{"id":65846,"date":"2026-04-25T08:37:16","date_gmt":"2026-04-25T08:37:16","guid":{"rendered":"https:\/\/www.europesays.com\/cz\/65846\/"},"modified":"2026-04-25T08:37:16","modified_gmt":"2026-04-25T08:37:16","slug":"ewa-farna-to-po-boku-dianne-warren-na-uvodnim-koncertu-composers-summit-prague-zabila","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/cz\/65846\/","title":{"rendered":"Ewa Farna to po boku Dianne Warren na \u00favodn\u00edm koncertu Composers Summit Prague zabila"},"content":{"rendered":"

Odstartoval p\u00e1t\u00fd ro\u010dn\u00edk Composers Summit Prague, presti\u017en\u00ed akce, kter\u00e1 do hlavn\u00edho m\u011bsta ka\u017edoro\u010dn\u011b l\u00e1k\u00e1 velk\u00e1 jm\u00e9na orchestr\u00e1ln\u00ed hudby. A\u0165 u\u017e \u017eijete Marvelem, anim\u00e1ky od Disneyho, videohrami od „World Of Warcraft“ p\u0159es „Asssassin’s Creed“ po „The Last Of Us“, Sa\u0161a Smutn\u00fd se sv\u00fdm t\u00fdmem pro v\u00e1s v\u017edy n\u011bco m\u00e1.<\/p>\n

Live: Composers Summit Prague 2026 – Gala ve\u010der<\/p>\n

m\u00edsto: Obecn\u00ed d\u016fm, Praha
datum: 23. dubna 2026

\n
\nsetlist: Dominik Svoboda – Composer Summit Fanfare, Christopher Lennertz – Medal Of Honor Suite: Main Title, One Man Can Make A Difference, All Star Suite (arr. Bernhard P.Eder): Elia Cm\u00edral: Norrlandia, Glen Gabriel: Mares Of The Night, Maclaine Diemer: Wildgate Main Theme, Paul K Joyce: Bob The Builder Theme, Marcelo Zarvos – KPop Demon Hunters, Mirko B\u00fcchele – Illusions, Christophe Beck – Suite from Frozen II, Theme from Ant Man And The Wasp: Quantumania, Dianne Warren a Ewa Farna – Dear Me (arr. Tom\u00e1\u0161 Borl), There You’ll Be \/ Pearl Harbor (arr. Dominik Svoboda), p\u0159est\u00e1vka, Jeff Beal – House Of Cards mini suite, Chris Egan – Pole To Pole, Tom Howe – Octupus from Parenthood, Tom\u00e1\u0161 Borl – Ceremonial Fanfare, E\u00edmear Noone – World Of Warcraft: Malach, Angel Messenger, Gustavo Santaolalla – All Gone (No Escape) from The Last Of Us, Michael Stein a Kyle Dixon (arr. Dominik Svoboda) – Stranger Things 4: A Realm Unspoiled By Mankind, Mychael Danna – Mother Teresa, Life Of Pi suite, Harry Gregson-Williams – Narnia, Prince Of Persia, Martian, Shrek \n<\/p>\n

Slovo zabila z titulku je samoz\u0159ejm\u011b vt\u00edpek pro zasv\u011bcen\u00e9, kte\u0159\u00ed se nach\u00e1zeli p\u0159\u00edmo v s\u00e1le, proto\u017ee pr\u00e1v\u011b tohle slovo pou\u017eila sama Farna v diskusi s Diane Warren<\/a>. Ale o tom za chv\u00edli. \u00davodem je pot\u0159eba p\u0159ipomenout, \u017ee Composers Summit Prague je opravdu kr\u00e1sn\u00e1 akce. U\u017e p\u00e1t\u00fdm rokem v \u0159ad\u011b do Prahy p\u0159iv\u00e1\u017e\u00ed v\u00edce i m\u00e9n\u011b zn\u00e1m\u00e9 skladatele filmov\u00e9, seri\u00e1lov\u00e9 i videohern\u00ed hudby a propojuje je se za\u010d\u00ednaj\u00edc\u00edmi um\u011blci, kte\u0159\u00ed tentokr\u00e1t p\u0159ijeli z celkem dvaa\u010dty\u0159iceti zem\u00ed.<\/p>\n

