept\u00e1n\u00ed. Do jej\u00edho zvuku se propisuje i folkl\u00f3rn\u00ed inspirace a vztah k tradi\u010dn\u00edm motiv\u016fm, ov\u0161em bez muze\u00e1ln\u00ed zatuchlosti – sp\u00ed\u0161 v sou\u010dasn\u00fdch, civiln\u00edch aran\u017e\u00edch, kter\u00e9 d\u00e1vaj\u00ed p\u00edsn\u00edm vzduch a pohyb.<\/p>\n

Velkou roli tu sehr\u00e1l Martin Ky\u0161persk\u00fd<\/a> z Kv\u011bt\u016f<\/a>, kter\u00e9ho si Richtrov\u00e1 p\u0159izvala ke spolupr\u00e1ci a kter\u00fd jej\u00ed materi\u00e1l pomohl vytvarovat do v\u00fdrazn\u011bj\u0161\u00ed a pest\u0159ej\u0161\u00ed podoby. Pr\u00e1v\u011b to je na „M\u00edstech\/Krajin\u00e1ch“ mo\u017en\u00e1 nejcenn\u011bj\u0161\u00ed: deska zn\u00ed osobn\u011b, ale ne uzav\u0159en\u011b do sebe. Naopak otev\u00edr\u00e1 prostor pro dal\u0161\u00ed hlasy, n\u00e1lady a jemn\u00e9 posuny mezi folkem, alternativou a ozvuky lidov\u00e9 hudby. V dom\u00e1c\u00edm kontextu jde o p\u0159esn\u011b ten typ debutu, kter\u00fd nep\u0159ijde s velk\u00fdm r\u00e1musem, ale o to d\u00e9le se m\u016f\u017ee dr\u017eet pod k\u016f\u017e\u00ed.
\n\"\"\"\"<\/a><\/p>\n

M.I.A.<\/a> – M.I.7
\n\u017e\u00e1nr: experiment\u00e1ln\u00ed pop \/ rap \/ elektronika \/ gospel<\/p>\n

\"M.I.A.M.I.A.<\/a> na „M.I.7“ zase jednou uh\u00fdb\u00e1 tam, kde by ji m\u00e1lokdo \u010dekal. Sedm\u00e1 studiovka se od jej\u00edch d\u0159\u00edv\u011bj\u0161\u00edch politick\u00fdch v\u00fdpad\u016f a klubov\u00fdch v\u00fdboj\u016f odr\u00e1\u017e\u00ed k mnohem duchovn\u011bj\u0161\u00edmu t\u00f3nu. Sama ji p\u0159edstavila jako gospelovou desku zako\u0159en\u011bnou v modlitb\u011b, „Knize zjeven\u00ed“ a obrazech v\u00edry, tak\u017ee tu m\u00edsto klasick\u00e9ho tahu na prvn\u00ed sign\u00e1ln\u00ed najdeme sp\u00ed\u0161 zvl\u00e1\u0161tn\u00ed, rozl\u00e1man\u00fd a m\u00edsty a\u017e ob\u0159adn\u00ed celek. Nechyb\u00ed trumpety, p\u0159eru\u0161ovan\u00e9 struktury ani pocit, \u017ee poslucha\u010d sp\u00ed\u0161 vstupuje do osobn\u00edho ritu\u00e1lu ne\u017e na b\u011b\u017en\u00e9 popov\u00e9 album.<\/p>\n