\u0160estidenn\u00ed summit b\u00fdv\u00e1 pln\u00fd p\u0159edn\u00e1\u0161ek, sd\u00edlen\u00ed know-how a pro ty, kte\u0159\u00ed se jej \u00fa\u010dastn\u00ed od r\u00e1na do ve\u010dera, p\u0159edstavuje bezpochyby nesm\u00edrn\u011b obohacuj\u00edc\u00ed zku\u0161enost. Pokud ale nepat\u0159\u00edte mezi skladatele, n\u00fdbr\u017e hudebn\u00ed fanou\u0161ky, kte\u0159\u00ed maj\u00ed r\u00e1di orchestr\u00e1ln\u00ed hudbu, \u010cesk\u00fd n\u00e1rodn\u00ed symfonick\u00fd orchestr<\/a> pravideln\u011b p\u0159edv\u00e1d\u00ed v \u00favodu cel\u00e9 ud\u00e1losti takzvan\u00fd galave\u010der.<\/p>\n


\n \"Composers<\/a>
\n \u00a9 Petr KlapperNa n\u011bm se v\u017edy p\u0159edstav\u00ed v\u011bt\u0161ina host\u016f alespo\u0148 jedn\u00edm ze sv\u00fdch d\u011bl, a kdy\u017e se sejde \u0161t\u011bst\u00ed i skladatelova n\u00e1lada, lze ho za\u017e\u00edt i p\u0159i dirigov\u00e1n\u00ed. Letos v tomto sm\u011bru st\u00e1lo za to sledovat Harryho Gregsona-Williamse, Jeffa Beala \u010di E\u00edmear Noone, kter\u00e1 svou uk\u00e1zku z MMO fantasy hitu „World of Warcraft“ doprovodila a\u017e zlov\u011bstn\u00fdmi pohyby. Se shrben\u00fdmi z\u00e1dy a \u0161pi\u010dat\u00fdmi rameny u toho vypadala – se v\u0161\u00ed \u00factou k n\u00ed – jako jeden z tamn\u00edch sk\u0159et\u016f. A v\u016fbec to nebylo na \u0161kodu.<\/p>\n

Drtivou v\u011bt\u0161inu ve\u010dera ale oddirigoval Raku\u0161an Bernhard Phillip Eder. Nen\u00ed pro\u010d ho kritizovat, p\u0159esto – kdy\u017e v s\u00e1le sed\u00ed i p\u016fvodn\u00ed tv\u016frce -, p\u016fsob\u00ed jako stra\u0161n\u00e1 \u0161koda toho nevyu\u017e\u00edt.<\/p>\n

Drobn\u00e1 kritika m\u00ed\u0159\u00ed i za doprovodn\u00fdmi projekcemi. V p\u0159edchoz\u00edch letech b\u00fdvalo zvykem prom\u00edtat, kdy\u017e u\u017e ne p\u0159\u00edmo z\u00e1b\u011bry z film\u016f (pr\u00e1va na by\u0165 jen p\u00e1r vte\u0159in vych\u00e1zej\u00ed astronomicky draze), tak alespo\u0148 pravd\u011bpodobn\u011b pomoc\u00ed um\u011bl\u00e9 inteligence vytvo\u0159en\u00e9 obrazy v\u00edce \u010di m\u00e9n\u011b p\u0159ipom\u00ednaj\u00edc\u00ed atmosf\u00e9ru, barvy a n\u00e1ladu dan\u00e9ho sn\u00edmku. \u010clov\u011bk se tak k d\u00edlu sn\u00e1ze dostal a mnohem l\u00e9pe vn\u00edmal i doprovodnou hudbu, kterou \u0161lo o to snadn\u011bji odli\u0161it od jin\u00fdch p\u0159edveden\u00fdch kousk\u016f.<\/p>\n

Letos se v\u0161ak organiz\u00e1to\u0159i v \u010dele s Alexandrem Smutn\u00fdm ze skupiny Jelen<\/a> rozhodli prom\u00edtat na pl\u00e1tna jen a pouze z\u00e1b\u011bry na muzikanty na p\u00f3diu. I to samoz\u0159ejm\u011b m\u00e1 sv\u00e9 opodstatn\u011bn\u00ed, ur\u010dit\u00e9mu pocitu o\u0161izen\u00ed se ale \u010dlov\u011bk nevyhnul. A c\u00edtil to o to v\u00edc, kdy\u017e v druh\u00e9 p\u016fli ve\u010dera Tom Howe p\u0159edvedl svou doprovodnou hudbu „Octopus“ z dokumentu „Parenthood“ od Davida Attenborougha. U v\u0161eho toho cink\u00e1n\u00ed, jemn\u00fdch aran\u017e\u00ed a m\u00edsty a\u017e skoro mimozemsk\u00fdch zvuk\u016f bylo najednou mo\u017en\u00e9 sledovat z\u00e1b\u011bry tak fascinuj\u00edc\u00edho zv\u00ed\u0159ete, jak\u00fdm chobotnice bezpochyby je. Projekce hned cel\u00fd z\u00e1\u017eitek posunuly do \u00fapln\u011b jin\u00fdch sf\u00e9r a z kousku, kter\u00fd by jinak mohl zapadnout, se stal jeden z nejpam\u00e1tn\u011bj\u0161\u00edch moment\u016f leto\u0161n\u00edho galave\u010dera.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Siln\u00fdch moment\u016f nab\u00eddlo vystoupen\u00ed v Obecn\u00edm dom\u011b celou \u0159adu, nicm\u00e9n\u011b mus\u00edm dodat je\u0161t\u011b jedno drobn\u00e9 zklam\u00e1n\u00ed, a\u0165 je seznam m\u00ednus\u016f kompletn\u00ed. Z\u00e1le\u017e\u00ed toti\u017e na tom, jestli jste na akci vyrazili poprv\u00e9, nebo pon\u011bkolik\u00e1t\u00e9. Pro \u010dlov\u011bka, kter\u00fd ji sleduje dlouhodob\u011b, m\u00e1 ji up\u0159\u00edmn\u011b r\u00e1d a sna\u017e\u00ed se nevynechat by\u0165 jen jedin\u00fd ro\u010dn\u00edk, uk\u00e1zal leto\u0161ek sv\u00e9 limity.<\/p>\n

\u010c\u00edm d\u00e1l v\u00edc se toti\u017e ukazuje, \u017ee se ze summitu st\u00e1v\u00e1 ud\u00e1lost, na n\u00ed\u017e se potk\u00e1vaj\u00ed sta\u0159\u00ed p\u0159\u00e1tel\u00e9. Sp\u00ed\u0161e ne\u017e hudebn\u00ed festival tak p\u0159ipom\u00edn\u00e1 sraz ze z\u00e1kladky, kde si mezi sebou kamar\u00e1di je\u0161t\u011b rozdaj\u00ed ceny – tentokr\u00e1t je dostali Harry Gregson-Williams<\/a> a Mychael Danna<\/a>, cenu \u010cSFD si odnesla Diane Warren a chv\u00e1lyhodnou aktivitu v podob\u011b stipendia na Berklee College of Music ve Valencii z\u00edskal Alex Mat\u011bj\u00ed\u010dek. Ale zp\u011bt k tomu srazu. I ten m\u00e1 jist\u011b sv\u00e9 kouzlo, nicm\u00e9n\u011b kdy\u017e se rok co rok opakuje p\u0159ibli\u017en\u011b polovina skladatel\u016f a t\u00edm p\u00e1dem i jejich program, mus\u00ed si v\u011brn\u00fd n\u00e1v\u0161t\u011bvn\u00edk cht\u011b necht\u011b kl\u00e1st ot\u00e1zku, zda skute\u010dn\u011b d\u00e1v\u00e1 smysl opakovan\u011b chodit na akci, kde znovu usly\u0161\u00ed plus minus to sam\u00e9 co minule.<\/p>\n