Zaj\u00edmav\u00e9 p\u0159itom je, \u017ee tentokr\u00e1t nestav\u00ed na p\u0159ehl\u00eddce hv\u011bzdn\u00fdch jmen, ale v\u00edc na vlastn\u00edm konceptu a n\u011bkolika v\u00fdrazn\u00fdch prvc\u00edch, kter\u00e9 dr\u017e\u00ed celek pohromad\u011b. D\u016fle\u017eitou roli hraje Sunday Service Gospel Choir. M.I.A. album vydala na sv\u00e9 zna\u010dce OhmniMusic a zjevn\u011b ho pojala jako velmi osobn\u00ed v\u00fdpov\u011b\u010f. „M.I.7“ tak m\u016f\u017ee \u010d\u00e1st publika odradit, ale z\u00e1rove\u0148 p\u016fsob\u00ed jako nahr\u00e1vka, kter\u00e1 se nesna\u017e\u00ed zavd\u011b\u010dit. A p\u0159esn\u011b to na n\u00ed nakonec m\u016f\u017ee b\u00fdt to nejzaj\u00edmav\u011bj\u0161\u00ed. Pono\u0159it se do desky m\u016f\u017eete na YouTube profilu interpretky<\/a>.<\/p>\n

Vanessa Carlton<\/a> – Veils
\n\u017e\u00e1nr: singer-songwriter \/ art pop \/ indie pop<\/p>\n

\"VanessaVanessa Carlton<\/a> se na „Veils“ vrac\u00ed po \u0161esti letech s deskou, kter\u00e1 nep\u016fsob\u00ed nostalgicky ani vykalkulovan\u011b. Naopak – zn\u00ed jako nahr\u00e1vka autorky, kter\u00e1 u\u017e d\u00e1vno nic nemus\u00ed dokazovat a m\u016f\u017ee si dovolit ps\u00e1t jemn\u011bji, vrstevnat\u011bji a bez pot\u0159eby tla\u010dit na velk\u00e1 gesta. Album v sob\u011b nese r\u016fzn\u00e9 vrstvy jedn\u00e9 osobnosti, tak\u017ee nejde o kolekci izolovan\u00fdch p\u00edsn\u00ed, ale sp\u00ed\u0161 o souvisl\u00fd, pomalu se otev\u00edraj\u00edc\u00ed celek.<\/p>\n

Na v\u00fdsledn\u00e9m zvuku m\u00e1 v\u00fdrazn\u00fd pod\u00edl i t\u00fdm spolupracovn\u00edk\u016f. Z\u00e1sadn\u00ed roli sehr\u00e1l producent Dave Fridmann<\/a>, jeho\u017e rukopis se u Vanessy znovu potk\u00e1v\u00e1 s klav\u00edrem, melancholi\u00ed i lehce snov\u00fdm oparem. Vedle n\u011bj se na desce pod\u00edlel Jon Fridmann, fin\u00e1ln\u00ed podobu nahr\u00e1vky dot\u00e1hla masteringem Emily Lazar. „Veils“ tak nep\u016fsob\u00ed jen jako n\u00e1vrat zn\u00e1m\u00e9ho jm\u00e9na, ale jako pe\u010dliv\u011b stav\u011bn\u00e1 deska, kter\u00e1 s\u00e1z\u00ed v\u00edc na atmosf\u00e9ru, hloubku a zvukovou trp\u011blivost ne\u017e na okam\u017eit\u00fd efekt. Ochutnat z novinky m\u016f\u017eete na YouTube profilu zp\u011bva\u010dky<\/a>.<\/p>\n

Midnight Swimmers<\/a> – Odd Ones Out
\n\u017e\u00e1nr: indie rock \/ post-punk \/ alternativn\u00ed kytarovka<\/p>\n

\"MidnightPra\u017e\u0161t\u00ed Midnight Swimmers<\/a> na debutu „Odd Ones Out“ rozhodn\u011b nehraj\u00ed na jistotu. Deska propojuje osobn\u00ed nejistoty, vztahov\u00e9 trhliny i spole\u010densk\u00fd tlak, tak\u017ee vedle intimn\u011bj\u0161\u00edch moment\u016f otev\u00edr\u00e1 i t\u00e9mata digit\u00e1ln\u00ed osam\u011blosti, iluz\u00ed a pozdn\u00edho kapitalismu. V \u010desk\u00fdch pom\u011brech je to sympaticky ambici\u00f3zn\u00ed pokus o sou\u010dasnou indie kytarovku, kter\u00e1 nechce jen opisovat britsk\u00e9 vzory, ale sna\u017e\u00ed se je p\u0159etavit do vlastn\u00edho, m\u00edsty syrov\u011bj\u0161\u00edho a nervn\u011bj\u0161\u00edho tvaru. Je z n\u00ed sly\u0161et, \u017ee skupina nechce zn\u00edt uhlazen\u011b za ka\u017edou cenu, sp\u00ed\u0161 hled\u00e1 nap\u011bt\u00ed, pohyb a lehce neklidnou atmosf\u00e9ru.<\/p>\n