Nech\u00e1pejte to \u0161patn\u011b – ta d\u00edla jsou \u00fa\u017easn\u00e1, mnohdy dokonce fascinuj\u00edc\u00ed a rozhodn\u011b stoj\u00ed za to, aby lid\u00e9 vid\u011bli \u0161\u00ed\u0159i reperto\u00e1ru nap\u0159\u00edklad Gregsona-Williamse. Jeho p\u0159\u00edsp\u011bvek p\u0159edev\u0161\u00edm ze „Shreka“ byl se v\u0161emi zvraty a n\u00e1pady i v roce 2026 znovu strhuj\u00edc\u00ed. Tot\u00e9\u017e plat\u00ed pro u\u017e tradi\u010dn\u011b fenomen\u00e1ln\u00edho Mychaela Dannu, kter\u00fd p\u00e1r let pat\u0159\u00ed mezi pomysln\u00e9 \u010dern\u00e9 kon\u011b summitu a zrovna jeho absence by vadila. Tak\u00e9 Jesper Kyd pat\u0159\u00ed mezi ty, jejich\u017e tituln\u00ed suita k Eziovi z „Assassin’s Creed II“ neomrz\u00ed. A sly\u0161et na\u017eivo zn\u011blku ze seri\u00e1lu „House of Cards“, kterou si oddiriguje p\u0159\u00edmo jej\u00ed tv\u016frce Jeff Beal, je tak\u00e9 z\u00e1\u017eitek, kter\u00fd bude bavit zas a znovu. Jen\u017ee pak je tady je\u0161t\u011b Glen Gabriel, Paul K. Joyce, Elia Cm\u00edral, Christophe Beck<\/a> a dal\u0161\u00ed, jejich\u017e pr\u00e1ci u\u017e rovn\u011b\u017e pom\u011brn\u011b dob\u0159e zn\u00e1me, a program se proto za\u010d\u00edn\u00e1 pomalu, ale jist\u011b trochu recyklovat.<\/p>\n

Bylo by fajn, kdyby v\u00edce prostoru dostali ti, kte\u0159\u00ed summit nav\u0161t\u00edv\u00ed poprv\u00e9 a maj\u00ed co uk\u00e1zat. Kup\u0159\u00edkladu Marcelo Zarvos m\u00e1 diskografii plnou zaj\u00edmav\u00fdch nahr\u00e1vek a i jeho p\u0159\u00edsp\u011bvek z „KPop Demon Hunters“ mohl obsahovat v\u00edce pas\u00e1\u017e\u00ed. Kdo sly\u0161el cel\u00fd soundtrack, jist\u011b bude souhlasit s t\u00edm, \u017ee jeho stop\u00e1\u017e nab\u00edz\u00ed i experiment\u00e1ln\u011bj\u0161\u00ed a origin\u00e1ln\u011bj\u0161\u00ed momenty ne\u017e ten, kter\u00fd zazn\u011bl v s\u00e1le. O dal\u0161\u00edch kousc\u00edch z jeho d\u00edlny ani nemluv\u011b – t\u0159eba soundtrack k „Equalizeru 3“ tak\u00e9 stoj\u00ed za poslech.<\/p>\n

Na\u0161t\u011bst\u00ed budou m\u00edt n\u00e1v\u0161t\u011bvn\u00edci je\u0161t\u011b v n\u00e1sleduj\u00edc\u00edch dnech mo\u017enost za\u017e\u00edt na kyta\u0159e postavenou hudbu Gustava Santaolally z videohry a seri\u00e1lu „The Last of Us“ v pln\u00e9 d\u00e9lce. Tot\u00e9\u017e \u010dek\u00e1 fanou\u0161ky „Stranger Things“, nebo\u0165 Michael Stein a Kyle Dixon p\u0159edvedou v sobotu v prostor\u00e1ch Nov\u00e9 Spir\u00e1ly ur\u010dit\u011b podobn\u011b podmanivou show, jako se to u\u017e poda\u0159ilo<\/a> loni Jungu Jaeilovi s hudbou ze „Hry na olihe\u0148“.<\/p>\n

\"\"\"\"<\/a><\/p>\n

Zapadnout by v\u0161ak nem\u011bl p\u0159\u00edsp\u011bvek nov\u00e1\u010dka v line-upu. Mirko B\u00fcchele se sv\u00fdm kouskem „Illusions“ uk\u00e1zal, \u017ee si \u0161ek na 50 000 K\u010d od spole\u010dnosti OSA ur\u010dit\u011b zaslou\u017e\u00ed, proto\u017ee jeho d\u00edlo nab\u00edzelo jistou originalitu a sv\u00fdmi ne\u010dekan\u00fdmi twisty se zapsalo do pam\u011bti div\u00e1k\u016f.<\/p>\n

P\u0159es ve\u0161kerou snahu v\u0161ech \u00fa\u010dinkuj\u00edc\u00edch je v\u0161ak u\u017e nyn\u00ed jasn\u00e9, \u017ee jakmile se za p\u00e1r let budeme sna\u017eit vybavit si, co se tehdy d\u011blo na summitu v roce 2026, v\u0161em n\u00e1m vysko\u010d\u00ed jedin\u00e9. \u017de to byl ten ro\u010dn\u00edk, jeho\u017e prvn\u00ed p\u016flku pobl\u00ed\u017e l\u00f3\u017ee sledovala i Ewa Farna<\/a> se sv\u00fdm synem. A to jen proto, aby si ji moder\u00e1to\u0159i Martin Donutil a Pavl\u00edna Hor\u00e1kov\u00e1 zavolali na stage jako tajn\u00e9ho, v programu neavizovan\u00e9ho hosta a ona dostala p\u0159\u00edle\u017eitost zaz\u00e1\u0159it p\u0159ed publikem, kter\u00e9 by na ni norm\u00e1ln\u011b asi ne\u0161lo. A \u017ee to zabila.<\/p>\n


\n \"Composers<\/a>
\n \u00a9 Petr KlapperTo, \u010deho jsme byli sv\u011bdky, stav\u011blo chlupy na rukou a pos\u00edlalo mr\u00e1z po z\u00e1dech. V\u0161ichni v\u00edme, \u017ee Ewa zp\u00edvat um\u00ed. A kdy\u017e chce, tak to tam prost\u011b zand\u00e1 takov\u00fdm zp\u016fsobem, \u017ee spadne brada \u00fapln\u011b v\u0161em. Kdo ji n\u011bkdy vid\u011bl v SuperStar zp\u00edvat Whitney Houston<\/a> nebo ji za\u017eil v O2 universu s orchestrem, v\u00ed, o \u010dem je \u0159e\u010d. Tady ale zp\u00edvala anglicky a nesm\u00edrn\u011b j\u00ed to sedlo. <\/p>\n

Za z\u00e1dy m\u011bla symfonick\u00fd orchestr a vedle sebe piano, za n\u00edm\u017e sed\u011bla legenda a v podstat\u011b asi nejv\u011bt\u0161\u00ed hv\u011bzda leto\u0161n\u00edho ro\u010dn\u00edku – Diane Warren<\/a> – \u017eena, kter\u00e1 cel\u00fd \u017eivot p\u00ed\u0161e neuv\u011b\u0159iteln\u00e9 a nezapomenuteln\u00e9 p\u00edsn\u011b o l\u00e1sce, a\u010dkoliv jej\u00ed vlastn\u00ed osobn\u00ed \u017eivot le\u017e\u00ed v trosk\u00e1ch a jak se sama vyj\u00e1d\u0159ila, prakticky u\u017e na n\u011bj rezignovala. O to neuv\u011b\u0159iteln\u011bji p\u016fsob\u00ed, jak\u00e9 gigantick\u00e9 hity z n\u00ed padaj\u00ed, p\u0159esto\u017ee laici mnohdy netu\u0161\u00ed, \u017ee za nimi stoj\u00ed pr\u00e1v\u011b ona: „I Don’t Wanna Miss a Thing“ od Aerosmith<\/a>, „How Do I Live“ od LeAnn Rimes<\/a>, „If I Could Turn Back Time“ od Cher<\/a>, „Rhythm of the Night“ od DeBarge a dal\u0161\u00ed.<\/p>\n