Na v\u00fdsledku m\u00e1 podstatn\u00fd pod\u00edl i polsk\u00fd producent Aleksander Kaczmarek, s n\u00edm\u017e kapela spolupracovala u\u017e d\u0159\u00edv. „Odd Ones Out“ vznikalo v n\u011bkolika studi\u00edch v Polsku i \u010cesku – z\u00e1klad vznikl v MAQ Records u Katovic, dal\u0161\u00ed sessions prob\u00edhaly v Kaczmarkov\u011b dom\u00e1c\u00edm studiu, ve Space Tape i ve studiu kapely Myslovitz<\/a>, kde formace s\u00e1hla tak\u00e9 po vintage n\u00e1stroj\u00edch. I d\u00edky tomu deska nep\u016fsob\u00ed jako narychlo slepen\u00fd debut, ale jako promy\u0161len\u00fd prvn\u00ed krok kapely, kter\u00e1 m\u00e1 ambice vyr\u016fst z klubov\u00e9ho objevu v n\u011bco trvanliv\u011bj\u0161\u00edho. Nahr\u00e1vku v\u00e1m p\u0159ibl\u00ed\u017e\u00ed YouTube kan\u00e1l formace<\/a>.<\/p>\n

Crippled Black Phoenix<\/a> – Sceaduhelm
\n\u017e\u00e1nr: post-rock \/ progresivn\u00ed rock
\n\"CrippledCesta do nejhlub\u0161\u00edch kout\u016f lidsk\u00e9ho nitra, kde se \u00fanava setk\u00e1v\u00e1 s tichou vytrvalost\u00ed, tvo\u0159\u00ed z\u00e1klad nov\u00e9ho alba „Sceaduhelm“ britsk\u00e9 formace Crippled Black Phoenix<\/a>. Ta se, pod veden\u00edm Justina Greavese, na sv\u00e9 novince odvrac\u00ed od velk\u00fdch historick\u00fdch t\u00e9mat a kolektivn\u00edch traumat, aby prozkoumala n\u011bco mnohem osobn\u011bj\u0161\u00edho. Do nov\u00e9 tvorby se prom\u00edt\u00e1 cel\u00e1 \u0161k\u00e1la civiliza\u010dn\u00edch (n)emoc\u00ed od pocitu vyho\u0159en\u00ed, z\u00e1rmutku a\u017e po tich\u00e9 t\u00edhy toho, co v \u010dlov\u011bku p\u0159etrv\u00e1v\u00e1 i po velk\u00fdch \u017eivotn\u00edch bou\u0159\u00edch. Kolekce je popisov\u00e1na jako dosud nejnitern\u011bj\u0161\u00ed a nejst\u0159\u00eddm\u011bj\u0161\u00ed d\u00edlo kapely. Je to hudba, kter\u00e1 nikam nesp\u011bch\u00e1, n\u00fdbr\u017e se pomalu vrstv\u00ed a vytv\u00e1\u0159\u00ed t\u00edsnivou, ale z\u00e1rove\u0148 hluboce lidskou atmosf\u00e9ru.<\/p>\n

Hudebn\u011b na novince hraje kl\u00ed\u010dovou roli st\u0159\u00edd\u00e1n\u00ed t\u0159\u00ed v\u00fdrazn\u00fdch hlas\u016f: Belindy Kordic, Ryana Pattersona a Justina Stormse. Ka\u017ed\u00fd z nich do nahr\u00e1vky vn\u00e1\u0161\u00ed jin\u00fd odst\u00edn emoc\u00ed, od gotick\u00e9 melancholie p\u0159es apokalyptick\u00e9 blues a\u017e po syrovou post-rockovou nal\u00e9havost. Skladby jako osmiminutov\u00e1 „No Epitaph \/ The Precipice“ nebo mraziv\u00e1 „Vampire Grave“ ukazuj\u00ed kapelu v jej\u00ed nej\u010dist\u0161\u00ed podob\u011b, kde se minimalistick\u00e9 pas\u00e1\u017ee propl\u00e9taj\u00ed s mohutn\u00fdmi zvukov\u00fdmi st\u011bnami. Je to nahr\u00e1vka pro ty, kte\u0159\u00ed v hudb\u011b hledaj\u00ed \u00fakryt p\u0159ed hlukem vn\u011bj\u0161\u00edho sv\u011bta a neboj\u00ed se pohl\u00e9dnout do tv\u00e1\u0159e vlastn\u00ed \u00fanav\u011b, aby v n\u00ed na\u0161li novou s\u00edlu k vytrv\u00e1n\u00ed. Uk\u00e1zky z rovn\u00e9ho tuctu nov\u00fdch skladeb, kter\u00e9 propojuj\u00ed post-rock s dark folkem a gotick\u00fdm rockem, naleznete na YouTube profilu formace<\/a>.<\/p>\n

Record Store Day
\n
\n\"MadonnaLeto\u0161n\u00ed Record Store Day, p\u0159ipadaj\u00edc\u00ed na 18. dubna, p\u0159inesl sb\u011bratel\u016fm \u0159adu dlouho o\u010dek\u00e1van\u00fdch titul\u016f, kter\u00e9 se v\u016fbec poprv\u00e9 objevuj\u00ed na vinylov\u00fdch desk\u00e1ch. Mezi nejv\u00fdrazn\u011bj\u0161\u00ed po\u010diny pat\u0159\u00ed luxusn\u00ed edice alba „Analogue“ od norsk\u00e9 skupiny a-ha<\/a> \u010di prvn\u00ed vinylov\u00e9 vyd\u00e1n\u00ed koncertu Annie Lennox<\/a> z newyorsk\u00e9ho Central Parku na nepr\u016fhledn\u00e9m \u010derven\u00e9m nosi\u010di. Fanou\u0161ci popov\u00e9 ikony Madonny<\/a> se do\u010dkali z\u00e1znamu „The Confessions Tour“ na atraktivn\u00edm r\u016f\u017eovo-fialov\u00e9m vinylu, zat\u00edmco milovn\u00edci art-popu mohou obohatit sv\u00e9 sb\u00edrky o z\u00e1v\u011bre\u010dn\u00e9 album projektu Art of Noise v pr\u016fsvitn\u011b modr\u00e9m proveden\u00ed se vz\u00e1cn\u00fdmi bonusy.
\n
\n\"PinkRockov\u00e1 a alternativn\u00ed sc\u00e9na l\u00e1k\u00e1 na unik\u00e1tn\u00ed archivn\u00ed materi\u00e1ly a koncertn\u00ed z\u00e1znamy v neb\u00fdval\u00e9 zvukov\u00e9 kvalit\u011b. Velkou pozornost bud\u00ed monument\u00e1ln\u00ed set Pink Floyd<\/a> zachycuj\u00edc\u00ed vystoupen\u00ed v LA Sports Aren\u011b z roku 1975, kter\u00fd pro toto vyd\u00e1n\u00ed restauroval Steven Wilson<\/a>, a tak\u00e9 prvn\u00ed vinylov\u00e1 podoba japonsk\u00e9ho \u017eiv\u00e9ho alba skupiny Blur<\/a> „Live At The Budokan“. Pozadu nez\u016fst\u00e1vaj\u00ed ani p\u0159\u00edznivci britsk\u00e9 kytarov\u00e9 hudby, pro kter\u00e9 jsou p\u0159ipraveny raritn\u00ed nahr\u00e1vky Suede<\/a> z archivu BBC nebo roz\u0161\u00ed\u0159en\u00e1 edice p\u00edsn\u00ed T. Rex<\/a> z televizn\u00edho seri\u00e1lu „Marc“ na oran\u017eov\u00e9m vinylu, \u010derpaj\u00edc\u00ed z nov\u011b objeven\u00fdch studiov\u00fdch p\u00e1s\u016f.
\n
\n\"PeterPro n\u00e1ro\u010dn\u00e9 poslucha\u010de jsou p\u0159ipraveny edice zam\u011b\u0159en\u00e9 na po\u010d\u00e1tky slavn\u00fdch hudebn\u00edch drah a studiov\u00e9 rarity. Mezi kl\u00ed\u010dov\u00e9 polo\u017eky pat\u0159\u00ed soubor patn\u00e1cti ran\u00fdch dem Talking Heads<\/a> z roku 1975 \u010di ofici\u00e1ln\u00ed bootleg XTC z americk\u00e9ho turn\u00e9 v roce 1981, vylisovan\u00fd na t\u011b\u017ek\u00e9m audiofilsk\u00e9m vinylu. V\u00fd\u010det dopl\u0148uje Bruce Springsteen<\/a> s obs\u00e1hl\u00fdm setem z festivalu v Asbury Parku a Peter Gabriel<\/a> se speci\u00e1ln\u00edm zoetropov\u00fdm singlem „Sledgehammer“, kter\u00fd p\u0159i ot\u00e1\u010den\u00ed vytv\u00e1\u0159\u00ed animovan\u00e9 obrazy. Vzhledem k p\u0159\u00edsn\u011b omezen\u00fdm n\u00e1klad\u016fm z\u016fst\u00e1v\u00e1 osobn\u00ed n\u00e1v\u0161t\u011bva obl\u00edben\u00e9ho obchodu s deskami pro opravdov\u00e9 z\u00e1jemce i letos nezbytnost\u00ed.
\n
\nZa dal\u0161\u00ed zm\u00ednku stoj\u00ed:
\n
\n
\n Brian Eno<\/a>, Jon Hopkins<\/a> & Leo<\/a> Abrahams – Small Craft On A Milk Sea