\"\"\"\"<\/a><\/p>\n

A tato \u017eij\u00edc\u00ed legenda, ocen\u011bn\u00e1 snad v\u0161emi cenami od Grammy p\u0159es Zlat\u00fd gl\u00f3bus a\u017e po Billboard Awards, doprov\u00e1zela na piano Ewu Farnou, kter\u00e1 zazp\u00edvala dva jej\u00ed kousky: na Oscara nominovanou baladu „Dear Me“, kterou v origin\u00e1le zp\u00edv\u00e1 Kesha<\/a> a kter\u00e1 poch\u00e1z\u00ed z dokumentu „Diane Warren: Relentless“, a absolutn\u00ed klasiku „There You’ll Be“ od Faith Hill<\/a>, je\u017e v roce 2001 ud\u011blala z filmu „Pearl Harbor“ filmovou povinnost. <\/p>\n

„Zp\u00edvala jsem si ji v deseti letech na karaoke, tak\u017ee tohle cel\u00e9 je pro m\u011b full circle moment,“ \u0159ekla k tomu Ewa. A i kdy\u017e v jej\u00edm proveden\u00ed p\u0159i\u0161la malililinkat\u00e1 chybi\u010dka, v\u016fbec na tom nez\u00e1le\u017e\u00ed.<\/p>\n

T\u011bch zhruba deset minut, kter\u00e9 zp\u00edvala, toti\u017e vzalo dech \u00fapln\u011b v\u0161em. Moje slovn\u00ed z\u00e1soba nesta\u010d\u00ed na to, aby dok\u00e1zal vystihnout a p\u00edsmenky zachytit mimo\u0159\u00e1dnost tohoto vystoupen\u00ed. Je\u0161t\u011b te\u010f, zhruba \u010dty\u0159iadvacet hodin pot\u00e9, mi jen ta vzpom\u00ednka vh\u00e1n\u00ed slzy do o\u010d\u00ed. Nic proti Calinovi<\/a> nebo Annet X<\/a>, odte\u010f je to ale Faith Hill, kter\u00e1 by m\u011bla zazn\u00edt v Edenu. Nechat toti\u017e takov\u00e9 \u010d\u00edslo jen pro skromn\u00e9 publikum Obecn\u00edho domu by byla stra\u0161n\u00e1 \u0161koda. Toto si zaslou\u017e\u00ed vyt\u011b\u017eit. Wow… Klobouk dol\u016f.<\/p>\n

Hudba pr\u00fd nen\u00ed sout\u011b\u017e. I tak se ale zd\u00e1, \u017ee p\u00e1t\u00fd ro\u010dn\u00edk m\u011bl minim\u00e1ln\u011b ve sv\u00e9m \u00favodu jednozna\u010dnou a pom\u011brn\u011b ne\u010dekanou v\u00edt\u011bzku. M\u016f\u017eeme si proto jen dr\u017eet palce, aby p\u0159i\u0161la a p\u0159edvedla podobn\u011b \u00fa\u017easn\u00e9 vystoupen\u00ed i za rok. <\/p>\n

Composers Summit Prague ale pokra\u010duje d\u00e1l a v n\u00e1sleduj\u00edc\u00edch dnech p\u0159ineseme report\u00e1\u017ee i z dal\u0161\u00edch koncert\u016f. Z\u016fsta\u0148te s n\u00e1mi. \"\"<\/p>\n","protected":false},"excerpt":{"rendered":"Odstartoval p\u00e1t\u00fd ro\u010dn\u00edk Composers Summit Prague, presti\u017en\u00ed akce, kter\u00e1 do hlavn\u00edho m\u011bsta ka\u017edoro\u010dn\u011b l\u00e1k\u00e1 velk\u00e1 jm\u00e9na orchestr\u00e1ln\u00ed hudby.…\n","protected":false},"author":2,"featured_media":65847,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[8086,8087,8085,98,99,195],"class_list":{"0":"post-65846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-praha","8":"tag-cs","9":"tag-dvd","10":"tag-musicserver","11":"tag-prague","12":"tag-praha","13":"tag-recenze"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@cz\/116464441548803811","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/65846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/comments?post=65846"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/posts\/65846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media\/65847"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/media?parent=65846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/categories?post=65846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/cz\/wp-json\/wp\/v2\/tags?post=65846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}