\nReedice oce\u0148ovan\u00e9 ambientn\u00ed spolupr\u00e1ce.
\n
\n
\n
\n Taylor Swift<\/a> – Elizabeth Taylor

\nJeden z nej\u017e\u00e1dan\u011bj\u0161\u00edch kousk\u016f leto\u0161n\u00edho ro\u010dn\u00edku. Vy\u0161el jako 7palcov\u00fd fialov\u00fd splatter\/glitter vinyl.
\n
\n
\n
\n Charli XCX<\/a> – Party 4 u

\nSpeci\u00e1ln\u00ed edice singlu pro fanou\u0161ky modern\u00edho popu.
\n
\n
\n
\n Amy Macdonald<\/a> – Can You Hear Me? The Remixes

\nBarevn\u00fd vinyl s remixy jej\u00edch zn\u00e1m\u00fdch skladeb.
\n
\n
\n
\n The Doors<\/a> – Strange Days 1967: A Work in Progress, Part 2

\nUnik\u00e1tn\u00ed vhled do studiov\u00e9 pr\u00e1ce kapely na tyrkysov\u00e9m vinylu.
\n
\n
\n
\nJudas Priest<\/a> – Live In Los Angeles ’90

\nDosud nevydan\u00fd koncertn\u00ed z\u00e1znam na purpurov\u00e9m vinylu..
\n
\n
\n
\n
\n Paramore<\/a> – All We Know is Falling (Deluxe Edition)

\nDebutov\u00e9 album poprv\u00e9 v luxusn\u00ed 2LP verzi, kter\u00e1 obsahuje i vz\u00e1cn\u00e9 „The Summer Tic“ EP.
\n
\n
\n
\n
\n The Cure<\/a> – Greatest Hits \/ Acoustic Hits

\nSpeci\u00e1ln\u00ed RSD verze jejich nejv\u011bt\u0161\u00edch hit\u016f v akustick\u00e9m pod\u00e1n\u00ed.
\n
\n
\n
\n Wolf Alice<\/a> – Spotify Live Room

\n\u017div\u00fd z\u00e1znam jejich vystoupen\u00ed, kter\u00fd d\u0159\u00edve nebyl na fyzick\u00e9m nosi\u010di dostupn\u00fd.
\n
\n
\n
\n Porcupine Tree<\/a> – We Lost The Skyline

\nO\u0159ezan\u00fd osmip\u00eds\u0148ov\u00fd set, kter\u00fd Wilson a John Wesley<\/a> zahr\u00e1li v roce 2007 v klubu Park Avenue CDs v Orlandu na Florid\u011b.
\n
\n
\n
\n King Crimson<\/a> – Penn State 29. 6. 1974

\n\u017div\u00fd set, nahran\u00fd b\u011bhem americk\u00e9ho turn\u00e9 k albu „Starless And Bible Black“ , na kter\u00e9m se sestava Bruford-Cross-Fripp- Wetton rozpadla, zde poprv\u00e9 vydan\u00fd na vinylu a zahrnuj\u00edc\u00ed dv\u011b LP desky, zachycuje kapelu v z\u00e1\u0159iv\u011b form\u011b.
\n
\n
\n
\n David Bowie<\/a> – Hallo Spaceboy

\nEP se zam\u011b\u0159uje na spolupr\u00e1ci s Enem z roku 1995 s n\u00e1zvem „1.Outside“ a nab\u00edz\u00ed hned dv\u011b vyd\u00e1n\u00ed.
\n
\n
\nV\u011bt\u0161ina t\u011bchto titul\u016f byla k dispozici v omezen\u00e9m n\u00e1kladu (\u010dasto jen n\u011bkolik tis\u00edc kus\u016f pro cel\u00fd sv\u011bt). Pokud jste nestihli sobotn\u00ed n\u00e1kup v kamenn\u00fdch prodejn\u00e1ch, od ned\u011ble 19. dubna a pond\u011bl\u00ed 20. dubna se zb\u00fdvaj\u00edc\u00ed z\u00e1soby objevuj\u00ed v doprodej\u00edch na e-shopech (nap\u0159. u Rough Trade nebo lok\u00e1ln\u011b na Musicrecords.cz), ale ty nej\u017e\u00e1dan\u011bj\u0161\u00ed kousky (Taylor Swift, Paramore) b\u00fdvaj\u00ed obvykle vyprod\u00e1ny b\u011bhem n\u011bkolika minut.
\n
\n\"\"\"\"<\/a>
\n
\n <\/p>\n

Crimson Glory<\/a> – Chasing The Hydra
\n\u017e\u00e1nr: heavy metal \/ progresivn\u00ed metal
\n\"CrimsonN\u00e1vrat ke ko\u0159en\u016fm metalov\u00e9 mystiky a souboj s neuchopiteln\u00fdmi st\u00edny minulosti tvo\u0159\u00ed p\u00e1te\u0159 nov\u00e9ho alba „Chasing The Hydra“ legend\u00e1rn\u00ed formace Crimson Glory<\/a>. Ta kdysi definovala tv\u00e1\u0159 progresivn\u00edho metalu sv\u00fdmi st\u0159\u00edbrn\u00fdmi maskami a nadpozemsk\u00fdm zp\u011bvem, nyn\u00ed se po neuv\u011b\u0159iteln\u011b dlouh\u00e9 odmlce vrac\u00ed v pln\u00e9 s\u00edle. Tato floridsk\u00e1 parta na sv\u00e9 nov\u00e9 kolekci dokazuje, \u017ee jej\u00ed odkaz nen\u00ed jen prachem na star\u00fdch desk\u00e1ch, ale \u017eiv\u00fdm plamenem. Album p\u016fsob\u00ed jako most mezi slavnou \u00e9rou osmdes\u00e1t\u00fdch let a sou\u010dasnost\u00ed. Muzikanti do n\u00ed vlo\u017eili nap\u011bt\u00ed, hloubku a ono specifick\u00e9 tajemno, kter\u00e9 kapelu v\u017edy odli\u0161ovalo od zbytku sv\u011bta.<\/p>\n

Hlavn\u00edm hrdinou kolekce je bezpochyby nov\u00fd vokalista Travis Wills<\/a>. Ten p\u0159ed sebou nem\u011bl lehk\u00fd \u00fakol, ale zhostil se ho s obrovskou \u00factou. Jeho hlas v sob\u011b nese s\u00edlu a rozsah, kter\u00fd p\u0159ipom\u00edn\u00e1 odkaz zesnul\u00e9ho Midnighta, ale z\u00e1rove\u0148 do skladeb vn\u00e1\u0161\u00ed vlastn\u00ed, modern\u00ed dravost. Zakladatelsk\u00e9 duo kytarista Ben Jackson a bubenice Dana Burnell<\/a> spolu s nov\u00fdmi posilami vytvo\u0159ili zvuk, kter\u00fd je majest\u00e1tn\u00ed, vrstevnat\u00fd a technicky precizn\u00ed. Prvn\u00ed uk\u00e1zky a vizu\u00e1ly z alba najdete na ofici\u00e1ln\u00edm YouTube kan\u00e1lu kapely<\/a>.<\/p>\n

Castle Rat<\/a> – The Bestiary
\n\u017e\u00e1nr: heavy metal
\n\"Castle
\nAmerick\u00e1 kapela Castle Rat<\/a> uv\u00e1d\u00ed sv\u00e9 druh\u00e9 studiov\u00e9 album „The Bestiary“ a navazuje na debut „Into the Realm“ z roku 2023. Jde o koncep\u010dn\u00ed nahr\u00e1vku, kter\u00e1 se to\u010d\u00ed kolem imagin\u00e1rn\u00edho sv\u011bta pln\u00e9ho mytick\u00fdch bytost\u00ed, nestv\u016fr a hrdin\u016f. Ka\u017ed\u00e1 skladba funguje jako kapitola z fiktivn\u00edho besti\u00e1\u0159e tvor\u016f, kte\u0159\u00ed reprezentuj\u00ed strach, s\u00edlu i chaos. Hudebn\u011b kapela kombinuje doomov\u00e9 tempo, heavymetalovou melodiku a lehce teatr\u00e1ln\u00ed p\u0159\u00edstup, kter\u00fd p\u0159ipom\u00edn\u00e1 star\u00e9 fantasy soundtracky. Poslucha\u010d\u016fm sou\u010dasn\u011b slibuje imaginativn\u00ed sv\u011bt, do kter\u00e9ho se ka\u017ed\u00fd milovn\u00edk fantasy m\u016f\u017ee pono\u0159it. Uk\u00e1zky n\u011bkter\u00fdch ze t\u0159in\u00e1cti nov\u00fdch p\u00edsn\u00ed najdete na YouTube<\/a>.<\/p>\n

Accessory<\/a> – Dust
\nAdrian Younge<\/a> – Younge
\nAnne Hathaway – Mother Mary: Greatest Hits
\nAnnihilator<\/a> – Carnival Diablos
\nAnnihilator<\/a> – Criteria For A Black Widow
\nArkells<\/a> – Between Us
\nBeastie Boys<\/a> – To The 5 Boroughs (Deluxe Edition)
\nBejamin Tod – Vengeance And Grace
\nDallas Good And Richard Reed Parry – Were The Watchtowers
\nDas Lumpenpack – Bevor Der Mut Dich Verl\u00e4sst
\nDope<\/a> (Chuck D<\/a> And John Densmore) – No Country For Old Men
\nDyl – On The Verge Of An Entirely New World
\nEaves Wilder – Little Miss Sunshine
\nEverglow – Code
\nEzra – Whippersnap
\nFast Money Music – Fast Money Music
\nFrom Ashes To New<\/a> – Reflections
\nGary Marks – Crossroads
\nGem Club – Emerald Press
\nHardline<\/a> – Shout
\nHedvig Mollestad Weejuns – Bitches Blues
\nHoney Dijon – Nightlife
\nI\u2019m With Her – Sing Me Alive
\nJan Lisiecki<\/a> – Wolgang Amadeus Mozart : Piano Concertos Nos. 9 & 22
\nJohn Prine – Bbc Sessions
\nJohn Summit – Ctrl Escape
\nKathryn Mohr – Carve
\nLa Peste – I Don\u2019t Know Right From Wrong: Lost La Peste 1976-1979 Vol. 1
\nLittle Feat<\/a> – Little Feat (Deluxe Edition)
\nLucy Liyou – Mr Cobra
\nMagdalena Bay<\/a> – Nice Day: A Collection Of Singles
\nMarc Broussard<\/a> – Chance Worth Taking
\nMot\u00f6rhead<\/a> – On Parole Sessions
\nPrecious Pepala – Rosey
\nProtoje<\/a> – The Art Of Acceptance
\nRunt – The Necessary Cosmic Frenzy (With Todd Rundgren<\/a>)
\nSamuel Hasselhorn – Franz Schubert : Hoffnung
\nSean Solomon – The World Is Not Good Enough
\nSouled American – Sanctions
\nSxmrxxt – Era Of Love, Success And Happiness
\nTeen Suicide – Nude Descending Staircase Headless
\nThey Might Be Giants<\/a> – The World Is To Dig
\nThis Is Lorelei<\/a> – Box For Buddy, Box For Star (Super Deluxe)
\nTiga<\/a> – Hotlife
\nTomorrow X Together<\/a> – 7Th Year: A Moment Of Stillness In The Thorns
\nVictorius – World War Dinosaur (Coloured)
\nYaya Bay – Fidelity
\nYot Club – Simpleton
\nZombies – Begin Here (Mono Remastered)<\/p>\n

Vych\u00e1z\u00ed na vinylu:
\nA-Ha – Analogue
\nAnnihilator<\/a> – Carnival Diablos
\nAnnihilator<\/a> – Criteria For A Black Widow
\nFrom Ashes To New<\/a> – Reflections
\nHardline<\/a> – Shout
\nJohn<\/a> Prine – Bbc Sessions
\nLittle Feat<\/a> – Little Feat (Deluxe Edition)
\nMucha<\/a> – Adhd
\nRunt – The Necessary Cosmic Frenzy (With Todd Rundgren<\/a>)
\nTomora<\/a> – Come Closer
\nVictorius – World War Dinosaur (Coloured)
\nWarren Zevon – Epilogue: Live At The Edmonton Folk Music Festival
\nZayn<\/a> – Konnakol
\nZombies – Begin Here (Mono Remastered)<\/p>\n

EP:
\nFiona-Lee – Every Woman
\nNekrogoblikon – The Boiling Sea
\nSofia Isella<\/a> – Something Is A Shell
\nWage War<\/a> – It Calls Me By My Name \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"S \u0161\u00e9fem Nov\u00fdch desek na dovolen\u00e9 jsme pro jednou vypustili sekci V kr\u00e1tkosti, i tak v\u00e1m ale nab\u00edz\u00edme…\n","protected":false},"author":2,"featured_media":63740,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[8086,8087,79,8085,195,80],"class_list":{"0":"post-63739","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-zabava","8":"tag-cs","9":"tag-dvd","10":"tag-entertainment","11":"tag-musicserver","12":"tag-recenze","13":"tag-zabava"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116453179717339001","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/63739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=63739"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/63739\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/63740"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=63739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=63739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=63739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}